PANGU and the ORIGIN of the UNIVERSE Wu Xiaodong Chinese
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International Conference on Arts, Design and Contemporary Education (ICADCE 2016) Ancient Emaki "Genesis" Exploration and Practice of Emaki Art Expression Tong Zhang Digital Media and Design Arts College Beijing University of Posts and Telecommunications Beijing, China 100876 Abstract—The ancient myths and legends with distinctive generation creators such as A Gen, sheep and others, and a Chinese characteristics, refers to myths and legends from dedicated serial picture book magazine "Paint Heart", Chinese Xia Dynasty until ancient times, it carries the origin of "STORY" appears, the delicate picture and vivid story make Chinese culture and it is the foundation of the Chinese nation, it Chinese picture book also developing rapidly and has formed a influence the formation and its characteristics of the national national reading faction craze for outstanding picture books. spirit to a large extent. The study explore and practice the art expression which combines ancient culture with full visual 1) Picture book traced back to ancient Chinese Emaki: impact Emaki form, learn traditional Chinese painting China has experienced a few stages include ancient Emaki, techniques and design elements, and strive to make a perfect illustrated book in Republican period and modern picture performance for the magnificent majestic ancient myth with a books. "Picture book", although the term originated in Japan, long Emaki. It provides a fresh visual experience to the readers and promotes the Chinese traditional culture, with a certain but early traceable picture books is in China. In Heian research value. Kamakura Period Japanese brought Buddhist scriptures (Variable graph), Emaki (Lotus Sutra) and other religious Keywords—ancient myths; Emaki form; Chinese element Scriptures as picture books back to Japan, until the end of Middle Ages Emaki had developed into Nara picture books. -
The Heritage of Non-Theistic Belief in China
The Heritage of Non-theistic Belief in China Joseph A. Adler Kenyon College Presented to the international conference, "Toward a Reasonable World: The Heritage of Western Humanism, Skepticism, and Freethought" (San Diego, September 2011) Naturalism and humanism have long histories in China, side-by-side with a long history of theistic belief. In this paper I will first sketch the early naturalistic and humanistic traditions in Chinese thought. I will then focus on the synthesis of these perspectives in Neo-Confucian religious thought. I will argue that these forms of non-theistic belief should be considered aspects of Chinese religion, not a separate realm of philosophy. Confucianism, in other words, is a fully religious humanism, not a "secular humanism." The religion of China has traditionally been characterized as having three major strands, the "three religions" (literally "three teachings" or san jiao) of Confucianism, Daoism, and Buddhism. Buddhism, of course, originated in India in the 5th century BCE and first began to take root in China in the 1st century CE, so in terms of early Chinese thought it is something of a latecomer. Confucianism and Daoism began to take shape between the 5th and 3rd centuries BCE. But these traditions developed in the context of Chinese "popular religion" (also called folk religion or local religion), which may be considered a fourth strand of Chinese religion. And until the early 20th century there was yet a fifth: state religion, or the "state cult," which had close relations very early with both Daoism and Confucianism, but after the 2nd century BCE became associated primarily (but loosely) with Confucianism. -
Nine Commentaries on the Communist Party - Introduction
