New Season 2004-05
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Galerie Art & Essai Université Rennes 2
UN ART DE LECTEURS. Barbara Bloom, David Bunn, Claude Closky, Meg Cranston, Nico Dockx, Rainer Ganahl, Rodney Graham, Raymond Hains, Sol LeWitt, Gilles Mahé, Jonathan Monk, Simon Morris, Hermann Pitz, Richard Prince, Allen Ruppersberg, Joe Scanlan, Klaus Scherübel, Buzz Spector, Teleferique.org, William Wegman… Galerie Art & Essai Université Rennes 2 Cette plaquette a été publiée à l’occasion de l’exposition Un art de lecteurs du 16 mars au 15 avril 2005 à la galerie Art & Essai de l’Université Rennes 2. Elle a été financée par l’UFR Arts, Lettres, Communication de l’Université Rennes 2 dans le cadre des projets API. L’exposition Un art de lecteurs a été présentée par 50/50. Elle a bénéficié du concours du British Council et du Conseil des arts et des lettres du Québec. La galerie Art & Essai remercie tout spécialement Yann Sérandour, commissaire de l’exposition et auteur de la publication. Nous remercions particulièrement toutes les personnes qui ont contribué à la réalisation de cette exposition : les artistes ayant produit ou prêté des œuvres : Nico Dockx, Jonathan Monk, Simon Morris, Klaus Scherübel ; les prêteurs privés ou publics : Marc et Josée Gensollen, Yves Gevaert, Jacques Kasbi, Yann Sérandour, la Galerie Nelson (Paris), la Galerie Micheline Szwajcer (Anvers), le Frac Bretagne, le Frac Champagne-Ardenne, le Frac Haute-Normandie, le Frac Limousin, le Frac Nord-Pas de Calais ; toutes les personnes qui, à des titres divers, ont apporté leur aimable concours durant la préparation de cette exposition : Andrea Beeman (Wegman Studio, New York), Christine Burgin (Galerie Christine Burgin, New York), Christian Debroize (Librairie Le Chercheur d’art, Rennes), Julie-Christine Fortier, Jean Génin (Imprimerie des Hauts-de- Vilaine), Matthieu Jauniau, Grégoire Maisonneuve (Galerie Maisonneuve, Paris), Gabrielle Maubrie (Galerie Gabrielle Maubrie, Paris), Christophe Pichon, Jérôme Saint-Loubert Bié, Sara Schnittjer Tucker (Dia Art Center, New York), Sébastien Vonier. -
A Kind of Webcam Art Nicolas Thély
A kind of webcam art Nicolas Thély To cite this version: Nicolas Thély. A kind of webcam art. Les presses du réel. Vu à la webcam (essai sur la web-intimité), Les presses du réel, pp.10, 2002, Documents sur l’art. hal-00637088 HAL Id: hal-00637088 https://hal.archives-ouvertes.fr/hal-00637088 Submitted on 30 Oct 2011 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. A kind of webcam art Extrait de Vu à la webcam (essai sur la web-intimité), Les Presses du réel, Dijon, 2002. Présentation Si à la fin des années 1990, l’utilisation domestique de la webcam était devenue un phénomène de société, il s’agissait dans ce chapitre de montrer de quelles manières les artistes contemporains appréhendaient ce nouveau régime de visibilité et de circulation des images. Une anecdote En consultant le journal de Corrie à la date du 3 février 2001, le jour de ses 28 ans, un paragraphe retient l'attention, il est illustré par une image qui porte le titre « webcam art ». Elle représente la sculpture d'un Bouddha posée sur un socle blanc faisant face à un poste de télévision. -
Claude Closky Nouvelles Peintures 10 Mars – 14 Avril 2007 Vernissage Le Samedi 10 Mars 2007, 18H - 21H
