DOCSLIB.ORG

Drumwright-Legend-E-Beat

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Drumwright-Legend-E-Beat Contact us: 0118 944 1418 DrumWright The Award Winning One Stop Shop for Drummers A LEGEND FOR A LEGEND – DRUMWRIGHT WORLD EXCLUSIVE DrumWright and Pearl Drums are proud to announce the release of twelve limited edition Ian Paice Signature Kits in April 2012. The launch has been timed to coincide with the 40th anniversary of Deep Purple’s iconic “Machine Head” album, which hit the UK charts in April 1972, and went on to reach the number one position. White Marine Pearl kit in ‘driving’ position Silver Sparkle kit – front view The man himself and his gold disc for “Machine Head” Each drum kit has nine drums, comprising Masters Premium Legend Maple Toms and Bass Drum and the Ian Paice Signature Snare Drum. The three colours are Piano Black, Silver Sparkle and White Marine Pearl. There will be four kits in each colour. Some of the drum sizes are unique to Ian’s kit, and in the same way as Pearl made them specially for him, they have made them again exclusively for this limited edition run of 12 kits. You cannot get this exact specification of kit anywhere else in the world, and once the 12 have gone, that is it. There will be no repeat production. As well as a standard front head, the kits will come supplied with a specially designed front bass drum head which could be fitted to the kit or mounted to the wall as a souvenir. Each one of the drum kits will come with a head signed personally by Ian, dedicated to the individual customer and a limited edition certificate of authenticity, again signed by Ian. All drums will also have a unique motif inside specifying that the kits are a limited edition. Each kit will come tuned to Ian’s Unique motif on the inside personal specification. of each shell As well as the drums themselves, customers can purchase Ian’s recom- mended selection of Pearl hardware; Paiste 2002 cymbals (all signed by Exclusive bass drum head which can be used Ian); limited edition specially badged Hardcase cases; and other related on kit or wall-mounted accessories. COMMENTING ON THE KIT, IAN SAID: DRUMWRIGHT MD CHRIS WRIGHT ADDED: When you are lucky enough to play the We are very excited about this unique opportunity. We have best, it’s nice to know other people can developed a close working relationship with Ian over the past experience the same perfection. 15 years. In my view, he is the UK’s finest rock drummer, an inspiration to others, and a pleasure to work with. Ian will be demonstrating the kit at its formal launch on the evening of Monday 23rd April 2012 at DrumWright. To get your free of charge ticket for this prestigious event, send us an email headed “IP Launch” together with your name and postal address to [email protected]. STOP PRESS The twelve customers who buy one of these kits will be invited to a private dinner with Ian Paice, hosted by Ian’s favourite celebrity Chef Paul Clerehugh at his celebrated Oxfordshire restaurant ‘The Crooked Billet’. Date to be arranged but it will be some time in 2012, cost not exceeding £50 per head inclusive of dinner and wine. For further information, contact Chris Wright at [email protected] or call on 07703 548967. ADDITIONAL INFORMATION, OPTIONAL EXTRAS AND PRICING Pearl Masters Premium Legend (MPL) – Technical Specification In 2011 Pearl Drums released the Masters Premium Legend drum set. This new set has evolved from 20 years of the Pearl Masters range and can be described as a more open, clean and warm sound, reminiscent of classic drums of the 70s. There are two key factors which create the warm, open Legend sound; 1. The all new MPL uses 6 plies of 0.9mm thick maple to give a 5.4mm shell with 45 degree bearing edges. 