(Updated on January 12, 2005) Nine Commentaries on the Communist Party - Introduction More than a decade after the fall of the former Soviet Union and Eastern European communist regimes, the international communist movement has been spurned worldwide. The demise of the Chinese Communist Party (CCP) is only a matter of time. Nevertheless, before its complete collapse, the CCP is trying to tie its fate to the Chinese nation, with its 5000 years of civilization. This is a disaster for the Chinese people. The Chinese people must now face the impending questions of how to view the CCP, how to evolve China into a society without the CCP, and how to pass The Epoch Times is now publishing a special editori al series, on the Chinese heritage. The Epoch Times is “Nine Commentaries on the Chinese Communist Party.” now publishing a special editorial series, “Nine Commentaries on the Communist Party.” Before the lid is laid on the coffin of the CCP, we wish to pass a final judgment on it and on the international communist movement, which has been a scourge to humanity for over a century. Throughout its 80-plus years, everything the CCP has touched has been marred with lies, wars, famine, tyranny, massacre and terror. Traditional faiths and principles have been violently destroyed. Original ethical concepts and social structures have been disintegrated by force. Empathy, love and harmony among people have been twisted into struggle and hatred. Veneration and appreciation of the heaven and earth have been replaced by an arrogant desire to “fight with heaven and earth.” The result has been a total collapse of social, moral and ecological systems, and a profound crisis for the Chinese people, and indeed for humanity. -
Top Suites of China's Emerging Cities
trAdItIonAl lIon’S HeAd StAtue ELITE RECOMMENDS TOP SUITES OF CHINA’S EMERGING CITIES International business centers Shenzhen, Guangzhou and Chengdu are expand- ing Asian commerce beyond Hong Kong, Shanghai and Beijing. With a new influx of elite business travelers, a host of new hotel suites have opened this year to welcome, and dazzle, these captains of industry. By SCott Goetz 1 TOP SUITES lIVInG AreA SHENZHEN MASter BedrooM THE RITZ-CARLTON, SHENZHEN The RiTz-CaRlTon SuiTe Key selling points | located on the 27th floor, this suite features a two-story grand entrance and living room with floor-to-ceiling windows that offer a 270-degree panoramic view of the city. Standout service | Guests are met at the airport by the Club Manager, who serves chilled dom Pérignon or Veuve Clicquot in a rolls-royce Phantom during the ride to the hotel. Style | Contemporary Western with Chinese accents, by Hirsch Bedner Associates, 2009 Special amenities | Bang & olufsen entertainment technology, Preciosa crystal chandelier, Kohler oversized Jacuzzi, dornbracht shower, lutron lighting system Square footage | 4,801 number of rooms in suite | Six number of bathrooms | two and one half-bath number of rooms and suites in hotel | 282, including 43 suites Who’s slept here? | turkish President Abdullah Gul nightly rate | $7,040 location | Fuhua San road, Futian district Contact | General Manager Iwan dietschi, 86-755-2222-2222 ext. 8088; [email protected]; www.ritzcarlton.com/shenzhen 2 ASIA CHINA BEIJING MASTER BEDROOM / PANGU PRESIDENTIAL SUITE -
Handbook of Chinese Mythology TITLES in ABC-CLIO’S Handbooks of World Mythology
Handbook of Chinese Mythology TITLES IN ABC-CLIO’s Handbooks of World Mythology Handbook of Arab Mythology, Hasan El-Shamy Handbook of Celtic Mythology, Joseph Falaky Nagy Handbook of Classical Mythology, William Hansen Handbook of Egyptian Mythology, Geraldine Pinch Handbook of Hindu Mythology, George Williams Handbook of Inca Mythology, Catherine Allen Handbook of Japanese Mythology, Michael Ashkenazi Handbook of Native American Mythology, Dawn Bastian and Judy Mitchell Handbook of Norse Mythology, John Lindow Handbook of Polynesian Mythology, Robert D. Craig HANDBOOKS OF WORLD MYTHOLOGY Handbook of Chinese Mythology Lihui Yang and Deming An, with Jessica Anderson Turner Santa Barbara, California • Denver, Colorado • Oxford, England Copyright © 2005 by Lihui Yang and Deming An All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, except for the inclusion of brief quotations in a review, without prior permission in writing from the publishers. Library of Congress Cataloging-in-Publication Data Yang, Lihui. Handbook of Chinese mythology / Lihui Yang and Deming An, with Jessica Anderson Turner. p. cm. — (World mythology) Includes bibliographical references and index. ISBN 1-57607-806-X (hardcover : alk. paper) — ISBN 1-57607-807-8 (eBook) 1. Mythology, Chinese—Handbooks, Manuals, etc. I. An, Deming. II. Title. III. Series. BL1825.Y355 2005 299.5’1113—dc22 2005013851 This book is also available on the World Wide Web as an eBook. Visit abc-clio.com for details. ABC-CLIO, Inc. 130 Cremona Drive, P.O. Box 1911 Santa Barbara, California 93116–1911 This book is printed on acid-free paper. -
