Shrini Deewana - Poems
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Mumbai Macbeth: Gender and Identity in Bollywood Adaptations Rashmila Maiti University of Arkansas, Fayetteville
University of Arkansas, Fayetteville ScholarWorks@UARK Theses and Dissertations 8-2018 Mumbai Macbeth: Gender and Identity in Bollywood Adaptations Rashmila Maiti University of Arkansas, Fayetteville Follow this and additional works at: http://scholarworks.uark.edu/etd Part of the Asian Studies Commons, Comparative Literature Commons, and the Literature in English, British Isles Commons Recommended Citation Maiti, Rashmila, "Mumbai Macbeth: Gender and Identity in Bollywood Adaptations" (2018). Theses and Dissertations. 2905. http://scholarworks.uark.edu/etd/2905 This Dissertation is brought to you for free and open access by ScholarWorks@UARK. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of ScholarWorks@UARK. For more information, please contact [email protected], [email protected]. Mumbai Macbeth: Gender and Identity in Bollywood Adaptations A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Comparative Literature and Cultural Studies by Rashmila Maiti Jadavpur University Bachelor of Arts in English Literature, 2007 Jadavpur University Master of Arts in English Literature, 2009 August 2018 University of Arkansas This dissertation is approved for recommendation to the Graduate Council. M. Keith Booker, PhD Dissertation Director Yajaira M. Padilla, PhD Frank Scheide, PhD Committee Member Committee Member Abstract This project analyzes adaptation in the Hindi film industry and how the concepts of gender and identity have changed from the original text to the contemporary adaptation. The original texts include religious epics, Shakespeare’s plays, Bengali novels which were written pre- independence, and Hollywood films. This venture uses adaptation theory as well as postmodernist and postcolonial theories to examine how women and men are represented in the adaptations as well as how contemporary audience expectations help to create the identity of the characters in the films. -
Social Impact Assessment (SIA) & R&R
Consultancy Services for SIA and R&R study for Proposed River Front Development in Patna Social Impact Assessment (SIA) & R&R Sen and Lall Consultants Pvt. Ltd. July 2013 VOYANTS SOLUTIONS PVT. LTD. 403, 4th Floor, BPTP Park Centra, Sector - 30, NH-8, Gurgaon - 122001 Phone - 0124-4598 200 , Telefax - 0124-4019051 E-mail – [email protected], www.voyants.in Project : Social Impact Assessment Study for proposed river front development of 20 Ghats along river Ganga in Patna, Bihar SIA Table of Contents 1. INTRODUCTION & METHODOLOGY ...................................................................................... 9 1.1 Environmental awareness:.................................................................................................... 10 1.2 Celebration of religious festivals: ......................................................................................... 10 1.3 Upgradation of Ghats acutely needed: ............................................................................... 10 1.4 Ghats Landscaping: ............................................................................................................... 11 1.5 Promenades: ........................................................................................................................... 11 1.6 Additional Benefit: .................................................................................................................. 11 1.7 Need for riverfront development: ........................................................................................ -
Copyright Infringement in the Indian Film Industry
