Lecture Notes on ”The Mathematics Behind Escher’S Prints: Form Symmetry to Groups”
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Crystallographic Topology and Its Applications * Carroll K
4 Crystallographic Topology and Its Applications * Carroll K. Johnson and Michael N. Burnett Chemical and Analytical Sciences Division, Oak Ridge National Laboratory Oak Ridge, TN 37831-6197, USA [email protected] http://www. ornl.gov/ortep/topology. html William D. Dunbar Division of Natural Sciences & Mathematics, Simon’s Rock College Great Barrington, MA 01230, USA wdunbar @plato. simons- rock.edu http://www. simons- rock.edd- wdunbar Abstract two disciplines. Since both topology and crystallography have many subdisciplines, there are a number of quite Geometric topology and structural crystallography different intersection regions that can be called crystall o- concepts are combined to define a new area we call graphic topology; but we will confine this discussion to Structural Crystallographic Topology, which may be of one well delineated subarea. interest to both crystallographers and mathematicians. The structural crystallography of interest involves the In this paper, we represent crystallographic symmetry group theory required to describe symmetric arrangements groups by orbifolds and crystal structures by Morse func- of atoms in crystals and a classification of the simplest arrangements as lattice complexes. The geometric topol- tions. The Morse @fiction uses mildly overlapping Gau s- sian thermal-motion probability density functions cen- ogy of interest is the topological properties of crystallo- tered on atomic sites to form a critical net with peak, pass, graphic groups, represented as orbifolds, and the Morse pale, and pit critical points joined into a graph by density theory global analysis of critical points in symmetric gradient-flow separatrices. Critical net crystal structure functions. Here we are taking the liberty of calling global drawings can be made with the ORTEP-111 graphics pro- analysis part of topology. -
Fractal Wallpaper Patterns Douglas Dunham John Shier
Fractal Wallpaper Patterns Douglas Dunham John Shier Department of Computer Science 6935 133rd Court University of Minnesota, Duluth Apple Valley, MN 55124 USA Duluth, MN 55812-3036, USA [email protected] [email protected] http://john-art.com/ http://www.d.umn.edu/˜ddunham/ Abstract In the past we presented an algorithm that can fill a region with an infinite sequence of randomly placed and progressively smaller shapes, producing a fractal pattern. In this paper we extend that algorithm to fill rectangles and triangles that tile the plane, which yields wallpaper patterns that are locally fractal in nature. This produces artistic patterns which have a pleasing combination of global symmetry and local randomness. We show several sample patterns. Introduction We have described an algorithm [2, 4, 6] that can fill a planar region with a series of progressively smaller randomly-placed motifs and produce pleasing patterns. Here we extend that algorithm to fill rectangles and triangles that can fill the plane, creating “wallpaper” patterns. Figure 1 shows a randomly created circle pattern with symmetry group p6mm. In order to create our wallpaper patterns, we fill a fundamental region Figure 1: A locally random circle fractal with global p6mm symmetry. for one of the 17 2-dimensional crystallographic groups with randomly placed, progressively smaller copies of a motif, such as a circle in Figure 1. The randomness generates a fractal pattern. Then copies of the filled fundamental region can be used to tile the plane, yielding a locally fractal, but globally symmetric pattern. In the next section we recall how the basic algorithm works and describe the modifications needed to create wallpaper patterns. -
ON a PROOF of the TREE CONJECTURE for TRIANGLE TILING BILLIARDS Olga Paris-Romaskevich