Claude Closky Nouvelles peintures 10 mars – 14 avril 2007 Vernissage le samedi 10 mars 2007, 18h - 21h “Claude Closky a réalisé trois séries de tableaux, en 2003, 2005 et 2007. Les images n’y disent pas immédiatement leur nom. La peinture oui, qui s’étale dans une planéité élémentaire. Rappelons qu’après s’être un temps assez court exclusivement employé à cette pratique, Closky a débuté en 1989 la démarche que nous connaissons aujourd’hui, en réalisant des dessins et des livres qui font état de relations particulières avec les mots et les choses. Les dessins passent avec aisance d’une littéralité élémentaire lorsqu’il représente des signes (le 2 de 25, 1991 ou Un numéro de téléphone et une plaque d’immatriculation qui se ressemblent, 1991) à une mimésis lapidaire et loufoque (Un œuf très rond, 1994). Dans ses livres, il range des mots selon des principes formels (De A à Z, 1992) ou collectionne des platitudes en forme d’histoire (Osez, 1994, Prédictions, 1996, Mon Catalogue, 1999). Très exactement, il s’intéresse à la surface des choses et aux choses de la surface, dont le langage. On pourrait avancer que ce travail — qui ne repose ni sur une technique, ni sur un format ou un support, mais sur une économie générale de la mise à plat et donc une culture de la surface — offre un prolongement métonymique à sa première activité de peintre. On aimerait avoir ainsi fait le tour de la question. (…) Lire, ou regarder, ne nous donne pas toujours accès à des messages, mais nous convoque à de nouvelles capacités d’articulation du visible, à d’infimes mouvements d’écart et de rapprochement des significations. -
Claude Closky
CLAUDE CLOSKY Born 1963 Lives and works in Paris, France Solo exhibitions 2019 Claude Closky, Direct messages, Salle principale, Paris, France 2018 Un enfant de 5 ans un ferait autant !, une exposition atelier de Claude Closky, Galerie des enfants, Centre Pompidou, Paris, France Renouveau, Florence Loewy, Paris, France 2017 10 cm en dessous, Sept Clous à Marseille chez Patrick Raynaud, Marseille, France ILUO, exposition dans le cadre des 40 ans du Centre Pompidou, Centre des livres d’Artistes, Saint Yrieix la Perche, France 2016 Ex.pdf, Galerie Art & Essai, Rennes, France Objets Sacs Gens 2, curated by Patrick Lebret,Le Portique, Le Havre, France Vampires et fantômes, Galerie Laurent Godin, Paris, France 2015 Multiplication par trois, Florence Loewy, Paris, France Fiac hors les murs, La Maison de la Radio, Paris Prints For 06 And 90 Yuans, Bazaar Compatible Program, Shanghai, China Mauvaises nouvelles, carte Blanche à Claude Closky, Silencio, Paris Les drapeaux, Une proposition de Pablo Cavero, Maison des arts, Malakoff, France 2014 10, 20, 30 & 40%, Meadows Suite Galleries, Summerhall, Edinburgh, Scotland Projection de Dot Drip (2011), Galerie Laurent Godin (vitrine), Paris, France 2013 Jackpot, curated by Caroline Boucher, Esbama, Montpellier, France Diplopie, Galerie Laurent Godin, Paris, France Dönüp Durmak (Going around the circles), Şekerbank Açikerkran Yeni Medya Sanatlari Istanbul, Turkey 2012 Barking ans Meoing, AC Institute, New York, USA Animations, Le Quartier, Quimper, France 2011 ZNASDNAR, Mitterrand+Sanz, Zürich, Switzerland -
Exhibition Checklist
PAPA RAGAZZE! BUCUREȘTI! LILIANA BASARAB • ALEJANDRA HERNÁNDEZ• STACY LEIGH • MOSIE ROMNEY • ED RUSCHA • JENNIFER WEST a cura di Olivia Neutron Bomb Nicodim • Bucharest July 22, 2020 – August 21, 2021 Mosie Romney, Body, Spirit 2021 DAUGHTERS OF THE OLD WORLD ORDER, HEAR US! In 1978, Ed Ruscha predicted a future with exclusively female racecar drivers. He was right. PAPA RAGAZZE is an operation of the EMPATHETIC COUNSEL, a paramilitary wing of the future MATRIARCHAL UTOPIA where men have been made obsolete and exterminated. 