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Anoushka Shankar Thursday, May 2, 2019 at 8:00Pm This Is the 939Th Concert in Koerner Hall
Anoushka Shankar Thursday, May 2, 2019 at 8:00pm This is the 939th concert in Koerner Hall Anoushka Shankar, sitar Ojas Adhiya, tabla Pirashanna Thevarajah, mridangam Ravichandra Kulur, flute Danny Keane, cello & piano Kenji Ota, tanpura Anoushka Shankar Sitar player and composer Anoushka Shankar is a singular figure in the Indian classical and progressive world music scenes. Her dynamic and spiritual musicality has garnered several prestigious accolades, including six Grammy Award nominations, recognition as the youngest – and first female – recipient of a British House of Commons Shield, credit as an Asian Hero by TIME magazine, an Eastern Eye Award for Music, and a Songlines Best Artist Award. Most recently, she became one of the first five female composers to have been added to the UK A-level music syllabus. Deeply rooted in the Indian classical music tradition, Shankar studied exclusively from the age of nine under her father and guru, the late Ravi Shankar, and made her professional debut as a classical sitarist at the age of 13. By the age of 20, she had made three classical recordings for EMI/Angel and received her first Grammy nomination, thereby becoming the first Indian female and youngest-ever nominee in the world music category. She is also the first Indian artist to perform at the Grammy Awards. In addition to performing as a solo sitarist, her compositional work has led to cross-cultural collaborations with artists such as Sting, M.I.A., Herbie Hancock, Pepe Habichuela, Karsh Kale, Rodrigo y Gabriela, and Joshua Bell, demonstrating the versatility of the sitar across musical genres. -
Anoushka Shankar: Breathing Under Water – ‘Burn’, ‘Breathing Under Water’ and ‘Easy’ (For Component 3: Appraising)
Anoushka Shankar: Breathing Under Water – ‘Burn’, ‘Breathing Under Water’ and ‘Easy’ (For component 3: Appraising) Background information and performance circumstances The composer Anoushka Shankar was born in 1981, in London, and is the daughter of the famous sitar player Ravi Shankar. She was brought up in London, Delhi and California, where she attended high school. She studied sitar with her father from the age of 7, began playing tampura in his concerts at 10, and gave her first solo sitar performances at 13. She signed her first recording contract at 16 and her first three album releases were of Indian Classical performances. Her first cross-over/fusion album – Rise – was released in 2005 and was nominated for a Grammy, in the Contemporary World Music category. Her albums since Breathing Under Water have continued to explore the connections between Indian music and other styles. She has collaborated with some major artists – Sting, Nithin Sawhney, Joshua Bell and George Harrison, as well as with her father, Ravi Shankar, and her half-sister, Norah Jones. She has also performed around the world as a Classical sitar player – playing her father’s sitar concertos with major orchestras. The piece Breathing Under Water was Anoushka Shankar’s fifth album, and her second of original fusion music. Her main collaborator was Utkarsha (Karsh) Kale, an Indian musician and composer and co-founder of Tabla Beat Science – an Indian band exploring ambient, drum & bass and electronica in a Hindustani music setting. Kale contributes dance music textures and technical expertise, as well as playing tabla, drums and guitar on the album. -
KLOS Aug.5Th
