The Mystery of St. Michael's
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
NEW Media Document.Indd
MEDIA RELEASE WICKED is coming to Australia. The hottest musical in the world will open in Melbourne’s Regent Theatre in July 2008. With combined box office sales of $US 1/2 billion, WICKED is already one of the most successful shows in theatre history. WICKED opened on Broadway in October 2003. Since then over two and a half million people have seen WICKED in New York and just over another two million have seen the North American touring production. The smash-hit musical with music and lyrics by Stephen Schwartz (Godspell, Pippin, Academy Award-winner for Pocahontas and The Prince of Egypt) and book by Winnie Holzman (My So Called Life, Once And Again and thirtysomething) is based on the best-selling novel by Gregory Maguire. WICKED is produced by Marc Platt, Universal Pictures, The Araca Group, Jon B. Platt and David Stone. ‘We’re delighted that Melbourne is now set to follow WICKED productions in New York, Chicago, Los Angeles, the North American tour and London’s West End,’ Marc Platt and David Stone said in a joint statement from New York. ‘Melbourne will join new productions springing up around the world over the next 16 months, and we’re absolutely sure that Aussies – and international visitors to Melbourne – will be just as enchanted by WICKED as the audiences are in America and England.’ WICKED will premiere in Tokyo in June; Stuttgart in November; Melbourne in July 2008; and Amsterdam in 2008. Winner of 15 major awards including the Grammy Award and three Tony Awards, WICKED is the untold story of the witches of Oz. -
A STUDY GUIDE by Katy Marriner
© ATOM 2012 A STUDY GUIDE BY KATY MARRINER http://www.metromagazine.com.au ISBN 978-1-74295-267-3 http://www.theeducationshop.com.au Raising the Curtain is a three-part television series celebrating the history of Australian theatre. ANDREW SAW, DIRECTOR ANDREW UPTON Commissioned by Studio, the series tells the story of how Australia has entertained and been entertained. From the entrepreneurial risk-takers that brought the first Australian plays to life, to the struggle to define an Australian voice on the worldwide stage, Raising the Curtain is an in-depth exploration of all that has JULIA PETERS, EXECUTIVE PRODUCER ALINE JACQUES, SERIES PRODUCER made Australian theatre what it is today. students undertaking Drama, English, » NEIL ARMFIELD is a director of Curriculum links History, Media and Theatre Studies. theatre, film and opera. He was appointed an Officer of the Order Studying theatre history and current In completing the tasks, students will of Australia for service to the arts, trends, allows students to engage have demonstrated the ability to: nationally and internationally, as a with theatre culture and develop an - discuss the historical, social and director of theatre, opera and film, appreciation for theatre as an art form. cultural significance of Australian and as a promoter of innovative Raising the Curtain offers students theatre; Australian productions including an opportunity to study: the nature, - observe, experience and write Australian Indigenous drama. diversity and characteristics of theatre about Australian theatre in an » MICHELLE ARROW is a historian, as an art form; how a country’s theatre analytical, critical and reflective writer, teacher and television pre- reflects and shape a sense of na- manner; senter. -
CHICAGO to Tour Australia in 2009 with a Stellar Cast
MEDIA RELEASE Embargoed until 6pm November 12, 2008 We had it coming…CHICAGO to tour Australia in 2009 with a stellar cast Australia, prepare yourself for the razzle-dazzle of the hit musical Chicago, set to tour nationally throughout 2009 following a Gala Opening at Brisbane‟s Lyric Theatre, QPAC. Winner of six Tony Awards®, two Olivier Awards, a Grammy® and thousands of standing ovations, Chicago is Broadway‟s longest-running Musical Revival and the longest running American Musical every to play the West End. It is nearly a decade since the “story of murder, greed, corruption, violence, exploitation, adultery and treachery” played in Australia. Known for its sizzling score and sensational choreography, Chicago is the story of a nightclub dancer, a smooth talking lawyer and a cell block of sin and merry murderesses. Producer John Frost today announced his stellar cast: Caroline O’Connor as Velma Kelly, Sharon Millerchip as Roxie Hart, Craig McLachlan as Billy Flynn, and Gina Riley as Matron “Mama” Morton. “I‟m thrilled to bring back to the Australian stage this wonderful musical, especially with the extraordinary cast we have assembled. Velma Kelly is the role which took Caroline O‟Connor to Broadway for the first time, and her legion of fans will, I‟m sure, be overjoyed to see her perform it once again. Sharon Millerchip has previously played Velma in Chicago ten years ago, and since has won awards for her many musical theatre roles. She will be an astonishing Roxie. Craig McLachlan blew us all away with his incredible audition, and he‟s going to astound people with his talent as a musical theatre performer. -