1700 s santa fe avenue, #160 [email protected] los angeles, california 90021 www.nicodimgallery.com In the 1970s through the early 2010s, noted “groupie” Cynthia Plaster Caster captured plaster moulds of the erect penises of famous and not-so-famous musicians. She crafted semiperfect reproductions of the manhoods of Jimi Hendrix, Jello Biafra, Frank Zappa’s bodyguard, and countless other alpha- archetypes. This was not out of subservience to the Patriarchy, but rather the first step in a decades- long process that will eliminate the necessity of any sort of manhood whatsoever. The second step starts now. This exhibition is a blueprint from your MOTHERS IN THE FUTURE for the elimination of men. We are PAPA RAGAZZE, and WE NEED YOU to enable a FUTURE WITHOUT TOXIC MEMBERS. 1700 s santa fe avenue, #160 [email protected] los angeles, california 90021 www.nicodimgallery.com Liliana Basarab Boots on the ground, 2021 Alejandra Hernández glazed ceramic, snail shells The Empress, 2021 3 pieces: each approximately -
Artistesnommésprixmarcelduchamp2013 ANGLAIS
Paris, 8th February 2013 Press release Contemporary art - France MARCEL DUCHAMP PRIZE Artists nominated for the 2013 Prize Farah ATASSI, Latifa ECHAKHCH Claire FONTAINE, Raphaël ZARKA Created in 2000 by the ADIAF in the aim of promoting the French artistic scene, each year the Marcel Duchamp Prize honours a French artist or an artist residing in France working in the field of the plastic and visual arts. The ambition of this collectors’ prize, organized in partnership with the Centre Pompidou, is to bring together the most innovative artists of their generation and contribute to raising their profile on the international scene. On the 7 th of February at ARTCURIAL, Gilles Fuchs, President of the ADIAF, Association for the International Diffusion of French Art, announced the names of the four artists selected for the 2013 Marcel Duchamp Prize. A first exhibition of the nominated artists will be held this summer at the Musée des Beaux-arts in the town of Libourne which will be hosting the 13 th edition of the Marcel Duchamp Prize, then in October at the FIAC. Chosen by an international jury, the award winner will be announced on Saturday, the 26th of October 2013. He or she will be invited by the Centre Pompidou for a solo show in the 315 space during the autumn of 2014. The ADIAF will present him or her with a financial endowment of 35 000 Euros and will participate in the production of the work. Nominated artists International jury Farah ATASSI , born in 1981 in Brussels Bernhard Mendes BÜRGI (Switzerland), Director of Lives and works -
Lives and Works in Amsterdam and Marseille
Laurence Aëgerter 1972, Marseille, (FR) Lives and works in Amsterdam and Marseille Education Drs. Art History, Faculté des Lettres, Aix-en-Provence and VU (Vrije Universiteit) Amsterdam (cum laude). Drs. Fine Art, Gerrit Rietveld Academy, Amsterdam. Solo Exhibitions (selection) 2014 Cathédrales, Art Affairs Gallery Amsterdam. 2013 The Modernists and More, Hermitage Museum Amsterdam. 2012 Révélations, Galerie de la Ferronnerie, Paris. 2011 Hermitage, The Modernists, Art Affairs Gallery, 2x2 projects Gallery in collaboration with C&H art space, Amsterdam. Laurence Aëgerter, Photographies et Tapisseries, Galerie Maud Barral, Nice (FR). Staged Realities, Johan Deumens Gallery, Leipzig (DE). 2010 Le Louvre, MAMAC (Museum for modern and contemporary art), Nice (FR). Seek & Hide, Museum van Loon, Amsterdam. Tristes Tropiques: Illustrations hors texte, in collaboration with Ronald van Tienhoven, Kunsthuis SYB, Beetsterzwaag (NL). 