1 PLAYLIST AUG. 5TH 2012 Special Guests WINGS Denny Seiwell – Denny Laine – Laurence Juber 1 2 9AM The Beatles - Rain - Non-LP B-side (Lennon-McCartney) Lead vocal: John Recorded on April 14 and 16, 1966. The track is notable for the backwards vocal from John Lennon at the end of the song. The section is John singing part of the first verse but the tape is superimposed backwards in the mix. The song contains slowed down instruments, guitar distortion, and vocals recorded and played back at variable speed. Aside from Paul McCartney’s dominant bass part, the song features a striking drum performance from Ringo, who has called “Rain” his favorite Beatles song. The B-side of “Paperback Writer.” Issued in America on May 23, 1966 and the UK on June 10, 1966, several months in advance of the “Revolver” album. On U.S. album: Hey Jude - Capitol LP (1970) 2 3 The Beatles - Paperback Writer - A Collection Of Beatles Oldies (Lennon-McCartney) Lead vocal: Paul The Beatles’ twelfth single release for EMI’s Parlophone label. Recorded on April 13 and 14, 1966. The track is notable for Paul McCartney’s furious bass line. The bass is so prominent in the mix that sound engineers at EMI worried it could cause the stylus of a record player tone arm (the needle thing on record players) to jump when fans played the 45 RPM single at home. Thankfully, no such calamity occurred. For this heavy bass sound Paul’s chose to replace his usual Hofner bass with a Rickenbacker 4001S bass. -
Cover Next Page > Cover Next Page >
cover next page > title: Indian Music and the West : Gerry Farrell author: Farrell, Gerry. publisher: Oxford University Press isbn10 | asin: 0198167172 print isbn13: 9780198167174 ebook isbn13: 9780585163727 language: English subject Music--India--History and criticism, Music--Indic influences, Civilization, Western--Indic influences, Ethnomusicology. publication date: 1999 lcc: ML338.F37 1999eb ddc: 780.954 subject: Music--India--History and criticism, Music--Indic influences, Civilization, Western--Indic influences, Ethnomusicology. cover next page > < previous page page_i next page > Page i Indian Music and the West < previous page page_i next page > < previous page page_ii next page > Page ii To Jane < previous page page_ii next page > < previous page page_iii next page > Page iii Indian Music and the West Gerry Farrell OXFORD UNIVERSITY PRESS < previous page page_iii next page > < previous page page_iv next page > Page iv OXFORD UNIVERSITY PRESS Great Clarendon Street, Oxford OX2 6DP Oxford University Press is a department of the University of Oxford. It furthers the University's objective of excellence in research, scholarship, and education by publishing worldwide in Oxford New York Athens Auckland Bangkok Bogotá Buenos Aires Calcutta Cape Town Chennai Dar es Salaam Delhi Florence Hong Kong Istanbul Karachi Kuala Lumpur Madrid Melbourne Mexico City Mumbai Nairobi Paris São Paulo Singapore Taipei Tokyo Toronto Warsaw and associated companies in Berlin Ibadan Oxford is a registered trade mark of Oxford University Press in the UK and in certain other countries Published in the United States by Oxford University Press Inc., New York © Gerry Farrell 1997 First published 1997 New as paperback edition 1999 The moral rights of the author have been asserted Database right Oxford University Press (maker) All rights reserved. -
David Pontbriand and Brian Shankar Adler
music presents David Pontbriand and Brian Shankar Adler Saturday, March 20, 2021 Live-Streamed from the Olin Concert Hall 7:30 pm About the Concert Sitarist David Pontbriand and percussionist/composer Brian Shankar Adler perform an evening of pieces and songs connected (in one way or another) to India. Unusual settings of sitar with vibraphone, drum set, and bomba legüero, engage in textural dialogue with the more customary duo of sitar and tabla. The program includes improvisations, original compositions, and folk songs, as well as works by Ellington/Strayhorn and Lennon/McCartney. Program Introduction Drone (Adler) is inspired by the subtle, hypnotic hum of the tamboura, a plucked string instrument from India. In this piece, I am seeking to create a similarly meditative effect through the use of weaving rhythms that stretch and contract; a palindrome, with no fixed beginning or ending. –BSA Alaap is the name for the exploratory opening section of a raga performance, where the raga theme is gradually unfolded and developed, in free time. In the Indian classical tradition, ragas are melodic frameworks based on one