Melbourne Suburb of Northcote
ON STAGE The Autumn 2012 journal of Vol.13 No.2 ‘By Gosh, it’s pleasant entertainment’ Frank Van Straten, Ian Smith and the CATHS Research Group relive good times at the Plaza Theatre, Northcote. ‘ y Gosh, it’s pleasant entertainment’, equipment. It’s a building that does not give along the way, its management was probably wrote Frank Doherty in The Argus up its secrets easily. more often living a nightmare on Elm Street. Bin January 1952. It was an apt Nevertheless it stands as a reminder The Plaza was the dream of Mr Ludbrook summation of the variety fare offered for 10 of one man’s determination to run an Owen Menck, who owned it to the end. One years at the Plaza Theatre in the northern independent cinema in the face of powerful of his partners in the variety venture later Melbourne suburb of Northcote. opposition, and then boldly break with the described him as ‘a little elderly gentleman The shell of the old theatre still stands on past and turn to live variety shows. It was about to expand his horse breeding interests the west side of bustling High Street, on the a unique and quixotic venture for 1950s and invest in show business’. Mr Menck was corner of Elm Street. It’s a time-worn façade, Melbourne, but it survived for as long as consistent about his twin interests. Twenty but distinctive; the Art Deco tower now a many theatres with better pedigrees and years earlier, when he opened the Plaza as a convenient perch for telecommunication richer backers. -
Kingdom of Lochac Target Archery and Thrown Weapons Handbook
Kingdom of Lochac Target Archery and Thrown Weapons Handbook Version 2.0.0 Non scriptum non est Is this the most recent version? This pdf has a date (month/day/year) in the bottom right corner of the page of the day that it was generated from the Target Archery and Thrown Weapons Handbook wiki, so you will know how up-to-date your hard copy or file of the rules is. The pdf generated will always contain the rules which are currently in force at the time it was generated. We don't recommend saving copies of the pdf to other locations. An up-to-date copy of the rules can be generated from the following URL https://sca.org.nz/wiki/index.php/Special: MakePdfBook?category=Target_Archery_Rules. The Change Log will help you identify any rules which have been updated since you last printed a copy. Copyright statement Text included verbatim from The Society for Creative Anachronism Inc. Target Archery Marshal's Handbook (October 2016) and The Society for Creative Anachronism Inc. Thrown Weapons Marshal's Handbook (October 2016) is Copyright c The Society for Creative Anachronism, Inc. All other text is copyright c The Society for Creative Anachronism Ltd. Australia and The Society for Creative Anachronism New Zealand Inc. It may be freely copied for SCA purposes provided it is copied in full and this notice remains intact. PDF generated: July 22, 2021 2 Contents Is this the most recent version? . .2 Copyright statement . .2 1 Basic Rules 5 2 Equipment standards 7 2.1 General standards . -
Martin Foley MP
Martin Foley MP Minister for Mental Health GPO 8ox4057 Minister for Equality Melbourne Victoria 3001 Minister for Creative Industries Telephone: +61 3 9096 7500 www.dhhs.vlc.gov.au Ref: BMIN1800492SR Mr Luke Howarth MP Chair of the House Standing Committee on Communications and the Arts CANBERRA ACT 2600 Dear Mr Howarth INQUIRY INTO THE AUSTRALIAN MUSIC INDUSTRY Thank you for your letter to the Premier of 16 August 2018· about the Parliamentary Inquiry into the Australian Music Industry. Your letter has been referred to me for my consideration and response as the matter you raise falls within my portfolio of responsibilities. On behalf of the State Government of Victoria, I am pleased to make a submission to the Inquiry. The Victorian Government "".'elcomes this inquiry and supports a national, coordinated approach to sustaining the growth of the Australian music industry. Victoria has a demonstrated reputation as a centre of music, with more live music than any other state in Australia and a diverse array of iconic cultural music institutions, as well as supportive music·related laws and strategies. The attached submission describes the Victorian Government's significant investment in the music industry, in particular how Music Works, the Victorian Government's major program commitment, has successfully addressed challenges and opportunities affecting the growth and sustainability of the music industry in this State. Thank you for inviting a submission from the· Victorian Government's and I look forward to hearing the outcomes of this inquiry. ~ rtin Folf MP ~ inister for Creative Industries Date: ~/. {2 .. t_o(r PARLIAMENTARY INQUIRY INTO THE AUSTRALl~N MUSIC INDUSTRY FACTORS CONTRIBUTING TO THE GROWTH AND SUSTAINABILITY OF THE AUSTRALIAN MUSIC INDUSTRY VICTORIAN ,. -
Study Guide Note
