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The Iconography of the Princess in the Old Kingdom 119 Vivienne G
THE OLD KINGDOM ART AND ARCHAEOLOGY PROCEEDINGS OF THE CONFERENCE HELD IN PRAGUE, MAY 31 – JUNE 4, 2004 Miroslav Bárta editor Czech Institute of Egyptology Faculty of Arts, Charles University in Prague Academia Publishing House of the Academy of Sciences of the Czech Republic Prague 2006 OOKAApodruhéKAApodruhé sstrtr ii–xii.indd–xii.indd 3 99.3.2007.3.2007 117:18:217:18:21 Contributors Nicole Alexanian, James P. Allen, Susan Allen, Hartwig Altenmüller, Tarek El Awady, Miroslav Bárta, Edith Bernhauer, Edward Brovarski, Vivienne G. Callender, Vassil Dobrev, Laurel Flentye, Rita Freed, Julia Harvey, Salima Ikram, Peter Jánosi, Nozomu Kawai, Jaromír Krejčí, Kamil O. Kuraszkiewicz, Renata Landgráfová, Serena Love, Dušan Magdolen, Peter Der Manuelian, Ian Mathieson, Karol Myśliwiec, Stephen R. Phillips, Gabriele Pieke, Ann Macy Roth, Joanne M. Rowland, Regine Schulz, Yayoi Shirai, Nigel Strudwick, Miroslav Verner, Hana Vymazalová, Sakuji Yoshimura, Christiane Ziegler © Czech Institute of Egyptology, Faculty of Arts, Charles University in Prague, 2006 ISBN 80-200-1465-9 OOKAApodruhéKAApodruhé sstrtr ii–xii.indd–xii.indd 4 99.3.2007.3.2007 117:18:217:18:21 Contents Foreword ix Bibliography xi Tomb and social status. The textual evidence 1 Nicole Alexanian Some aspects of the non-royal afterlife in the Old Kingdom 9 James P. Allen Miniature and model vessels in Ancient Egypt 19 Susan Allen Presenting the nDt-Hr-offerings to the tomb owner 25 Hartwig Altenmüller King Sahura with the precious trees from Punt in a unique scene! 37 Tarek El Awady The Sixth Dynasty tombs in Abusir. Tomb complex of the vizier Qar and his family 45 Miroslav Bárta Die Statuen mit Papyrusrolle im Alten Reich 63 Edith Bernhauer False doors & history: the Sixth Dynasty 71 Edward Brovarski The iconography of the princess in the Old Kingdom 119 Vivienne G. -
The Newsletter of the Friends of the Egypt Centre, Swansea
Price 50p INSCRIPTIONS The Newsletter of the Friends of the Egypt Centre, Swansea Whatever else you do this Issue 28 Christmas… December 2008 In this issue: Re-discovery of the Re-discovery of the South Asasif Necropolis 1 South Asasif Necropolis Fakes Case in the Egypt Centre 2 by Carolyn Graves-Brown ELENA PISCHIKOVA is the Director of the South Introducing Ashleigh 2 Asasif Conservation Project and a Research by Ashleigh Taylor Scholar at the American University in Cairo. On Editorial 3 7 January 2009, she will visit Swansea to speak Introducing Kenneth Griffin 3 on three decorated Late Period tombs that were by Kenneth Griffin recently rediscovered by her team on the West A visit to Highclere Castle 4 Bank at Thebes. by Sheila Nowell Life After Death on the Nile: A Described by travellers of the 19th century as Journey of the Rekhyt to Aswan 5 among the most beautiful of Theban tombs, by L. S. J. Howells these tombs were gradually falling into a state X-raying the Animal Mummies at of destruction. Even in their ruined condition the Egypt Centre: Part One 7 by Kenneth Griffin they have proved capable of offering incredible Objects in the Egypt Centre: surprises. An entire intact wall with an Pottery cones 8 exquisitely carved offering scene in the tomb of by Carolyn Graves-Brown Karakhamun, and the beautifully painted ceiling of the tomb of Irtieru are among them. This promises to be a fascinating talk from a very distinguished speaker. Please do your best to attend and let’s give Dr Pischikova a decent audience! Wednesday 7 January 7 p.m. -
Qt4ps201qm.Pdf