or more modal scales, each with specific conventions of phrasing that suggest a distinct melodic shape, or flavor. Within this framework, the artist creates a unique spontaneous composition with each performance. My alaap is an original conception, for sitar solo, combining melodic elements from two different raga forms with elements of free improvisation, in a “stream of consciousness” series of episodic variations. The vibes provide an atmospheric envelope, gently framing and supporting the melodic variations. –DP Gat is a composition for sitar and tabla, where the themes developed in the alaap are further explored in a rhythmic framework called tala. -
The Inner Light: the Beatles, India, Gurus, and the Legacy
The Inner Light: The Beatles, India, Gurus, and the Legacy John Covach Institute for Popular Music, University of Rochester Arthur Satz Department of Music Eastman School of Music Main Points The Beatles’ “road to India” is mostly navigated by George Harrison John Lennon was also enthusiastic, Paul somewhat, Ringo not so much Harrison’s “road to India” can be divided into two kinds of influence: Musical influences—the actual sounds and structures of Indian music Philosophical and spiritual influences—elements that influence lyrics and lifestyle The musical influences begin in April 1965, become focused in fall 1966, and extend to mid 1968 The philosophical influences begin in late 1966 and continue through the rest of Harrison’s life Note: Harrison began using LSD in the spring of 1965 and discontinued in August 1967 Songs by other Beatles, Lennon especially, also reflect Indian influences The Three “Indian” songs of George Harrison “Love You To” recorded April 1966, released on Revolver, August 1966 “Within You Without You” recorded March, April 1967, released on Sgt Pepper, June 1967 “The Inner Light” recorded January, February 1968, released as b-side to “Lady Madonna,” March 1968 Three Aspects of “Indian” characteristics Use of some aspect of Indian philosophy or spirituality in the lyrics Use of Indian musical instruments Use of Indian musical features (rhythmic patterns, drone, texture, melodic elements) Musical Influences Ravi Shankar is principal influence on Harrison, though he does not enter the picture until mid 1966 April 1965: Beatles film restaurant scene for Help! Harrison falls in love with the sitar, buys one cheap Summer 1965: Beatles in LA hear about Shankar from McGuinn, Crosby (meet Elvis, discuss Yogananda) October 1965: “Norwegian Wood” recorded, released in December on Rubber Soul. -
Downbeat.Com December 2014 U.K. £3.50
£3.50 £3.50 . U.K DECEMBER 2014 DOWNBEAT.COM D O W N B E AT 79TH ANNUAL READERS POLL WINNERS | MIGUEL ZENÓN | CHICK COREA | PAT METHENY | DIANA KRALL DECEMBER 2014 DECEMBER 2014 VOLUME 81 / NUMBER 12 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Davis Inman Contributing Editor Ed Enright Art Director LoriAnne Nelson Contributing Designer Žaneta Čuntová Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Associate Kevin R. Maher Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, -
Pdf Sound Travels
SOUND TRAVELS resource pack KEY STAGE 3 AND 4 SCHOOLS CONCERT FRIDAY 21 NOVEMBER 2014, 11.00AM wigmore hall CONTENTS Meet the Musician 1 – Aliocha Thevenet 2 Introduction to Improvisation 5 Meet the Musician – Andy Sheppard Behind the Music 6 – Indian Classical Music 9 Take it Away – part 1 10 Meet the Musician – Kuljit Bhamra 11 Behind the Music – Jazz 15 Take it Away – part 2 16 About the EFG London Jazz Festival 17 About Wigmore Hall NOTES FOR TEACHERS Sounds Travels is a one-hour concert for Key Stages 3 and 4 students and their teachers. The concert features three of the UK’s leading improvising musicians: Kuljit Bhamra (tabla), Andy Sheppard (saxophone) and Aliocha Thevenet (guitar) who will be exploring several different musical cultures and the links between them. The concert is part of the EFG London Jazz Festival (www.efglondonjazzfestival.org.uk) and is produced in partnership between Wigmore Hall Learning and