Flip4mac User Guide
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Flip4mac 3.3 Release Notes
Flip4Mac 3.3 Release Notes Telestream® Flip4Mac Windows Media Components for QuickTime® allow you to easily play, import and export Windows Media files within most of your favorite QuickTime applications including Microsoft PowerPoint and Apple Keynote. Flip4Mac also includes Flip Player, a multi-format video player that provides high quality video playback and optional premium editing features. Flip4Mac Products Flip4Mac WMV Player ($9.99) enables you to play Windows Media files in QuickTime applications and view Windows Media content on the Internet using Safari, Firefox and Google Chrome web browsers. With Flip4Mac Player Pro ($29), you will be able to import Windows Media files for conversion to other popular formats such as: • MOV (Final Cut Pro, iMovie) • MP4 (iTunes, iPod, iPhone, iPad, Apple TV) • MPEG-2 (Video DVD) • MP3 and AAC (iTunes, iPod, iPhone, iPad) In addition to enabling additional features in Flip Player such as: • Visual Cropping • Advanced playback controls • Visual Scaling • iPhone Ringtone export • Rotating • ProRes 422 export for Final Cut Pro • Trimming Flip4Mac Studio ($49) and Flip4Mac Studio Pro HD ($179) enable you to create Windows Media files for distribution. These features are available in trial mode until you're ready to purchase an upgrade. You can purchase an upgrade directly from within the software by selecting Flip4Mac in System Preferences. Windows Media Digital Rights Management (DRM) While the Flip4Mac plug-in provides superior playback performance, it is unable to play content that has been protected using Windows Media Digital Rights Management (DRM). System Requirements • Intel-based Mac • Mac OS X 10.6.8 and later Flip4Mac 3.3 Fixes and Enhancements • Added support for Mac OS X 10.10+ • Added support for Mac OS X 10.6.8 • Added diagnostic analytics • Fixed various issues with licensing • Fixed issues with the Web plug-in and Safari. -
NASA-STD-2804 Rev. L
Downloaded from http://www.everyspec.com NOT MEASUREMENT SENSITIVE National Aeronautics and NASA-STD-2804L Space Administration Effective June 24, 2008 MINIMUM INTEROPERABILITY SOFTWARE SUITE NASA TECHNICAL STANDARD Downloaded from http://www.everyspec.com NASA-STD-2804L Effective June 24, 2008 FOREWORD This standard is approved for use by NASA Headquarters and all NASA Centers and is intended to provide a common framework for consistent practices across NASA programs. The material covered in this standard is governed and approved by the NASA Information Technology Management Board. Its purpose is to define the baseline software suite necessary to support interoperability both between NASA end user computers and within the NASA operating environment. The standard establishes Client Reference Configurations, Operating System Standards, and Compliance Dates for computers running Microsoft Windows, Apple Mac OS, and various Linux and UNIX operating systems. Adherence to this standard ensures compliance with federal requirements for desktop computers, laptops, and other end user devices. Requests for information, corrections, or additions to this standard should be directed to the John H. Glenn Research Center at Lewis Field (GRC), Emerging Technology and Desktop Standards Group, MS 142-5, Cleveland, OH, 44135 or to [email protected]. Requests for general information concerning standards should be sent to NASA Technical Standards Program Office, ED41, MSFC, AL, 35812 (telephone 256-544-2448). This and other NASA standards may be viewed and downloaded, free of charge, from the NASA Standards web page: http://standards.nasa.gov/. /signature on file/ Jonathan Pettus Chief Information Officer ii Downloaded from http://www.everyspec.com NASA-STD-2804L Effective June 24, 2008 This Page Left Blank Intentionally iii Downloaded from http://www.everyspec.com NASA-STD-2804L Effective June 24, 2008 CONTENTS 1 SCOPE.......................................................................................................................................... -
SA1OPS English User Manual
