W O R Ld B R Idg E

Total Page:16

File Type:pdf, Size:1020Kb

W O R Ld B R Idg E Jude Law Lara Lychagina Artyom Kagan on how we began on what has happened in 2020 on how new technologies to appreciate life more and on playing with time serve people W o r l d bridge winter winter 2020-21 the Sacha Baron Cohen I’ve never really done any interviews as myself WINTER 2020/21 Content WINTER 2020/21 Sacha Baron Cohen Illustration: Vera Zashikhina 164. Editor's letter 162. Interview 161. Sacha Baron Cohen. How to laugh at the whole world and stay alive 155. Jude Law. How we began to appreciate life more 144. Artem Kagan. How new technologies serve people 143. The «Productive Seascapes» project by Nicolas Floc’h 168 THE WORLD BRIDGE 167 THE WORLD BRIDGE WINTER 2020/21 Editor's letter The Garden of Forking Paths or Controverses of Time Since time immemorial, man has enjoyed playing. Always. All kinds of games, such as love and war, diplomacy and drama, cuisine and hunger, philosophy and child’s play, to name just a few. Meanwhile, the most favourite and never- changing one has been playing with time, with variations beyond count. Here are just two of them, quite opposite in meaning: the “game” of the Amazoni- an Amondaus, having no idea of time as such in their minds and no word for it in their language and the Borges World Model, described in “The Garden of Forking Paths”, with countless time sequences containing all possibilities imaginable. In the meantime, we have found ourselves in a world in which the game rules of the Amazonian tribe and the Borges’ labyrinth have inter- mingled with each other. We seem to have got into a time lapse where the clock hands have stopped dead, and the world has sunk into a null-gravity timelessness. On the other hand, now, we have a feeling of a new strength. It is as if we could do anything while time has stopped in tracks, i.e., outrun those ahead of us or catch up with our own selves and find what we have lost or give our selves what we have amassed. The year 2020 has become an alternative history for us. It has given us a chance to make a fresh start, get rid of useless texts, correct mis- takes, and write new narratives. It has also become a totally Oriental-style comforting symbol of silence and quiet. Just a while ago, our todays were just like our yesterdays, with hardly any difference to notice. Now, that ideal age of linear time and good chances to avoid getting lost in labyrinths is over and gone. When that world collapsed, we found ourselves in Ts'ui Pên’s labyrinth in the Garden of Forking Paths, each being an image of the world still unfinished, but per- fect nonetheless. What kind of choice shall we make? This is for the year 2021 to show. Man is always free to choose which path to take even lying under the guillotine blade, still having a whole eyewink to choose an answer to the question “What am I here for?” from a variety of options. In 2020, we have been “isolated” from travelling, socializing, destroying, or creating things in the world, actually, very tired of our frenzied activities. All this time, we seem to have been in a ‘Confined Space Zone,’ either created by ourselves, or left Lara Lychagina behind by aliens from outer space after a Strugatsky-style roadside picnic. We are still in search of the Wish-Granting Golden Sphere, yet knowing not what wish to make. Maybe, we should wish to stop being stalkers and recall how easy it is to be just humans living not in “The Zone” but on good old Earth, in our Home secure enough for us to take off all masks and gloves. For ever. Just to live our lives. Then, we should realize that 2020 has been not only a time of innumerable losses but also a path of opportunities we are still unaware of. Editor-in-Chief 165 164 WINTER 2020/21 I n The World Bridge proudly presents Nelle Holmes, a member of the Hollywood Foreign Press Association andt a voter of the Golden Global Awards. She has had heart-to-hearte talks with such cinema e PART celebrities as Angelina Jolie, George Clooney, Caitlyn r Jenner, to name just a few, and written for Vogue, GQ, Snob, The Rake, The Hollywood Reporter, and Tatler. Now, Nelle Holmes will be writing The Chronicles of Hollywood, our new column about the life of the main v US entertainment industry’s symbol. i e 163 w162 SACHA BARON COHEN WINTER 2020/21 October 21, 