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Keith Jarrett's Spiritual Beliefs Through a Gurdjieffian Lens
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by The University of Sydney: Sydney eScholarship Journals... Channelling the Creative: Keith Jarrett’s Spiritual Beliefs Through a Gurdjieffian Lens Johanna Petsche Introduction The elusive nature of the creative process in art has remained a puzzling phenomenon for artists and their audiences. What happens to an inspired artist in the moment of creation and where that inspiration comes from are questions that prompt many artists to explain the process as spiritual or mystical, describing their experiences as ‘channelling the divine’, ‘tapping into a greater reality’, or being visited or played by their ‘muse’. Pianist and improviser Keith Jarrett (b.1945) frequently explains the creative process in this way and this is nowhere more evident than in discussions on his wholly improvised solo concerts. Jarrett explains these massive feats of creativity in terms of an ability to ‘channel’ or ‘surrender to’ a source of inspiration, which he ambiguously designates the ‘ongoing harmony’, the ‘Creative’, and the ‘Divine Will’. These accounts are freely expressed in interviews and album liner notes, and are thus highly accessible to his audiences. Jarrett’s mystical accounts of the creative process, his incredible improvisatory abilities, and other key elements come together to create the strange aura of mystery that surrounds his notorious solo concerts. This paper will demystify Jarrett’s spiritual beliefs on the creative process by considering them within a Gurdjieffian context. This will allow for a much deeper understanding of Jarrett’s cryptic statements on creativity, and his idiosyncratic behaviour during the solo concerts. -
Born in America, Jazz Can Be Seen As a Reflection of the Cultural Diversity and Individualism of This Country
1 www.onlineeducation.bharatsevaksamaj.net www.bssskillmission.in “Styles in Jazz Music”. In Section 1 of this course you will cover these topics: Introduction What Is Jazz? Appreciating Jazz Improvisation The Origins Of Jazz Topic : Introduction Topic Objective: At the end of this topic student would be able to: Discuss the Birth of Jazz Discuss the concept of Louis Armstrong Discuss the Expansion of Jazz Understand the concepts of Bebop Discuss todays Jazz Definition/Overview: The topic discusses that the style of music known as jazz is largely based on improvisation. It has evolved while balancing traditional forces with the pursuit of new ideas and approaches. Today jazz continues to expand at an exciting rate while following a similar path. Here you will find resources that shed light on the basics of one of the greatest musical developments in modern history.WWW.BSSVE.IN Born in America, jazz can be seen as a reflection of the cultural diversity and individualism of this country. At its core are openness to all influences, and personal expression through improvisation. Throughout its history, jazz has straddled the worlds of popular music and art music, and it has expanded to a point where its styles are so varied that one may sound completely unrelated to another. First performed in bars, jazz can now be heard in clubs, concert halls, universities, and large festivals all over the world. www.bsscommunitycollege.in www.bssnewgeneration.in www.bsslifeskillscollege.in 2 www.onlineeducation.bharatsevaksamaj.net www.bssskillmission.in Key Points: 1. The Birth of Jazz New Orleans, Louisiana around the turn of the 20th century was a melting pot of cultures. -
112 It's Over Now 112 Only You 311 All Mixed up 311 Down
