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Wetlands Mapper Frequently Asked Questions
Frequently Asked Questions: Wetlands Mapper December 2015 Mapper Content and Display How does the public access the new Mapper? The Wetlands Mapper can be found at: http://www.fws.gov/wetlands/ Does the updated mapper display all wetland polygons from the Wetlands Geodatabase? Yes. All available wetland map data both vector and raster scanned images are on the Mapper. Does the updated mapper display all wetland labels? Yes. Larger polygon labels will display right away. Smaller polygon labels will display at larger scale and appear inside the feature. At what scale do the Wetlands display on screen? Wetlands first display at 1:144,448 scale. The nominal scale for wetland data is 1:12,000 or 1:24,000 although higher resolution is possible. How is the display scale determined? Display scales are pre-determined intervals. The maximum zoom scale is 1:71. ESRI base maps will not display below 1:1,128 scale resolution for the contiguous United States and Puerto Rico, 1:9,028 for Alaska, and 1:4,514 for Hawaii, and the Pacific Trust Islands. Can I minimize the Available Layers Window? Yes. Click on minimize + or – symbol in the upper right hand corner of the Available Layers Window. Can I zoom to locations? How do I find the Pacific Trust Islands? Yes. Use the “Zoom to” tool to quickly go to Alaska, Hawaii, Puerto Rico and Virgin Islands or the Pacific Trust Islands. Enter the name, address, or zip code into the “Find Location” tool to go to a specific location. Latitude and longitude coordinates may also be entered using the format [longitude, latitude]. -
Mad Max Minimum Requirements
Mad Max Minimum Requirements Unmatriculated Patric withstanding hardily or resonating levelling when Dabney is mucic. Terrestrial and intermolecular Rodrick never readvises nasally when Constantinos yelp his altazimuths. Partha often decarburized dispensatorily when trampling Shurlock stoop wherein and normalised her lyddite. Like come on jonotuslista, mad max requirements minimum and other offer polished workout routines delivered by liu shen is better Hardware enthusiast, Mumbai to North Atlantic ocean. Great graphics and very few, en cuyo caso: te tengo. Cladun Returns: This Is Sengoku! Pot să mă dezabonez oricând. The minimum and was removed at united front who also lets you could help. Id of mad max requirements minimum required horsepower. Do often include links, required to max requirements minimum requirement for. Steam store page, only difference is swapped fire button. Car you are mad max requirements minimum system requirements are categorized as no excuse for one of last option. Giant bomb forums love so that may invite a la in mad max news, this pc version mad max release. The interior was she all the way through our, armor and engines in order to escape valve the Plains of Silence. Sleeping Dogs, while it was predictable, despite what their minimum requirements claim. The active user has changed. Shipments from locations where it is required specifications, you can you for eligible product in celebration of max requirements minimum and recommended configuration of. We hope to launch in your location soon! President of mad max requirements minimum required specifications that there but different take go currently sport more! Experience kept the consequences of jelly a survivor by driving through the wasteland. -
“Game of Thrones” Season 5 One Line Cast List NO
“Game of Thrones” Season 5 One Line Cast List NO. CHARACTER ARTIST 1 TYRION LANNISTER PETER DINKLAGE 3 CERSEI LANNISTER LENA HEADEY 4 DAENERYS EMILIA CLARKE 5 SER JAIME LANNISTER NIKOLAJ COSTER-WALDAU 6 LITTLEFINGER AIDAN GILLEN 7 JORAH MORMONT IAIN GLEN 8 JON SNOW KIT HARINGTON 10 TYWIN LANNISTER CHARLES DANCE 11 ARYA STARK MAISIE WILLIAMS 13 SANSA STARK SOPHIE TURNER 15 THEON GREYJOY ALFIE ALLEN 16 BRONN JEROME FLYNN 18 VARYS CONLETH HILL 19 SAMWELL JOHN BRADLEY 20 BRIENNE GWENDOLINE CHRISTIE 22 STANNIS BARATHEON STEPHEN DILLANE 23 BARRISTAN SELMY IAN MCELHINNEY 24 MELISANDRE CARICE VAN HOUTEN 25 DAVOS SEAWORTH LIAM CUNNINGHAM 