UC Irvine ArtsBridge America Title Mapping the Beat: A History and Geography through Music Curriculum at the University of California San Diego, ArtsBridge America Program - Ancient Civilizations for 6th Grade Permalink https://escholarship.org/uc/item/4ps201qm Authors Scholl, Jennifer, Coordinator Baker, James Boyer, William et al. Publication Date 2002 Supplemental Material https://escholarship.org/uc/item/4ps201qm#supplemental eScholarship.org Powered by the California Digital Library University of California Mapping the Beat A history and geography through music curriculum For Sixth Grade Ancient Civilizations Teacher’s Guide This curriculum was developed by UCSD ArtsBridge America and sponsored by The National Geographic Society Education Foundation. 1 Table of Contents Introduction .......................................................................................... 3 Lesson #1 Overview.................................................................................. 5 Lesson #2 Egypt I .................................................................................. 13 Lesson #3 Egypt II ................................................................................. 29 Lesson #4 Egypt III ................................................................................ 38 Lesson #5 India I .................................................................................. 45 Lesson #6 Greece I ................................................................................. 53 2 Introduction With the current state of restrictive -
ROYAL STATUES Including Sphinxes
ROYAL STATUES Including sphinxes EARLY DYNASTIC PERIOD Dynasties I-II Including later commemorative statues Ninutjer 800-150-900 Statuette of Ninuter seated wearing heb-sed cloak, calcite(?), formerly in G. Michaelidis colln., then in J. L. Boele van Hensbroek colln. in 1962. Simpson, W. K. in JEA 42 (1956), 45-9 figs. 1, 2 pl. iv. Send 800-160-900 Statuette of Send kneeling with vases, bronze, probably made during Dyn. XXVI, formerly in G. Posno colln. and in Paris, Hôtel Drouot, in 1883, now in Berlin, Ägyptisches Museum, 8433. Abubakr, Abd el Monem J. Untersuchungen über die ägyptischen Kronen (1937), 27 Taf. 7; Roeder, Äg. Bronzefiguren 292 [355, e] Abb. 373 Taf. 44 [f]; Wildung, Die Rolle ägyptischer Könige im Bewußtsein ihrer Nachwelt i, 51 [Dok. xiii. 60] Abb. iv [1]. Name, Gauthier, Livre des Rois i, 22 [vi]. See Antiquités égyptiennes ... Collection de M. Gustave Posno (1874), No. 53; Hôtel Drouot Sale Cat. May 22-6, 1883, No. 53; Stern in Zeitschrift für die gebildete Welt 3 (1883), 287; Ausf. Verz. 303; von Bissing in 2 Mitteilungen des Kaiserlich Deutschen Archäologischen Instituts, Athenische Abteilung xxxviii (1913), 259 n. 2 (suggests from Memphis). Not identified by texts 800-195-000 Head of royal statue, perhaps early Dyn. I, in London, Petrie Museum, 15989. Petrie in Journal of the Anthropological Institute of Great Britain and Ireland xxxvi (1906), 200 pl. xix; id. Arts and Crafts 31 figs. 19, 20; id. The Revolutions of Civilisation 15 fig. 7; id. in Anc. Eg. (1915), 168 view 4; id. in Hammerton, J. A. -
Music History Lecture Notes Antiquity & Mythology 18,000 BC – 146 BC
Music History Lecture Notes Antiquity & Mythology 18,000 BC – 146 BC This presentation is intended for the use of current students in Mr. Duckworth’s Music History course as a study aid. Any other use is strictly forbidden. Copyright, Ryan Duckworth 2010 Images used for educational purposes under the TEACH Act (Technology, Education and Copyright Harmonization Act of 2002). All copyrights belong to their respective copyright holders, The Earliest Music The Prehistory of Music • Considered to be a part of humanity • We don’t know when structured music began – but we have evidence that it existed 1000s of years ago • Most early cultures referred to music in their earliest writings The Prehistory of Music Note Taking Tips! You don’t have to write every single word. Use abbreviations for commonly used words • Considered to be a part of humanity • We don’t know when structured music began – but we have evidence that it existed 1000s of years ago • Most early cultures refer red to music in their earliest writings Origins of Music in Antiquity • by accident or divinely inspired • pan-cultural (across many cultures) • associated with supernatural, religion, medicine, fertility • Possibly as early as 18,000 BC • 3000 BC music notation in Hebrew scrolls • Understandable notation from Hurians in 1400 BC Ancient Egyptian Music • Proof of music during the Pharonic periods – Probably was around much earlier • Professional Musicians held many posts – Temple, palace, battlefield gods of music designate importance – Associated with music, dance, & fertility -