ON A PROOF OF THE TREE CONJECTURE FOR TRIANGLE TILING BILLIARDS Olga Paris-Romaskevich To cite this version: Olga Paris-Romaskevich. ON A PROOF OF THE TREE CONJECTURE FOR TRIANGLE TILING BILLIARDS. 2019. hal-02169195v1 HAL Id: hal-02169195 https://hal.archives-ouvertes.fr/hal-02169195v1 Preprint submitted on 30 Jun 2019 (v1), last revised 8 Oct 2019 (v3) HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. ON A PROOF OF THE TREE CONJECTURE FOR TRIANGLE TILING BILLIARDS. OLGA PARIS-ROMASKEVICH To Manya and Katya, to the moments we shared around mathematics on one winter day in Moscow. Abstract. Tiling billiards model a movement of light in heterogeneous medium consisting of homogeneous cells in which the coefficient of refraction between two cells is equal to −1. The dynamics of such billiards depends strongly on the form of an underlying tiling. In this work we consider periodic tilings by triangles (and cyclic quadrilaterals), and define natural foliations associated to tiling billiards in these tilings. By studying these foliations we manage to prove the Tree Conjecture for triangle tiling billiards that was stated in the work by Baird-Smith, Davis, Fromm and Iyer, as well as its generalization that we call Density property. -
Tiles of the Plane: 6.891 Final Project
Tiles of the Plane: 6.891 Final Project Luis Blackaller Kyle Buza Justin Mazzola Paluska May 14, 2007 1 Introduction Our 6.891 project explores ways of generating shapes that tile the plane. A plane tiling is a covering of the plane without holes or overlaps. Figure 1 shows a common tiling from a building in a small town in Mexico. Traditionally, mathematicians approach the tiling problem by starting with a known group of symme- tries that will generate a set of tiles that maintain with them. It turns out that all periodic 2D tilings must have a fundamental region determined by 2 translations as described by one of the 17 Crystallographic Symmetry Groups [1]. As shown in Figure 2, to generate a set of tiles, one merely needs to choose which of the 17 groups is needed and create the desired tiles using the symmetries in that group. On the other hand, there are aperiodic tilings, such as Penrose Tiles [2], that use different sets of generation rules, and a completely different approach that relies on heavy math like optimization theory and probability theory. We are interested in the inverse problem: given a set of shapes, we would like to see what kinds of tilings can we create. This problem is akin to what a layperson might encounter when tiling his bathroom — the set of tiles is fixed, but the ways in which the tiles can be combined is unconstrained. In general, this is an impossible problem: Robert Berger proved that the problem of deciding whether or not an arbitrary finite set of simply connected tiles admits a tiling of the plane is undecidable [3]. -
Congruence Links for Discriminant D = −3
Principal Congruence Links for Discriminant D = −3 Matthias Goerner UC Berkeley April 20th, 2011 Matthias Goerner (UC Berkeley) Principal Congruence Links April 20th, 2011 1 / 44 Overview Thurston congruence link, geometric description Bianchi orbifolds, congruence and principal congruence manifolds Results implying there are finitely many principal congruence links Overview for the case of discriminant D = −3 Preliminaries for the construction Construction of two more examples Open questions Matthias Goerner (UC Berkeley) Principal Congruence Links April 20th, 2011 2 / 44 Thurston congruence link −3 M2+ζ Complement is non-compact finite-volume hyperbolic 3-manifold. Tesselated by 28 regular ideal hyperbolic tetrahedra. Tesselation is \regular", i.e., symmetry group takes every tetrahedron to every other tetrahedron in all possible 12 orientations. Matthias Goerner (UC Berkeley) Principal Congruence Links April 20th, 2011 3 / 44 Cusped hyperbolic 3-manifolds Ideal hyperbolic tetrahedron does not include the vertices. Remove a small hororball. Ideal tetrahedron is topologically a truncated tetrahedron. Cut is a triangle with a Euclidean structure from hororsphere. Matthias Goerner (UC Berkeley) Principal Congruence Links April 20th, 2011 4 / 44 Cusped hyperbolic 3-manifolds have toroidal ends Truncated tetrahedra form interior of a 3-manifold M¯ with boundary. @M¯ triangulated by the Euclidean triangles. @M¯ is a torus. Ends (cusps) of hyperbolic manifold modeled on torus × interval. Matthias Goerner (UC Berkeley) Principal Congruence Links April 20th, 2011 5 / 44 Knot complements can be cusped hyperbolic 3-manifolds Cusp homeomorphic to a tubular neighborhood of a knot/link component. Figure-8 knot complement tesselated by two regular ideal tetrahedra. Hyperbolic metric near knot so dense that light never reaches knot. -
