Jane Goodall Great Lives from History: 2000–2017
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Public Politics/Personal Authenticity
PUBLIC POLITICS/PERSONAL AUTHENTICITY: A TALE OF TWO SIXTIES IN HOLLYWOOD CINEMA, 1986- 1994 Oliver Gruner Thesis submitted for the degree of Ph.D. University of East Anglia School of Film and Television Studies August, 2010 ©This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with the author and that no quotation from the thesis, nor any information derived therefrom, may be published without the author’s prior, written consent. 1 TABLE OF CONTENTS Introduction 5 Chapter One “The Enemy was in US”: Platoon and Sixties Commemoration 62 Platoon in Production, 1976-1982 65 Public Politics/Personal Authenticity: Platoon from Script to Screen 73 From Vietnam to the Sixties: Promotion and Reception 88 Conclusion 101 Chapter Two “There are a lot of things about me that aren’t what you thought”: Dirty Dancing and Women’s Liberation 103 Dirty Dancing in Production, 1980-1987 106 Public Politics/Personal Authenticity: Dirty Dancing from Script to Screen 114 “Have the Time of Your Life”: Promotion and Reception 131 Conclusion 144 Chapter Three Bad Sixties/ Good Sixties: JFK and the Sixties Generation 146 Lost Innocence/Lost Ignorance: Kennedy Commemoration and the Sixties 149 Innocence Lost: Adaptation and Script Development, 1988-1991 155 In Search of Authenticity: JFK ’s “Good Sixties” 164 Through the Looking Glass: Promotion and Reception 173 Conclusion 185 Chapter Four “Out of the Prison of Your Mind”: Framing Malcolm X 188 A Civil Rights Sixties 191 A Change -
Spike Lee: Avant-Garde Filmmaker
Ayana McNair Avant-Garde Cinema CTCS 518, David James Fall 2004 12.09.04 Spike Lee: Avant-Garde Filmmaker Spike Lee came into mainstream consciousness with 1986’s She’s Gotta Have It. Since then, he has enjoyed a long and illustrious career as a filmmaker, writing, directing, producing, and starring in several very successful pictures that have highlighted some aspect of Black life in America. Films such as Do the Right Thing, School Daze, Jungle Fever, Bamboozled, and Malcolm X have catapulted Spike Lee into international stardom, making him one of the most, if not the most, notorious Black filmmakers of today. Arguably, he has reached the status of cultural icon in this country, evidenced by a parody of him on “The Simpsons”; as we know, an appearance on “The Simpsons” is the true sign that you’ve “made it.” Spike Lee’s films typically explore some issue prevalent in the Black community. Spike Lee’s rise to fame can be attributed to his bold and daring manner of dealing with issues previously unexplored in the mainstream. She’s Gotta Have It, his debut feature, explored intraracial dating, female promiscuity, and sexual power relations. ‘88’s School Daze again looked at intraracial relations, this time bringing to light the topic of skin tone and color bias within the Black community (that is, light-skinned Blacks versus dark-skinned) and the deep-seated tensions surrounding this issue. 1991 saw the release of Jungle A. McNair 1 Fever, the film that, arguably, catapulted Wesley Snipes and Samuel L. Jackson to stardom; in Jungle Fever, we got Spike Lee’s take on, this time, interracial dating, between a Black man and a white woman, and the tension surrounding such relationships. -
May 21-23, 2021
Presented by Conch Shell Productions May 21-23, 2021 www.ConchShellIFF.com Founded by Haitian American actress/writer/director/producer Magaly Colimon- Christopher, Conch Shell International Film Fest is an online festival that celebrates the unique voices of indie and student film artists of Caribbean ancestry living in the Caribbean Diaspora and in the Caribbean. It's CSIFF's goal to infuse unique Caribbean Diaspora and Caribbean filmmaker voices into the American film industry. To do so we create a space to bring together diverse film lovers, industry experts and artists for 3-days learning about the current and evolving industry trends; and