112 It's Over Now 112 Only You 311 All Mixed Up 311 Down 702 Where My Girls At 911 How Do You Want Me To Love You 911 Little Bit More, A 911 More Than A Woman 911 Party People (Friday Night) 911 Private Number 10,000 Maniacs More Than This 10,000 Maniacs These Are The Days 10CC Donna 10CC Dreadlock Holiday 10CC I'm Mandy 10CC I'm Not In Love 10CC Rubber Bullets 10CC Things We Do For Love, The 10CC Wall Street Shuffle 112 & Ludacris Hot & Wet 1910 Fruitgum Co. Simon Says 2 Evisa Oh La La La 2 Pac California Love 2 Pac Thugz Mansion 2 Unlimited No Limits 20 Fingers Short Dick Man 21st Century Girls 21st Century Girls 3 Doors Down Duck & Run 3 Doors Down Here Without You 3 Doors Down Its not my time 3 Doors Down Kryptonite 3 Doors Down Loser 3 Doors Down Road I'm On, The 3 Doors Down When I'm Gone 38 Special If I'd Been The One 38 Special Second Chance 3LW I Do (Wanna Get Close To You) 3LW No More 3LW No More (Baby I'm A Do Right) 3LW Playas Gon' Play 3rd Strike Redemption 3SL Take It Easy 3T Anything 3T Tease Me 3T & Michael Jackson Why 4 Non Blondes What's Up 5 Stairsteps Ooh Child 50 Cent Disco Inferno 50 Cent If I Can't 50 Cent In Da Club 50 Cent In Da Club 50 Cent P.I.M.P. (Radio Version) 50 Cent Wanksta 50 Cent & Eminem Patiently Waiting 50 Cent & Nate Dogg 21 Questions 5th Dimension Aquarius_Let the sunshine inB 5th Dimension One less Bell to answer 5th Dimension Stoned Soul Picnic 5th Dimension Up Up & Away 5th Dimension Wedding Blue Bells 5th Dimension, The Last Night I Didn't Get To Sleep At All 69 Boys Tootsie Roll 8 Stops 7 Question -
Unbound Jazz: Composing and Performing in a Multi- Cultural Tonality
Unbound Jazz: Composing and Performing in a Multi- Cultural Tonality By Carlo Estolano Commentaries for the PhD folio of compositions University of York Music December 2017 2 3 Unbound Jazz: Composing and Performing in a Multi-Cultural Tonality Thesis submitted in partial fulfilment of a PhD degree in Music at The University of York, December 2018 by Carlo Estolano. Abstract This folio is conceived to propose and demonstrate music realisation of original compositions throughout the employment of elements of mainly two distinct sources: a selection from the wide palette of Brazilian folk styles that have improvisation as a strong element, which is internationally acknowledged as Brazilian Jazz; and its intersections with a certain style of European Jazz represented by artists notable by their keenness to combine elements from distinct musical genres with their Classical background, such as Ralph Towner, Jan Garbarek, John Abercrombie, Eberhard Weber, Kenny Wheeler, Terje Rypdal, Keith Jarrett to name a few. Both Brazilian and European approaches to Jazz seem to share processes of appropriation of foreign musical languages, as well as utilising characteristic features of their own traditions. Another common ground is their relation with some elements and procedures of classical music. The methodology to accomplish an organized collection of musical material was to divide them in five major influences, part of them by composers and part by genres notable by having evolved through absorbing elements from distinct cultural sources. In five projects, fifteen original compositions are provided along with their recorded and/or filmed performances and commentaries about the compositional aspects, concerningthe style or composer focused on. -
Sweet Adelines International Arranged Music List
Sweet Adelines International Arranged Music List ID# Song Title Arranger I03803 'TIL I HEAR YOU SING (From LOVE NEVER DIES) June Berg I04656 (YOUR LOVE HAS LIFTED ME) HIGHER AND HIGHER Becky Wilkins and Suzanne Wittebort I00008 004 MEDLEY - HOW COULD YOU BELIEVE ME Sylvia Alsbury I00011 005 MEDLEY - LOOK FOR THE SILVER LINING Mary Ann Wydra I00020 011 MEDLEY - SISTERS Dede Nibler I00024 013 MEDLEY - BABY WON'T YOU PLEASE COME HOME* Charlotte Pernert I00027 014 MEDLEY - CANADIAN MEDLEY/CANADA, MY HOME* Joey Minshall I00038 017 MEDLEY - BABY FACE Barbara Bianchi I00045 019 MEDLEY - DIAMONDS - CONTEST VERSION Carolyn Schmidt I00046 019 MEDLEY - DIAMONDS - SHOW VERSION Carolyn Schmidt I02517 028 MEDLEY - I WANT A GIRL Barbara Bianchi I02521 031 MEDLEY - LOW DOWN RYTHYM Barbara NcNeill I00079 037 MEDLEY - PIGALLE Carolyn Schmidt I00083 038 MEDLEY - GOD BLESS THE U.S.A. Mary K. Coffman I00139 064 CHANGES MEDLEY - AFTER YOU'VE GONE* Bev Sellers I00149 068 BABY MEDLEY - BYE BYE BABY Carolyn Schmidt I00151 070 DR. JAZZ/JAZZ HOLIDAY MEDLEY - JAZZ HOLIDAY, Bev Sellers I00156 072 GOODBYE MEDLEY - LIES Jean Shook I00161 074 MEDLEY - MY BOYFRIEND'S BACK/MY GUY Becky Wilkins I00198 086 MEDLEY - BABY LOVE David Wright I00205 089 MEDLEY - LET YOURSELF GO David Briner I00213 098 MEDLEY - YES SIR, THAT'S MY BABY Bev Sellers I00219 101 MEDLEY - SOMEBODY ELSE IS TAKING MY PLACE Dave Briner I00220 102 MEDLEY - TAKE ANOTHER GUESS David Briner I02526 107 MEDLEY - I LOVE A PIANO* Marge Bailey I00228 108 MEDLEY - ANGRY Marge Bailey I00244 112 MEDLEY - IT MIGHT -