Simple Rules for Incorporating Design Art Into Penrose and Fractal Tiles
Bridges 2012: Mathematics, Music, Art, Architecture, Culture Simple Rules for Incorporating Design Art into Penrose and Fractal Tiles San Le SLFFEA.com [email protected] Abstract Incorporating designs into the tiles that form tessellations presents an interesting challenge for artists. Creating a viable M.C. Escher-like image that works esthetically as well as functionally requires resolving incongruencies at a tile’s edge while constrained by its shape. Escher was the most well known practitioner in this style of mathematical visualization, but there are significant mathematical objects to which he never applied his artistry including Penrose Tilings and fractals. In this paper, we show that the rules of creating a traditional tile extend to these objects as well. To illustrate the versatility of tiling art, images were created with multiple figures and negative space leading to patterns distinct from the work of others. 1 1 Introduction M.C. Escher was the most prominent artist working with tessellations and space filling. Forty years after his death, his creations are still foremost in people’s minds in the field of tiling art. One of the reasons Escher continues to hold such a monopoly in this specialty are the unique challenges that come with creating Escher type designs inside a tessellation[15]. When an image is drawn into a tile and extends to the tile’s edge, it introduces incongruencies which are resolved by continuously aligning and refining the image. This is particularly true when the image consists of the lizards, fish, angels, etc. which populated Escher’s tilings because they do not have the 4-fold rotational symmetry that would make it possible to arbitrarily rotate the image ± 90, 180 degrees and have all the pieces fit[9]. -
On Three-Dimensional Space Groups
On Three-Dimensional Space Groups John H. Conway Department of Mathematics Princeton University, Princeton NJ 08544-1000 USA e-mail: [email protected] Olaf Delgado Friedrichs Department of Mathematics Bielefeld University, D-33501 Bielefeld e-mail: [email protected] Daniel H. Huson ∗ Applied and Computational Mathematics Princeton University, Princeton NJ 08544-1000 USA e-mail: [email protected] William P. Thurston Department of Mathematics University of California at Davis e-mail: [email protected] February 1, 2008 Abstract A entirely new and independent enumeration of the crystallographic space groups is given, based on obtaining the groups as fibrations over the plane crystallographic groups, when this is possible. For the 35 “irreducible” groups for which it is not, an independent method is used that has the advantage of elucidating their subgroup relationships. Each space group is given a short “fibrifold name” which, much like the orbifold names for two-dimensional groups, while being only specified up to isotopy, contains enough information to allow the construction of the group from the name. 1 Introduction arXiv:math/9911185v1 [math.MG] 23 Nov 1999 There are 219 three-dimensional crystallographic space groups (or 230 if we distinguish between mirror images). They were independently enumerated in the 1890’s by W. Barlow in England, E.S. Federov in Russia and A. Sch¨onfliess in Germany. The groups are comprehensively described in the International Tables for Crystallography [Hah83]. For a brief definition, see Appendix I. Traditionally the enumeration depends on classifying lattices into 14 Bravais types, distinguished by the symmetries that can be added, and then adjoining such symmetries in all possible ways. -
Non-Fundamental Trunc-Simplex Tilings and Their Optimal Hyperball Packings and Coverings in Hyperbolic Space I