2. Masters Legend Series includes Pearl’s revolutionary Fat Tone Hoops on all toms and floor toms. These new thin hoops have hemmed and welded edges resulting in a hoop that is both lightweight and extremely strong to enhance resonance. The Legend Series also features upgraded low mass aluminium Opti-Mounts, Masterworks / Reference bass drum spurs, bass drum claws, floor tom legs and leg brackets. Pearl Masters Drum sizes are as follows: Premium Legend • 24x14 bass drum • 15x10 tom drum set • 10x8 tom • 16x16 floor tom • 12x9 tom • 18x16 floor tom £4,999 • 13x10 tom • Ian Paice 14x6.5 Signature Snare • 14x10 tom • 5 x TH1000I Tom Holders Ian is a long-standing Remo endorsee, so the kit comes fitted with Ambassador clear heads top and bottom on the toms, Powerstroke 3 bass drum heads and 14” Ambassador coated and 14” Ambassador hazy on the snare drum. PRICE ON 9 DRUM KIT - £4999 OPTIONAL EXTRAS PEARL PEARL HARDWARE SET, AS SELECTED BY IAN - £999 HARDWARE SET • 3 x Pearl B1000 boom cymbal stand • 1 x Pearl H2000 hi-hat £999 • 1 x Pearl C1000 straight cymbal stand • 1 x D1000N Throne • 1 x Pearl CH1000 cymbal attachment • 1 x Pearl 3000D Demon drive single pedal. (Upgrade to a Pearl 3002D Demon drive double for £279 extra) • 1 x Pearl S1000 snare drum stand • 1 x Pearl ADP30 clamp PAISTE CYMBAL SET AS SELECTED BY IAN, AND ALL PERSONALLY SIGNED BY IAN - £1699 Paiste 2002: PAISTE • 22” crash • 20” china CYMBAL SET • 24” crash • 15” 2002 sound edge hi-hats £1,699 • 22” ride • 10” 2002 splash HARDCASE CASES FOR ALL DRUMS, WITH LIMITED EDITION PROTECTION RACKET LARGE BADGE INCORPORATING IAN’S SIGNATURE. DRUM MAT • Cases for all nine drums £699 • Cymbal case £109 • 40” hardware case with wheels £119 £99 (2.75M X 1.6M) £699 £109 £119 CASES FOR CYMBAL 40” HARDWARE ALL 9 DRUMS CASE CASE DRUM DIAL - MEASURES 6 PAIRS PRO MARK IAN PAICE ‘EARLY BIRD’ PACKAGE TIMPANIC PRESSURE SIGNATURE STICKS DEAL – ORDER BY 15TH MAY 2012 Place your order for the complete package: 9-drum kit; Pearl hardware; £65 Paiste cymbals; Hardcase cases; drum RECREATE mat; Drum Dial and signature sticks for SOUND! £60 SIGNATURE £8348 – a further saving of £500 on the STICKS already discounted package price! £1000 non-refundable deposit payable at time of Every one who buys a drum dial with order. Shipping free for UK mainland and at a kit will be given the unique settings individually quoted cost elsewhere for each drum to recreate that Ian Paice Sound! Disclaimer: All items are subject to availability, and their appearance on our website does not constitute an offer of sale. For more details Follow us on: on this, please call our sales team on 0118 944 1418, or email [email protected].
Load more

Recommended publications
  • 2004 General Catalog
    MASTERS SERIES Masters Series Lacquer Finish . Available Colors MMX MRX MHX BRX Masters Series Covered Finish . Available Colors MSX No.100 Wine Red No.400 White Marine Pearl No.102 Natural Maple No.401 Royal Gold No.103 Piano Black No.402 Abalone No.112 Natural Birch No.403 Red Onyx No.122 Black Mist No.404 Amethyst No.128 Vintage Sunburst No.141 Red Mahogany No.148 Emerald Fade No.151 Platinum Mist PEARL DRUMS No.152 Antique Gold No.153 Sunrise Fade m No.154 Midnight Fade o c . No.156 Purple Storm m No.160 Silver Sparkle u r d No.165 Diamond Burst l r No.166 Black Sparkle a e p No.168 Ocean Sparkle . w w w SESSION / EXPORT / FORUM / RHYTHM TRAVELER . Lacquer Finish Available Colors SMX SBX ELX Covered Finish Available Colors EXR EX FX RT www.pearldrum.com No.281 Carbon Mist No.430 Prizm Blue No.290 Vintage Fade No.431 Strata Black No.291 Cranberry Fade No.432 Prizm Purple No.292 Marine Blue Fade No.433 Strata White No.296 Green Burst No.21 Smokey Chrome No.280 Vintage Wine No.31 Jet Black No.283 Solid Black No.33 Pure White No.284 Tobacco Burst No.49 Polished Chrome No.289 Blue Burst No.78 Teal Metallic No.271 Ebony Mist No.91 Red Wine No.273 Blue Mist No.95 Deep Blue No.274 Amber Mist No.98 Charcoal Metallic No.294 Amber Fade No.295 Ruby Fade No.299 Cobalt Fade For more information on these or any Pearl product, visit your local authorized Pearl Dealer.
