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Paper Number: 63 May 2007 Before and After the Fall: Mapping Hong
Paper Number: 63 May 2007 Before and after the Fall: Mapping Hong Kong Cantopop in the Global Era Stephen Yiu-wai Chu Hong Kong Baptist University The author welcome comments from readers. Contact details: Stephen Yiu-wai Chu, Department of Chinese Language and Literature, Hong Kong Baptist University, Hong Kong Email: [email protected] David C. Lam Institute for East-West Studies (LEWI) Hong Kong Baptist University (HKBU) LEWI Working Paper Series is an endeavour of David C. Lam Institute for East-West Studies (LEWI), a consortium with 28 member universities, to foster dialogue among scholars in the field of East-West studies. Globalisation has multiplied and accelerated inter-cultural, inter-ethnic, and inter-religious encounters, intentionally or not. In a world where time and place are increasingly compressed and interaction between East and West grows in density, numbers, and spread, East-West studies has gained a renewed mandate. LEWI’s Working Paper Series provides a forum for the speedy and informal exchange of ideas, as scholars and academic institutions attempt to grapple with issues of an inter-cultural and global nature. Circulation of this series is free of charge. Comments should be addressed directly to authors. Abstracts of papers can be downloaded from the LEWI web page at http://www.hkbu.edu.hk/~lewi/publications.html. Manuscript Submission: Scholars in East-West studies at member universities who are interested in submitting a paper for publication should send an article manuscript, preferably in a Word file via e-mail, as well as a submission form (available online) to the Series Secretary at the address below. -
Kung Fu Panda Movie Download in Tamil
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Warriors As the Feminised Other
Warriors as the Feminised Other The study of male heroes in Chinese action cinema from 2000 to 2009 A thesis submitted in partial fulfilment of the requirements for the Degree of Doctor of Philosophy in Chinese Studies at the University of Canterbury by Yunxiang Chen University of Canterbury 2011 i Abstract ―Flowery boys‖ (花样少年) – when this phrase is applied to attractive young men it is now often considered as a compliment. This research sets out to study the feminisation phenomena in the representation of warriors in Chinese language films from Hong Kong, Taiwan and Mainland China made in the first decade of the new millennium (2000-2009), as these three regions are now often packaged together as a pan-unity of the Chinese cultural realm. The foci of this study are on the investigations of the warriors as the feminised Other from two aspects: their bodies as spectacles and the manifestation of feminine characteristics in the male warriors. This study aims to detect what lies underneath the beautiful masquerade of the warriors as the Other through comprehensive analyses of the representations of feminised warriors and comparison with their female counterparts. It aims to test the hypothesis that gender identities are inventory categories transformed by and with changing historical context. Simultaneously, it is a project to study how Chinese traditional values and postmodern metrosexual culture interacted to formulate Chinese contemporary masculinity. It is also a project to search for a cultural nationalism presented in these films with the examination of gender politics hidden in these feminisation phenomena. With Laura Mulvey‘s theory of the gaze as a starting point, this research reconsiders the power relationship between the viewing subject and the spectacle to study the possibility of multiple gaze as well as the power of spectacle. -
Donnie Yen's Kung Fu Persona in Hypermedia
Studies in Media and Communication Vol. 4, No. 2; December 2016 ISSN 2325-8071 E-ISSN 2325-808X Published by Redfame Publishing URL: http://smc.redfame.com Remediating the Star Body: Donnie Yen’s Kung Fu Persona in Hypermedia Dorothy Wai-sim Lau1 113/F, Hong Kong Baptist University Shek Mun Campus, 8 On Muk Street, Shek Mun, Shatin, Hong Kong Correspondence: Dorothy Wai-sim Lau, 13/F, Hong Kong Baptist University Shek Mun Campus, 8 On Muk Street, Shek Mun, Shatin, Hong Kong. Received: September 18, 2016 Accepted: October 7, 2016 Online Published: October 24, 2016 doi:10.11114/smc.v4i2.1943 URL: http://dx.doi.org/10.11114/smc.v4i2.1943 Abstract Latest decades have witnessed the proliferation of digital media in Hong Kong action-based genre films, elevating the graphical display of screen action to new levels. While digital effects are tools to assist the action performance of non-kung fu actors, Dragon Tiger Gate (2006), a comic-turned movie, becomes a case-in-point that it applies digitality to Yen, a celebrated kung fu star who is famed by his genuine martial dexterity. In the framework of remediation, this essay will explore how the digital media intervene of the star construction of Donnie Yen. As Dragon Tiger Gate reveals, technological effects work to refashion and repurpose Yen’s persona by combining digital effects and the kung fu body. While the narrative of pain and injury reveals the attempt of visual immediacy, the hybridized bodily representation evokes awareness more to the act of representing kung fu than to the kung fu itself. -