celebrating films that inspire social change. Conch Shell Productions Presents Founder/Fest Director/Curator I Magaly Colimon-Christopher Festival Coordinator I Tanya E. Taylor Festival Coordinator I Marquis Smalls Production Manager I Kyra Bowie Marketing Consultant I Raychelle LeBlanc Awards Jury I Anslem Richardson Awards Jury I Marquis Smalls Awards Jury I Tanya E. Taylor Awards Jury I Martin Majeske Awards Jury I Odley Jean Awards Jury I Regina Taylor Awards Jury I Keith Randolph Smith Film Screeners I Andres Pina Film Screeners I Johnny Sanchez Film Screeners I Ali Pour Issa Film Screeners I Lisa Rene Peques Production Intern I Natasha Mehra For further information visit www.ConchShellIFF.com Friday May 21 Saturday May 22 Sunday May 23 View all CSIFF Films View all CSIFF Films View all CSIFF Films and cast your vote for and cast your vote for and cast your vote for the Audience Choice the Audience Choice the Audience Choice Award Winning Film! Award Winning Film! Award Winning Film! 3-4 pm 12-1 pm Dismantling Barriers to Masterclass: Entry for Emerging Filmmakers: Disruptive 3-4 pm ARTIST CHAT: Female Behavior in Film Smartphone Filmmaking & More Caribbean American & Television Moderator: David Velo Stewart Filmmakers: Vision For The Markets with with Patricia Jean, Marquis Monty Ross Future with Tanya Perez, Smalls, Tanya Perez, Synead Angela Reynoso, Krystle N. -
A Discourse‐Centered Approach to Sound and Meaning in Spike Lee's Chi‐Raq
■ Daniel Lefkowitz Department of Anthropology University of Virginia [email protected] A Discourse-Centered Approach to Sound and Meaning in Spike Lee's Chi-Raq Joel Sherzer’s landmark 1987 paper, “A Discourse-Centered Approach to Language and Culture,” focused linguistic and anthropological attention on playful and artistic uses of language, both as a way of better understanding discourse, and as a way of better understanding how societies distribute and negotiate power. This paper applies Sherzer’s focus to an analysis of Spike Lee’s deployment of poetic language in his 2015 film Chi-Raq. Few American filmmakers craft dialogue more artfully, or deploy dialogue more saliently than Lee, whose filmic technique and political rhetoric force viewers to focus on speech and its consequences. This paper looks at the distribution of versified and ordinary dialogue speech in Chi-Raq in order to argue that interpreting the indexical meanings of linguistic variation in Lee’s film generates a nuanced interpretation of the film’s complex but powerful rhetoric. [poetics, film dialogue, signifying, AAVE, visual language] oel Sherzer’s groundbreaking essay, “A Discourse-Centered Approach to Language and Culture,” intervenes in the long-standing intellectual debate about the language-culture relationship by suggesting that scholars examine domains, J “ ” such as poetry, magic, politics, religion, respect, insult, and bargaining, where language is deployed creatively and persuasively, because it is there that the language-culture relationship “comes into sharpest focus” (Sherzer 1987:306). Sherzer argued for a focus on moments of playful and artistic speech, in which “the potentials and resources provided by grammar, as well as cultural meanings and symbols, are exploited to the fullest” (Sherzer 1987:296). -
Spike Lee and Commentaries on His Work. Occasional Papers Series 2, No.1
DOCUMENT RESUME ED 353 622. CS 508 049 AUTHOR Hudson, Herman C., Ed. TITLE Spike Lee and Commentaries on His Work. Occasional Papers Series 2, No.1. INSTITUTION Indiana Univ., Bloomington. Afro-American Studies. PUB DATE 92 NOTE 92p.; A Martha C. Kraft Professorship Publication. PUB TYPE Collected Works General (020) Reports Evaluative /Feasibility (142) Reference Materials Bibliographies (131) EDRS PRICE MF01/PC04 Plus Postage. DESCRIPTORS Auteurism; *Black Community; *Black Culture; Black History; Cultural Images; Film Criticism; *Film Production Specialists; *Film Study; Popular Culture; Racial Relations; Urban Culture IDENTIFIERS *African Americans; *Lee (Spike) ABSTRACT