2020 Sacha Baron Cohen Via Zoom Interview — Nellee Holmes Borat: Subsequent Moviefilm — Delivery of Prodigious Bribe to American Regime for Make Benefit Once Glorious Nation of Kazakhstan Amazon Prime The Trial of the Chicago 7 Netflix Nellee Holmes. We’re living in tough times in a strange world, and Borat proves it. What do you do in your personal and professional lives to improve your wellness and avoid bad vibes? How would you advise us to manage our emo- tions and mindsets? Sacha Baron Cohen. I don’t think I am the person to advise anyone on managing anything. Well, I’m friendly with a surfer, who specializes in big waves, and once, he gave me an excellent bit of advice, which is, when you are stressed, to breathe in and out through your nose. Several times in the movie, I was quite stressed, and found it a good way to lower my heart rate. So, it’s all about breathing. (Laughs) N.H. You use your chance to raise your voice on political, racial, and other is- sues. Do you have a hope that, with all the current public movements, the on-going pandemic, and everything else happening now, human society is undergoing a reset so needed to become better than it has been before? 160 THE WORLD BRIDGE 161 SACHA BARON COHEN WINTER 2020/21 The thing is, I had known about Abbie Hoffman yes, that was it, and he let me go. I went away for many years. The topic of my undergraduate and hid in a bathroom for five hours, listening to thesis was the role of Jews in the Black Civil Rights the sounds various conservative men made while Movement during the1960s. Abbie was one of the answering nature calls. radical Jewish students supporting the movement Finally, I was apprehended by the secret service in the southern United States and got involved and soon found myself surrounded by agents, with the Student Nonviolent Coordinating Com- police officers of all kinds, and event security men. S.B.C. It’s hard to say. Firstly, I’m a comedian, an actor, but not a philosopher or an academic. mittee (SNCC). When I was 20, the head of that The main thing for me was to keep my incognito I wish that, as a society, we would listen to academics and experts rather than to demagogues. organization, a man called Bob Moses, gave me one since if I had got identified and the media had As someone who’s had some fame, I’m reluctant to espouse any views. I do think we’re about of his rare interviews. learnt about my appearance at CPAC, it would have to face increasingly hard times as more and more people will be dying from COVID 19. A lot Talking about The Spy last year, I mentioned that been too big a story. So, I tried to prevent all those of this grief is obviously due to politicians’ refusing to listen to experts. Will any good come my late father had been fascinated by Eli Cohen officers from getting my ID for as long as possible. out of this awful period that has beset humanity? I hope so, but there will be so much more and had a book about him. A while ago, I found At one point, there were about 12 of them around suffering and so many more deaths that I cannot feel sure of it. On top of everything, the out that Dad had had a book about Abbie Hoffman me, demanding to see my ID. Trying to stall them coming election is so uncertain that America may end up in a far worse situation than now, too. So, my father respected those two men, and I as long as I could, I asked them to verify they were depending on its results. So, it’s hard for me to feel optimistic at the moment. grew up with books about them on a bookshelf in indeed law enforcement officers by showing their our house. This is my connection with the story of IDs first. One of them pointed to a massive badge N.H. Borat shows hatred, bigotry, and other Abbie Hoffman. on a string around his neck and asked if I was deeply rooted evil attitudes man satisfied. I wondered how I was to know it was a had always had before social media N.H. How did you feel crashing the CPAC? real ID and suchlike. Well, they kept on asking for appeared. You’ve been very critical N.H. What did you want to achieve through Was your heart pounding? Giuliani says my ID, and I finally said it was in my shoe. They of social media, Silicon Valley, and what Borat and the sequel? it was a fabrication. Could you say if did not want to mess with my footwear and let me they all have been doing to us.