Register your product and get support at www.philips.com/welcome SA1OPS08 SA1OPS16 SA1OPS32 EN User manual Select files and playlists for manual Contents sync 15 Copy files from GoGear Opus to your computer 16 English 1 Important safety information 3 WMP11 playlists 16 General maintenance 3 Create a regular playlist 16 Recycling the product 4 Create an auto playlist 16 Edit playlist 17 2 Your new GoGear Opus 6 Transfer playlists to GoGear Opus 17 What’s in the box 6 Search for music or pictures with WMP11 17 Delete files and playlists from WMP11 3 Getting started 7 library 17 Overview of the controls and Delete files and playlists from GoGear connections 7 Opus 18 Overview of the main menu 7 Edit song information with WMP11 18 Install software 8 Format GoGear Opus with WMP11 19 Connect and charge 8 Connect GoGear Opus to a computer 8 6 Music 20 Battery level indication 8 Listen to music 20 Battery level indication 9 Find your music 20 Disconnect GoGear Opus safely 9 Delete music tracks 20 Turn GoGear Opus on and off 9 Automatic standby and shut-down 9 7 Audiobooks 21 Add audiobooks to GoGear Opus 21 4 Use GoGear Opus to carry files 10 Audiobook controls 21 Select audiobook by book title 21 Adjust audiobook play speed 22 5 Windows Media Player 11 Add a bookmark in an audiobook 22 (WMP11) 11 Find a bookmark in an audiobook 22 Install Windows Media Player 11 Delete a bookmark in an audiobook 22 (WMP11) 11 Transfer music and picture files to WMP11 library 11 8 Video 23 Switch between music and pictures Download, convert and transfer library -
How Do I Get Started with Aperture?
1 How Do I Get Started with Aperture? COPYRIGHTED MATERIAL 004_9781118274293-ch01.indd4_9781118274293-ch01.indd 2 99/18/12/18/12 112:002:00 PPMM 1 2345678910 Aperture is like iPhoto on steroids in some ways; but in other ways, it’s a com- pletely different beast. Unlike iPhoto, it’s designed to be an incredibly flexi- ble image, video, and audio file asset management tool that you can integrate into your existing workflow. However, this flexibility means that Aperture has more jargon, settings, and buttons than iPhoto. This chapter helps demystify Aperture’s jargon and shows you key fundamentals you need to know when using Aperture. Understanding Why Aperture Is a Key Part of Your Workflow . 4 Working with Aperture’s File Structure . 6 A Brief Tour of Aperture’s Interface . 13 Basic Customization Options . 26 004_9781118274293-ch01.indd4_9781118274293-ch01.indd 3 99/18/12/18/12 112:002:00 PPMM Aperture 3 Portable Genius Understanding Why Aperture Is a Key Part of Your Workflow Most photographers agree that the time you spend behind the lens shooting is the best part of being a photographer, and all the other stuff (processing an image, categorizing it, trying to sell it, or using it to promote business) is really just annoying. While digital photography enables you to be more creative as a photographer, from being able to see right away whether you got the shot to being able to experiment as much as you want with the only cost being hard drive space, the “other stuff” arguably gets more frustrating because now you have to manage digital files instead of physical film and learn to use multiple programs to develop and output your images. -
(A/V Codecs) REDCODE RAW (.R3D) ARRIRAW
What is a Codec? Codec is a portmanteau of either "Compressor-Decompressor" or "Coder-Decoder," which describes a device or program capable of performing transformations on a data stream or signal. Codecs encode a stream or signal for transmission, storage or encryption and decode it for viewing or editing. Codecs are often used in videoconferencing and streaming media solutions. A video codec converts analog video signals from a video camera into digital signals for transmission. It then converts the digital signals back to analog for display. An audio codec converts analog audio signals from a microphone into digital signals for transmission. It then converts the digital signals back to analog for playing. The raw encoded form of audio and video data is often called essence, to distinguish it from the metadata information that together make up the information content of the stream and any "wrapper" data that is then added to aid access to or improve the robustness of the stream. Most codecs are lossy, in order to get a reasonably small file size. There are lossless codecs as well, but for most purposes the almost imperceptible increase in quality is not worth the considerable increase in data size. The main exception is if the data will undergo more processing in the future, in which case the repeated lossy encoding would damage the eventual quality too much. Many multimedia data streams need to contain both audio and video data, and often some form of metadata that permits synchronization of the audio and video. Each of these three streams may be handled by different programs, processes, or hardware; but for the multimedia data stream to be useful in stored or transmitted form, they must be encapsulated together in a container format. -