    [Show full text]
  • THE INTERNATIONAL MAGAZINE of the AVEDIS ZILDJIAN COMPANY Welcome To
    ZL326 THE INTERNATIONAL MAGAZINE OF THE AVEDIS ZILDJIAN COMPANY welcome to Z Time2011 edition issue 33 2011 Z Time Page two News & Events Page six Greatest Cymbal of All Time Page ten Legends Page fourteen Gen 16 Craigie Zildjian Page sixteen On the Road Page twenty Moving Forward Product Info Intro There are so many exciting new things going on here at Zildjian that I couldn’t wait to share this year’s Z-Time with you. 2011 represents our breakthrough into the digital Page twenty-one music making realm. Our new Gen16 product line is the result of our effort to bring our Cast Cymbals knowledge of cymbals and their sounds to the modern digital environment. You can learn more about this initiative on pages 14 and 15 or at our new website www.zildjian.com. Page fifty-five Sheet Cymbals Whether your music making is acoustic, digital, or both, our desire is to be there no matter where your music takes you. I sincerely hope you enjoy the journey. Page sixty-one Drumsticks Best regards, Page sixty-five Gear Page sixty-eight Scrapbook Craigie & Debbie Zildjian Contributing photographers: Sayre Berman Hadas Naoju Nakamura John Stephens cover artist: Volker Beushausen Heinz Kronberger Kacper Diana Nitschke Levi Tecofsky Dominic Howard - Joris Bulckens Kaminski Jimmy Katz Mario Pires Melissa Terry Muse Tina Korhonen Bernard Rosenberg Andreas Ulvo James Cumpsty photo: Calum Doris Scott Legato Tao Ruspoli JonVanDaal Richard Ecclestone Robert Downs Hyejin, Lee Bianca Scharroo Neil Zlozower Sergey Dudin H.J Lee Ronny Sequeira Ludwig Drums graphic designer: M.v.d.
    [Show full text]
  • CC Rider 2015
    CHRISTOPHER CROSS TECH & MISCELLANEOUS REQUIREMENTS Revision Date 01/2015, Electric Show PLEASE USE THIS INFO INSTEAD OF ANY OLDER DATED INFO We will require the backline equipment as per the contract. Please use the following list for your guidelines: Please have all requirements approved and finalized with Christopher Cross representative, Steve Kades 805-559-8900, (California Time) [email protected] Tour Manager & Monitor Engineer. We can negotiate substitutions when needed. PRESS: Approved photos of Christopher are available on his website, www.christophercross.com, in the "Info for Venues and Press" section. Please use one of these photos for all publicity and promotional materials. If you have questions or need additional images, please contact Jovan Ristic at 21st Century Artists: [email protected] / (212) 254-5500 OPENING ACTS: Must be self contained. No more than 2 musicians. Christopher’s engineers will not mix for the opening act. No Drums. BACKLINE: DRUMS 1st Choice Gretsch Drums (Endorsed) 2nd Choice DW Drums 3rd Choice Pearl Drums Bass Drum: 22" (2) Snare Drums: 6.5" x 14", 5”X 14” Ludwig Black Beauty if possible and a wood drum if possible. Toms: 10" 12" 16" Cymbals: Paiste 20" Signature Series Ride Paiste 18", 17" and 16" Signature Series Crashes Paiste 20" Thin China Paiste 13" Signature Series Hi-Hats x 2 Paiste 16" Thin Crash Paiste 18" Thin Crash (3) Heavy Duty Tom stands, Bass drum mounted is ok. Floor tom with legs. (7) HEAVY DUTY Cymbal stands (2) Heavy Duty Snare Drum Stands (2) Heavy Duty Hi-Hat Stand (3 leg style) (1) Drum Throne with back-rest (2) Pearl or Yamaha Bass Drum Pedals (1) LP Conga Drum, No stand.