Table of Contents Right Pocket: Welcome Letter Amy Weinstein, President and Founder, StudentsLIVE Welcome Letter Producers LITTLE WOMEN Press Packet StudentsLIVE Press Packet National Standards HOW TO USE THIS STUDY GUIDE NOTE Supplemental Lesson Theatre Etiquette Teacher Evaluation 1 Study Guide Table of Contents Plot Background and Summary 3 Scenes and Musical Numbers 7 Chapter I: How to Use this Guide 8 Chapter II: Preparation for the Little Women Musical 10 Chapter II: Lesson Plan 24 Chapter III: The Joys of Song 26 Chapter III: Lesson Plan 32 Chapter IV: Being an Original (Girl Power!) 33 Chapter IV: Lesson Plan 40 Chapter V: The Men of Little Women 43 Chapter V: Lesson Plan 49 Chapter VI: Love and Loyalty 51 Chapter VI: Lesson Plan 59 Chapter VII: Sweet Taste of Success 60 Chapter VII: Lesson Plan 61 Supplemental Material 62 Bibliography 63 2 Plot Background Louisa May Alcott’s story Little Women is timeless – and timely. The story written in 1868 relates a fictionalized account of its author’s young life with her sisters. While certain aspects of the story have been altered in this musical adaptation, the heart of the tale remains untouched. Four sisters of the March family: Jo, Meg, Beth and Amy come of age during the U.S. Civil War, while their father is away with the Union Army. Their mother, whom they affectionately call “Marmee,” nurtures and encourages these four strong-spirited young women to achieve their dreams. While this approach to raising children may be “conventional,” there is little “conventional” about her daughters. Jo, a tom-boyish writer, disregards social standards of how women should behave. -
2015 Treasurer's Financial Report
SOCIETY FOR CREATIVE Kingdom of ANACHRONISM LTD (AU) Lochac TREASURERS REPORT 2015 Contents Financial Status of the Society for Creative Anachronism Ltd ............................................................................ 2 Fun Facts .......................................................................................................................................................... 3 Notes on Reading the Financial Statements for 2015 ......................................................................................... 3 Audit Requirements............................................................................................................................................. 3 Carbon Bookkeeping ....................................................................................................................................... 4 Income Reporting ............................................................................................................................................ 4 Corporate Stock Clerk ...................................................................................................................................... 4 Shares Held by the SCA.................................................................................................................................... 4 GST Reporting .................................................................................................................................................. 4 Changes in Bank Accounts .............................................................................................................................. -
At Last Bullamakanka the Motion Picture Music Credits
(Cast) Senators Aide (sic) Angry Anderson Great Barrier Reefers Rose Tattoo The Expression "Present Communication" Haran/Dowling - Mushroom Music, Mushroom Records Wendy & The Rockets "Play the game" Stapleton - Mushroom Music, Mushroom Records Sunnyboys "Discipline" Oxley - Mushroom Music, Mushroom Records Skyhooks "B-B-B-Boogie" Strauks - Mushroom Music, Mushroom Records Uncanny X Men "How do you get your kicks" Macainsh/Briggs - Solid Music, Mushroom Records Australian Crawl "Downhearted" Higgins/McDonough - Wheatley Music, EMI Records Moving Pictures "Back to the streets" A. Smith - Wheatley Music, Wheatley Records The Radiators "You" Nichol - Warner Bros., EMI Records Rose Tattoo "We can't be beaten" Anderson/Riley - Alberts Music, EMI Records Rose Tattoo "Branded" Anderson/Wells/Royall - Alberts Music, EMI Records Tony Catz Band "Bullamakanka" Macainsh - Solid Music, Mushroom Records Jo Jo Zep "Taxi Mary" Camilleri, Burstin & Faehse, Loud & Clear/Mushroom, Mushroom Records Soundtrack Co-ordination Michael Gudinski Robbie Williams Soundtrack available through Mushroom Records and Tapes Brass Band at racetrack University of NSW, Regiment Band Lyrics: The song Bullamakanka runs over the head and tail credits. Over the head credits, it runs in a shortened version, with just the first verse, fading out on the line ‘for nothing at all’. Over the tail credits, it runs longer. The song was written by Greg Macainsh and performed by the Tony Catz Band. The lyrics that follow are provisional - the band’s singer screeches as much as sings, in the approved Jimmy Barnes hard rock style (that’s not a criticism, just an observation). Question marks at the end of lines indicate uncertain lyrics. Any suggested improvements welcome: (The music over the tail credits begins with a guitar-driven instrumental) A guy fakes the limits, he’s along the way (?) I like riding the bus when I don’t have to pay Give me a woman who’s a little bit tough Show me the way to the nearest bar… Bullamakanka! I just wanna thank you.. -