Non-fundamental trunc-simplex tilings and their optimal hyperball packings and coverings in hyperbolic space I. For families F1-F4 Emil Moln´ar1, Milica Stojanovi´c2, Jen}oSzirmai1 1Budapest University of Tehnology and Economics Institute of Mathematics, Department of Geometry, H-1521 Budapest, Hungary [email protected], [email protected] 2Faculty of Organizational Sciences, University of Belgrade 11040 Belgrade, Serbia [email protected] Abstract Supergroups of some hyperbolic space groups are classified as a contin- uation of our former works. Fundamental domains will be integer parts of truncated tetrahedra belonging to families F1 - F4, for a while, by the no- tation of E. Moln´aret al. in 2006. As an application, optimal congruent hyperball packings and coverings to the truncation base planes with their very good densities are computed. This covering density is better than the conjecture of L. Fejes T´othfor balls and horoballs in 1964. 1 Introduction arXiv:2003.13631v1 [math.MG] 30 Mar 2020 1.1 Short history Hyperbolic space groups are isometry groups, acting discontinuously on hyperbolic 3-space H3 with compact fundamental domains. It will be investigated some series of such groups by looking for their fundamental domains. Face pairing identifications 2000 Mathematics Subject Classifications. 51M20, 52C22, 20H15, 20F55. Key words and Phrases. hyperbolic space group, fundamental domain, isometries, truncated simplex, Poincar`ealgorithm. 1 2 Moln´ar,Stojanovi´c,Szirmai on a given polyhedron give us generators and relations for a space group by the algorithmically generalized Poincar´eTheorem [4], [6], [11] (as in subsection 1.2). The simplest fundamental domains are 3-simplices (tetrahedra) and their integer parts by inner symmetries. -
The Symmetry of “Circle Limit IV” and Related Patterns
Bridges 2009: Mathematics, Music, Art, Architecture, Culture The Symmetry of “Circle Limit IV” and Related Patterns Douglas Dunham Department of Computer Science University of Minnesota, Duluth Duluth, MN 55812-3036, USA E-mail: [email protected] Web Site: http://www.d.umn.edu/˜ddunham/ Abstract M.C. Escher’s print Circle Limit IV is the last of his four “Circle Limit” patterns. There are two questions one can ask about the symmetry of Circle Limit IV. First, what is the correct orientation in which to display the print? Second, what is the symmetry group of the pattern? We answer those questions and show some new patterns related to Circle Limit IV. 1. Introduction M.C. Escher’s print Circle Limit IV 1 was the last of his four “Circle Limit” patterns. Figure 1 is an early computer generated pattern inspired by that print. It has more symmetry than Escher’s pattern, which is Figure 1: A pattern based on M.C. Escher’s print Circle Limit IV. shown in Figure 2 below with Escher’s initials circled. The angels and devils motif was also the only one that Escher realized in each of the classical geometries: Euclidean, spherical, and hyperbolic. The Circle Limit IV pattern seems to have confused some people in that it has appeared rotated from its correct orientation. In the next section we will explain how to determine the correct orientation. In the following section, we review the Poincar´edisk model of hyperbolic geometry and use it to analyze the 1M.C. Escher’s Circle Limit IV c 2007 The M.C. -
Robotic Fabrication of Modular Formwork for Non-Standard Concrete Structures
Robotic Fabrication of Modular Formwork for Non-Standard Concrete Structures Milena Stavric1, Martin Kaftan2 1,2TU Graz, Austria, 2CTU, Czech Republic 1www. iam2.tugraz.at, 2www. iam2.tugraz.at [email protected], [email protected] Abstract. In this work we address the fast and economical realization of complex formwork for concrete with the advantage of industrial robot arm. Under economical realization we mean reduction of production time and material efficiency. The complex form of individual formwork parts can be in our case double curved surface of complex mesh geometry. We propose the fabrication of the formwork by straight or shaped hot wire. We illustrate on several projects different approaches to mould production, where the proposed process demonstrates itself effective. In our approach we deal with the