Vanderbilt Journal of Entertainment & Technology Law Volume 7 Issue 2 Issue 2 - Spring 2005 Article 4 2005 Copyright Infringement in the Indian Film Industry Rachana Desai Follow this and additional works at: https://scholarship.law.vanderbilt.edu/jetlaw Part of the Entertainment, Arts, and Sports Law Commons, and the Intellectual Property Law Commons Recommended Citation Rachana Desai, Copyright Infringement in the Indian Film Industry, 7 Vanderbilt Journal of Entertainment and Technology Law 259 (2020) Available at: https://scholarship.law.vanderbilt.edu/jetlaw/vol7/iss2/4 This Note is brought to you for free and open access by Scholarship@Vanderbilt Law. It has been accepted for inclusion in Vanderbilt Journal of Entertainment & Technology Law by an authorized editor of Scholarship@Vanderbilt Law. For more information, please contact [email protected]. Copyright Infringement in the Indian Film Industry By Rachana Desai" On July 7, 1896, India's first India, unlike America, has several cinematographic film was shown in film industries. This Note focuses on the Mumbai.1 Today, India's mammoth film largest of these industries: Bollywood, the industry produces more movies than any center of Hindi language cinema. In recent other country in the world and employs years, nearly eight out of every ten over two million people. 2 In 2001, India's Bollywood scripts have been "inspired" by entertainment industry (which includes one or more Hollywood films. 7 Previously, film, music, television, radio and live this widespread problem was not visible to entertainment) was one of the fastest those outside of India. The emergence of growing sectors of the economy, the Internet and better global experiencing over a 30% growth. -
M/S. SKYANSH FILMS PRODUCTION 25073
M/s. SKYANSH FILMS PRODUCTION M/s. SURYA STUTI ENTERTAINMENT 25073 - 01/03/2016 25081 - 01/03/2016 406, 407, 408, Sanmahu Complex, 4th Floor, Opp. Poona Club, House No.227, Village Bhargwan, Shahjahanpur, Bund Garden Road, Pune, 242 001 U.P. 411 001 Maharashtra SURYA KANT VERMA SURESH KESHAVRAO YADAV 9892983731 9822619772 M/s. B V M FILMS M/s. YADUVANSHI FILMS PRODUCTION HOUSE 25074 - 01/03/2016 25082 - 01/03/2016 L 503, Anand Vihar CHS, Opp. Windermere, Oshiwara, Andheri 5/131, Jankipuram, Sector-H, Lucknow, (W), Mumbai, 226 021 U.P. 400 053 Maharashtra RAMESH KUMAR YADAV MANOJ BINDAL, SANTOSH BINDAL, OM PRAKASH BINDAL 9839384024 9811045118 M/s. SHIVAADYA FILM PRODUCTION PVT. LTD. M/s. MAHAKALI ENTERTAINMENT WORLD 25075 - 01/03/2016 25083 - 01/03/2016 L 14/516, Bldg. No.1, 5th Floor, Kamdhenu Apna Ghar Unit Naya Salempur-1, Salempur, Tehsil: Lakhimpur, Dist: Kheri, No.14, Lokhandwala Complex, Andheri (W), Mumbai, 262 701 U.P. 400 053 Maharashtra AJAY RASTOGI SANGITA ANAND, SABITA MUNKA 9598979590 7710891401 M/s. ADINATH ENTERTAINMENT & FILM PRODUCTION M/s. FAIZAN-A-RAZA FILM PRODUCTION 25076 - 01/03/2016 25084 - 01/03/2016 L 9/A, Saryu Vihar, Basant Vihar, Kamla Nagar, Agra, 35, Hivet Road, Aminabad, Tehsil & Dist: Lucknow, 282 002 U.P. 226 018 U.P. VIMAL KUMAR JAIN ABDUL AZIZ SIDDIQUE 8445611111 9451503544, 9335218406 M/s. SHIV OM PRODUCTION M/s. SHREE SAI FILMS ENTERTAINMENT HOUSE 25077 - 01/03/2016 25085 - 01/03/2016 Kalpataru Aura, Building No.Onyx 3G,Flat No.111, L.B.S. Marg, Plot No.21/A, Netaji Nagar, Old Pardi Naka, Near Prathmesh Opp. -
Raazi V10 22-7-17 Clean
DHARMA PRODUCTIONS JUNGLEE PICTURES DIRECTED BY MEGHNA GULZAR SCREENPLAY BHAVANI IYER & MEGHNA GULZAR DIALOGUE MEGHNA GULZAR BASED ON THE NOVEL “CALLING SEHMAT” BY HARINDER S SIKKA © Meghna Gulzar 2017 FADE IN: 1 INT. PAK ARMY HQ - SITUATION ROOM - EVENING Title Card: February 1971. Pakistan. A series of pictures, black-and-white, low exposure but clearly outlining two figures and faces that are in deep conversation are seen on an old fashioned projector screen. Uniformed top brass from all the defense services (Army, Navy and Air Force) and Pakistan’s Intelligence sit around a table, being briefed by BRIGADIER SYED (57), tall hard-eyed with a striking military bearing in his uniform. The meeting is already in session. Syed clicks a button to zoom in on one of the men in the projected photograph. SYED Bangaal mein aazaadi ki tehreek zor pakad rahi hai. Vahaan Awami League ki khufiya Military Council ke rehnuma ye shakhs hain – Colonel Usmani. Lt. GENERAL AMIR BEIG (68), grey-haired with cold eyes looks at the image. BEIG Election bhi jeet chuke hain. Inki neeyat kya hai? The other senior leaders at the table murmur similarly. SYED Mujibur Rahman ne apne saath kuchh aise log jama kar liye hain, jo ab apne-aap ko Mukti fauj kehlate hain... (looks around) Mukti - aazaadi.. Sniggers around the room. Syed clicks for the picture to zoom in to the other face, only partially seen. SYED (CONT’D) Aur ye shakhs hai Khalid Mir... Iski padtaal rakhna bahaut zaroori hai. Ye Hindustan ke Intelligence ke bade afsar hain... Murmurs around the room. -