Pianoforte Solo Trio Quartetto Europeo (Jan Garbarek) Quartetto
Discografia Keith Jarrett marzo 2001 Pianoforte solo # Titolo Anno Etichetta Live Set Strumenti Note 1 Facing You 1971 ECM pf. 2 Solo Concerts 1973 ECM X 3LP pf. 3 The Koln Concert 1975 ECM X pf. 4 Sun Bear Concerts 1976 ECM X 10LP pf. 5 Staircase 1976 ECM 2LP pf. 6 The Moth And The Flame 1979 ECM 2LP pf. Set con Invocations 7 Concerto in solo. Bregenz 1981 ECM X 3LP pf. 8 Concerto in solo. Moanco 1981 ECM X pf. 9 Dark Intervals 1987 ECM X pf. 10 Paris Concert 1988 ECM X pf. 11 Vienna Concert 1991 ECM X pf. 12 La Scala Concert 1997 ECM X pf. 13 The Melody At Night, With You 2000 ECM pf. Trio # Titolo Anno Etichetta Live Set Strumenti Note 1 Standards Vol.1 1983 ECM pf. / basso / batteria Standards 2 Standards Vol.2 1983 ECM pf. / basso / batteria Standards 3 Changes 1983 ECM pf. / basso / batteria Brani riginali 4 Standards Live 1985 ECM X pf. / basso / batteria Standards 5 Changeless 1987 ECM X pf. / basso / batteria Brani originali 6 Still Live 1988 ECM X 2CD pf. / basso / batteria Standards 7 Tribute 1989 ECM 2CD pf. / basso / batteria Standards 8 Standards In Norway 1989 ECM pf. / basso / batteria Standards 9 The Cure 1990 ECM pf. / basso / batteria Standards / 1 or. 10 Bye Bye Blackbird 1991 ECM X pf. / basso / batteria Trib. M.Davis 11 At the Deer Head Inn 1992 ECM X pf. / basso / batteria Con P.Motian 12 Tokyo '96 2000 ECM X pf. / basso / batteria Standards 13 Whisper Not 2000 ECM pf. -
FIELD, Issue 14, Spring 1976
FIELD CONTEMPORARY POETRY AND POETICS NUMBER 14 — SPRING 1976 PUBLISHED BY OBERLIN COLLEGE OBERLIN, OHIO EDITORS Stuart Friebert David Young ASSOCIATE John Eiobbs EDITORS David St. ]ohn Alberta Turner BUSINESS Anne Rossi MANAGER EDITORIAE Beth Tomes ASSISTANT COVER Steve Parkas FIEED gratefully acknowledges support from the Ohio Arts Council and from the Coordinating Council of Literary Mag- azines. Published twice yearly by Oberlin College. Subscriptions: $4.00 a year / $7.00 for two years / Single issues $2.00 postpaid. Subscription orders and manuscripts should be sent to: FIELD, Rice Hall, Oberlin College, Oberlin, Ohio 44074. Manuscripts will not be returned unless accompanied by a stamped, self- addressed envelope. Copyright © 1976 by Oberlin College. CONTENTS JEAN VALENTINE 5 The Forgiveness Dream: Man from the Warsaw Ghetto GREGORY ORR 6 Four Poems about the Blank Page 7 Feeding the Caged Owl NORMAN DUBIE 9 The Piano DELMIRA AGUSTINI 16 Unspeakable RICHARD HUGO 17 Fairfield LINDA GREGERSON 18 Norway GUNTER EICH 20 Ryoanji 23 Continuing the Conversation DAVID WALKER 28 From the Zodiac LEE BLESSING 31 The Golden Age BENJAMIN PERET 32 A Face to Be Hit 33 Half Way 34 Till Tomorrow 36 Post No Bills BRENDA HILLMAN 37 Trois Morceaux sur la Forme d'une Poire 39 Milena OSIP MANDELSTAM 40 Cold Summer PHILIP LEVINE 44 For the Poets of Chile RAINER MARIA RILKE The Life of Mary: 46 The Birth of Mary 47 The Presentation of Mary in Temple 48 The Annunciation 49 Mary's Visit 50 Joseph's Suspicion 51 Annunciation to the Shepherds 52 The Birth of -
Keith Jarrett Discography
