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Tamara Rojo Artistic Director of the English National Ballet Tamara Began Dancing in Madrid at the Víctor Ullate School, Where
Tamara Rojo Artistic Director of the English National Ballet Tamara began dancing in Madrid at the Víctor Ullate School, where she took part in an extensive repertoire of classical roles. She won a Gold Medal at the Paris International Dance Competition and the Special Jury Prize unanimously. Galina Samsova asked her to join the Scottish Ballet and she later received a personal invitation from Derek Deane to join the English National Ballet, where she became director after six months. She danced the whole range of leading roles with the company, including Juliet (Romeo and Juliet) and Clara (The Nutcracker), which Derek Deane created expressly for her. Tamara joined The Royal Ballet as Principal Dancer at the invitation of Sir Anthony Dowell. She is also a regular guest of the Mariinsky Ballet, La Scala Ballet, Tokyo Ballet, New National Theatre, Tokyo, the Cuban National Ballet, the National Ballet of China, the Lithuanian National Ballet, the Mikhailovsky Ballet, the Royal Swedish Ballet and the Finnish National Ballet. She has also performed at the prestigious World Ballet Festival in Tokyo and at galas all over the world. In 2010 she was recognised for her artistic excellence with the Laurence Olivier Award for the Best New Dance Production with Goldberg: the Brandstrup - Rojo Project. She has been awarded the Prince of Asturias Prize, the Gold Medal for Fine Arts and the Encomienda de Numero de Isabel la Catolica. Other recognitions include the Prix Benois de la Danse, The Times Dancer Revelation of the Year, the National Dance Critics Award, the Barclay’s Award for Outstanding Achievement in Dance, the Positano Dance Award, Léonide Massine Premi al Valore, the Italian Critics Award, the International Arts Medal and the Madrid Performance Award. -
YAGP 2021 Brazil Scholarships&Acceptances RK 3.26
Scholarships and Acceptances Presented at YAGP 2021 Tampa Finals Alberta Ballet School, CANADA Summer Name Nationality School Constanza Medina Salcedo Mexico Ballet Clásico Aguascalientes Tsumugi Tomioka USA Hariyama Ballet Kelly Fong USA Li's Ballet Studio Peri Ingram USA Indiana Ballet Conservatory Audrey Williamson USA Ballet Center of Fort Worth Ava Thomas USA Marina Almayeva School of Classical Ballet Isabella Graves USA Huntington Academy of Dance Claire Buchi USA Peninsula School of Performing Arts Jayden Towers USA Fort Lauderdale Youth Ballet Annabelle Gourley USA The Ballet Clinic Savannah Rief USA Florida Schoolfor Dance Education Chloe Kinzler USA California Dance Academy Lyla Davey USA Huntington Academy of Dance Patricia Hohman USA West Point Ballet Alexa Pierce USA Pennsylvania Ballet Conservatory Nicholas Isabelli USA Emerald Ballet Academy Maria Nakai USA Hariyama Ballet Jaida Soleman USA Dance Center of San Antonio Nily Samara USA Bobbie's School of Performing Arts Charley Toscano USA North County Academy of Dance Leon Yusei Sai USA Southland Ballet Academy Noah Lehman USA Master Ballet Academy William Kinloch USA Ocean State Ballet Bella Dinglasan USA Southland Ballet Academy Sabrina Dorsey USA Master Ballet Academy Charlotte Bengfort USA Southland Ballet Academy Kate Deshler USA Jacqueline's School of Ballet Mia Anastasia Petkovic USA Ballet West Academy Lidiia Volkova USA Next Step Dance Performing Arts Julian Pecoraro USA University of North Carolina School of the Arts Luke Jones USA Ballet Center of Fort Worth Ashton Cook USA Elite Classical Coaching Olivia Newell USA Jacqueline's School of Ballet Ben Zusi USA Southold Dance Theater Joshua O'Connor USA Cary Ballet Conservatory Joshua Howell USA The Ballet Studio Tara McCally USA Feijoo Ballet School 1/13 Ballet School of the Basel Theater, SWITZERLAND Full Year Name Nationality School Sophie DeGraff USA WestMet Classical Training Laina Mae Kirkeide USA The Ballet Clinic Audrey Beukelman USA Denver Academy of Ballet Isabella McCool USA St. -
Barbora Kohoutková