The Organization of the Pyramid Texts
The Organization of the Pyramid Texts Harold M. Hays - 9789004227491 Downloaded from Brill.com09/26/2021 09:57:14AM via free access Probleme der Ägyptologie Herausgegeben von Wolfgang Schenkel Antonio Loprieno und Joachim Friedrich Quack 31. BAND The titles published in this series are listed at brill.nl/pae Harold M. Hays - 9789004227491 Downloaded from Brill.com09/26/2021 09:57:14AM via free access The Organization of the Pyramid Texts Typology and Disposition (Volume One) By Harold M. Hays Leiden • BostoN The titles published in this series are listed at brill.nl/pae 2012 Harold M. Hays - 9789004227491 Downloaded from Brill.com09/26/2021 09:57:14AM via free access The digital edition of this title is published in Open Access. Library of Congress Cataloging-in-Publication Data Hays, Harold M. The organization of the pyramid texts : typology and disposition / by Harold M. Hays. v. cm. — (Probleme der Ägyptologie, ISSN 0169-9601 ; 31. Bd.) Includes bibliographical references and index. ISBN 978-90-04-21865-9 (set : alk. paper) — ISBN 978-90-04-23001-9 (v. 1 : alk. paper) — ISBN 978-90-04-22749-1 (e-book) — ISBN 978-90-04-23002-6 (v. 2 : alk. paper) — ISBN 978-90-04-22749-1 (e-book) 1. Pyramid texts. 2. Egyptian literature—History and criticism. I. Title. II. Series: Probleme der Ägyptologie ; 31. Bd. PJ1553.H39 2012 299’.3182—dc23 2012006795 ISSN 0169-9601 ISBN 978 90 04 21865 9 (hardback, set) ISBN 978 90 04 23001 9 (hardback, volume 1) ISBN 978 90 04 23002 6 (hardback, volume 2) ISBN 978 90 04 22749 1 (e-book) Copyright 2012 by Koninklijke Brill NV, Leiden, The Netherlands. -
Jeremy Montagu Some Mss. in the British Library with Instruments Page 1 of 2
Jeremy Montagu Some Mss. In the British Library with Instruments Page 1 of 2 Some Manuscripts in the British Library with Illustrations of Musical Instruments and a few other sources that I have found FoMRHIQ 2, January 1976,Comm. 8 Arundel 83. Conflation of two English Psalters, East Anglia, c.1310. The second half is known as the de Lisle Psalter. Good source. Includes: long trumpets, harps, citole, bagpipe, bells, fiddle, portative, psaltery, duct flute, pipe & tabor. Cotton, Tib.C.vi. Psalter, mid 11th c. f.30 is well-known; the rest is the usual Boethius improbabilities of the period. Egerton 1139. Queen Melissander’s Psalter, Latin Kingdom of Jerusalem, c.1140. The only instrument is a good harp, available asa postcard. The ivory cover is well known: King David playing what might be a dulcimer. Harley 2804. German Bible, 1148. f.3 has a not very good David and musicians. Harley 4425. La Roman de la Rose, pre-1500. 2 folios with music parties. Royal 2.A.xvi. Psalter time of Henry VIII, with annotations by him. Harp, pipe& tabor, short trumpet, dulcimer. Interesting that Henry is one of the musicians (and his fool shuts his ears to avoid his playing). Royal 2.A.xxii. The Westminster Psalter, late 12th c. David with harp and bells (postcard available), another harp. Interesting in that Westminster Abbey has a very similar hemi- spherical bell in the Undercroft exhibition room. Royal 2.B.vii. The Queen Mary Psalter, English early 14th c. well known source with a lot of material, but none quite as good and clear as in other East Anglian psalters (e.g. -
Edinburgh and Lothians Scottish Ancient Egyptian Collections Review Museum of Childhood, Museums & Galleries Edinburgh, City of Edinburgh Council