Keith Jarrett Discography Mirko Caserta , [email protected] July 20, 2002 I cannot say what I think is right about music; I only know the “rightness” of it. I know it when I hear it. There is a release, a flowing out, a fullness to it that is not the same as richness or musicality. I can talk about it in this way because I do not feel that I “created” this music as much as I allowed it to “emerge”. It is this emergence that is inexplicable and incapable of being made solid, and I feel (or felt) as though not only do you never step in the same river twice, but you are never the same when stepping in the river. The river has always been there, despite our polluting it. This is a miracle, and in this day and age we need it. At least I do. – Keith Jarrett, from Spirits’ cover Contents 1 Introduction 5 1.1 How it all started ........................................... 5 1.2 Availability .............................................. 5 1.3 Other resources ............................................ 6 1.4 Acknowledgements .......................................... 6 1.5 Copyleft Notice ............................................ 7 1.6 Disclaimer ............................................... 7 1.7 How to contribute .......................................... 7 1.8 Documentation Conventions ..................................... 7 2 The years ranging from 1960 to 1970 8 2.1 Swinging Big Sound, (Don Jacoby and the College All-Stars) .................. 8 2.2 Buttercorn Lady, (Art Blakey and the New Jazz Messengers) .................. 8 2.3 Dream Weaver, (Charles Lloyd Quartet) .............................. 8 2.4 The Flowering of the Original Charles Lloyd Quartet Recorded in Concert, (Charles Lloyd Quartet) ................................................ 8 2.5 Charles Lloyd in Europe, (Charles Lloyd Quartet) ....................... -
September 2013 570 Tracklists 1050 Entries I Received the Skeleton Of
Keith jarrett Disco Version 17 September 2013 570 tracklists 1050 entries . I Received The skeleton of this Discography on December 2010 from Klaus Muller (Many thanks to Him) tracklists (mainly official recordings) I added more than 600 Tracklists/entries coming from the following discos: Olivier Bruchez’s (BR) http://web.archive.org/web/20050426203346/http://www.bruchez.org/olivier/music/keith/tra delist.html Davide sparti’s (SP) Peter Losin’s (PL) Dime entries (DI) Arnulf Muller (mu) (pa) http://web.archive.org/web/20100612160739/http://papoulis.dyndns.org/~sim/jarrett/bootlegs.php My Collection +++ Concerts Prepared by Flambay + u014945 (fl+++) Concerts prepared by U014945 (+++) Hope you all enjoy For every mistake and update please e-mail me at [email protected] 620000 Don Jacoby And The College All Stars Bob Crull, Don Jacoby, Gary Slavo, Tom Wirtel, Chris Witherspoon (tp) Dee Barton, Willie Barton, Loren William Bin- ford, Dave Wheeler (tb) Al Beuler, John Giordano (as) Don Melka, Bob Pierson (ts) Jerry Keys (bs, as) Keith Jarrett (p) Don Gililland (g) Toby Guynn (b) John Van Ohlen (dr) 1962, Chicago, IL 1 Dizzy Atmosphere 2 Young Man With The Blues 3 Sing 4 It's Good For You 5 Just For A Thrill 6 Anema E Core (How Wonderful To Know) 7 Mais Oui 8 Sleepy Serenade 9 Jey Out Of Town 10 Jacob Jones 11 Let Me Love You 12 Teach Me Tonight 13 Groovin' High 14 The End Of A Love Affair 15 Lover Man (Oh, Where Can You Be?) 16 You Don't Know What Love Is 17 Back To The Beat 1-17: Don Jacoby - Swinging Big Sound (Decca DL 4241) 650300 Keith Jarrett trio (PA) Kent Carter Bass Danny Fullerton Drums, Winchester , Massachussets, USA . -
“The All Power of 'Light' and Working with Rays”
“THE ALL POWER OF ‘LIGHT’ AND WORKING WITH RAYS” “Nothing will ever pay your such interest on your investment as the time and attention spent in acknowledging, accepting, adoring, blessing, and calling into DYNAMIC ACTION, the LIMITLESS LIGHT of your own “Beloved Mighty I AM Presence,” to produce Perfection for you NOW AND FOREVER!” Beloved Mrs. G W Ballard – “Voice of the I AM” – April 1936 All information is taken directly from the Saint Germain Press (Guy W Ballard 1930’s), the “Bridge to Freedom” (Geraldine Innocente 1950’s) and the ADK Luk (Secretary to both Ballard and Innocente – information from her notes) Publications. These teachings are untampered with by humans, and are the pure original teachings of the Ascended Hosts, given through a Sound and Light Ray and Living letters Light. 