This monograph presents a critical essay and a comprehensive 454-item bibliography on the contemporary African-American filmmaker, Spike Lee. The essay, entitled "African-American Folklore and Cultural History in the Films of Spike Lee" (Gloria J. Gibson-Hudson), analyzes Lee's filmmaking approach from a cultural and historical perspective. The essay identifies Lee as a contemporary storyteller weaving his tales with the aid of a camera and demonstrates how his film narratives draw on both the historic and contemporary experiences of African Americans. The essay discusses five of Lee's films (made between 1984 and 1991) thematically, categorizing them under intra-racal issues and inter-racial issues. The bibliography (by Grace Jackson-Brown) provides citations from both scholarly and popular literature, encompassing newspaper articles, journal and magazine articles, chapters or sections from books, and reviews of films (most of the citations date from the last 5 years). The extensive 49-page bibliography is intended to be a comprehensive guide to literature that will assist students and researchers with an interest in Spike Lee. -
February 2019 March 2019 | Soulvisionmagazine.Com
February 2019 March 2019 | soulvisionmagazine.com EDITORS NOTE BK Fulton “All of us should strive to be excellent.” Fate rarely calls upon us at a moment of our own choosing. The opportunity for each of us to be great is preserved for those who are prepared. This issue of SoulVision Magazine focuses on the storytellers, the talent that brings stories to life, and those who produce and train the next generations of movie and media professionals. The creators in this issue were inspired by nature, family stories and their God-given talents, to create art at the highest levels. The pursuit of excellence inspired them to dig and press on until their stories were told. So it is with each of us, we have to be willing to do what it takes to evolve into the people we are supposed to be. 2 March 2019 | soulvisionmagazine.com INTERVIEW Adam Leipzig: The Movie Yoda “Use your time on Earth wisely.” Adam Leipzig is a “solopreneur” who believes there is always room for improvement. This is an interesting self-assessment when you think about all he has achieved in his career. He is a former Disney executive who was instrumental in the production of one of Disney’s highest grossing live-action films, Honey, I Shrunk the Kids. As president of National Geographic Films, Adam was responsible for acquiring the international rights to March of the Penguins, releasing the U.S. version which garnered much deserved critical and commercial acclaim. Adam, with his degree in Literature from Yale University, has made a career out of what he loves—movies. -
Much Ado About Nothing… / Summer of Sam De Spike Lee]
Document generated on 09/30/2021 1:10 a.m. 24 images Much Ado About Nothing… Summer of Sam de Spike Lee Gilles Marsolais Quand la culture devient marchandise Number 98-99, Fall 1999 URI: https://id.erudit.org/iderudit/25046ac See table of contents Publisher(s) 24/30 I/S ISSN 0707-9389 (print) 1923-5097 (digital) Explore this journal Cite this review Marsolais, G. (1999). Review of [Much Ado About Nothing… / Summer of Sam de Spike Lee]. 24 images, (98-99), 88–88. Tous droits réservés © 24 images, 1999 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ Summer of Sam de Spike Lee MUCH ADO ABOUT NOTHING PAR GILLES MARSOLAIS pike Lee s'est imposé avec Do déluge d'effers visuels et sonores, il S the Right Thing (1989) et procède à la description d'un groupe Jungle Fever (1991) qui se dis social d'une façon qui, même à travers tinguent par leur style enfiévré et le sa cocasserie, peut ressembler à un radicalisme de leur contenu, à une règlement de comptes tribal (imaginez époque où le militantisme semblait la réaction si Forcier se permettait de relégué aux oubliettes. -
4 Little Girls.Pdf