Serious. This pack contains background information about the music we’ll be exploring in the concert alongside some suggested activities. You might like to use the pack to prepare your class for their visit to Wigmore Hall of you might to use it as a follow-up activity afterwards… it’s up to you! You can access the accompanying playlist by visiting: www.serious.org.uk/wigmore-hall-resources Pack written by Alexander Hawkins and edited by Claire Furlong (Serious) and Daisy Swift (Wigmore Hall Learning) Pack designed by Susannah Swift Ltd MEET THE MUSICIAN ALIOCHA THEVENET Could you introduce yourself to us briefly? How would you describe the music you play? I’m a French guitarist and composer, but now live in London. -
Red River Radio Ascertainment Files October - December 2013
Red River Radio Ascertainment Files October - December 2013 Kate Archer Kent’s Newscast Story Log October 2013 – December 2013 1,792 Story: Nacogdoches researchers prepare to repatriate Caddo artifacts Aired: Oct. 1, 2013 Interview: Zachary Selden, research associate, Center for Regional Heritage Research, Stephen F. Austin State University Type: Newscast wrap 1,793 Story: Safety-net hospitals in Shreveport and Monroe go private Aired: Oct. 2, 2013 Interview: Dr. John George, president, Biomedical Research Foundation of Northwest Louisiana; Steve Skirvanos, board chairman, Biomedical Research Foundation of Northwest Louisiana Type: Newscast wrap 1,794 Story: Filmmaker emotions run high on eve of Louisiana Film Prize in Shreveport Aired: Oct. 3, 2013 Interview: Christopher Raines, producer and director, Raines Down Productions; Candace McGowen, actor and producer, Raines Down Productions Type: Newscast wrap 1,795 Story: Centenary College plans to take all freshmen to Paris Aired: Oct. 4, 2013 Interview: Dr. David Rowe, president, Centenary College; Dana Kress, French professor, Centenary College Type: Newscast wrap 1,796 Story: Former U.S. Congressman Jim McCrery: „Lawmakers drew lines in the sand too soon‟ Aired: Oct. 7, 2013 Interview: Jim McCrery, steering committee member, Campaign to Fix the Debt Type: Newscast wrap 1,797 Story: East Texas father-son painters on exhibit in Shreveport Aired: Oct. 8, 2013 Interview: Carlton Herbert, master of fine arts student, Stephen F. Austin State University in Nacogdoches; Frank Herbert, adjunct art instructor, Kilgore College Type: Newscast wrap 1,798 Story: „Planet Money‟ creator to give economics lecture at Southern Arkansas Universityin Magnolia Aired: Oct. 9, 2013 Interview: Adam Davidson, creator, “Planet Money” and New York Times Magazine columnist Type: Newscast wrap 1,799 Story: Filmmakers screen gun violence documentary in their hometown of Shreveport Aired: Oct. -
Library Catalogue
Id Access No Title Author Category Publisher Year 1 9277 Jawaharlal Nehru. An autobiography J. Nehru Autobiography, Nehru Indraprastha Press 1988 historical, Indian history, reference, Indian 2 587 India from Curzon to Nehru and after Durga Das Rupa & Co. 1977 independence historical, Indian history, reference, Indian 3 605 India from Curzon to Nehru and after Durga Das Rupa & Co. 1977 independence 4 3633 Jawaharlal Nehru. Rebel and Stateman B. R. Nanda Biography, Nehru, Historical Oxford University Press 1995 5 4420 Jawaharlal Nehru. A Communicator and Democratic Leader A. K. Damodaran Biography, Nehru, Historical Radiant Publlishers 1997 Indira Gandhi, 6 711 The Spirit of India. Vol 2 Biography, Nehru, Historical, Gandhi Asia Publishing House 1975 Abhinandan Granth Ministry of Information and 8 454 Builders of Modern India. Gopal Krishna Gokhale T.R. Deogirikar Biography 1964 Broadcasting Ministry of Information and 9 455 Builders of Modern India. Rajendra Prasad Kali Kinkar Data Biography, Prasad 1970 Broadcasting Ministry of Information and 10 456 Builders of Modern India. P.S.Sivaswami Aiyer K. Chandrasekharan Biography, Sivaswami, Aiyer 1969 Broadcasting Ministry of Information and 11 950 Speeches of Presidente V.V. Giri. Vol 2 V.V. Giri poitical, Biography, V.V. Giri, speeches 1977 Broadcasting Ministry of Information and 12 951 Speeches of President Rajendra Prasad Vol. 1 Rajendra Prasad Political, Biography, Rajendra Prasad 1973 Broadcasting Eminent Parliamentarians Monograph Series. 01 - Dr. Ram Manohar 13 2671 Biography, Manohar Lohia Lok Sabha 1990 Lohia Eminent Parliamentarians Monograph Series. 02 - Dr. Lanka 14 2672 Biography, Lanka Sunbdaram Lok Sabha 1990 Sunbdaram Eminent Parliamentarians Monograph Series. 04 - Pandit Nilakantha 15 2674 Biography, Nilakantha Lok Sabha 1990 Das Eminent Parliamentarians Monograph Series. -