THE TERMINATOR Dreams of Another World
FUTURES SCIENCE FICTION THE TERMINATOR Dreams of another world. BY LAURENCE SUHNER After glancing at my instruments, I move distances, makes space opera possible. Trav- the mask of my respirator aside. Here, there’s elling from Nuwa to Pangu takes a week. o. Here I am. At the line between dark no risk. Marine fragrances float in the air. It’s A lilliputian system where worlds are like and light. At the very border that sepa- 15 °C. Humans perceive the infrared radia- neighbouring countries. rates the side facing the star from the tion of the TRAPPIST-1 star, an ultra- Behind TRAPPIST-1f, farther still, Sone that remains eternally shaded. It’s like cool dwarf studied almost 400 TRAPPIST-1g, now called Shen- being at the edge of the visible world, at the years ago by astronomers on nong, floats. Its atmosphere, end of the observable Universe, in that grey Earth, more as heat than as dense as that of Venus, zone, permanent twilight, where the shad- visible light. But I would but less toxic, hides the ows stretch, revealing the whimsical land- only have to venture a surface of the planet. scape. Yin and yang. few dozen kilometres But, on very rare JACEY BY ILLUSTRATION The noise of the engine fades. I need into the nightside occasions, the gales silence. for the temperature that race over the I step out on the foredeck of my ship–bathy to drop and liv- globe grow so vio- scaphe, precious package in my hands. The ing conditions to lent that they rip swell rocks me, the wind whips me with such deteriorate. -
Representations of the Origin of the Universe in Ancient and Centrasiatic Mythology
e-ISSN : 2620 3502 International Journal on Integrated Education p-ISSN : 2615 3785 Representations of the origin of the universe in ancient and centrasiatic mythology Musurmanov Erkin1 1Researcher, Uzbekistan. Email: [email protected] ABSTRACT This article discusses the interpretation of the main gods of the Uzbek (Turkic) and Chinese mythology, their similar and distinctive features. Comparing the deities of Chinese mythology Pangu and Uzbek mythology Tengri, as well as the goddesses of Chinese and Uzbek mythology Nyuva and Umai, it is concluded that there is the unity of the genesis of the main gods of the pantheon of mythology of the two peoples. Keywords: Central Asian mythology, first egg, Pangu and Tengri, Umai and Nyuva, their similarity and difference. 1. INTRODUCTION The main gods in Chinese and ancient Uzbek (Turkic) myths, their creation, there are certain similarities in their activities in the creation of the universe and man. The first material matter was the secular egg, the first creator-man: Pangu in Chinese mythology, Tengri's tearing out of the egg in Turkish mythology, the activities of both in the creation of being; secondary female goddesses: the creative and patronage functions of Nyuyva and Umayyad; the third world - the images of the rulers of the underground kingdom Xi Wanmu and Erlik’s activities in their own worlds are an example of this. According to Xu Zheng (3rd century) in the San u li tzu (Chronological Records of Three Rulers and Five Emperors), “In ancient times, in the Pacific region, the universe consisted of darkness reminiscent of a large egg. In that world a great hero named Pangu is born. -
The Metaphysical Symbolism of the Chinese Tortoise