BARBORA KOHOUTKOVÁ Barbora Kohoutková started ballet training at a very early age. She was chosen at the age of 4 by a pre-ballet school of the National Theater in Prague and got accepted to the Prague Dance Conservatory when she was 10 years old. Barbora started her professional career at the age of 17 in Helsinki as a Principal Dancer with the Finnish National Ballet (1996-2002). Before becoming a guest principal dancer she worked with the Bavarian State Ballet – Munich (2002-2003), Boston Ballet (2003-2004) and Hamburg Ballet-John Neumeier (2004-2008). In her career she has danced the most important roles of almost the entire classical repertoire in its original form and in productions by Ben Stevenson, Natalia Makarova, Rudolf Nureyev, Vladimir Bourmeister, Sylvie Guillem, Wayne Eagling, Toer van Schayk, Bruce Marks, Frederick Ashton, Mikhail Fokine… Besides the classical repertoire she also performed in choreographies by George Balanchine, Jiri Kylian, John Cranko, John Neumeier, Jorma Uotinen, Sir Kenneth MacMillan, Heinz Spoerli, Mark Morris… As a guest artist she has been performing in Essen, Helsinki, Milano, Moscow, Munich, Prague, Rome, St. Petersburg, Tokyo (World Ballet Festival 2002 and 2004), … Sadly, due to injuries, she had to cut short her beautiful career at the early age of 28. After having undergone multiple surgeries and stoically enduring much physical suffering, Barbora had to retire from the stage and began a rewarding career as a Ballet Master and teacher, occasionally still performing as a guest Principal. During the season 2009- 2010 she worked as Ballet Master at the National Theater in Prague. -
Support Materials
720 352 2903 LEMON SPONGE CAKE CONTEMPORARY BALLET [email protected] 1. ABOUT THE ARTIST 720 352 2903 LEMON SPONGE CAKE CONTEMPORARY BALLET [email protected] ROBERT SHER-MACHHERNDL 720 771 0162 [email protected] www.lemonspongecake.org PROFILE Robert Sher-Machherndl, a native of Vienna, Austria, has enjoyed a distinguished career in the performing arts ranging from Principal Dancer, Choreographer, Master Teacher to Artistic Director. He is currently Artistic Director and Choreographer of Lemon Sponge Cake Contemporary Ballet, from 2000 to present. SELECT CHOREOGRAPHIES • 2020 Seriously Solo - Boulder JCC • 2019 Dexter - Trinity Laban Conservatoire of Music & Dance, London, UK • 2019 Juliet - Boulder JCC • 2018 Gone - Junction Place, Boulder • 2017 Grasping Aspects of Shekhinah - University of Colorado Boulder • 2017 Vertical Migration Experiment - Boulder JCC • 2016 White Fields - Public Art Commission, City of Boulder • 2016 White Mirror Second Look - Ellie Caulkins Opera House, Denver • 2015 White Mirror - Bowdoin College, Maine • 2015 Rush - National College Dance Festival, Kennedy Center for Performing Arts • 2015 Rush - Yerba Buena Center for the Arts, San Francisco • 2015 White Mirror - Public Art Commission, City of Denver • 2014 Solo - Ballet Next, Joyce Theater, New York City • 2014 Hanna - Vienna State Ballet /Jugendkompanie, Vienna State Opera, Austria • 2014. Leopoldstatdt 22 - Mizel Museum, Denver • 2013 Man Made Men - Dairy Art Center, Boulder • 2012 Scarlet - Dairy Art Center, Boulder • 2011 BluePrint - Newman -
Madeleine Onne Appointed Artistic Director of the Finnish National Ballet
Madeleine Onne appointed Artistic Director of the Finnish National Ballet Madeleine Onne has been appointed as the new Artistic Director of the Finnish National Ballet. The Board of the Finnish National Opera and Ballet made their final decision in a meeting held today, Tuesday October the 10th. The Board invited the personnel groups of the Opera and Ballet to share their views on the appointment, and their statements were unanimously positive. Onne will start her new position in August 2018. Madeleine Onne, originally from Sweden, is currently the Director of the Houston Ballet Academy in the United States. Onne has extensive knowledge and skills in both classical ballet and modern choreographies. She worked as a ballet dancer at the Royal Swedish Ballet in Stockholm from 1978 to 2002. After her career as a dancer, Onne has been the Artistic Director of both the Royal Swedish Ballet and Hong Kong Ballet, for a total of 15 years. The Artistic Director of the Finnish National Ballet is responsible for the artistic planning of the repertoire, as well as leading and developing the operations of the FNB. The Artistic Director reports to the General Director. Onne’s earlier leadership roles have provided her with extensive experience in creating and implementing strategy as well as in managing people. - Our aim was to find an individual with both an international career as a ballet dancer and experience in managing a ballet organisation. Other key requirements included a broad professional network and the ability to co-operate effectively with both internal and external contacts. Madeleine Onne combines all this, and she also has a truly charming personality, says Päivi Kärkkäinen, the General Director of the Finnish National Opera and Ballet. -