BWTB Valentines LOVE Show 2016
1 All Love Show 2016 1 2 9AM The Beatles - It’s Only Love- Help! / INTRO : THE WORD (Lennon-McCartney) Lead vocal: John Recorded in six takes on June 15, 1965. The first Beatles song to include a reference to getting “high” (“I get high when I see you go by”). The working title prior to lyrics being written was “That’s a Nice Hat.” George Martin and his Orchestra recorded the instrumental version of “It’s Only Love” using the original title. In 1972 Lennon called “It’s Only Love” “the one song I really hate of mine.” On U.S. album: Rubber Soul - Capitol LP 2 3 The Beatles - Love Me Do – Please Please Me (McCartney-Lennon) Lead vocal: John and Paul The Beatles’ first single release for EMI’s Parlophone label. Released October 5, 1962, it reached #17 on the British charts. Principally written by Paul McCartney in 1958 and 1959. Recorded with three different drummers: Pete Best (June 6, 1962, EMI audition), Ringo Starr (September 4, 1962), and Andy White (September 11, 1962 with Ringo playing tambourine). The 45 rpm single lists the songwriters as Lennon-McCartney. One of several Beatles songs Paul McCartney owns with Yoko Ono. Starting with the songs recorded for their debut album on February 11, 1963, Lennon and McCartney’s output was attached to their Northern Songs publishing company. Because their first single was released before John and Paul had contracted with a music publisher, EMI assigned it to their own, a company called Ardmore and Beechwood, which took the two songs “Love Me Do” and “P.S. -
Shankar-100-Press-Release.Pdf
● Akram Khan Company presents Kaash, originally premiered at Southbank Centre in 2002 and revived in tribute to Ravi Shankar; ● London Philharmonic Orchestra performs Ravi Shankar’s final work, the opera Sukanya in January 2020, and his only Symphony in April 2020; ● Sitarist and composer Anoushka Shankar features as a Southbank Centre Associate Artist throughout the 2019/20 season; ● BFI Southbank screens a selection of films scored by Ravi Shankar, curated by Anoushka Shankar; ● An exhibition featuring significant archive objects belonging to Ravi Shankar on display from April 2020 in the Royal Festival Hall Archive Studio; ● A specially-commissioned film to be displayed in Royal Festival Hall’s public spaces and online, featuring archive footage and interviews with contemporary artists who have been influenced by Ravi Shankar’s work; ● Interactive music workshops and performances for primary schools; ● Plus more programming to be announced. Sukanya Shankar comments: “The centenary celebrations for my husband by the Southbank Centre will bring back some of the magic I have experienced at all the concerts of this amazing musician!” Anoushka Shankar comments: “I feel deeply grateful to be able to begin celebrations of my late father’s centenary year with a series of special events at London’s Southbank Centre, before we continue the celebrations in various cities worldwide. It feels ambitious to the point of being unrealistic, to somehow put together anything that can fully showcase all the varied aspects of his incredible career, creativity, musicianship and humanity. However with the multiplicity of events that Southbank Centre is putting on, we may stand a chance!” Akram Khan comments: “Pandit-Ji is one of the most iconic artists to have come out of India, and one that has truly inspired many generations of music and dance lovers all around the world.