VNN Windows Media Faqs
ILS.imgondemand.com Video Streaming Player Guide SYSTEM REQUIREMENTS What type of browser do I need to view the videos posted on ILS.imgondemand.com? Any modern Web browser will support the videos posted on ILS.imgondemand.com. This includes Internet Explorer 7 or higher, Firefox 3.0 or higher, and Safari 4. It is recommended that you update your browser to the latest version for the best results. For Mac OS X users, Safari is the browser of choice for viewing the videos. Also, you must enable cookies and JavaScript on your chosen web browser, as well as turn off any pop‐ up blocker. Browser Operating System Download Location Internet Explorer 8 Windows http://www.microsoft.com/windows/ internet‐explorer/worldwide‐sites.aspx Internet Explorer 7 Windows http://www.microsoft.com/downloads/details.as px?FamilyId=9AE91EBE‐3385‐447C‐8A30‐ 081805B2F90B&displaylang=en Firefox 3.6 Windows, Mac OS http://www.firefox.com Safari 4 Mac OS http://www.apple.com/safari What operating system do I need to view the videos? Windows 98 SE or later (including Windows XP, Vista, and Windows 7) or Mac OS X 10.3.9 or later. Do I need special software to view the videos? You will need to have installed the latest version of Windows Media Player (for Windows) or Flash (For Windows and Mac) or Flip4Mac Windows Media Components and Quicktime (for Mac OS X). These are free downloads. The table below lists links for current versions and download locations. Media Player Recommended Operating Systems Download Location Version Windows Vista and Windows Media Player 11 -
Final Cut Pro Help
Sending from Final Cut Pro to Compressor You can export a Browser clip or sequence directly from Final Cut Pro to Compressor by using the Send to Compressor command. Exporting media from Final Cut Pro to Compressor works nearly the same as using Compressor as a standalone application. The main difference is that Final Cut Pro renders media directly to Compressor during the encoding process, so you don’t need to create an intermediate QuickTime movie. When Should You Export Directly to Compressor? The advantage of exporting a sequence to Compressor directly from Final Cut Pro is that rendering happens as part of the transcoding process, potentially saving you time and eliminating unwanted artifacts. Compression and chapter markers in your Final Cut Pro sequence can be included in the resulting compressed media files. When imported into DVD Studio Pro, the chapter markers automatically appear in the Track Editor. Depending on the length of the movie, the format you are exporting to, and your computer’s capabilities, exporting can take a significant amount of time. Another option is to use the Share feature in Final Cut Pro, which can process export sessions in the background. For more information, see Using Share. To send a sequence or clip from Final Cut Pro to Compressor 1. In the Browser, select a sequence or clip you want to export. If you want to export only a specific segment of a clip or sequence, set In and Out points in your clip or sequence. 2. Choose File > Send To > Compressor. Compressor opens and the sequence or clip you exported from Final Cut Pro appears as a new encoding job in a Compressor Batch window. -
Etrecheck Version: 2.9.12 (265) Report Generated 2016-05-07 13:52:34 Download Etrecheck from Runtime 7:34 Performance: Below Average