This document is downloaded from DR‑NTU (https://dr.ntu.edu.sg) Nanyang Technological University, Singapore. The metaphysical symbolism of the chinese tortoise Chong, Alan Wei Lun 2018 Chong, A. W. L. (2018). The metaphysical symbolism of the chinese tortoise. Master's thesis, Nanyang Technological University, Singapore. http://hdl.handle.net/10356/73204 https://doi.org/10.32657/10356/73204 Downloaded on 10 Oct 2021 09:40:57 SGT THE METAPHYSICAL SYMBOLISM OF THE CHINESE TORTOISE THE METAPHYSICAL SYMBOLISM THE METAPHYSICAL OF THE CHINESE TORTOISE CHONG WEI LUN ALAN CHONG WEI LUN, ALAN CHONG WEI LUN, SCHOOL OF ART, DESIGN AND MEDIA 2018 A thesis submitted to the Nanyang Technological University in partial fulfilment of the requirement for the degree of Master of Arts (Research) Acknowledgements Foremost, I would like to express my gratitude to Nanyang Technological University, School of Art, Design and Media for believing in me and granting me the scholarship for my Masters research. I would like to thank my thesis supervisor Dr. Nanci Takeyama of the School of Art, Design and Media, College of Humanities, Arts, & Social Sciences at Nanyang Technological University. The door to Prof. Takeyama office was always open whenever I ran into a trouble spot or had a question about my research or writing. Her valuable advice and exceeding patience has steered me in the right the direction whenever she thought I needed it. I would like to acknowledge Dr. Sujatha Meegama of the School of Art, Design and Media, Nanyang Technological University for advising in my report, and I am gratefully indebted to her for her valuable input for my research process. -
MONUMENTA SERICA Journal of Oriental Studies
MONUMENTA SERICA Journal of Oriental Studies Vol. LVI, 2008 Editor-in-Chief: ROMAN MALEK, S.V.D. Members of the Monumenta Serica Institute (all S.V.D.): JACQUES KUEPERS – LEO LEEB – ROMAN MALEK – WILHELM K. MÜLLER – ARNOLD SPRENGER – ZBIGNIEW WESOŁOWSKI Advisors: NOEL BARNARD (Canberra) – J. CHIAO WEI (Trier) – HERBERT FRANKE (München) – VINCENT GOOSSAERT (Paris) – NICOLAS KOSS, O.S.B. (Taibei) – SUSAN NAQUIN (Princeton) – REN DAYUAN (Beijing) – HELWIG SCHMIDT-GLINTZER (Wolfenbüttel) – NICOLAS STANDAERT, S.J. (Leuven) Monumenta Serica Institute – Sankt Augustin 2008 Editorial Office Monumenta Serica Institute, Arnold-Janssen-Str. 20 53757 Sankt Augustin, Germany Tel.: (+49) (0) 2241 237 431 • Fax: (+49) (0) 2241 237 486 E-mail: [email protected] • http://www.monumenta-serica.de Redactors: BARBARA HOSTER, DIRK KUHLMANN, ROMAN MALEK Manuscripts of articles, reviews (typewritten and on floppy-disks, see Information for Authors), exchange copies, and subscription orders should be sent to the Editorial Office __________ Taipei Office Monumenta Serica Sinological Research Center 天主教輔仁大學學術研究院 華裔學志漢學研究中心 Fu Jen Catholic University, Hsinchuang 24205, Taipei Hsien E-mail: [email protected] • http://www.mssrc.fju.edu.tw Director: ZBIGNIEW WESOŁOWSKI, S.V.D. ISSN 0254-9948 Monumenta Serica: Journal of Oriental Studies © 2008. All rights reserved by Monumenta Serica Institute, Arnold-Janssen-Str. 20, 53757 Sankt Augustin, Germany Set by the Authors and the Editorial Office, Monumenta Serica Institute. Technical assistance: JOZEF BIŠTUŤ, S.V.D. Printed by DRUCKEREI FRANZ SCHMITT, Siegburg Distribution – Orders – Subscriptions: STEYLER VERLAG, P.O. Box 2460, 41311 Nettetal, Germany Fax: (+49) (0) 2157 120 222; E-mail: [email protected] www.monumenta-serica.de EBSCO Subscription Services, Standing Order Department P.O. -
Proquest Dissertations
TO ENTERTAIN AND RENEW: OPERAS, PUPPET PLAYS AND RITUAL IN SOUTH CHINA by Tuen Wai Mary Yeung Hons Dip, Lingnan University, H.K., 1990 M.A., The University of Lancaster, U.K.,1993 M.A., The University of British Columbia, Canada, 1999 A THESIS SUBIMTTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY in THE FACULTY OF GRADUATE STUDIES (Asian Studies) THE UNIVERSITY OF BRITISH COLUMBIA September 2007 @ Tuen Wai Mary Yeung, 2007 Library and Bibliotheque et 1*1 Archives Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington Ottawa ON K1A0N4 Ottawa ON K1A0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-31964-2 Our file Notre reference ISBN: 978-0-494-31964-2 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library permettant a la Bibliotheque et Archives and Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par Nnternet, preter, telecommunication or on the Internet, distribuer et vendre des theses partout dans loan, distribute and sell theses le monde, a des fins commerciales ou autres, worldwide, for commercial or non sur support microforme, papier, electronique commercial purposes, in microform, et/ou autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in et des droits moraux qui protege cette these. -