    [Show full text]
  • Troška Histrorie
    TROŠKA HISTORIE, NIKOHO NEZABIJE....... jak se říká "trocha historie nikoho nezabije" a je dobré vědět kdo nám ty kýble strouhá Leedy Drums Ulysses Grant Leedy začal svou kariéru počátkem devadesátých let devatenáctého století jako perkusionista v Indianapolis. Osobní založení a zájem vyrábět lepší nástroje ho však vedlo k tomu, že s podporou svých přátel a kolegů roku 1888 založil Leedy Drums Company a začal vyrábět své vlastní – nejprve stojany malých bubínku a posléze i samotné bubínky. Kredit mu vynesly zejména upravitelné malé bubínky (do té doby se SD pokládaly na židle nebo visely na popruhu. Rychlý úspěch vedl k výstavbě výrobny a k expanzi produktové linie zahrnující blány na bubny a rozmanité orchestrální perkusní nástroje a doplňky. Leedy rovněž začal prodávat své produkty ve velkém po celé zemi. V roce 1909, kdy svou společnost založili bratři Ludwigové, se právě oni stali agentem Leedy drums v Chicagu. Ludwigové později začali vyrábět své vlastní nástroje a Leedy drums přerostli. Ve dvacátých letech dvacátého století Leedy naplnil potřebu vlastního prodejního managementu a zaměstnal Georgie Waye, který měl svou vlastní společnost vyrábějící bicí v Kanadě. Mimo svých prodejních schopnosti měl Way i technické znalosti, které uplatnil při četných inovacích u Leedy drums, které jednou pro vždy změnily výrobu bicích. Zhoršující se zdravotní stav přinutil Leedyho svou společnost roku 1929 prodat. Novým majitelem se stal GC Bonn Manufacturing Co., jež později koupila i Ludwig drum company. Sled událostí, které odstartovala 2.světová válka vyústil v prodeji divize Leedy & Ludwig Drum zpět do rodiny Ludwigů. William F. Ludwig Jr. ze společnosti WFL drum a Bud Slingerland spojili své síly a odkoupili upadající Connův podnik.
    [Show full text]
  • 2018 Band & Orchestra Price List
    2018 BAND & ORCHESTRA RETAIL PRICE LIST * Special Order - Please Allow Extra Delivery Time THE BEST WARRANTY IN THE INDUSTRY! COMMITTED TO THE HIGHEST LEVEL OF CUSTOMER SATISFACTION. The Pearl Lifetime Warranty is a statement of confidence to our customers to the to superior engineering and craftsmanship dedicated to you, the drummer. The Pearl reliability of Pearl products. Pearl drums, stands and hardware are designed and lifetime warranty is our pledge to you that we will proudly stand behind our product for manufactured to the highest standards in quality, style, appearance and playing as long as you own it. Buy it once, play it for life. performance. This lifetime warranty reflects a tradition of excellence and a commitment ▪ Drum Set/Concert wood and metal shells for the lifetime of ▪ SoundCheck drums, stands, pedals, hardware, and parts. the original owner. ▪ Rainsticks ▪ Foot pedals, hi-hat stands, cymbals stands, boom cymbal ▪ Covered and lacquered finishes on all Pearl drums. stands, snare drum stands, throne bases, floor-standing tom ▪ RH-2050 Remote Hat cable. stands, floor-standing cymbal/tom stands, ▪ Collar Joint on all Pearl drum thrones. concert stands, racks and rack accessories, cymbal ▪ Gas Cylinder on the D-3000TC throne. holders and multi-clamps for the lifetime of the original ▪ Marching claws, tension rods, swivel nuts, strainers, owner. Some exceptions apply. counterhoops, edge-rings and nuts and bolts. ▪ Drum Set claws, tension rods, swivel nuts, spurs, tom ▪ Marching carriers and marching carrier parts, except as LIFETIME brackets, tom holders, strainers, and nuts and bolts for the noted below under “Consumables.” lifetime of the original owner.