EtreCheck version: 2.9.12 (265) Report generated 2016-05-07 13:52:34 Download EtreCheck from https://etrecheck.com Runtime 7:34 Performance: Below Average Click the [Support] links for help with non-Apple products. Click the [Details] links for more information about that line. Click the [Remove] links to remove adware. Click the [Check files] link for help with unknown files. Problem: Other problem Hardware Information: ꋏ iMac (20-inch, Mid 2007) [Technical Specifications] - [User Guide] - [Warranty & Service] iMac - model: iMac7,1 1 2.4 GHz Intel Core 2 Duo CPU: 2-core 4 GB RAM Upgradeable - [Instructions] BANK 0/DIMM0 2 GB DDR2 SDRAM 667 MHz ok BANK 1/DIMM1 2 GB DDR2 SDRAM 667 MHz ok Bluetooth: Old - Handoff/Airdrop2 not supported Wireless: en1: 802.11 a/b/g/n Video Information: ꋏ ATI,RadeonHD2600 - VRAM: 256 MB iMac 1680 x 1050 System Software: ꋏ OS X El Capitan 10.11.4 (15E65) - Time since boot: about 5 hours Disk Information: ꋏ WDC WD3200AAJS-40RYA0 disk0 : (320.07 GB) (Rotational) EFI (disk0s1) <not mounted> : 210 MB [redacted] HD (disk0s2) / : 319.21 GB (108.24 GB free) Recovery HD (disk0s3) <not mounted> [Recovery]: 650 MB USB Information: ꋏ Apple, Inc. Keyboard Hub Mitsumi Electric Apple Optical USB Mouse Apple, Inc Apple Keyboard Apple Inc. Built-in iSight Apple Computer, Inc. IR Receiver Gatekeeper: ꋏ Mac App Store and identified developers Adware: ꋏ /Applications/Uninstall IM Completer.app ~/Library/Application Support/com.genieoinnovation.Installer 2 adware files found. [Remove] Unknown Files: ꋏ ~/Library/LaunchAgents/com.opswat.aw.persistence.plist ~/IAG Remote Access Agent/jranuscourtsgov/notes1/AttachmentWiper.exe -d jran.uscourts.gov -m jran.uscourts.gov -c https://jran.uscourts.gov/InternalSite/Conf/notes1AWDirs.ini -t 1 -o NLSessionSnotes=HkxGdydRaEZgPKJdzG0mqlbzjdVWbDVqVb7NGvF5dws7zlB +tXGSUTpPXvmyzgVqJFK1ElJ1NPUfFy1MYSgHFztHOwyCYV5Y5Cgw7Fe/C0S0vWbV6LGt/ Lxfry7lBALq -p "/Users/markbowdidge/IAG Remote Access Agent/jranuscourtsgov/notes1/log/" -3 -c /var/ tmp/tmp.0.7soXvk One unknown file found. -
Codec Is a Portmanteau of Either
What is a Codec? Codec is a portmanteau of either "Compressor-Decompressor" or "Coder-Decoder," which describes a device or program capable of performing transformations on a data stream or signal. Codecs encode a stream or signal for transmission, storage or encryption and decode it for viewing or editing. Codecs are often used in videoconferencing and streaming media solutions. A video codec converts analog video signals from a video camera into digital signals for transmission. It then converts the digital signals back to analog for display. An audio codec converts analog audio signals from a microphone into digital signals for transmission. It then converts the digital signals back to analog for playing. The raw encoded form of audio and video data is often called essence, to distinguish it from the metadata information that together make up the information content of the stream and any "wrapper" data that is then added to aid access to or improve the robustness of the stream. Most codecs are lossy, in order to get a reasonably small file size. There are lossless codecs as well, but for most purposes the almost imperceptible increase in quality is not worth the considerable increase in data size. The main exception is if the data will undergo more processing in the future, in which case the repeated lossy encoding would damage the eventual quality too much. Many multimedia data streams need to contain both audio and video data, and often some form of metadata that permits synchronization of the audio and video. Each of these three streams may be handled by different programs, processes, or hardware; but for the multimedia data stream to be useful in stored or transmitted form, they must be encapsulated together in a container format. -
Download the Inspector Product Sheet (Pdf)
INSPECTOR Because your lab only has so many people... SSIMPLUS VOD Monitor Inspector is the only video quality measurement software with the algorithm trusted by Hollywood to determine the best possible configuration for R&D groups, engineers and architects who set up VOD encoding and processing workflows or make purchasing recommendations. Video professionals can evaluate more encoders and transcoders with the fastest and most comprehensive solution in the business. From the start of your workflow to delivering to consumer endpoints, VOD Monitor Inspector is here to help ensure every step along the way works flawlessly. Easy-to-use tools provide: A/B testing for encoding configurations and purchasing decisions Sandbox environment for encoder or transcoder output troubleshooting “The SSIMPLUS score developed Creation of custom templates to identify best practices for specific content libraries by SSIMWAVE represents a Configurable automation to save time and eliminate manual QA/QC generational breakthrough in Side-by-side visual inspector to subjectively assess degradations the video industry.” Perceptual quality maps that provide pixel level graphic visualization –The Television Academy of content impairments Allows you to optimize network performance and improve quality Our Emmy Award-winning SSIMPLUS™ score mimics the accuracy of 100,000 human eyes. Know the score when it YOU CAN HOW OUR SEE THE SOFTWARE SEES DEGRADATION THE DEGRADATION comes to video quality NARROW IT DOWN TO THE The SSIMPLUS score is the most accurate measurement PIXEL LEVEL representing how end-viewers perceive video quality. Our score can tell exactly where video quality degrades. 