special kinds of modularity and specific symmetry of the formwork Keywords. Robotic fabrication; formwork; non-standard structures. INTRODUCTION Figure 1 Designing free-form has been more possible for Robot ABB I140. architects with the help of rapidly advancing CAD programs. However, the skin, the facade of these building in most cases needs to be produced by us- ing costly formwork techniques whether it’s made from glass, concrete or other material. The problem of these techniques is that for every part of the fa- cade must be created an unique mould. The most common type of formwork is the polystyrene (EPS or XPS) mould which is 3D formed using a CNC mill- ing machine. This technique is very accurate, but it requires time and produces a lot of waste material. On the other hand, the polystyrene can be cut fast and with minimum waste by heated wire, especially systems still pertinent in the production of archi- when both sides of the cut foam can be used. -
Pentaplexity: Comparing Fractal Tilings and Penrose Tilings
Introducing Fractal Penrose Tilings Introducing Penrose’s Original Pentaplexity Tiling Comparing Fractal Tiling and Pentaplexity Tiling Pentaplexity: Comparing fractal tilings and Penrose tilings Adam Brunell and Daniel Sherwood Vassar College [email protected] [email protected] | April 6, 2013 Adam Brunell and Daniel Sherwood Penrose Fractal Tilings Introducing Fractal Penrose Tilings Introducing Penrose’s Original Pentaplexity Tiling Comparing Fractal Tiling and Pentaplexity Tiling Overview 1 Introducing Fractal Penrose Tilings 2 Introducing Penrose’s Original Pentaplexity Tiling 3 Comparing Fractal Tiling and Pentaplexity Tiling Adam Brunell and Daniel Sherwood Penrose Fractal Tilings Introducing Fractal Penrose Tilings Introducing Penrose’s Original Pentaplexity Tiling Comparing Fractal Tiling and Pentaplexity Tiling Penrose’s Kites and Darts Adam Brunell and Daniel Sherwood Penrose Fractal Tilings Introducing Fractal Penrose Tilings Introducing Penrose’s Original Pentaplexity Tiling Comparing Fractal Tiling and Pentaplexity Tiling Drawing the Aorta in Kites and Darts Adam Brunell and Daniel Sherwood Penrose Fractal Tilings Introducing Fractal Penrose Tilings Introducing Penrose’s Original Pentaplexity Tiling Comparing Fractal Tiling and Pentaplexity Tiling Fractal Penrose Tiling Adam Brunell and Daniel Sherwood Penrose Fractal Tilings Introducing Fractal Penrose Tilings Introducing Penrose’s Original Pentaplexity Tiling Comparing Fractal Tiling and Pentaplexity Tiling Fractal Tile Set Adam Brunell and Daniel Sherwood Penrose -
The Symmetry of M.C. Escher's Circle Limit IV Pattern and Related Patterns
The symmetry of M.C. Escher’s Circle Limit IV pattern and related patterns. Douglas Dunham Department of Computer Science University of Minnesota, Duluth Duluth, MN 55812-3036, USA E-mail: [email protected] Web Site: http://www.d.umn.edu/˜ddunham/ 1 Two Questions: • What is the correct orientation for the Circle Limit IV pattern? • What is the symmetry group of the Circle Limit IV pattern? 2 What is the correct orientation? Answer: 3 A Sub-question Why aren’t there signatures in all three of the blank devils’ faces next to the central angels? 4 Escher’s Signature (graphic) 5 Escher’s Signature (text) MCE VII-’60 6 Why Examine Orientation Now? • The Symmetries of Things Conway, Burgiel, Goodman Strass A.K. Peters, 2008 • Euclidean and Non-Euclidean Geometries: Devel- opment and History Marvin Greenberg W.H. Freeman, 2008 7 The Symmetries of Things page 224 8 Euclidean and Non-Euclidean Geometries 9 The World of M.C. Escher His Life and Complete Graphic Work (Harry N. Abrams, 1981) • Page 98 (large image): correctly oriented • Page 322 (small image — Catalogue number 436): 10 M.C. Escher web site 11 The Signature 12 Second Question: What is the Symmetry group of Circle Limit IV ? C3? 13 It seems to be D3 14 Escher (in M.C. Escher The Graphic Work Barnes & Noble/TASCHEN 2007 ISBN 0-7607-9669-6, page 10): Here too, we have the components diminishing in size as they move outwards. The six largest (three white angels and three black devils) are arranged about the centre and radiate from it.