A Brief Introduction by John Lansingh Bennett Let’s Ground Ourselves for Just a Moment . Alabama’s Capital: Montgomery Largest City: Birmingham “Pittsburgh of the South” Setting the Stage 1948 Truman’s Executive Order ends segregation in the Armed Services. 1954 Brown v. Board of Education ends segregation in public schools. (Many schools remain segregated.) 1955 14-yr-old Emmett Till murdered for allegedly flirting with a white woman. Rosa Parks triggers Montgomery bus boycott. Setting the Stage 1957 Little Rock Nine blocked from integrating Central High School; Eisenhower sends federal troops to escort them. 1960 Greensboro Four refuse to leave a “whites only” Woolworth’s lunch counter without being served, sparking sit-ins elsewhere. 1961 Freedom Riders protest segregated bus terminals & attempt to use whites-only facilities. Setting the Stage 1963 In June, Gov. Wallace blocks U. of Alabama doorway to two black students. Standoff continues until Kennedy sends in the National Guard. In August, March on Washington for Jobs and Freedom. Rev. Martin Luther King gives “I Have a Dream” speech at the Lincoln Memorial. In September, bomb at 16th Street Baptist Church in Birmingham kills four and injures others. With members working in mining and industry in the 1950s, KKK chapters had ready access to dynamite and other bomb materials. In fact, Birmingham earned the nickname “Bombingham” for the 50 explosions in the city between 1947 and 1965. (One neighborhood was targeted so often it was nicknamed Dynamite Hill.) The bombing of the 16th Street Baptist Church was the third bombing in 11 days following a federal court order that mandated integration of Alabama schools. -
NETFLIX – CATALOGO USA 20 Dicembre 2015 1. 009-1: the End Of
NETFLIX – CATALOGO USA 20 dicembre 2015 1. 009-1: The End of the Beginning (2013) , 85 imdb 2. 1,000 Times Good Night (2013) , 117 imdb 3. 1000 to 1: The Cory Weissman Story (2014) , 98 imdbAvailable in HD on your TV 4. 1001 Grams (2014) , 90 imdb 5. 100 Bloody Acres (2012) , 1hr 30m imdbAvailable in HD on your TV 6. 10.0 Earthquake (2014) , 87 imdb 7. 100 Ghost Street: Richard Speck (2012) , 1hr 23m imdbAvailable in HD on your TV 8. 100, The - Season 1 (2014) 4.3, 1 Season imdbClosed Captions: [ Available in HD on your TV 9. 100, The - Season 2 (2014) , 41 imdbAvailable in HD on your TV 10. 101 Dalmatians (1996) 3.6, 1hr 42m imdbClosed Captions: [ 11. 10 Questions for the Dalai Lama (2006) 3.9, 1hr 27m imdbClosed Captions: [ 12. 10 Rules for Sleeping Around (2013) , 1hr 34m imdbAvailable in HD on your TV 13. 11 Blocks (2015) , 78 imdb 14. 12/12/12 (2012) 2.4, 1hr 25m imdbClosed Captions: [ Available in HD on your TV 15. 12 Dates of Christmas (2011) 3.8, 1hr 26m imdbClosed Captions: [ Available in HD on your TV 16. 12 Horas 2 Minutos (2012) , 70 imdb 17. 12 Segundos (2013) , 85 imdb 18. 13 Assassins (2010) , 2hr 5m imdbAvailable in HD on your TV 19. 13 Going on 30 (2004) 3.5, 1hr 37m imdbClosed Captions: [ Available in HD on your TV 20. 13 Sins (2014) 3.6, 1hr 32m imdbClosed Captions: [ Available in HD on your TV 21. 14 Blades (2010) , 113 imdbAvailable in HD on your TV 22. -
A Spike Lee Joints Retrospective, Jun 29—Jul 10
BAMcinématek and the Academy present By Any Means Necessary: A Spike Lee Joints Retrospective, Jun 29—Jul 10 Kicks off with a 25th anniversary screening of Spike Lee’s Do the Right Thing for Closing Night of BAMcinemaFest with Lee and cast in attendance 15 films in 35mm plus a rare 16mm print of Lee’s debut, Joe’s Bed-Stuy Barbershop: We Cut Heads The Wall Street Journal is the title sponsor for BAMcinemaFest, BAMcinématek, and BAM Rose Cinemas. Brooklyn, NY/May 22, 2014—From Sunday, June 29 through Thursday, July 10, BAMcinématek and the Academy of Motion Picture Arts and Sciences present By Any Means Necessary: A Spike Lee Joints Retrospective, a 12-day series spanning three decades and commemorating the 15th anniversary of BAMcinématek, which launched in 1999 with a survey of Lee’s career. The writer-director-actor’s consistently surprising work displays a boundless visual imagination, some of the most fearlessly intelligent discourse on race relations in American cinema, and an ability to infuse independent projects and big-budget blockbusters alike with his edgy, energetic style. From June 27—July 27, the Academy will also present a west coast retrospective of Lee’s work at the Academy’s Linwood Dunn Theater and the Bing Theater on the Los Angeles County Museum of Art campus. Kicking off the New York retrospective and closing BAMcinemaFest on June 29 is a 25th anniversary celebration of Lee’s Oscar®-nominated Do the Right Thing. The streets of Bed-Stuy boil in Lee’s tale of tensions run high on Brooklyn’s hottest day of the year. -