Recommended publications
  • Constructing, Programming, and Branding Celebrity on Reality Television
    UNIVERSITY OF CALIFORNIA Los Angeles Producing Reality Stardom: Constructing, Programming, and Branding Celebrity on Reality Television A dissertation submitted in partial satisfaction of the Requirements for the degree Doctor of Philosophy in Film and Television by Lindsay Nicole Giggey 2017 © Copyright by Lindsay Nicole Giggey 2017 ABSTRACT OF THE DISSERTATION Producing Reality Stardom: Constructing, Programming, and Branding Celebrity on Reality Television by Lindsay Nicole Giggey Doctor of Philosophy in Film and Television University of California, Los Angeles, 2017 Professor John T. Caldwell, Chair The popular preoccupation with celebrity in American culture in the past decade has been bolstered by a corresponding increase in the amount of reality programming across cable and broadcast networks that centers either on established celebrities or on celebrities in the making. This dissertation examines the questions: How is celebrity constructed, scheduled, and branded by networks, production companies, and individual participants, and how do the constructions and mechanisms of celebrity in reality programming change over time and because of time? I focus on the vocational and cultural work entailed in celebrity, the temporality of its production, and the notion of branding celebrity in reality television. Dissertation chapters will each focus on the kinds of work that characterize reality television production cultures at the network, production company, and individual level, with specific attention paid to programming focused ii on celebrity making and/or remaking. Celebrity is a cultural construct that tends to hide the complex labor processes that make it possible. This dissertation unpacks how celebrity status is the product of a great deal of seldom recognized work and calls attention to the hidden infrastructures that support the production, maintenance, and promotion of celebrity on reality television.
    [Show full text]
  • February 26, 2021 Amazon Warehouse Workers In
    February 26, 2021 Amazon warehouse workers in Bessemer, Alabama are voting to form a union with the Retail, Wholesale and Department Store Union (RWDSU). We are the writers of feature films and television series. All of our work is done under union contracts whether it appears on Amazon Prime, a different streaming service, or a television network. Unions protect workers with essential rights and benefits. Most importantly, a union gives employees a seat at the table to negotiate fair pay, scheduling and more workplace policies. Deadline Amazon accepts unions for entertainment workers, and we believe warehouse workers deserve the same respect in the workplace. We strongly urge all Amazon warehouse workers in Bessemer to VOTE UNION YES. In solidarity and support, Megan Abbott (DARE ME) Chris Abbott (LITTLE HOUSE ON THE PRAIRIE; CAGNEY AND LACEY; MAGNUM, PI; HIGH SIERRA SEARCH AND RESCUE; DR. QUINN, MEDICINE WOMAN; LEGACY; DIAGNOSIS, MURDER; BOLD AND THE BEAUTIFUL; YOUNG AND THE RESTLESS) Melanie Abdoun (BLACK MOVIE AWARDS; BET ABFF HONORS) John Aboud (HOME ECONOMICS; CLOSE ENOUGH; A FUTILE AND STUPID GESTURE; CHILDRENS HOSPITAL; PENGUINS OF MADAGASCAR; LEVERAGE) Jay Abramowitz (FULL HOUSE; GROWING PAINS; THE HOGAN FAMILY; THE PARKERS) David Abramowitz (HIGHLANDER; MACGYVER; CAGNEY AND LACEY; BUCK JAMES; JAKE AND THE FAT MAN; SPENSER FOR HIRE) Gayle Abrams (FRASIER; GILMORE GIRLS) 1 of 72 Jessica Abrams (WATCH OVER ME; PROFILER; KNOCKING ON DOORS) Kristen Acimovic (THE OPPOSITION WITH JORDAN KLEPPER) Nick Adams (NEW GIRL; BOJACK HORSEMAN;
    [Show full text]
  • Paul Rudd Strikes a Comedic Pose While Bowling for Children Who Stutter
    show ad Funnyman with a heart of gold! Paul Rudd strikes a comedic pose while bowling for children who stutter By Shyam Dodge PUBLISHED: 03:33 EST, 22 October 2013 | UPDATED: 03:34 EST, 22 October 2013 30 View comments He's known for being one of the funniest men working in Hollywood today. But Paul Rudd proved he's also got a heart of gold as he hosted his second annual All-Star Bowling Benefit for children who stutter in New York, on Monday. The 44-year-old actor could be seen throughout the fund raising event performing various comedic antics while bowling at the lanes. Gearing up: Paul Rudd hosted his second annual All-Star Bowling Benefit for children who stutter in New York, on Monday The I Love You, Man star taught some of the fundamentals of the sport to the children gathered for the event. But when it came his turn to demonstrate his bowling prowess it appeared he may have needed some practise in the art. Performing a comedic kick in the air after seeming to land the ball in the gutter the surrounding kids erupted into both applause and giggles. Getting a rise: The 44-year-old actor looked to have missed his mark during the event The set up: Rudd got his form down before letting loose But the antics also seemed to have been choreographed to entertain the youngsters, who the star was intent upon helping. Wearing brown suede loafers and tan chinos, Rudd went casual in a simple chequered button down shirt.