January 2020 Resident Choreographers
® Global Resident Choreographer Survey JANUARY 2020 Summary Dance Data Project® (DDP) has conducted an initial examination of resident choreographer positions globally within the ballet industry. DDP found that among the 116 international and U.S. ballet companies studied, a significant majority have hired men as resident choreographers. The study reveals that 37 of the 116 ballet companies surveyed globally employ resident choreographers. Twenty-eight of these 37 companies have placed exclusively men in this position (76%). DDP found that 22 of the 69 U.S. ballet companies surveyed employ resident choreographers. Sixteen of these 22 domestic companies have hired exclusively men in this position (73%). DDP also found that 15 of the 47 international ballet companies examined employ resident choreographers. Only 2 of these 15 companies have hired exclusively women (13%), although one international company employs four resident choreographers (1 woman, 3 men). © DDP 2020 Dance DATA Global Resident Project] Choreographer Survey Introduction A note about resident choreographers: The position of resident choreographer is one of the most secure opportunities for the otherwise freelance choreographer. The position offers a contract with a steady salary, the possibility of benefits, a group of dancers with whom to workshop, time, access to set, costume, lighting designers and a regular audience. Most ballet companies do not employ resident choreographers, given the expense of an additional employee and funding regular commissions. Quite often, an artistic director serves as a de facto resident choreographer, regularly creating for the company and producing new works. DDP reviewed as many prominent dance publications1 as possible and consulted several leaders of ballet companies and dance venues in the U.S. -
Summer Guest Faculty 2021
Summer Guest Faculty 2021 JARED REDICK Interim Dean of Dance, University of North Carolina School of the Arts Interim Dean of Dance Jared Redick began his ballet training with his mother Julia Cziller Redick in Reston, Virginia. He is a graduate of the high school ballet program at University of North Carolina School of the Arts (UNCSA), where he studied with founding Dean of Dance Robert Lindgren. Redick went on to train at Mikhail Baryshnikov’s School of Classical Ballet (ABT) and at the School of American Ballet. His performance career launched with the San Francisco Ballet, followed by dancing as a soloist with the Miami City Ballet, the Suzanne Farrell Ballet and Boston Ballet. In Boston, he danced a diverse repertoire including principal roles in works by Petipa, Cranko, Balanchine, Elo, Kylian, Forsyth, Tudor, Ashton, and Tharp. Following his retirement from the stage in 2009, Mr. Redick continued his work with the Boston Ballet as Principal of their South Shore Studio in Norwell, Massachusetts. As a dance educator, he took his expertise nationally and internationally to institutions including the Royal Danish Ballet School, Tivoli Ballet Theatre, Houston Ballet School, Orlando Ballet School, Nashville Ballet School, Charlotte Ballet, and Yale University. He served as guest ballet master with the Finnish National Ballet, Houston Ballet, Nashville Ballet and Cincinnati Ballet. Mr. Redick is a recipient of the National Foundation for Advancement in the Arts for Exceptional Artistic Achievement, and in 2012 was appointed Associate Fellow of Pierson College at Yale University. Since 2013, he has been a judge and master teacher for the Youth America Grand Prix (YAGP). -
Kirov Academy of Washington D.C