The Pop Scene Around the World Andrew Clawson Iowa State University
Volume 2 Article 13 12-2011 The pop scene around the world Andrew Clawson Iowa State University Emily Kudobe Iowa State University Follow this and additional works at: http://lib.dr.iastate.edu/revival Recommended Citation Clawson, Andrew and Kudobe, Emily (2011) "The pop cs ene around the world," Revival Magazine: Vol. 2 , Article 13. Available at: http://lib.dr.iastate.edu/revival/vol2/iss1/13 This Article is brought to you for free and open access by the Student Publications at Iowa State University Digital Repository. It has been accepted for inclusion in Revival Magazine by an authorized editor of Iowa State University Digital Repository. For more information, please contact [email protected]. Clawson and Kudobe: The pop scene around the world The POP SCENE Around the World Taiwan Hong Kong Japan After the People’s Republic of China was Japan is the second largest music market Hong Kong can be thought of as the Hol- established, much of the music industry in the world. Japanese pop, or J-pop, is lywood of the Far East, with its enormous left for Taiwan. Language restrictions at popular throughout Asia, with artists such film and music industry. Some of Asia’s the time, put in place by the KMT, forbade as Utada Hikaru reaching popularity in most famous actors and actresses come the use of Japanese language and the the United States. Heavy metal is also very from Hong Kong, and many of those ac- native Hokkien and required the use of popular in Japan. Japanese rock bands, tors and actresses are also pop singers. -
Labor Chief Speeds up Work Permit Procedure
Ad-Phuket dot com K. Anna AV Volume 13 Issue 18 News Desk - Tel: 076-236555May 6 - 12, 2006 Daily news at www.phuketgazette.net 25 Baht The Gazette is published in association with Labor Chief Crowne Plaza speeds up work permit IN THIS ISSUE procedure NEWS: THAI and Bangkok Air- sold for B3.7bn By Natcha Yuttaworawit ways sign deal; Beware of fakes cops, Police Chief By Gazette Staff PHUKET CITY: Work permits warns. Pages 2 & 3 are being renewed in just 15 min- INSIDE STORY: Rising oil KARON: The Crowne Plaza utes and new work permits ap- prices and the knock-on effect Karon Beach Phuket resort has proved faster than ever thanks for Phuket. Pages 4 & 5 been bought by Dubai-listed ho- to streamlining of procedures at AROUND THE ISLAND: If the cap tel and resort investment com- the Phuket Provincial Employ- fits… Page 8 pany Kingdom Hotel Invest- ment Office (PPEO). AROUND THE REGION: Revis- ments (KHI), which is headed by PPEO Chief Boonchok iting the Khao Lak blues. Saudi Arabia’s Prince Alwaleed Maneechot explained that before Page 9 Bin Talal Bin Abdul Aziz Al-Saud. implementing the new proce- PEOPLE: Off The Wall. KHI paid US$98.5 million dures he had consulted with em- Pages 10 & 11 (3.7 billion baht) for the property, ployment officers for a month in including US$30.5 million (1.1 order to determine the most effi- LIFESTYLE: Summer fashion. billion baht) in debt. cient way to process work per- Pages 12 & 13 Prince Alwaleed was listed mits. -
All Around the City
9月 SEP | NO. 147 | NO. 2015 ENGLISH VERSION | By Lai Wai Kei (Winner of 2014 Fireworks Photo Competition, Group 2) All Around the City 25/9-28/12 World Tourism Day Family reunions, courting couples, partygoers and moon watchers promises something for every musical taste from A Cappella to - the Mid-Autumn Festival could have been made for Macau, opera via workshops and lectures, while local bands ‘Soler’ Random lucky tourists can receive a complimentary souvenir with half a dozen BIG events scheduled; not to mention and ‘Blademark’ show the musical power of Macau in the upon arrival in Macau on World Tourism Day (27/9). See the Amphitheatre of the Taipa Houses-Museum. More music with city’s hotel and restaurant waiters and waitresses balance a Flash Mob Performances in gardens, squares and open spaces Broadway’s Band on the Run gigs, while mega stars Bon Jovi bottle of beer on a tray whilst running in the annual Tray Race around the city! With the 27th Macau International Fireworks set the stage alight, and Kayhan Kalhor & Friends - Persian (27/9, approx. 