Responses to 100 Best Acts Post-2009-10-11 (For Reference)
Bobbytalkscinema.Com Responses/ Comments on “100 Best Performances of Hindi Cinema” in the year 2009-10-11. submitted on 13 October 2009 bollywooddeewana bollywooddeewana.blogspot.com/ I can't help but feel you left out some important people, how about Manoj Kumar in Upkar or Shaheed (i haven't seen that) but he always made strong nationalistic movies rather than Sunny in Deol in Damini Meenakshi Sheshadri's performance in that film was great too, such a pity she didn't even earn a filmfare nomination for her performance, its said to be the reason on why she quit acting Also you left out Shammi Kappor (Junglee, Teesri MANZIL ETC), shammi oozed total energy and is one of my favourite actors from 60's bollywood Rati Agnihotri in Ek duuje ke Liye Mala Sinha in Aankhen Suchitra Sen in Aandhi Sanjeev Kumar in Aandhi Ashok Kumar in Mahal Mumtaz in Khilona Reena Roy in Nagin/aasha Sharmila in Aradhana Rajendra Kuamr in Kanoon Time wouldn't permit me to list all the other memorable ones, which is why i can never make a list like this bobbysing submitted on 13 October 2009 Hi, As I mentioned in my post, you are right that I may have missed out many important acts. And yes, I admit that out of the many names mentioned, some of them surely deserve a place among the best. So I have made some changes in the list as per your valuable suggestion. Manoj Kumar in Shaheed (Now Inlcuded in the Main 100) Meenakshi Sheshadri in Damini (Now Included in the Main 100) Shammi Kapoor in Teesri Manzil (Now Included in the Main 100) Sanjeev Kumar in Aandhi (Now Included in Worth Mentioning Performances) Sharmila Togore in Aradhana (Now Included in Worth Mentioning Performances) Sunny Deol in Damini (Shifted to More Worth Mentioning Performances) Mehmood in Pyar Kiye Ja (Shifted to More Worth Mentioning Performances) Nagarjun in Shiva (Shifted to More Worth Mentioning Performances) I hope you will approve the changes made as per your suggestions. -
THE RECORD NEWS ======The Journal of the ‘Society of Indian Record Collectors’ ------ISSN 0971-7942 Volume: Annual - TRN 2011 ------S.I.R.C
THE RECORD NEWS ============================================================= The journal of the ‘Society of Indian Record Collectors’ ------------------------------------------------------------------------ ISSN 0971-7942 Volume: Annual - TRN 2011 ------------------------------------------------------------------------ S.I.R.C. Units: Mumbai, Pune, Solapur, Nanded and Amravati ============================================================= Feature Articles Music of Mughal-e-Azam. Bai, Begum, Dasi, Devi and Jan’s on gramophone records, Spiritual message of Gandhiji, Lyricist Gandhiji, Parlophon records in Sri Lanka, The First playback singer in Malayalam Films 1 ‘The Record News’ Annual magazine of ‘Society of Indian Record Collectors’ [SIRC] {Established: 1990} -------------------------------------------------------------------------------------------- President Narayan Mulani Hon. Secretary Suresh Chandvankar Hon. Treasurer Krishnaraj Merchant ==================================================== Patron Member: Mr. Michael S. Kinnear, Australia -------------------------------------------------------------------------------------------- Honorary Members V. A. K. Ranga Rao, Chennai Harmandir Singh Hamraz, Kanpur -------------------------------------------------------------------------------------------- Membership Fee: [Inclusive of the journal subscription] Annual Membership Rs. 1,000 Overseas US $ 100 Life Membership Rs. 10,000 Overseas US $ 1,000 Annual term: July to June Members joining anytime during the year [July-June] pay the full -