    [Show full text]
  • James Ancona, Guest Artist
    THIS EVENING’S PROGRAMME – 1ST HALF L.V. BEETHOVEN Sonata for Piano in C minor, Op. 13 (Pathétique) (1798) Grave - Allegro di molto e con brio (arr. 2009 by Alan Miller) J.S. BACH Two selections from J.S. Bach’s Das Wohltemperierte Klavier, Book I (1722) Prelude and Fugue in E major, BWV 854 Prelude and Fugue in E minor, BWV 855 (arr. 1991 by Safri Duo) L.V. BEETHOVEN Sonata for Piano, Op. 31, No. 2 (The Tempest) (1801-02) I. Largo-Allegro III. Allegretto MAURICE RAVEL Two selections from Maurice Ravel’s Miroirs (1904-05) II: Oiseaux tristes IV: Alborada del gracioso (arr. 2006 by James Ancona) INTERMISSION (10 MINUTES) THIS EVENING’S PROGRAMME – 2ND HALF EUPHEMIA ALLEN Chopsticks (1877) (arr. 2013 by Ralph Hicks) ISAAC ALBÉNIZ Sevilla (Sevillana) from Suite espagñola, Op. 47, No. 3 (1885) (arr. 2010 by Christopher Whyte) CLAUDE DEBUSSY Three selections from Claude Debussy’s Préludes, Book I and II (1909-1913) 1. Bruyères (arr. 2004 by David Reeves) 2. Feux d’artifice 3. Général Lavine (arr. 2004 by David Reeves) JIM CASELLA Cyclone (2010) James Ancona, guest artist Regarded as one of the premier percussion arrangers in the United States, James Ancona has presented seminars and performances of his works throughout North America, Europe and Asia. Since 1995, Mr. Ancona has served as an Assistant Professor of Music at the University of Delaware. As an ensemble director he works with the Symphonic Band and athletic bands as well as teaching music education courses. Mr. Ancona received his Bachelor's Degree in Music Education from the University of Massachusetts at Amherst and his Master's Degree in Performance from Indiana University where he was awarded the prestigious Performer's Certificate.
    [Show full text]
  • What's Wrong with This Picture? an Extreme Makeover
    What’s Wrong With This Picture? An Extreme Makeover for Your Percussion Section James Campbell & Julie Hill The Midwest Clinic, December 2007 September 30, 2007 Volume VII Find Ten Things Wrong With This Picture. The photo above contains mistakes in percussion setup and organization. Can you find ten of them? Don’t peek inside until you have found them! Cultural and stylistic diversity is the future of music of techniques and implement choices provide and society. For a percussionist, versatility is the key opportunities for students to grow through to increased music literacy and expression. discipline and creativity. Full and diverse percussion Percussion crosses all boundaries and percussion instrumentation will keep the percussion section students have a wide vocabulary of instruments and engaged throughout the entire rehearsal. Successful techniques to learn - more than any other students will embrace the challenges of playing instrumentalist. percussion as they develop as individual musicians, as a percussion ensemble, and as a band/orchestra. The diversity of percussion experiences offered by studying a wide range of instruments and a variety 1 Develop a Pre-shot Routine Gain a professional approach to every instrument and musical situation that occurs. 1.) Problem: The hand cymbal player is too far from the bass drummer and finds it difficult to play unison figures. ☑ Solution: Move the cymbal player next to the bass drummer (especially for marches). It will be easier for the percussionists to communicate timing, phrasing, and blend if they are next to each other and can maintain both audio and visual contact. 2.) Problem: There is too much extraneous noise made when accessory instruments are handled because they are on a shelf, table, or chair.