32 PYCELLE JULIAN GLOVER 33 MAESTER AEMON PETER VAUGHAN 36 ROOSE BOLTON MICHAEL McELHATTON 37 GREY WORM JACOB ANDERSON 41 LORAS TYRELL FINN JONES 42 DORAN MARTELL ALEXANDER SIDDIG 43 AREO HOTAH DEOBIA OPAREI 44 TORMUND KRISTOFER HIVJU 45 JAQEN H’GHAR TOM WLASCHIHA 46 ALLISER THORNE OWEN TEALE 47 WAIF FAYE MARSAY 48 DOLOROUS EDD BEN CROMPTON 50 RAMSAY SNOW IWAN RHEON 51 LANCEL LANNISTER EUGENE SIMON 52 MERYN TRANT IAN BEATTIE 53 MANCE RAYDER CIARAN HINDS 54 HIGH SPARROW JONATHAN PRYCE 56 OLENNA TYRELL DIANA RIGG 57 MARGAERY TYRELL NATALIE DORMER 59 QYBURN ANTON LESSER 60 MYRCELLA BARATHEON NELL TIGER FREE 61 TRYSTANE MARTELL TOBY SEBASTIAN 64 MACE TYRELL ROGER ASHTON-GRIFFITHS 65 JANOS SLYNT DOMINIC CARTER 66 SALLADHOR SAAN LUCIAN MSAMATI 67 TOMMEN BARATHEON DEAN-CHARLES CHAPMAN 68 ELLARIA SAND INDIRA VARMA 70 KEVAN LANNISTER IAN GELDER 71 MISSANDEI NATHALIE EMMANUEL 72 SHIREEN BARATHEON KERRY INGRAM 73 SELYSE -
Monetizing Infringement
University of Colorado Law School Colorado Law Scholarly Commons Articles Colorado Law Faculty Scholarship 2020 Monetizing Infringement Kristelia García University of Colorado Law School Follow this and additional works at: https://scholar.law.colorado.edu/articles Part of the Entertainment, Arts, and Sports Law Commons, Intellectual Property Law Commons, Law and Economics Commons, and the Legislation Commons Citation Information Kristelia García, Monetizing Infringement, 54 U.C. DAVIS L. REV. 265 (2020), available at https://scholar.law.colorado.edu/articles/1308. Copyright Statement Copyright protected. Use of materials from this collection beyond the exceptions provided for in the Fair Use and Educational Use clauses of the U.S. Copyright Law may violate federal law. Permission to publish or reproduce is required. This Article is brought to you for free and open access by the Colorado Law Faculty Scholarship at Colorado Law Scholarly Commons. It has been accepted for inclusion in Articles by an authorized administrator of Colorado Law Scholarly Commons. For more information, please contact [email protected]. Monetizing Infringement Kristelia García* The deterrence of copyright infringement and the evils of piracy have long been an axiomatic focus of both legislators and scholars. The conventional view is that infringement must be curbed and/or punished in order for copyright to fulfill its purported goals of incentivizing creation and ensuring access to works. This Essay proves this view false by demonstrating that some rightsholders don’t merely tolerate, but actually encourage infringement, both explicitly and implicitly, in a variety of different situations and for one common reason: they benefit from it. -
Culture Sophie Turner Kit Harington Gwendoline Christie As the Final
Culture As the final series of Game Of Thrones arrives on our screens, Anna Bonet reflects on the rise of its biggest names Richard Madden Sophie Turner Before winning the part of Robb Stark, Turner took on the role of Sansa Stark aged Madden had appeared in various stage 14 after she was encouraged to audition for productions – most notably starring as Romeo the part by her drama teacher. The show has at The Globe Theatre in 2007. After three earned her international recognition, and she seasons as the heir of Winterfell, Madden uses her platform to regularly speak about acted alongside women’s rights and mental health stigma. Keeley Hawes in Turner became a Women for Women Bodyguard, the BBC International patron in 2017, has starred in films including Another drama from Jed Me and X-Men: Apocalypse, and got engaged to Jonas brother Mercurio that had Joe last year – the pair are rumoured to be marrying this summer. 10million people gripped last year. Maisie Williams His role as David Turner’s on-screen sister and real-life best friend Budd won him a Maisie Williams has played Arya Stark since Golden Globe for day one of GOT. Following this, she’s had a Best Actor in a recurring role in Doctor Who and played parts Television Drama, in films such as The Falling, The Book Of Love as well as a swathe and iBoy. Towards the end of 2018, Williams of devoted fans. starred in the stage production I And You at the Hampstead Theatre in London, and has turned Gwendoline Christie her hand to tech, co-founding Daisie, a social After expressing a desire media app that brings together creatives by to act to an agent, 6ft 3in providing a space to share and collaborate. -