Balaji Delivers Another Quarter of Robust Growth
Results for the year ended March 31, 2008 compared to previous year ended March 31, 2007 Financial Highlights Year ended March 31, 2008 vs. Year ended March 31, 2007 • Income from operations up from Rs. 3,174.67 Mn to Rs. 3,289.69 Mn, an increase of 3.62%; • Operating profit up from Rs. 1,195.79 Mn to Rs. 1,239.04 Mn, an increase of 3.62%; • Profit after tax up from Rs. 794.28 Mn to Rs. 879.33 Mn, an increase of 10.71% Quarter ended March 31, 2008 vs. Quarter ended March 31, 2007 • Income from operations up from Rs. 773.85 Mn to Rs. 965.18 Mn, an increase of 24.72%; • Operating profit up from Rs. 304.33 Mn to Rs. 347.78 Mn an increase of 14.28%; • Profit after tax up from Rs. 212.78 Mn to Rs. 244.00 Mn, an increase of 14.67%. Operational highlights during the year ended March 31, 2008 • Balaji’s programming continues to dominate the ratings charts. For the week ended March 29, 2008, out of the Top 50 shows, 19 shows were from Balaji (Source TAM ratings Hindi Speaking Market, MF4+ (C&S)); • Realization per hour from Commissioned Program increased from Rs. 2.76 Mn to Rs. 3.27 Mn; • Realization per hour from Sponsored Program increased from Rs. 0.32 Mn to Rs. 0.43 Mn; • Average realisation per hour increased from Rs.1.74 Mn to Rs. 2.09 Mn; • 1,571 hours of total programming during the year; • Successfully replaced ‘Kasauti Zindagi Kay’ by ‘Kis Desh Mein Hai Meraa Dil’ on Star Plus; • Started new division “Interactive Media Group” with the objective of exploring more avenues in media space. -
Of Sixth Edition
BAYAAZ OF SIXTH EDITION All these nohay are available on: www.youtube.com/OldNohay (Links included with the text of each Nauha) Request to recite Surah-e-Fatiha for: Asghar Mirza Changezi (ibne Mirza Mumtaz Hussain) Noor Jehan Begum (binte Syed Wirasat Ali Rizvi) Agha Meher Qasim Qizalbash (ibne Agha Mumtaz Hussain) Naveed Banoo, Saeed Banoo & Fahmeed Banoo (binte Raza Haider Rizvi) All the Shayar E Ahlebait and Nauhakhwans who have passed away And All Momineen and Mominaat English Transliteration of Contents 1. Janab Aale Raza .................................................................................. 13 1.1. Pukari laash pe Zehra mere Hussain Hussain ....................................................13 1.2. Salaam Khak-na shi no n-pa .......................................................................................13 2. Janab Afsar Lucknowi Sahib ............................................................... 15 2.1. Raat aadhi aa gayi ai Jaan e Madar ghar mein aao .........................................15 3. Janab Ahsan Tabatabai Sahib ............................................................. 16 3.1. Karbala aaye thay Shah, Dunia se jaane ke liye ................................................16 4. Janab Ali Raza Baqri Sahib ................................................................. 17 4.1. Asghar Huñ Maiñ Asghar .........................................................................................17 5. Mohtarma Akthar Sahiba .................................................................... 18 5.1. -
Dtp1april14.Qxd
DLD‰‰†‰KDLD‰‰†‰DLD‰‰†‰MDLD‰‰†‰C Crooning glory: Extra effort: THE TIMES OF INDIA Minogue hits a Manya’s focus Monday, April 14, 2003 classical note is for real... Page 7 Page 8 TO D AY S LUCKY 878 Lay then straight Diamond Jubilee 875 842 W inny the Pooh House with bamboo door 854 Your Dambola Ticket available in Delhi Times on 13th April, 2003 OF INDIA Numbers already announced : 72, 9, 23, 85 MANOJ KESHARWANI There’s something fishy about smuggling The use of rotten fish as a decoy for smuggling drugs is the latest trick up the smuggler’s sleeve ARUN KUMAR DAS If you haven’t guessed and heroin don’t find a menti- where drugs have been hidden within Times News Network already, innovation is the on in the smuggler’s hand- wheel-chairs and dead bodies. There is name of the game. Smugg- book. ‘‘New methods of sm- no guessing the exact modus operandi.’’ hings are definitely getting curi- ling of drugs was never uggling have been adopted Bhargav, on his part, maintains that ouser and curiouser. We’re talk- such an intellectual cat- for hashish and heroin. For officialdom is a step ahead — but only Ting about the artful dodgers of and-mouse game as it is instance, specially-made just. ‘The part played by our intelligen- the smuggling world, who have taken to now. Smugglers have re- wooden handicraft items, ce network is of utmost importance. We camouflaging cocaine within rotten fi- peatedly changed their complete with cavities, are would never have been able to make the sh and packets of suji. -
Anthems of Resistance
A Celebration of Progressive Urdu Poetry Anthems of Resistance So what if my pen has been snatched away from me I hav dipped my fingers in the blood of my heart So what if my mouth has been sealed, I have turned Every link of my chain in to a speaking tonge Ali Husain Mir & Raza Mir 1 Anthems of Resistance A Celebration of Progressive Urdu Poetry Ali Husain Mir & Raza Mir IndiaInk 2 Brahma’s Dream ROLI BOOKS © Ali Husain Mir and Raza Mir, 2006 First published in 2006 IndiaInk An imprint of Roli Books Pvt. Ltd. M-75, G.K. II Market New Delhi 110 048 Phones: ++91 (011) 2921 2271, 2921 2782 2921 0886, Fax: ++91 (011) 2921 7185 E-mail: [email protected]; Website: rolibooks.com Also at Varanasi, Bangalore, Jaipur Cover : Arati Subramanyam Layout : Narendra Shahi ISBN: 81-86939-26-1 Rs. 295 Typeset in CentSchbook BT by Roli Books Pvt. Ltd. and printed at Syndicate Binders, New Delhi 3 CONTENTS Acknowledgements A Note on Translation and Transliteration Preface 1 Over Chinese Food: The Progressive Writers’ Association 2 Urdu Poetry and the Progressive Aesthetic 3 Saare Jahaan Se Achcha: Progressive Poets and the Problematic of Nationalism 4 From Home to the World: The Internationalist Ethos 5 Dream and Nightmare: The Flirtation with Modernity 6 Progressive Poetry and Film Lyrics 7 Voh Yaar Hai Jo Khushboo Ki Taraah, Jis Ki Zubaañ Urdu Ki Taraah 8 An Exemplary Progressive: The Aesthetic Experiment of Sahir Ludhianvi 9 Javed Akhtar’s Quiver of Progressive Arrows: A Legacy Survives 10 New Standard Bearers of Progressive Urdu Poetry: The Feminist Poets 11 A Requiem .. -
Anil Biswas – Filmography Source: Hamraz’S Hindi Film Geet Kosh (Digitization: Ketan Dholakia, Vinayak Gore, and Balaji Murthy)
Anil Biswas – Filmography Source: Hamraz’s Hindi Film Geet Kosh (Digitization: Ketan Dholakia, Vinayak Gore, and Balaji Murthy) Contents Anil Biswas – Filmography ....................................................................................................................................... 1 1) Dharam Ki Devi ..................................................................................................................... 3 2) Fida-e-Vatan (alias Tasveer-e-vafa) ...................................................................................... 3 3) Piya Ki Jogan (alias Purchased Bride) ................................................................................... 3 4) Pratima (alias Prem Murti) ..................................................................................................... 4 5) Prem Bandhan (alias Victims of Love) .................................................................................. 4 6) Sangdil Samaj ......................................................................................................................... 4 7) Sher Ka Panja ......................................................................................................................... 5 8) Shokh Dilruba ......................................................................................................................... 5 9) Bulldog ................................................................................................................................... 5 10) Dukhiari (alias A Tale of Selfless Love)