    [Show full text]
  • The Problem with Borat
    Taboo: The Journal of Culture and Education Volume 11 | Issue 1 Article 9 December 2007 The rP oblem with Borat Ghada Chehade Follow this and additional works at: https://digitalcommons.lsu.edu/taboo Recommended Citation Chehade, G. (2017). The rP oblem with Borat. Taboo: The Journal of Culture and Education, 11 (1). https://doi.org/10.31390/ taboo.11.1.09 Taboo, Spring-Summer-Fall-WinterGhada Chehade 2007 63 The Problem with Borat Ghada Chehade There is just something about Borat, Sacha Baron Cohen’s barbaric alter-ego who The Observer’s Oliver Marre (2006) aptly describes as “…homophobic, rac- ist, and misogynist as well as anti-Semitic.” While on the surface, Cohen’s Borat may seem to offend all races equally—the one group he offends the most is the very group he portrays as homophobic, racist, misogynist, and anti-Semitic. Or in other words, the real parties vilified by Cohen are not Borat’s victims but Borat himself. The humour is ultimately directed at this uncivilized buffoon-Borat. He is the butt of every joke. He is the one we laugh at, and are intended to laugh at, the most inasmuch as he is more vulgar, savage, ignorant, barbaric, and racist than any of the bigoted Americans “exposed” in the 2006 film Borat: Cultural Learn- ings of America for Make Benefit Glorious Nation of Kazakhstan. This would not be quite as problematic if the fictional Borat did not come from a very real place and did not so obviously (mis)represent Muslims. While the 2006 film has received coverage and praise for revealing the racism of Americans, very few people are asking whether Cohen’s caricature of a savage, homophobic, misogynist, racist, and hard core Jew-hating Muslim is not actually a form of anti-Muslim racism.
    [Show full text]
  • Affirmative Entertainment
    Affirmative Entertainment David Duchovny Biography Born and raised in New York City, Duchovny attended Princeton University (where he played one season as shooting guard on the school's basketball team), received his Masters Degree in English Literature from Yale and was on the road to earning his Ph.D. when he caught the acting bug. Subsequently, Duchovny emerged to become one of the most highly acclaimed actors in Hollywood. The star of Fox Television's international monster hit "The X-Files," David was nominated for an Emmy for Outstanding Actor in a Drama Series, he was nominated for Outstanding Guest Actor in a Comedy Series for his highly acclaimed and some say risque appearances on THE LARRY SANDERS SHOW. In January 1997, David won a Golden Globe Award for Best Actor in a Drama Series. He has been nominated for a total of three Golden Globes, three Screen Actors Guild and a TV Critic's Award for Best Actor in a Drama Series. The press and the public both agree that Duchovny brings a fierce intellect, a quiet intensity and an acerbic wit to his roles on both the small screen and the silver screen. Since THE X-FILES debuted, millions and millions of self-proclaimed "X-Philes" spent their Sunday nights wide-eyed in anticipation as their hero, the brilliant and sullen FBI agent Fox Mulder, explored cases deemed unbelievable or unsolvable by the Bureau. Duchovny's remarkable performance on THE X-FILES earned him the title of "Zeitgeist Icon" by Laura Jacobs in The New Republic and "the first Internet sex symbol with hair" by Maureen Dowd in The New York Times.