July August Digital 2019
JULY/AUGUST 2019 80 YEARS OF CINEMA JULY / AUGUST 2019 / AUGUST JULY GLASGOWFILM.ORG | 0141 332 6535 CINEMASTERS: NICOLAS ROEG | CINEMASTERS: SPIKE LEE 12 ROSE STREET, GLASGOW, G3 6RB PAIN AND GLORY | THE DEAD DON’T DIE | MIDSOMMAR CONTENTS Access Film Club: Apollo 11 32 Transit 26 Do The Right Thing - 4K 16 Access Film Club: Spirited Away 32 Varda by Agnès 23 Inside Man 16 Animals 25 Visible Cinema: The Dead Don’t Die 32 Jungle Fever 16 Balance, Not Symmetry 25 Visible Cinema: Prophecy 32 EVENT CINEMA Blinded by the Light 26 Vita and Virginia 22 Bolshoi Ballet: Giselle 30 Blue My Mind 23 ANNA MAGNANI: Bolshoi Ballet: Le Corsaire 30 The Brink 23 MADE IN ROME Bolshoi Ballet: The Nutcracker 30 The Candidate 25 Before Him All Rome Trembled 10 Bolshoi Ballet: Raymonda 30 The Chambermaid 24 Scarred 10 Bolshoi Ballet: Romeo and Juliet 30 The Current War 24 Volcano 10 Bolshoi Ballet: Swan Lake 30 The Dead Don’t Die 23 CANADA NOW NT Live: Hansard 29 A Faithful Man 27 Edge of the Knife 19 NT Live: The Lehman Trilogy 29 Gwen 24 Hugh Hefner’s After Dark 19 NT Live: A Midsummer Night’s Dream 29 Holiday 25 Prosecuting Evil: The Extraordinary NT Live: Present Laughter 29 19 In Fabric 22 World of Ben Ferencz NT Live Encore: One Man Two Guvnors 29 John McEnroe: In the Realm of Through Black Spruce 19 22 FILM FEELS: OBSESSION Perfection CINEMA REDISCOVERED All About Eve 13 @glasgowfilm Leto 26 ON TOUR Cairo Station 13 Mari 24 20 Adoption - 4k Close Encounters of the Third Kind + Quiz 14 Marianne and Leonard: Words of Love 24 20 Hoop Dreams Dance with a Stranger + Discussion 13 Midsommar 22 Une Femme Douce - 4K 20 Double Bill: Safe / To Die For + 22 14 Never Look Away Discussion CINEMASTERS: facebook.com/glasgowfilm 26 Notorious - 4K NICOLAS ROEG JOURNEYS TO THE MOON Oldboy - 4K 25 Don’t Look Now - 4K 15 Apollo 11 12 Once Upon a Time.. -
CAAS-340 Syllabus
CAAS 340, American Culture 340, English 411 By Any Means Necessary: Studying Spike Lee’s Films Professor Michael Awkward Tuesdays 3-6, Angell Hall G115 Office Hours, Location, and Phone Number: T 9-10, Th 10-11, Tisch 3062, 4-0444 This course will survey a selection of the feature films and documentaries of Spike Lee, and some of the scholarship these films – and the often-controversial Lee himself – have generated. We will begin with the 1986 release, She’s Gotta Have It (1986), which began what has been called a black (American) film renaissance, and end with his compelling 2006 releases, the blockbuster Inside Man and the acclaimed HBO documentary about the aftermath of Hurricane Katrina, When the Levees Broke. Our task will be to examine, among other topics, whether there are recurrent themes, points-of-view, attitudes, and stylistic flourishes that characterize what he calls a “Spike Lee Joint.” We will be particularly concerned with how dominant categories of identity -- race, class, sexuality, and gender – are treated within his corpus of films. In addition, we’ll explore the variety of critical responses to U.S. films generally, and to Lee’s releases in particular (especially newspaper, internet, and magazine reviews and scholarly essays). Required Texts: Paula J. Massood, editor, The Spike Lee Reader (Temple University Press) Films (to be streamed onto ctools site): She’s Gotta Have It (1986) Do the Right Thing (1989) Jungle Fever (1991) Malcolm X (1992) Clockers (1995) Get On the Bus (1996) 4 Little Girls (1997) He Got Game