V.1.01 W A S H I N G T O N, D. C. KIROV ACADEMY OF WASHINGTON D.C. “Creating a World of Beauty through Heavenly Art” 2 3 [ Our Vision ] CONTENTS The Kirov Academy is dedicated to artistic and academic excellence and to the investment of a moral education in our 2 Table of Contents students. Founded on universal principles of love, respect, 3 Our Vision and service, The Kirov Academy believes in the importance of the arts and culture in creating a world of beauty and 4 Founders effectuating positive change. 5 Advisory Board 6 History of Kirov Academy 8 Ballet Curriculum Our mission is to inspire students to excel by drawing on the exceptional traditions of the past, and by applying their own 12 Music Curriculum unique talents to become the best they can be. 16 Academy Curriculum 18 Student Life 20 Summer Program 22 Admissions 23 Scholarships 24 Awards 26 Alumni 4 5 [ Founders ] CREATING A WORLD OF BEAUTY THROUGH HEAVENLY ART Sergei Dorensky Sergei Dorensky is known as one of the most outstanding pianists and teachers of the former Soviet Union. Sergei Dorensky has been awarded numerous international prizes over the years and eventually went on to develop his career outside the Soviet Union. Sergei Dorensky was also named “People’s Artist of Russia” in 1989 and received the Order for Merit to the Fatherland in 2008. The vision of the Founders of the Academy, the late Rev. Dr. Sun Myung Moon and Dr. Hak Ja Gary Graffman Han Moon, can be understood in the calligraphy. -
The International Dance School Directors' Committee to Standardise
The International Dance School Directors’ Committee to Standardise Audition Procedures (“C-SAP”) Over twenty international ballet companies alongside professional ballet schools endorse guidelines for pre- selection for auditions. INTERNATIONAL - The International Dance School Directors’ Committee to Standardise Audition Procedures (“C- SAP”) is excited to announce the creation of a standard set of guidelines for pre-selection for auditions. In response to concerns over varied and conflicting audition requirements being requested of graduating students, Artistic Directors of a number of professional dance schools sought to explore the possibility of creating a standard set of guidelines for pre-selection for auditions. With this goal in mind, they created C-SAP. In consultation with companies, this committee created guidelines to address the needs of students and companies. These guidelines, now known as the International Audition Pre-Selection Guidelines or IAP Guidelines, have been endorsed by over twenty international professional ballet companies, as well as a growing number of professional ballet schools. Organisations endorsing the IAP Guidelines agree to use them for their pre-selection process and to publish them on their websites. The IAP Guidelines stipulate the following for an audition: video, CV, headshot and dance photos. The video content is defined and includes restrictions on technical editing, length of various parts of the video, footwear, and attire. The guidelines also set out the order in which the various parts of the video are to appear. By standardising the contents of an application for pre-selection for an audition, the graduating student is able to make one video that will serve for all applications to endorsing companies and professional schools post- graduation programs. -
Balletx Fall Series 2013 Three Compelling World Premieres and the X-Process, a Unique New Dance Appreciation Initiative
Media Contact: Mari Kraske, Communications Manager 215- 893-9456 x128(o) 410-960-2512 (c) [email protected] FOR IMMEDIATE RELEASE September, 2013 "[BalletX] connects ballet to the language of today."—The New York Times BALLETX FALL SERIES 2013 THREE COMPELLING WORLD PREMIERES AND THE X-PROCESS, A UNIQUE NEW DANCE APPRECIATION INITIATIVE Philadelphia--BalletX, Philadelphia’s premier contemporary ballet company and the resident dance company of The Wilma Theater, is thrilled to announce the upcoming new works for Fall Series (November 20-24). In line with the company’s mission to produce original choreography that expands the vocabulary of classical dance for all audiences, Fall Series will feature three world-premieres from renowned choreographers Adam Barruch, Gabrielle Lamb and Matthew Neenan. The Fall Series marks the start of a new dance appreciation initiative called The X-Process that will accompany the 2013-2014 Season. The X-Process is made possible through Engaging Dance Audiences administered by Dance/USA with generous funding