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Onder De Leden Caro Emerald Interview met Onder de leden Caro Emerald Caro Emerald bereikte in luttele jaren een succes waar veel muzikanten alleen maar van kunnen dromen. Haar lancering als popster was bijna per ongeluk, via een ijlings opgericht label. ‘Ik ont- moette mensen die het gaandeweg in me zagen zitten. Het was, en is, een magic match.’ Wat doe je nu? Haar opkomst als ster was bijna mer gaven, ben ik het direct zelf Kroatië, Bosnië, Servië, Bulgarije per ongeluk. Emerald verdiende gaan pluggen.’ en Tsjechië. Landen waar Caro in 2008 de kost als zangdocente Al snel diende zich de volgende Emerald volle zalen kan trekken, en achtergrondzangeres toen de hobbel aan. Na succes bij de maar nog nooit een voet heeft producers David Schreurs, Jan Amsterdamse tv-zender AT5 en gezet. De bustour binnenkort van Wieringen en Robin Veld- Arrow Jazz FM, wilden Scheurs, door Midden- en Oost-Europa man en de Canadese songwriter Emerald en Van Wieringen Back maakt hier nu een einde aan. ‘We Vince Degiorgio haar vroegen It Up uitbrengen via een label. geven acht concerten, een soort het liedje Back It Up in te zingen. Maar omdat platenmaatschap- toevoegen, maar wel een hoop nasleep van onze Emerald Island Het trio wilde het nummer slijten pijen niet toehapten of onvol- incasseren.’ Tour van verleden jaar door aan een band, en had onder doende reageerden, richtten ze Dit betekent overigens niet dat Nederland en Engeland,’ vertelt meer een Japanse popgroep op er zelf maar eentje op: Grand- je er altijd goed aan doet een Emerald eind januari, terwijl het oog. Maar nadat Emerald, mono Records. Terwijl dat werd eigen label te beginnen. Vaak is ze uitblaast van een snelle trip toen nog gewoon Caroline opgetuigd, schreven Schreurs, het zelfs helemaal niet verstan- naar Moskou voor een besloten Esmeralda van der Leeuw, het Van Wieringen, Emerald en Degi- dig, benadrukt Emerald. ‘Wij optreden. ‘Ik kijk er erg naar uit, nummer had ingezongen, begon orgio in een explosie van energie hadden veel mee, bijvoorbeeld ook om weer in Polen, Hongarije er bij de aanwezigen iets te liedjes voor Deleted Scenes een studio waarin we relatief en Roemenië te spelen. Het pu- dagen. ‘Ze zeiden: dat klinkt wel From The Cutting Room Floor. goedkoop konden produceren. bliek in Oost-Europa is meestal erg goed met jouw stem,’ vertelt Een album dat in 2010 werd Onze spaarcentjes waren toerei- razend enthousiast.’ ze. ‘Dus ik dacht: wie weet geven uitgebracht en viermaal platina kend genoeg om een release te Caro Emerald bereikte in luttele ze het wel aan mij. Ik probeerde scoorde in Nederland. financieren. En Schreurs en Van jaren een succes waar veel muzi- zoveel mogelijk enthousiasme uit Aanvankelijk was het de bedoe- Wieringen beschikten over een kanten alleen maar van kunnen te stralen.’ ling die plaat wél bij een label hoop ervaring en schrokken niet dromen. Zo vielen haar de afge- Scheurs en Van Wieringen onder te brengen. Maar toen terug voor een berg papier. In lopen jaren vanuit heel Europa probeerden het nummer aan- Back It Up in 2009 een regelrech- korte tijd wisten ze net zoveel als platina platen in de schoot en vankelijk toch te pitchen, maar te hit werd, en de platenmaat- een doorsnee label. Dat moet je wist ze in een razend tempo En- slaagden hier niet in, enigszins schappijen flink waren wakker maar kunnen. Ik ben er in ieder geland te veroveren. Haar eerste tot opluchting van Emerald. geschud, krabde Grandmono geval zelf het type niet voor om album stond in 2010 wekenlang ‘Niemand wilde het hebben. Niet zich achter de oren. ‘Het ging zo alles uit te zoeken.’ in de hoogste regionen van de omdat het slecht was: sommige goed en soepel, waarom zouden Daarnaast heb je als klein label Britse hitlijsten en sindsdien bands hadden de indruk dat het we er een ander label bij halen? weinig macht. ‘Dat is niet zo erg steekt ze bijna ieder jaar het liedje van mij was. Dus toen ze We hadden ondertussen al door- als je in een niche zit en succes kanaal over voor een tour. mij in vol vertrouwen het num- gekregen dat ze weinig konden boekt, zoals wij met Back It foto: Marcel Fossen pagina 16 Muziekwereld nr. 1 - 2018 Interview met Up. Maar als je moet concur- reren met liedjes van artiesten in hetzelfde genre, en relatief onbekend bent, is de macht en het netwerk om er iets doorheen te drukken belangrijk. Dan kun je met een groot label veel meer bereiken.’ Dit najaar gaat Emerald weer touren door haar geliefde En- geland. Vijf weken lang geeft ze concert na concert, onder meer in de Royal Albert Hall. Kort daarna staat ze in AFAS Live, en dat doet Emerald veel goed. ‘Ik ben er niet meer geweest sinds het doorbreekjaar 2010, toen ik drie uitverkochte concerten gaf. Het is bijzonder om er dit jaar weer te spelen.’ Wat heb je aan de Ntb gehad? Emerald werd na haar studie aan het Conservatorium van Amsterdam lid van de Ntb. ‘Ik dacht: wel handig als je aan het werk gaat als zelfstandige, dat er iemand is die je helpt als er veel papier moet worden bestu- deerd. Zelf had ik daar niet zo veel zin in. Maar het moet soms wel.’ Het lidmaatschap kwam haar goed van pas toen ze haar eigen zanglespraktijkje opzette. Want hoe regel je dat nu allemaal met de belastingdienst? ‘Ik las de Caro Emerald foto: Adrie Mouthaan belastingspecials van Muziekwe- reld goed door en belde op als En het is fijn als iemand tegen van rechten en regelingen en had ik ook niet verwacht, maar ik het niet snapte.’ Ook was het je zegt: doe dit en dat en dan is Emerald bijna niets. Behandel- het is wel fijn dat er een instantie erg ingewikkeld om geld te innen alles in orde.’ den ze haar eigenlijk wel fair? is die alles haarfijn kan uitleggen, voor een optreden en daarna En dan was er nog de samenwer- ‘Ik heb alles doorgenomen met zodat je weet waar je aan begint.’ af te rekenen met de belasting- king met de heren Schreurs en rakenDra en voor zover ik weet dienst. ‘Dan belde ik gewoon op. Van Wieringen. Die wisten alles ben ik niet opgelicht, ha ha. Dat Jeroen Akkermans www.ntb.nl pagina 17.
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