Painted wooden stela of an unknown woman, excavated by Alexander Henry Rhind © National Museums Scotland Ancient Egyptian Collections in Scottish Museums Edinburgh and Lothians Scottish Ancient Egyptian Collections Review Museum of Childhood, Museums & Galleries Edinburgh, City of Edinburgh Council RECOGNISED COLLECTION OF NATIONAL SIGNIFICANCE TO SCOTLAND Contact Susan Gardner [email protected] Lyn Stevens [email protected] General enquiries [email protected] Location of Collections On display Museum of Childhood 42 High St Edinburgh EH1 1TG Size of collections <5 objects Published Information Online Collections: Not currently online Collection Highlights • Two Middle Kingdom wooden tomb models (c.2055–1650 BC). Collection Overview Museums & Galleries Edinburgh cares for over 220,000 objects in a wide range of collections, including social history, literature, childhood, archaeology and fine and applied art. Many of these are recognised by the Scottish Government as being of national significance. These collections are on display across a number of venues, with the remainder stored at their Museums Collection Centre. They are also responsible for the care and conservation of the City’s estate of monuments, memorials and statues. The known Egyptian objects in the collection are currently on display in the Museum of Childhood, forming part of a display on dolls and figurines from different cultures. The Egyptian objects are part of the collection of Edward Lovett (1852–1933), a Croydon-based collector determined to track the ‘Scientific history of the doll, from the standpoints of ethnography and folk-lore’. The objects are on long-term loan from the National Museum of Wales, where Lovett held a large exhibition focusing on dolls in 1914. -
African and African-American Contributions to World Music
Portland Public Schools Geocultural Baseline Essay Series African and African-American Contributions to World Music by John Charshee Lawrence-McIntyre, Ph.D. Reviewed by Hunter Havelin Adams, III Edited by Carolyn M. Leonard Biographical Sketch of the Author Charshee Lawrence-Mcintyre is Associate Professor of Humanities at the State University of New York at Old Westbury in the English Language Studies Program. PPS Geocultural Baseline Essay Series AUTHOR: Lawrence-McIntyre SUBJECT: Music CONTENTS Content Page BIOGRAPHICAL SKETCH OF THE AUTHOR.............................................................................................. I CONTENTS ..........................................................................................................................................................II INTRODUCTION .................................................................................................................................................1 CLASSICAL AFRICA'S INFLUENCE ON OTHER CIVILIZATIONS ........................................................4 ANCIENT EGYPTIAN INSTRUMENTS .....................................................................................................................4 ANCIENT EGYPTIAN MUSIC AND FORMS .............................................................................................................8 MIGRATION AND EVOLUTION OF MUSIC THROUGHOUT CONTINENTAL AFRICA ...................12 TRADITIONAL INSTRUMENTS .............................................................................................................................14 -
Astronomy, Topography and Dynastic History in the Age of the Pyramids
Astronomy, topography and dynastic history in the Age of the Pyramids. Giulio Magli Faculty of Civil Architecture - Politecnico di Milano Piazza Leonardo da Vinci 32, 20133 Milan, Italy It is known since the 19 century that in the layout of the pyramid field of the pharaohs of the 4 th Egyptian dynasty at Giza, a “main axis” exists. Indeed, the south-east corners of these monuments align towards the site of the temple of Heliopolis, which was plainly visible in ancient times. It was later discovered that a similar situation occurs in the main pyramid field of the subsequent dynasty at Abu Sir. Here, the north-west corners of three chronologically successive pyramids again voluntarily align towards Heliopolis. However, the temple was in this case not visible, due to the rock outcrop- today occupied by the Cairo citadel - which blocks the view. In the present paper, a multi-disciplinary approach based on historical, topographical and archaeoastronomical analysis is developed in an attempt at understanding this peculiar feature, which governed from the very beginning the planning of such wonderful monuments. A general pattern actually arises, which appears to have inspired the choice of the sites and the disposition on the ground of almost all the funerary complexes of the kings during the Old Kingdom. 