from The Doris Duke Foundation. The X-Process features interactive lectures, artist conversations, and a new company blog that will take participants behind the scenes to learn how ballet is turned into BalletX. FALL SERIES 2013 GABRIELLE LAMB World Premiere Award-winning choreographer and filmmaker Gabrielle Lamb returns to BalletX after her successful ballet Stations of Mercury (Spring 2013) with a new world premiere. Stemming from Gabrielle’s interest in her own family genealogy, this ballet will explore ancestry and the story of family ghosts—both past and future—and how their presence can influence and shape the decisions of the living. -
BALLET HISPÁNICO to Perform at JACOB's PILLOW DANCE FESTIVAL July 26 – 30, 2017
FOR IMMEDIATE RELEASE Contact: Michelle Tabnick, (646) 765-4773, [email protected] BALLET HISPÁNICO to perform at JACOB'S PILLOW DANCE FESTIVAL July 26 – 30, 2017 New York, NY – Ballet Hispánico will perform at Jacob’s Pillow Dance Festival at the Ted Shawn Theater, 358 George Carter Road, Becket, MA 01223, from July 26-30, 2017 with performances Wednesday-Saturday at 8pm; Thursday, Saturday, and Sunday at 2pm. Tickets are $45-78 and are available at www.jacobspillow.org/events/ballet-hispanico/. Ballet Hispánico brings captivating style, crisp technique, and charismatic bravado to the Ted Shawn Theatre. “The versatile Ballet Hispánico dancers are exquisite” (The Washington Post). Ballet Hispánico offers the thrilling diversity of Latino culture—a fusion of classical, Latin, and contemporary dance. The program features the Pillow-commissioned and flamenco- inspired Línea Recta by Colombian-Belgian choreographer Annabelle Lopez Ochoa, set to Spanish guitar by Eric Vaarzon Morel. Other works include Eduardo Vilaro’s Danzón, which features a contemporary take on the national dance of Cuba, and El Beso by award-winning Spanish choreographer Gustavo Ramírez Sansano. Línea Recta (2016) Choreography by Annabelle Lopez Ochoa From one of today’s most sought-after choreographers comes a powerful and resonant work that explores an intriguing aspect of flamenco dance: the conspicuous absence of physical partnering. While maintaining the integrity and hallmark passion of the genre, Annabelle Lopez Ochoa imagines an original and explosive movement language premised upon the theme of partnership and performed to live flamenco guitar by Eric Vaarzon Morel. Línea Recta came to fruition through Ballet Hispánico’s Instituto Coreográfico, an innovative choreography lab program for Latino dance makers. -
About the Artists Dinna Bjørn Distinguished Bournonville
About the Artists Dinna Bjørn Distinguished Bournonville specialist Dinna Bjørn was the Artistic Director of The Norwegian National Ballet and Finnish National Ballet and a ballerina at The Royal Danish Ballet. She has performed almost all of the major roles and dance parts in the Bournonville repertoire. Bjørn is a resident Bournonville teacher at English National Ballet School, Bavarian Ballet Academy, Accademia Nazionale di Danza Roma and Oslo National Academy of the Arts, where she was appointed Honourary Professor in 2020. She has staged, re-staged and reconstructed numerous Bournonville productions, including La Sylphide, Napoli, Le Conservatoire, Natalia and Ponte Molle, for ballet companies around the world. Bjørn is the recipient of the Danish Order of Dannebrog, the Norwegian Order of Merit by King Harald and the Finnish Order of The White Rose. © Cheung Tai Chi Rachel Cheung Locally born Rachel Cheung was the first Hong Kong pianist to be a Van Cliburn International Piano Competition finalist in 2017, earning both critical acclaim and the Audience Award for 'outstandingly lyrical' playing that showed 'nobility in her interpretation’. Other accolades include prizes in the 2009 Leeds, 2010 Chopin and 2012 Geneva International Piano Competitions. Cheung frequently performs both locally and internationally. Highlights of her 2018/19 season include recitals in the US, Mexico, Italy, Poland, the UK, Germany and Japan, and creative collaborations with Hong Kong Philharmonic Orchestra, Verbier Festival Chamber Orchestra and Asian Youth Orchestra, among others. Justyne Li A graduate of The Hong Kong Academy for Performing Arts’ School of Dance, Justyne Li is an independent dancer and choreographer.