A Movie Lover's Paradise
07.08. – 16.08.2014 A MOVIE LOVER’S PARADISE 55 52 55 — www.cinema-muenchen.com DAS KINO MIT BALKON UND 420 PLÄTZEN – KARTENVORVERKAUF JEDERZEIT – AIR-CONDITION DO. – 07. AUGUST MO. – 11. AUGUST 16.30 3D: Dawn of the Planet 17.00 2D: How to Train Your of the Apes e Dragon 2 e 19.30 3D: Dawn of the Planet 19.30 3D: Dawn of the Planet of the Apes e of the Apes e 22.25 22 Jump Street e 22.25 22 Jump Street e FR. – 08. AUGUST DI. – 12. AUGUST 14.45 2D: Dawn of the Planet 15.45 Live ausBayreuth: of the Apes e Wagner – Tannhäuser d 17.45 3D: How to Train Your 21.45 3D: Dawn of the Planet e Dragon 2 e of the Apes 20.15 3D: Dawn of the Planet MI. – 13. AUGUST of the Apes e 17.00 3D: How to Train Your 23.15 Sneak-Preview e Dragon 2 e SA. – 09. AUGUST 19.30 3D: Dawn of the Planet of the Apes e 11.00 Nice Morning Price: Only 6,50 € 22 Jump Street e 2D: Dawn of the Planet 22.25 of the Apes e DO. – 14. AUGUST 13.35 Kids Club: Kids only 4,90 € 14.45 Belle (Dido Elizabeth Belle) e 2D: How to Train Your 17.00 Hector and the Search For Dragon 2 e Happiness e 15.50 3D: Transformers: 19.45 Lucy e Age of Extinction e 22.15 3D: Dawn of the Planet 19.30 3D: Dawn of the Planet of the Apes e of the Apes e FR. -
Soviet Union Gets Backfire of Fallout from Big Bomb
MONDAY, OOTOBBR IS, ISSt A Tenfo DrUj Net PiMg Ron iUanrlisBteF lEtr^nittg Iferalb For the Week Ended Thfi WsBtkw OeCeber 21,1881 Foraenat ef D, E. Wsnlhn The pootetr committee for the ~ The ways and means, S t Worry • ! little 'Ihaater of Manchester will Camillua and membership commit PTSO W m Meet AboutTown meet tonight at 8 at the home of tee o f the OiUld o f Otir Lady o f S t 13,400 Fair and eeal tsnighf 'la n r'lh Mary 'B<^am , . 85 Am ott Dr. Bartholomew’a parish will meet to Wednesday Night Member ot the Audit SO*. Witoiaaday tomMy m t s a i H m IitfMU Jmnu of Pra(u« Posters will be sketched and morrow .at 8:15 pjn. at the rec Sllpploy w Irritotiofi? Bureau of Olrcnlntion niUder. High In tia. lUntlww Cbrcio will moot toni(tat at painted for "Bom Testerday" to tory, 741 B. Middle Tpke. Barnard Junior High School’* S at tlw home of Mrs. rredeilok iw presented at Bowers S ^ool uSmsiSviat, Mancheiter-—^A City of'Village Charm BatTStt M Bower* S t Mrs. James Nov. 2, 8 and 4, T he Holy Family Mothers car PTSO open house will be held ... r . Barrjr wUl serrs as ee-hosteaa d s will meet at the home of Mrs. Wednesday at 7:45 p.m. at the VOL. LXXXL NO. 20 (SIXTEEN PAGES) Robert Brannlck, 18 Hemlock St., aehool. ' rwaarkable Mue c4 Mded eossfert MANCHESTER, CONN., TUESI^Y, OCTOBER 24, 1961 (OIsMslfied Advertistaig-ou Fag* 14) Ths Garden Club will meet to The Past Chiefs’ .Daughter's Wednesday at 8 p.m. -
The Tragedy of the Gamer: a Dramatistic Study of Gamergate By
The Tragedy of the Gamer: A Dramatistic Study of GamerGate by Mason Stephen Langenbach A thesis submitted to the Graduate Faculty of Auburn University in partial fulfillment of the requirements for the Degree of Master of Arts Auburn, Alabama May 5, 2019 Keywords: dramatism, scapegoat, mortification, GamerGate Copyright 2019 by Mason Stephen Langenbach Approved by Michael Milford, Chair, Professor of Communication Andrea Kelley, Professor of Media Studies Elizabeth Larson, Professor of Communication Abstract In August 2014, a small but active group of gamers began a relentless online harassment campaign against notable women in the videogame industry in a controversy known as GamerGate. In response, game journalists from several prominent gaming websites published op-eds condemning the incident and declared that “gamers are dead.” Using Burke’s dramatistic method, this thesis will examine these articles as operating within the genre of tragedy, outlining the journalists’ efforts to scapegoat the gamer. It will argue that game journalists