FINE CHINESE ART Thursday 9 November 2017 a Selection from the Sze Yuan Tang Collection, Lots 1-40
FINE CHINESE ART Thursday 9 November 2017 A selection from the Sze Yuan Tang Collection, Lots 1-40 INTERNATIONAL CHINESE CERAMICS AND WORKS OF ART TEAM Colin Sheaf Dessa Goddard Asaph Hyman ASIA AND AUSTRALIA Xibo Wang Gigi Yu Edward Wilkinson* Yvett Klein Hong Kong Hong Kong Hong Kong Sydney EUROPE Benedetta Mottino Sing Yan Choy Edward Luper Rachel Hyman Rosangela Assennato Ben Law Smith Ian Glennie Asha Edwards London, London, London, London, London, London, Edinburgh Edinburgh New Bond Street New Bond Street New Bond Street Knightsbridge Knightsbridge Knightsbridge USA Bruce MacLaren Ming Hua Harold Yeo Mark Rasmussen* Doris Jin Huang* New York New York New York New York New York Henry Kleinhenz Daniel Herskee Ling Shang San Francisco San Francisco San Francisco ASIA REPRESENTATIVES Jessica Zhang Summer Fang Bernadette Rankine Beijing Taipei Singapore * Indian, Himalayan & Southeast Asian Art FINE CHINESE ART Thursday 9 November 2017 at 10.30am 101 New Bond Street, London VIEWING INTERNATIONAL HEAD, CUSTOMER SERVICES PHYSICAL CONDITION OF Sunday 5 November CHINESE CERAMICS AND Monday to Friday 8.30am - 6pm LOTS IN THIS AUCTION 11am - 5pm WORKS OF ART, +44 (0) 20 7447 7447 Monday 6 November ASIA AND EUROPE PLEASE NOTE THAT THERE IS 9am - 7.30pm Asaph Hyman Please see page 4 for bidder NO REFERENCE IN THIS (limited viewing 5pm - 7.30pm) information including after-sale CATALOGUE TO THE PHYSICAL Tuesday 7 November ENQUIRIES collection and shipment CONDITION OF ANY LOT. 9am - 4.30pm Colin Sheaf INTENDING BIDDERS MUST Wednesday 8 November 拍賣品之狀況 SATISFY THEMSELVES AS TO 9am - 4.30pm +44 (0) 20 7468 8237 [email protected] 請注意: 本目錄並無說明任何拍賣 THE CONDITION OF ANY LOT 品 之 狀 況。按 照 本目錄 後 部 份 所 載 AS SPECIFIED IN CLAUSE 15 SALE NUMBER Asaph Hyman 之「 競 投 人 通 告 第 15條」,準買家 OF THE NOTICE TO BIDDERS 24101 +44 (0) 20 7468 5888 必須拍賣前親自確定拍賣品之狀 CONTAINED AT THE END OF [email protected] 況。 THIS CATALOGUE. -
An Analysis on Chinese and Greek Mythologies
AN ANALYSIS ON CHINESE AND GREEK MYTHOLOGIES ... PROMETHEUS, NÜWA AND GUN Yan Qiuxia Chinese and Greek mythologies, as many other mythologies in the world, are mixtures of history, legends, and myths. Although they both have been passed down in oral or written form and have developed over the ages, Greek mythology is much more organized because of The Theogony and The Works and Days by Hesiod1, while Chinese mythology is not so systematic and dispersed in a few books2, among which Shan Hai Jing3, Shui Jing Zhu4, and Huai Nan Zi5 are the important ones.6 Hei An Zhuan is also very important because it is the only collection of legends in epic form but it is not widely known because its value is not recognized until 1980s.7 So many Chinese myths exist in different versions, and often conflicting. Take the creation of the first human beings as an example. It is variously ascribed to Tiandi, Nüwa, Pangu, and Yuhuang in different stories. What I am discussing here is based on a common version which is widely spread in North China. So don’t be surprised if you come across or have come across a different version. I would compare first Prometheus and Nüwa and then Prometheus and Gun and analyze the culture reflected by their stories. Prometheus and Nüwa both are the creators of the human beings in their respective mythology. Prometheus was permitted by Zeus, who wants to express gratitude to Prometheus for helping him in the fight with the Titans, to populate the earth with humans and animals, together with his brother Epimetheus.