    [Show full text]
  • JOY ZAPATA Hair Dept
    JOY ZAPATA Hair Dept. Head/ Hair Stylist www.joyzapatahair.com IATSE local #706, AMPAS Joy’s first break came from working at the AFI for actress Lee Grant who was directing her first student film “The Stronger”. Joy donated her time and talent to bring this period film to life for the characters who were cast. It also led Lee Grant to win her second Oscar, this time in directing, for Best Student Film. Joy went on to work for Lee on Airport 77 and over the next two decades Joy worked with some of the biggest stars in film and television as Department Head or as Personal request including Personal for Jack Nicholson for over twenty years. Joy has earned five Emmy nominations, two wins and multiple other awards. Joy’s support and dedication to her craft is only surpassed by her contagious energy on set. Highly respected, her expertise in every facet of hairstyling has given her the ability to run large departments smoothly and make her a dependable leader. Feature Films (Partial List, DEPT. HEAD unless otherwise specified); Production Director/ Producer /Production Company RICHARD JEWELL Clint Eastwood / Leonardo DiCaprio / Warner Bros. A STAR IS BORN (Key hair) Bradley Cooper / Bill Gerber / Warner Bros 8 Academy Award Nominations including Best Picture SNATCHED (AKA Amy Schumer/Goldie Hawn 2016) Jonathan Levine / Peter Chernin / Fox MOHAVE (Oscar Isaac, Garrett Hedlund) William Monahan / Aaron Ginsberg / Atlas RIDE (Department Head) Helen Hunt / Matthew Carnahan / Sandbar NEIGHBORS Nicholas Stoller / Evan Goldberg / Universal NIGHTCRAWLER (Key hair) Dan Gilroy / Jake Gyllenhaal / Bold Films THE ARTIST (Key hair) Michael Hazanavicius /T.
    [Show full text]
  • 9/11 Report”), July 2, 2004, Pp
    Final FM.1pp 7/17/04 5:25 PM Page i THE 9/11 COMMISSION REPORT Final FM.1pp 7/17/04 5:25 PM Page v CONTENTS List of Illustrations and Tables ix Member List xi Staff List xiii–xiv Preface xv 1. “WE HAVE SOME PLANES” 1 1.1 Inside the Four Flights 1 1.2 Improvising a Homeland Defense 14 1.3 National Crisis Management 35 2. THE FOUNDATION OF THE NEW TERRORISM 47 2.1 A Declaration of War 47 2.2 Bin Ladin’s Appeal in the Islamic World 48 2.3 The Rise of Bin Ladin and al Qaeda (1988–1992) 55 2.4 Building an Organization, Declaring War on the United States (1992–1996) 59 2.5 Al Qaeda’s Renewal in Afghanistan (1996–1998) 63 3. COUNTERTERRORISM EVOLVES 71 3.1 From the Old Terrorism to the New: The First World Trade Center Bombing 71 3.2 Adaptation—and Nonadaptation— ...in the Law Enforcement Community 73 3.3 . and in the Federal Aviation Administration 82 3.4 . and in the Intelligence Community 86 v Final FM.1pp 7/17/04 5:25 PM Page vi 3.5 . and in the State Department and the Defense Department 93 3.6 . and in the White House 98 3.7 . and in the Congress 102 4. RESPONSES TO AL QAEDA’S INITIAL ASSAULTS 108 4.1 Before the Bombings in Kenya and Tanzania 108 4.2 Crisis:August 1998 115 4.3 Diplomacy 121 4.4 Covert Action 126 4.5 Searching for Fresh Options 134 5.
    [Show full text]
  • Authentic Real English 地道英语
    BBC Learning English – Authentic Real English 地道英语 About this script Please note that this is not a word for word transcript of the programme as broadcast. In the recording and editing process changes may have been made which may not be reflected here. 关于台词的备注: 请注意这不是广播节目的逐字稿件。本文稿可能没有体现录制、编辑过程中对节目做 出的改变。 Gatecrash 不请自到 Wang Fei: 大家好,欢迎收听《地道英语》节目,我是王飞。 William: And I'm William. Welcome to the programme. You look very smart today, Wang Fei. Wang Fei: (false modesty) Oh really? Do you think so? William: Very smart. Look at your bow tie! And your evening jacket! Wang Fei: Ah yes, my bow tie 我新买的领结 and evening jacket 晚礼服。Well, this is just a little something I get out every now and then. I'm sure George and Jack and Tom will be wearing something similar. William: Who? George, Jack...? Wang Fei: Yeah, you know, George Clooney 乔治·克鲁尼,Jack Nicholson 杰克·尼科尔 森 and Tom Cruise 汤姆·克鲁斯... William: What? You're going to see George Clooney and Jack Nicholson and Tom Cruise tonight?! Wang Fei: 是的。明天戛纳电影节就要开幕了,所以我今天晚上要去一个小小的聚会。 William: Wow! That's incredible. How did you get a ticket? Wang Fei: 恩。实际上呢我也没买票。不过,你看我这个打扮,你说他们见到我,能不让我进去 吗! William: Right... so basically you're going to gatecrash a celebrity party. Wang Fei: Gatecrash? What's that? William: To gatecrash a party. It means to go to a party even though you haven't been invited. Let's hear some more examples: Examples Woman A: What was the party like last night? Woman B: Oh, it was awful! All these kids crashed it and drank all the beer.