1. Introduction An interesting feature exists in the layouts of the pyramids of Giza and Abu Sir: the presence of a “main axis” directed to the area where the ancient temple of the sun of Heliopolis once stood, on the opposite bank of the Nile. These axes are connected with a process of “solarisation” of the pharaoh which probably started with Khufu, the builder of the Great Pyramid. -
Geometry and Perspective in the Landscape of the Saqqara Pyramids
GEOMETRY AND PERSPECTIVE IN THE LANDSCAPE OF THE SAQQARA PYRAMIDS MAGLI Giulio, (I) Abstract. A series of peculiar, visual alignments between the pyramids of the pharaohs of the 4th , the 5th and the 6th Egyptian dynasties exists. These alignments governed from the very beginning the planning of the funerary monuments of successive kings and, in some cases, led to establish building sites in quite inconvenient locations from the technical viewpoint. Explaining the topography of these monuments means therefore also investigating on their symbolic motivations: religion, power, dynastic lineage and social context, as well as getting insights on the skills of the ancient architects in astronomy and geometry. In the present paper we focus on the relationships between the Old Kingdom pyramids at Saqqara. Key words. Ancient astronomy. Ancient and sacred geometry. Egyptian pyramids. Mathematics Subject Classification: Primary 01A16, 51-03. 1 Introduction th It is known since the 19 century that an interesting feature exists in the layouts of the pyramids of th the 4 dynasty at Giza: the presence of a “main axis” connecting the south-east corners of the three main monuments and directed to the area where the ancient temple of the sun of Heliopolis once stood, on the opposite bank of the Nile [1,2,3]. This line is connected with a process of “solarisation” of the pharaohs which started with Khufu, the builder of the Great Pyramid, and th lasted up Menkaure, the builder of the third Giza pyramid [4,5]. The kings of the 5 dynasty moved - in spite of the presence of several favorable places to the immediate south of Giza - some 7 Kms apart on the plateau of Abusir. -
The Mycenaean Bard: the Evidence for Sound and Song*
THE MYCENAEAN BARD: THE EVIDENCE FOR SOUND AND SONG* In this paper, I concentrate on the Mycenaean bard’s concert lyre (here called phorminx), his singing, and aspects of his professionalism. Prolegomena Most of the Aegean Bronze Age (ca. 2200-200 BCE) has produced images of musicians and singers, as well as depictions and the extant fragments of the instruments themselves. Nonetheless, what we know about Aegean music is dependent on what the Aegean artists felt comfortable about portraying—for instance, there are no images of women playing a musical instrument, and fewer instruments are depicted than have been found.2 In the Early and Middle Bronze Ages harps were popular. Lyres and sistra make their first appearance early in the Middle Minoan period, and both continue into the Late Bronze Age (when both are associated with singing but not together). The earliest extant examples of sistra are in terracotta: a singleton from Archanes, Phournoi (MM IA context; Pl. I), and five from the Ayios Charalambos cave in East Crete (MM II). All six terracotta examples are similar: a short thick handle, and an oval frame which supports two thin, horizontal wooden sticks (restored) on which were strung terracotta disks. The sole extant bronze sistrum comes from a bronze hoard at Mochlos (LM I context); it consists of a bent loop of bronze inserted between two flanges at the top of the handle. Two horizontal bronze pins pierce the loop (with bent ends on the outside, like cotter pins); on these pins were strung metal disks. Not only would the disks make a rattling sound, but the pins would jangle in their sockets and their angled ends would strike the loop.