    [Show full text]
  • Percussive Arts Society International Convention
    PASIC 2015 Percussive Arts Society International Convention 1 2 PAS President’s Welcome 6 Donations to the Logistics Incentives Program 7 Special Thanks 8 Area Map and Restaurant Guide 10 Convention Center Map 12 Exhibitors by Name 14 Exhibit Hall Map 15 Exhibitors by Category 16 Exhibitor Company Descriptions 20 Artist Sponsors 28 11.11.15 Schedule at a Glance 34 11.11.15 Schedule of Events 36 Focus Day Program Notes 37 11.12.15 Schedule at a Glance 40 11.12.15 Schedule of Events 42 11.13.15 Schedule at a Glance 48 11.13.15 Schedule of Events 50 11.14.15 Schedule at a Glance 56 11.14.15 Schedule of Events 58 TABLE OF CONTENTS About the Artists 60 PAS History 82 PAS Hall of Fame 84 PAS 2015 Awards 86 PASIC 2015 Advertisers 88 CSM9217 PASIC Program Spread 2015.qxp_Layout 1 10/26/15 12:35 PM Page 1 Live Custom with DTX electronics OnlyYamaha Yamaha Corporation is recognized around the world as the leader in musical instruments and sound reinforcement products. On the stage, in the studio and on the field, players choose Yamaha products to achieve peak performance. Yamaha brings an unparalleled ability to blend the best of the acoustic and digital worlds. In the arena of drums and percussion, we have combined handcrafted acoustic products and DTX electronic technology into hybrid Absolute Hybrid Maple drum sets that greatly expand the capabilities of the modern percussionist. In fact, Yamaha is the only music company with a history of both superb hand-craftsmanship and innovative digital technology.
    [Show full text]
  • December 2010 Percussion News
    percussion news The newsletter of the PERCUSSIVE ARTS SOCIETY DECEMBER 2010 IN THIS ISSUE: 2010 PERCUSSIVE ARTS SOCIETY AWARDS 6 PASIC 2010 Returns to Indy PASIC 2010 MARCHING ver 5,000 percussionists and industry leaders from PERCUSSION FESTIVAL 8 Oaround the world gathered at the Indiana Conven- PEOPLE AND PLACES 10 tion Center, Westin Hotel and Rhythm! Discovery IN MEMORIAM: JACK H. MCKENZIE 12 Center to attend the 2010 Percussive Arts Society Inter- national Convention (PASIC). A truly international event, DAYS OF PERCUSSION INTERnatiONAL PERCUSSION PASIC attendees represented Asia, Australia, Europe, FESTIVAL AND COMPETITION P North America and South America. PASIC attendees HOTO 2010, FERMO, ItaLY 14 experienced over 120 clinics, concerts, master classes PASIC 2010 TEXAS PAS BY SCHOLARSHIP WINNERS 15 and performances by the world’s most noted percussion W ARREN LEIGH HOWARD STEVENS artists. Events covered everything from drumset and or- SUMMER MARIMBA SEMINAR 16 L chestral percussion to world percussion and marching. A F INDUSTRY NEWS 24 The International Drum and Percussion Expo expe- EVER SCHOLARSHIP & rienced growth this year, noting increases in both the Ten Drum Art Percussion Ensemble Assistantship NEWS 28 number of exhibiting companies and the number of CLASSIFIEDS 31 booths sold compared to PASIC 2009. More than 120 drum and percussion manufacturers, retailers, publish- ers and related organizations were featured at the expo, making it the world’s largest expo exclusively dedicated to drum and percussion exhibitors. Exhibitor packets for PONTIAC IL PERMIT NO. 19 PASIC 2011 will be made available in February 2011. NON PROFIT ORG. U.S. POSTAGE PAID U.S.