    [Show full text]
  • Morgan Wallen's 'Dangerous' Spends Fourth Week at No. 1 on Billboard
    BILLBOARD COUNTRY UPDATE APRIL 13, 2020 | PAGE 4 OF 19 ON THE CHARTS JIM ASKER [email protected] Bulletin SamHunt’s Southside Rules Top Country YOURAlbu DAILYms; ENTERTAINMENTBrett Young ‘Catc NEWSh UPDATE’-es Fifth AirplayFEBRUARY 8, 2021 Page 1 of 25 Leader; Travis Denning Makes History INSIDE Morgan Wallen’s ‘Dangerous’ Spends Sam Hunt’s second studio full-length, and first in over five years, Southside sales (up 21%) in the tracking week. On Country Airplay, it hops 18-15 (11.9 mil- (MCA Nashville/Universal Music GroupFourth Nashville), debuts at No. Week1 on Billboard’s lion at audience No. impressions, 1 upon 16%). Billboard Top Country• Olivia AlbumsRodrigo’s chart dated April 18. In its first week (ending April 9), it earned‘Drivers 46,000 License’ equivalent album units, including 16,000 in album sales, ac- TRY TO ‘CATCH’ UP WITH YOUNG Brett Youngachieves his fifth consecutive cordingLeads to Hot Nielsen 100 for Music/MRC 4th Data. 200 Albumsand total Country Airplay ChartNo. 1 as “Catch” (Big Machine Label Group) ascends SouthsideWeek, The marks Weeknd Hunt’s second No. 1 on the 2-1, increasing 13% to 36.6 million impressions. chart &and CJ fourth Hit Top top 10 10. It follows freshman LP BY KEITH CAULFIELD Young’s first of six chart entries, “Sleep With- Montevallo• Super ,Bowl which Synch arrived at the summit in No - out You,” reached No. 2 in December 2016. He vember 2014 and reigned for nine weeks. To date, followed with the multiweek No. 1s “In Case You Report: Sony/ATV Morgan Wallen’s Dangerous: The Double Album holds demand streams of the album’s songs), album sales Montevallo has earned 3.9 million units, with 1.4 Didn’t Know” (two weeks, June 2017), “Like I Loved Walking on Air at No.
    [Show full text]
  • I ABBREVIATIONS
    SPECIAL SUMMER TRAVEL ISSUE • I ftr«*; '-^iisI I 'i N •' A / t? \ **4 '"'•mawmmiw :LLY FREAS -^ Even this much can cause plenty trouble Mainly for us! If you think carbon makes Gulp is all we can say when we think trouble for You, just wait till you see of how profits will shrink. Because just how much trouble this tiny little bit of this much will run your car for a year! fissionable material will make for Us! GULP SAYS THE OIL CORPORATIONS Gasoline Companies Against Nuclear Fuels NUMBER 65 SEPTEMBER 1961 VITAL FEATURES REALISTIC CHILDREN'S BOOKS 4 Our satire of those basic definitions in children's books (i.e. "A hole is to dig!") will convince you "A MAD is to throw out!" "Some people are like blisters, they show up right after the work is done!" —Alfred E. Neuman TV FOR LATE, LATE AUDIENCES 14 PUBLISHER: William M. Gaines EDITOR: Albert B. Feldstein The best TV can be seen from 2 to 6 A.M., mainly ART DIRECTOR: John Putnam PRODUCTION: Leonard Brenner because there's nothing EDITORIAL ASSOCIATES: Jerry De Fuccio, Nick Meglin on! However, here's what LAWSUITS: Martin J. Scheiman PROPAGANDA MINISTER: Larry Gore can be done to fix that! SUBSCRIPTIONS: Gloria Orlando, Celia Morelli, Anthony Giordano CONTRIBUTING ARTISTS AND WRITERS: The Usual Gang of Idiots A MAD LOOK AT THE BEACH 18 You won't starve on the beach because of "sand- DEPARTMENTS which-is" there, but you BRAND X MARKS THE SPOT DEPARTMENT can die laughing because TV Commercials With Suspense 28 of clods which are there.