3:00 pm, starting point at Ruins of St Paul’s), Display Contest running throughout the month, the nights will Music & Beyond transports us to other-worldly realms. check out amateur dragon boat teams from Asia competing for be ablaze every weekend until China’s National Day on October 1. the World Tourism Day Cup organized by Macau Government Catch the 5-day Fireworks Carnival, too. And this month, the There are lots of street fairs, markets and live performances Tourist Office (MGTO) and Macau Sport Development Board city celebrates World Tourism Day with the traditional Tray throughout the Peninsula and the Islands, while culture vultures during the 2015 Macau Small Dragon Boat Mid-Autumn Race, LEGO exhibitions and more. -
Special Ticket Sale Arrangement for Joey Yung in Concert
Special ticket sale arrangement for Joey Yung in Concert – no counter booking and tickets can be collected from the 14th day before and up to the day of the respective performance Emperor Entertainment (Hong Kong) Ltd. (presenter), in discussion with the Leisure and Cultural Services Department, has decided not to arrange counter booking for ticket sale of “YF Life PRETTY CRAZY Joey Yung Concert Tour”. Only internet, mobile app and credit card telephone bookings are available with implementation of “delayed collection of tickets”. Patrons purchasing tickets through the above-mentioned channels can collect their paid tickets at all URBTIX outlets and ticket dispensing machines with their credit cards (used to purchase the tickets) from the 14th day before and up to the day of the respective performance. Postal and courier delivery service is not available. Details of ticket sale arrangement as follows: YF Life PRETTY CRAZY Joey Yung Concert Tour Hong Kong Coliseum 5-11, 13-18, 20-24/8/2019 $980, $580, $380 A total of 18 performances with about 85 000 tickets are available for public sale through URBTIX from 9 May (Thu) at 10am. Patrons can purchase tickets through the following channels at the same time: URBTIX website: www.urbtix.hk Mobile app My URBTIX (Android and iPhone versions) Credit card telephone booking: 2111 5999 (10 am – 8 pm daily, including Public Holidays) Maximum 4 tickets per purchase. (A credit card purchase limit is set for this event on the first day of ticket sale. When the aggregated number of tickets purchased -
Shanghai and Beijing Travel Report 2010
Shanghai International Film Festival and Market, Shanghai and Beijing meetings Report by Chris Oliver and Ross Matthews To report that the China screen landscape is undergoing change is not new news. All facets of the screen industry development, production, distribution, exhibition and broadcasting are going through change – a change that is in a positive direction. The change in the way the Chinese industry is engaging with the rest of world’s screen industries, including the way Government instrumentalities are relating to other countries (eg treaties) will be of real benefit to the Chinese and the international screen industry. Australia is well placed to benefit from those changes if (that’s capital IF) Australian producers/players understand the rules of engagement with Chinese producers, broadcasters and exhibitors and the Chinese government departments involved in implementing government policy. Why should Australia engage with China? There are obvious commercial reasons. Firstly, the Chinese gross box office (GBO) has increased by at least 30 per cent in the last year to US$909 million – and has now surpassed Australia to be number six in the world. According to those we had discussions with in China and what can be gleaned from the screen press, the China GBO will grow by at least a further 40 per cent in the 2010 calendar year! Secondly, China’s population has an ever-increasing level of Abbreviations disposable income to underpin AIDC Australian International Documentary Conference the cinema ticket price of $6–10: CCTV China Central Television TRAVELREPORT it’s been reported that middle CFCC China Film Co-production Corporation class numbers will exceed those CFGC China Film Group Corporation in the US by 2020. -
3Q19 Earnings Call Supplemental Materials October 23, 2019 Index – 3Q19 Supplementary Materials