    [Show full text]
  • 2011 Marching & Concert Catalog
    Blue Devils Santa Clara Vanguard Boston Crusaders Blue Stars Innovation & Excellence: A History ..................................... 4-5 Marching Percussion Championship CarbonPly ............................................... 6-9 Championship Maple ................................................... 10-15 Competitor Series ....................................................... 16-19 Championship Pipe ..................................................... 20-23 CX AirFrame Carriers .................................................... 24-27 MX T-Frame Carriers .................................................... 28-29 Advanced Hardware (Marching) ....................................... 30-31 Blue Knights SPIRIT Troopers Music City Mystique Accessories ............................................................. 32-33 Orchestral Drums Philharmonic Series Drums ............................................. 34-39 Symphonic Series Drums ............................................... 40-41 Concert Series Drums ................................................... 42-43 Educational Kits ......................................................... 44-45 Advanced Hardware (Concert) ......................................... 46-47 RCC United Percussion Blue Knights Indoor Gateway U. Of Massachusetts U. Of Tennessee U. Of Alabama Auburn University Post-war Japan was a time for reconstruction winner played Pearl Drums. The 90’s also saw the Pearl’s commitment to education, innovation and craftsmanship dedicated to you, the musician. The but it was
    [Show full text]
  • Drums Set up Manual for Decade Maple & Export EXL
    PEARL DRUMS E X L・E X X Instruction Manual Congratulations on your purchase! To get optimum performance from your Pearl drum set, please read this Instruction Manual first before playing. Crash Cymbal Tom Holder Cymbal Boom Stand Ride Cymbal Tom Tom Tom Tom Hi-Hat Cymbal Cymbal Stand Snare Drum Hi-Hat Stand Bass Drum Snare Stand Floor Tom Drum Pedal Drum Throne Set-Up Example *Illustrations shown in this manual are Decade Maple drums and 930 series hardware. * Cymbals are not included in the set. Bass Drum Assembly 3. Turn the Shell over to the batter side and place the The Bass Drum is packed with the Shell, Bass Drum other Head and Bass Drum Hoop on the Shell. The Hoops, Heads and Parts unassembled. Please follow the batter side Bass Drum Hoop has a Hoop Protector instructions below to assemble the Bass Drum. (Fig.4) where the Pedal is to be attached. Position the Bass Drum Hoop so that the Hoop Protector is on the opposite side of the Tom Holder Bracket. Attach the 1. Place the Shell on a clean, solid surface with the front Tension Rods/Hooks in the same way as the front side side (the side with the Bass Drum Spurs attached) (Fig.3). facing upwards. Put the Front Head with Pearl Logo on the Shell then attach the Bass Drum Hoop with flat side Tension Rod down on the Rim of the Head (Fig.1). Bass Drum Hoop Hook Hoop Protector Head Bass Drum Spur Bass Drum Hoop Cross-section drawing Tom Holder Bracket Bass Drum Hoop Front Head (w/Logo) Hoop Protecter Rim of the Head Fig.3 Fig.4 (Batter side) Shell 4.
    [Show full text]
  • Concert Marching Carriers Drumset Hand Percussion Hardware
    CONCERT MARCHING CARRIERS DRUMSET HAND PERCUSSION HARDWARE Artists Tim Adams Pittsburgh Symphony Orchestra /Carnegie Mellon University Keith Aleo Boston Conservatory /Interlochen Arts Camp James Ancona University of Delaware /Cavaliers Drum & Bugle Corps Caption Head Dean Anderson Berklee College of Music /Boston Ballet Orchestra Attacca Percussion Group Washington D.C. Lonny Benoit McNeese State University Mario Boivin Sherbrook University Michael Bump Truman State University Jim Casella Cavaliers Drum & Bugle Corps Percussion Arranger Don Click Independent Glen Crosby Academy Drum & Bugle Corps Jeff Crowell University of Wisconsion-Eau Claire Julie Davila Percussion XS Lalo Davila Middle Tennessee State University Chris Deviney Philadelphia Symphony Orchestra Drew Duthart Scottish Lion-78th Fraser Highlanders Matthew Duvall Eighth Blackbird Neal Flum University of Alabama Tom Freer Cleveland Symphony Orchestra /Cleveland State University Jauon Gilliam Winnipeg Symphony Greg Goodall Los Angeles Studio Hollywood Bowl Orchestra David Gross Grand Rapids Symphony Orchestra Murray Gusseck Independent Jonathan Haas International Soloist /Peabody Conservatory, New York University Chris Hanning NFL Films /West Chester University Thom Hannum University of Massachusetts-Amherst /DCI Hall of Fame Ralph Hardimon Capital Regiment /DCI Hall of Fame Andy Harnsberger Marimba Soloist Lee College Steve Hearn Cabrillo New Music Festival Scott Herring University of South Carolina Julie Hill University of Tennessee -Martin Steve Houghton Indiana University
    [Show full text]