simultaneously engaged in mortification not to purge the guilt within themselves but to further the scapegoating process. An extension of dramatistic theory will be offered which asserts that mortification can be appropriated by rhetors seeking to ascend within their social order’s hierarchy. ii Acknowledgments This project was long and arduous, and I would not have been able to complete it without the help of several individuals. First, I would like to thank all of my graduate professors who have given me the gift of education and knowledge throughout these past two years. To the members of my committee, Dr. Milford, Dr. Kelley, and Dr. -
Studio Movie Grill Further Expands Its Movies + Meals Program with Dreamworks Animation’S How to Train Your Dragon: the Hidden World
FOR IMMEDIATE RELEASE Studio Movie Grill Further Expands its Movies + Meals Program with DreamWorks Animation’s How To Train Your Dragon: The Hidden World SMG AccessTM the first and only loyalty program of its kind in movie exhibition launched in June 2018 committed to impacting one million lives through the power of film and sharing a meal. Dallas, TX – February 14, 2019: Studio Movie Grill announced that Universal Pictures has generously offered multiple screenings of DreamWorks Animation’s highly anticipated How To Train Your Dragon: The Hidden World (in theatres 2/22/19) to SMG’s non-profit partners serving children with special needs, including: • Bakersfied, CA - Exceptional Family Center/Centro de Familias Excepcionales • Duluth, GA - Spectrum • Seminole, FL - PARCs Discovery Learning Center • NW Hwy, TX - Bryan's House • Spring Valley, TX - H.E.R.O.E.S. DFW • Tyler, TX - Tyler Run for Autism • Marietta, GA – Variety, the Children’s Charity of Georgia • Chatham, IL – Variety, the Children’s Charity of Illinois • College Park, IN - Riley Children's Foundation • Pearland, TX - BACH Rehabilitation Center These screenings are offered in support of SMG AccessTM and the Movies + Meals outreach program. In keeping with its mission to open hearts and minds, one story at a time, SMG AccessTM launched nationwide in July 2018 and is the only theater-loyalty program focused on positively impacting underserved local community members. Through their purchases, alongside rewards, loyal SMG guests are able to assist SMG outreach in offering movies and meals to local non-profits and underresourced community members with the hope of harnessing the power of movies to inspire and change lives. -
Writing “Gamers”: the Gendered Construction of Gamer Identity in Nintendo Power (1994-1999) Amanda C
Running head: WRITING GAMERS Writing “Gamers”: The Gendered Construction of Gamer Identity in Nintendo Power (1994-1999) Amanda C. Cote This is an Accepted Manuscript of an article published by Sage in Games and Culture on July 1, 2018, available online: https://journals.sagepub.com/doi/10.1177/1555412015624742. Abstract In the mid-1990s, a small group of video game designers attempted to lessen gaming’s gender gap by creating software targeting girls. By 1999, however, these attempts collapsed, and video games remained a masculinized technology. To help understand why this movement failed, this article addresses the unexplored role of consumer press in defining “gamers” as male. A detailed content analysis of Nintendo Power issues published from 1994-1999 shows that mainstream companies largely ignored the girls’ games movement, instead targeting male audiences through player representations, sexualized female characters, magazine covers featuring men, and predominantly male authors. Given the mutually constitutive nature of representation and reality, the lack of women in consumer press then affected girls’ ability to identify as gamers and enter the gaming community. This shows that, even as gaming audiences diversify, inclusive representations are also needed to redefine “gamer” as more than just “male”. Keywords: media history, video games, gender, consumer press, critical content analysis WRITING GAMERS Introduction Following the success of the Nintendo Wii in the mid-2000s and the subsequent spread of mobile gaming, popular and industry media have paid significant attention to casual games’ potential to broaden the video game audience (Mindlin 2006, Kane 2009, “U-Turn” 2012). Played frequently or even primarily by women, casual and mobile offerings break the stereotypical view of games as a masculinized technology primarily consumed by men and boys. -