1 Private Bulletin Bk. 2 page 25 Beloved Maha Chohan June 9 1957 “At various times you have been given instructions on the possibilities to be found within the Light and of the Power to transmute ALL appearances into Its Great Radiance. Light is the emanation or forcefield of energy. It is an effect but not a cause. It is a product but not the producer. It is a solvent but not the solver. It is Omega (Am) but not Alpha (I). Understanding this, you will realize that the Light you draw to change conditions, to become supply, to bring Peace, etc. must be generated by some self- conscious individualization. All self-conscious life, from the Godhead to the individual, may through action, generate and expand Light. The Cosmic and perfected Beings, in addition to their Cosmic service, are a continual outpouring of Light which enters the Cosmic storehouse for this system, and may be drawn by lesser individuals to hasten their liberation from shadow. -
Kamimvonmi Katie Said
f SINGLE COPIES, I VOL. XVII. BOSTON, SATURDAY, APRIL 22, 1865 i Eight Oenta. > NO. 5. and requested me to ask you to wait till he them lay a lifeless body; Tbe spirit was born in-1 human actions are governed by mixed motives, ture from tho old cottage where sho had spent so came.” . / to the realms celestial. There was not a dry eye aud how many of those deeds which bless human many happy, os well as painful hours, to tlio now Although this was spoken in a low tone, Jamie in that little hovel, and no one seemed able to ity flow from streams made turbid by selfishness ono which Edgar had provided for her, It is hard [Entered according to Act of Congress. In tbe year IMS, by heard it, and said) in a feeble voice: and wrong, it becomes a serious question to de Ilnar T. Child, M. D., in the Clerk't Offlee of the District move. At length Father Dunlevyw^ffered a short to break up old associations, nnd wo scarcely Court of the Eaitern Dlitrict of Pennsylvania.] ' < 1 “Father told me you would both be htre ttMn prayer and benediction, commbh^hg 'all of them cide what is really good, and whnt Is otherwise. realize how much our feelings have clung around a, I passed away.” Beckoning to Katib',|i’0 .wltis- to the Father into whose arms that beloved angel Indeed, there is no-positive an4 perfect good, save oven tho rudest and most unattractive homo, un Written for the Banner of Light h. -
The Rainbow Bridge, a Wonderful Treasure Conceived by Brent Hunter, Is a Demonstration of That Truth That You Can Hold in Your Hand
―From the beginning of time all we‘ve ever wanted is to love and be loved, and from the beginning of time all we‘ve ever done on this planet is make it nearly impossible to experience our highest desire. That is because we have imagined in our illusions that one of us is somehow better than another. This idea of ―betterness‖ has created divisions between religions, between cultures, between people and between nations. The idea is also a false thought, directly contradicting the greatest teaching of all religions in the world which, put into one sentence, reduces itself to a simple truth: We are all one. The Rainbow Bridge, a wonderful treasure conceived by Brent Hunter, is a demonstration of that truth that you can hold in your hand. Once held in your hand, you will hold it in your heart as well and it will illumine your soul.‖ — Neale Donald Walsch, NY Times bestselling author of the five- book series Conversations With God (Books 1, 2 and 3), Friendship with God and Communion with God. ―Religions of the world are increasingly becoming more and more divisive. My Grandfather, Mohandas K. Gandhi, once said: Unfortunately mankind has learned just enough from religion to hate and not enough to love. He also said: religion is like climbing a mountain. Everyone is ultimately going to reach the same peak, so why should it matter which side of the mountain one chooses to climb? In his book "The Rainbow Bridge", Brent Hunter, exemplifies these Truths. If humanity is to be saved from utter doom it is important that all of us, individually and collectively, take the first step to learn from all the religions of the world that love is more powerful and positive than being consumed by hate.