18 34 59 72 87 10 20 30 40 50 60 70 80 90 100 BAD POOR FAIR GOOD EXCELLENT Helping your workflow, work SSIMPLUS VOD Monitor Inspector helps ensure your video infrastructure is not negatively impacting content anywhere in your workflow. -
DV-420V-K Multi-Format DVD Player Featuring HDMI®, 1080P Upscaling, USB, and Divx®/WMV Playback
DV-420V-K Multi-Format DVD Player Featuring HDMI®, 1080p Upscaling, USB, and DivX®/WMV Playback VIDEO FEATURES CONVENIENCE FEATURES › Dual-Layer DVD-R*/DVD/DVD-R/DVD-RW**/DVD+R/ › KURO™ LINK DVD+RW Compatible › CD ➝ USB Recording › SVCD/VCD/CD/CD-R/CD-RW Compatible › Photo + Music Mix (JPEG Slideshow with Music) › HDMI Terminal for Digital Audio/Video Out › Advanced GUI › HDMI Upscaling (to view on a 1080p display) › Disc Navigator for Easy Browsing › WMV (Windows Media® Video) Compatible › Last (Position) Memory: 5 DVD Discs/1 VCD Disc › Official DivX® Certified Product › Resume Function › Compatible with All Versions of DivX® Video (including DivX® 6) with › Screen Saver Standard Playback of DivX® Media Files › Auto Power Off › 108 MHz/12-bit Video DAC › PureCinema 2:3 Progressive Scan TERMINALS › I/P Simultaneous Output › 1 HDMI Terminal › USB Input for Compressed Video (DivX/WMV) and JPEG › 1 USB Input › HD JPEG Playback › 1 Coaxial Digital Output › JPEG PhotoViewer*** (Fujicolor CD) › 1 S-Video Output › Video Adjust Function with Sharpness/Brightness/Contrast/Gamma/ › 1 Audio/1 Video Output Hue/Chroma Level Control › Component Video Output (DVD, Video CD) › Zoom Function AUDIO FEATURES SPECIFICATIONS › Power Requirements: AC 120 V/60 Hz › 96 kHz/24-bit Audio DAC › USB Input for Compressed Music Playback * Dual-Layer DVD-R (Video Mode, Video Recording Mode, CPRM) › WMA (Windows Media® Audio)/MP3/MPEG-4 AAC**** Compressed Music Playback Compatible ** DVD-RW (Video Recording Mode, CPRM) › Dolby® Digital Output *** CDs and Fujicolor CDs can be played back › Dialogue Enhancer **** Direct playback of MP4 files encoded with DRM (Digital Rights Management), such as files purchased online, is not supported. -
Flip4mac WMV V2.4.2 User's Guide
ip4Ma Fl c WMV 2.4 Windows Media® Components for QuickTime™ User’s Guide March 2012 | 82667 © 2012 Telestream, Inc. Obtaining Support and Copyright and Information Trademark Notice To learn more about Windows Media Components © 2012 Telestream, Inc. All rights reserved. No part for QuickTime and how other digital media of this publication may be reproduced, transmitted, enthusiasts are using Flip4Mac WMV, go to transcribed, altered, or translated into any www.telestream.net/telestream-support/flip4mac- languages without written permission of wmv/support.htm. Telestream, Inc. Information and specifications in this document are subject to change without notice When you ask for help or information, please let us and do not represent a commitment on the part of know your Mac OS X and QuickTime version, the Telestream. application you’re using with Flip4Mac WMV, the Flip4Mac WMV component you’re using, and any Telestream and Flip4Mac are registered other information that you think may be helpful. trademarks of Telestream, Inc. All other brand, product, and company names are property of their respective owners and are used only for identification purposes. Limited Warranty and Disclaimers Telestream, Inc. warrants to you, as the original licensee only, that the software you licensed will perform as stated in the paragraph following, for a period of one (1) year from the date of purchase of the software: The software will operate in substantial conformance with its specifications as set forth in the applicable product user guide/published specifications/product description. Telestream does not warrant that operation of the software will be uninterrupted or error-free, will meet your requirements, or that software errors will be corrected.