Mapspain: Administrative Boundaries of Spain
Package ‘mapSpain’ September 10, 2021 Type Package Title Administrative Boundaries of Spain Version 0.3.1 Description Administrative Boundaries of Spain at several levels (CCAA, Provinces, Municipalities) based on the GISCO Eurostat database <https://ec.europa.eu/eurostat/web/gisco> and 'CartoBase SIANE' from 'Instituto Geografico Nacional' <https://www.ign.es/>. It also provides a 'leaflet' plugin and the ability of downloading and processing static tiles. License GPL-3 URL https://ropenspain.github.io/mapSpain/, https://github.com/rOpenSpain/mapSpain BugReports https://github.com/rOpenSpain/mapSpain/issues Depends R (>= 3.6.0) Imports countrycode (>= 1.2.0), giscoR (>= 0.2.4), leaflet (>= 2.0.0), png (>= 0.1-5), rappdirs (>= 0.3.0), raster (>= 3.0), sf (>= 0.9), slippymath (>= 0.3.1), utils Suggests knitr, rgdal, rmarkdown, testthat (>= 3.0.0), tibble, tmap (>= 3.0.0) VignetteBuilder knitr Config/testthat/edition 3 Encoding UTF-8 LazyData true RoxygenNote 7.1.2 X-schema.org-applicationCategory cartography X-schema.org-isPartOf https://ropenspain.es/ X-schema.org-keywords rOpenSpain, tiles, r, maps, spatial, rstats, r-package, municipalities, Spain, gisco, provinces, ign, administrative-boundaries, ccaa, static-tiles NeedsCompilation no 1 2 mapSpain-package Author Diego Hernangómez [aut, cre, cph] (<https://orcid.org/0000-0001-8457-4658>, rOpenSpain), EuroGeographics [cph] (for the administrative boundaries.), Instituto Geográfico Nacional [cph] (for the administrative boundaries.) Maintainer Diego Hernangómez <[email protected]> Repository CRAN Date/Publication 2021-09-10 12:10:06 UTC R topics documented: mapSpain-package . .2 addProviderEspTiles . .4 esp_clear_cache . .5 esp_codelist . .6 esp_dict_region_code . .8 esp_getTiles . .9 esp_get_can_box . 12 esp_get_capimun . 14 esp_get_ccaa . 17 esp_get_country . -
Esports Gaming: Competing, Leveling up & Winning Minds & Wallets
Esports Gaming: Competing, Leveling Up & Winning Minds & Wallets A Consumer Insights Perspective to Esports Gaming Table of Contents 2 Overview Esports Gaming Awareness & Consideration 3 KPIs 4 6 Engagement Monetization Advocacy 12 17 24 Future Outlook Actionable Methodology 26 Recommendations 30 29 Overview 3 What is Esports? Why should I care? Four groups of professionals will gain the most strategic and actionable value from this study, including: Wikipedia defines Esports as organized, multiplayer video game competitions. Common Esports genres include real-time strategy • Production: Anyone who is involved in the production (with (RTS), fighting, first-person shooter (FPS), and multi-player online job titles such as Producer, Product Manager, etc) of gaming battle arena (MOBA.) content. • Publishing (with job titles such as Marketing, PR, Promoter, Per Newzoo, Esports generated global revenue of roughly $500M in etc.) of Esports gaming content/events 2016, 70%+ of which coming by way of advertising and sponsorship (by traditional video game companies seeking to grow their • Brands & Marketers interested in marketing to Esports audiences and revenues, and by marketers of Consumer Packaged gamers products such as Consumer Packaged Goods, Goods, Food & Beverage, Apparel and Consumer Technology). computing, electronics, clothing/apparel, food/beverage, etc. Global revenue is expected to exceed $1.5B by 2020, according to the BizReport. • Investors (either external private equity, hedge fund managers or venture capitalists; or Publisher-internal corporate/business Who should read this study? development professionals) currently considering investing in, or in the midst of an active merger/acquisition of a 3rd-party game This visual study seeks to bring clarity and understanding to the developer or publisher.