3Q19 Earnings Call Supplemental Materials October 23, 2019 Index – 3Q19 Supplementary Materials I. Sands ECO360 II. Sands – Global Leadership in Entertainment 2 I. Sands ECO360 Sands ECO360 Industry Leading Global Sustainability Program High‐performing buildings, energy Programs to reduce, recycle, efficiency innovations and divert and donate waste renewable energy solutions Advanced technologies Sustainable food options and optimized routes for and education, restaurant our ferry and bus fleet design and kitchen efficiency Water conservation policies, Sustainable product purchases efficient fixtures and systems, and and alternatives to single‐use plastics reclaimed non‐potable water usage The Sands ECO360 Global Sustainability program reflects our vision to lead our industry in sustainable development and integrated resort operations 4 Global Goals: Our 2016-2020 Targets • We have aligned our global sustainability targets for 2016-2020 with three key, measurable, UN Sustainable Development Goals (SDGs) and our emissions reduction goals are approved by science-based targets: Emissions Water Waste . Double the global rate of improvement . Substantially increase water-use . Substantially reduce waste UN Sustainable Development in energy efficiency efficiency across all sectors generation through prevention, Goals (SDGs) . Increase substantially the share of reduction, recycling, and reuse renewable energy in the global energy . Halve per capita global food waste mix Sands ECO360 Energy Water Waste Food Alignment with SDGs Transportation Procurement . 6% reduction in emissions from . 3% reduction in consumption on a . 5% increase in waste diversion resort operations, in addition to per square foot basis rate LVS Goals (2016-2020) offsetting newly opened resorts . 6% reduction in ferry emissions . Implemented 43 eco-efficiency . Conducted extensive water audit and . -
Summary of Complaints Dealt with by the Broadcasting Authority (2000 - 2002)
CB(1)2197/02-03(01) Summary of Complaints Dealt With by the Broadcasting Authority (2000 - 2002) 1. Advice 1.1 Complaint Cases Related to Programmes Broadcast Programme Title Channel Contravention Date 29.11.1999 The Simpsons ATV World The crude language used in the programme was generally unacceptable for broadcast in the family viewing hours. 29.8.2001 Enlightenment Of Who ATV Home The programme provided an incorrect answer Wants To Be A to a question on the meaning of the three- Millionaire asterisks on the Hong Kong Identity Card of an adult. 8-10.10.2001 Broadcast of Teloped ATV Home The repeated and continuous rolling of teloped Message messages not related to the programmes in which they were screened would disrupt viewing pleasure. 6.8.2002 Meteor Garden ATV Home The end credits of the programme contained a sponsor's name which was a foul expression unacceptable for broadcast. 3.11.2002 Cultural Roots Of ATV Home The footage which described in detail the Hong Kong methods of raising a ghost child was unnerving to children and was not suitable for broadcast during the family viewing hours. 8.5.2000 J.S.G. Song Video TVB Jade The music video portrayed a dangerous act Corner which might invite imitation by children, and should not be broadcast within the family viewing hours. 9.6.2000 My Father My Hero TVB Pearl Cantonese instead of English, which was the designated language of TVB Pearl, was transmitted on the conventional sound channel for about four minutes. 14.6.2000 Mojacko TVB Jade The animation was a children’s programme which failed to convey a clear message to children viewers that gambling was undesirable. -
Music from the 1990S to the Present
j:,/ � • .. ….......:._. ‘. • '1- ;V . jn/w Tnn • ft ¾( ! \ ..' � •'. I . I .广, I n . .....Vv'Z …'.J I O > 3 . • • I •• . ^ • jr ,' ‘:'. ; , ''Jr ... Hong Kong Film Music from the 1990s to the Present CHENG LingYan A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Philosophy in Ethnomusicology © The Chinese University of Hong Kong June 2004 The Chinese University of Hong Kong holds the copyright of this thesis. Any person(s) intending to use a part or whole of the materials in the thesis in a proposed publication must seek copyright release from the Dean of the Graduate School. ^ST university~7^// ^XLIBRARy SYSTEM^W Abstract i Hong Kong Film Music from the 1990s to the Present Submitted by LingYan CHENG for the degree of Master of Philosophy in Ethnomusicology at The Chinese University of Hong Kong in June 2004 Abstract This thesis focuses on Hong Kong film music from the 1990s to the 2000s. In recent years, there has been much research and theory on western film music, especially the Hollywood film industry, by musicologists and scholars in film studies, popular music studies, and other fields. However, there has been little research on Hong Kong Film music, the system of which is different from that of western film music, and therefore I will apply basic film music concepts, but using the real situation of Hong Kong film music to formulate my own argument. The methodology used in this thesis will include the application of basic concepts used by scholars of film music, such as the functions of music in film, combined with fieldwork and analysis of films.