    [Show full text]
  • With No Catchy Taglines Or Slogans, Showtime Has Muscled Its Way Into the Premium-Cable Elite
    With no catchy taglines or slogans, Showtime has muscled its way into the premium-cable elite. “A brand needs to be much deeper than a slogan,” chairman David Nevins says. “It needs to be a marker of quality.” BY GRAHAM FLASHNER ixteen floors above the Wilshire corridor in entertainment. In comedy, they have a sub-brand of doing interesting things West Los Angeles, Showtime chairman and with damaged or self-destructive characters.” CEO David Nevins sits in a plush corner office Showtime can skew male (Ray Donovan, House of Lies) and female (The lined with mementos, including a prop knife Chi, SMILF). It’s dabbled in thrillers (Homeland), black comedies (Shameless), from the Dexter finale and ringside tickets to adult dramas (The Affair), docu-series (The Circus) and animation (Our the Pacquiao-Mayweather fight, which Showtime Cartoon President). It’s taken viewers on journeys into worlds TV rarely presented on PPV. “People look to us to be adventurous,” he explores, from hedge funds (Billions) to management consulting (House of says. “They look to us for the next new thing. Everything we Lies) and drug addiction (Patrick Melrose). make better be pushing the limits of the medium forward.” Fox 21 president Bert Salke calls Showtime “the thinking man’s network,” Every business has its longstanding rivalries. Coke and Pepsi. Marvel and noting, “They make smart television. HBO tries to be more things to more DC. For its first thirty-odd years, Showtime Networks (now owned by CBS people: comedy specials, more half-hours. Showtime is a bit more interested Corporation) ran a distant second to HBO.
    [Show full text]
  • Film Your Issue
    FILM YOUR ISSUE OVERVIEW Who Can Participate Anyone age 8 to 22 at the time of video submission, from any country. Length We are suggesting no longer than 4 minutes, including a brief credit roll at the end. For maximum impact and engagement by judges and public, 3 minutes is preferable. Format Your choice, including: • documentary-style or narrative-style with multiple cuts, edits, storyline and script; • directly talking to camera with webcam or smartphone. Deadline Monday, May 14, 2018, midnight your time. Submitting Video Entries Entries will be accepted anytime after March 15, and eligibility for the competition requires registration via the Film Your Issue. Download your film to FilmFreeway. We will share select submissions on our own YouTube page, which is distinct from the judges voting, and will not affect their decisions. Timeline Judges voting period, two weeks following deadline. The Voting Period From all entries received by the deadline of midnight, May 14, 2018, approximately three dozen films will be selected by the Film Your Issue team to continue to the finals. The semi-finalists will be submitted to the VIP Judges and the Film Your Issue ThinkTank, which will select the FYI 2018 Jury Prize winners. Announcement of winners First week of June 2018 www.filmyourissue.com Prizing Finalist entries will be shared by VIP Judges on their personal and/or professional social media, at their discretion. Select finalists will be posted on USA TODAY online, and on the Everyone Matters YouTube channel, with 45 million views. Legalities All submissions to the 2018 Film Your Issue youth empowerment and issue-engagement initiative will automatically confer upon Film Your Issue and Everyone Matters all rights without fee or penalty, to present and license the entry on any and all platforms (including without limitation internet, broadcast, cable, satellite, podcast, cellphone, etc.).
    [Show full text]