Media Release MOLLY the Real Thing
MOLLY: The Real Thing premieres Sunday February 21 at 8.30pm on Seven Produced by Mushroom Pictures, this feature documentary made over the past two years interviews people in music, film, sport, and business that orbit Molly Meldrum's extraordinary life as they recall their personal Molly stories. Over 50 high profile friends including; Kylie and Dannii Minogue, Hugh Jackman, Gene Simmons, Suzi Quatro, Tina Arena, Michael Gudinski, Kate Ceberano, Russell Morris, Colin Hay, Mark Seymour and Jimmy Barnes to name just a few, share their personal stories of the highs and lows of having the man in the hat in their life. Memories of Molly will be shared by those closest to him. Stories that will make you laugh and cry, anecdotes that have never been told that will undoubtedly surprise viewers. We see Molly in television shows from the 60s, 70s, 80s, and 90s. Never has there been such an in-depth look into the true story of Australia’s greatest music man. Delta Goodrem emotionally discusses her connection with Molly’s adopted son Morgan, and why Molly’s support means so much to her. Kylie Minogue recalls his wonderful support at a time in her life when she didn’t feel that she had the music industry support in Australia. Paul Hogan recalls Molly at the Sunbury Music Festival, while an emotional Steve Vizard talks about interviewing Molly hours before his accident in December 2011. Molly’s first girlfriend Sandy Breen shares exclusive pictures and letters and tells how he proposed to her way back in the 60s. -
Buninyong News
Traffic lights in dispute Edition 430, September 2016 Call for trial of crossing A digitally altered view of Warrenheip Street with traffic lights A difference of opinion has emerged lights, and that its effectiveness should be to 50kph and the painting of pedestrian in Buninyong over a proposal to monitored over a twelve month period. refuge markings along sections of erect stop lights at a planned Warrenheip Street, as well as the move The BDCA’s concern about lights related pedestrian crossing at the corner of to get the 60kph speed zones moved mainly to the fact that this project Warrenheip Street and Forest Street. further back from near Winter Street on the should be considered not in isolation but Midland Highway as a few recent examples. In March 2015, following the 2014 in the context of the forthcoming work State election, Member for Buninyong on the township plan. Strong concern “The Association is not being difficult Geoff Howard announced that in line was expressed about the impact on on this traffic light issue,” she said. “Our with a pre-election promise funding had the character of the village, traffic flow members just believe that the lights been allocated for a “controlled crossing” implications, and the noise impact on will have an unnecessary and negative in Buninyong. nearby residents and businesses. impact on the streetscape of the village.” A subsequent broadly-based community It was also noted that in Ballan a similar A raised median strip, similar to that in meeting held in June 2015, attended decision to install a light-controlled Dana Street, Ballarat (see below) has been by Mr Howard and VicRoads staff, crossing was reversed after community suggested as an alternative to traffic lights. -
Page to Stage
PAGE TO STAGE Curriculum resources based on the extraordinary children’s classic by Roald Dahl Updated for the Australian Curriculum by Eli Erez and David Perry The World’s No. 1 Storyteller Appropriate for ages 7-12 www.qpac.com.au/event/charlie_chocolate_factory_21/ 1 LIST OF CONTENTS INTRODUCTION CONNECTIONS TO AUST CURRICULUM ACTIVITIES: ENGLISH VISUAL ARTS Slam Writing Unchartered Territory Diary Entry Setting the Scene Poetry in Motion Packaging Design Spotting Adjectives Create Your Own Chocolate Treat A Ride in the Glass Elevator Your Favourite Scene Which Words WORKSHEETS: THE ARTS 1. Character Cards DANCE 2. Poetry In Motion Making Moves 3. Spotting the Adjectives Discussing Dance 4. Mr Wonka’s Factory Creating Choreography 5. Character Portraits 6. Adventure Cards DRAMA 7. Structuring Your Scene 8. Who’s Involved? Character Portraits 9. Design A Mood Board What Would You Ask? 10. The Right Material Storyboarding a Scene 11. Dressing the Oompa-Loompas The Final Chapter 12. Read All About It Who’s Involved 13. Create Your Own Chocolate Treat The Right Material 14. Design A Chocolate Bar Wrapper Dressing the Oompa-Loompas (Parts 1, 2 & 3) 15. Design Your Own Packaging MEDIA ARTS Read All About It ADDITIONAL RESOURCES: Design an Ad Biographies of the Cast & Creative Team Spread the Word Synopsis Where Are They Now? Character Descriptions Wonka Promo Ad Other Resources MUSIC Be a Broadway Songwriter Have a Good Time with Rhyme Call and Response Special Effects The Oompa-Loompa Song 2 WELCOME TO THE WONDROUS WORLD OF THE MAJOR NEW STAGE MUSICAL Charlie and the Chocolate Factory, the deliciously dark children’s classic, has been turned into a brand-new musical from three-time Tony Award© winning director Jack O’Brien and the Grammy© and Tony-winning songwriters of Hairspray: Marc Shaiman and Scott Wittman.