2009 Appropriations, Institut Néerlandais, Paris. Opening Soon / Opening Now, Residency RED A.I.R. Amsterdam. An Alphabetical Index of Some of the Stories, Residency CBK Zuidoost, Amsterdam. A.E.G.E.R.T.E.R., 2x2 projects Gallery, Amsterdam. Group Exhibitions (selection) 2014 Tristes Tropiques: Illustrations hors texte, LagosPhoto Festival (NG). Dutch Photobook, curator Erik Kessels, TIFF Festival, Wroclaw (PL), with a.o. Batia Suter and Hans Eijkelboom. Undercover, Museum of Contemporary Art Erarta, St. Petersburg (RU), with a.o. Jaap Scheeren and Andrea Stultiens. Remake, Musée Royal de Mariemont, Morlanwelz (BE), with a.o Jeremie Bennequin, Christian Boltanski and Eva Evrard. Où commence le futur ?, MAMAC Galerie des Ponchettes, Nice (FR), with a.o. Emmanuel Régent, Cédric Teisseire and Gregroy Forstner. Vevey, Ville d'Images, curator Peter Scholl, Het Apparaat, posters throughout the city, Vevey (CH). -
Karen Moss Curriculum Vitae Page 1
KAREN MOSS CURRICULUM VITAE PAGE 1 PROFESSIONAL EXPERIENCE OTIS COLLEGE OF ART AND DESIGN Ø Interim Director of Exhibitions anD Galleries (as of July 2014) Overseeing operations and programs for the Ben Maltz Gallery including Jorge and Lucy Orta’s Art / Life / Water exhibition and artists’ residency, Talking to Action: Decolonizing Experiments in Art from the Americas, an exhibition/symposium for the Getty’s PST Los Angeles/Latin America and other upcoming projects. Ø Senior Lecturer (2008 - Present) Teach courses in the Graduate Public Practice MFA program including Histories and Strategies of Public Art and Production Studio Critique Seminars. Conduct regular studio visits and advise on final MFA exhibition. While Chair Suzanne Lacy was on sabbatical, served as Acting Chair for the GPP MFA program. ORANGE COUNTY MUSEUM OF ART, 2003 - 2012 Ø Adjunct Curator (August 2010 - December 2012) Curated State of Mind: New California Art Circa 1970, an exhibition of conceptual art and other new genres in conjunction with the Getty’s Pacific Standard Time Initiative. Wrote successful proposals for a $175,000 research grant and a $225,000 implementation grant for presentations of the exhibition at Orange County Museum of Art and the UC Berkeley Art Museum and Pacific Film Archive, 2011-2012, followed by a 2-year tour to the Belkin Art Gallery, University of British Columbia, Vancouver; SITE Santa Fe; Bronx Museum of the Arts and the Smart Museum of Art, University of Chicago. The accompanying fully illustrated scholarly book was published by the University of California Press. Also curated 50 Years Forward, a photographic exhibition of OCMA’s institutional, exhibition and collection history in conjunction with the museum’s 50th anniversary. -
Syndicat and Matthieu Laurette Present MATTHIEU: Une Rétrospective Dérivée, 1993-2015 Chaumont Design Graphique, 26Th Festiva
Syndicat and Matthieu Laurette present MATTHIEU: Une rétrospective dérivée, 1993-2015 Chaumont design graphique, 26th Festival, 27th May – 14th June 2015 The artist Matthieu Laurette (b.1970) operates like a Buren stripe. perversely even photographs taken from very low-resolution Since the start of his career in 1993 he has inserted himself into TV images - but on the goods created for the exhibition they pre-existing situations with the aim of raising questions about their are reduced to a minimal numbers of pixels. Also, although not premises and exposing their mechanisms. While still a student, deliberately so, some of the designers’ choices ran against the usual Matthieu took part in a show titled Tournez Manège (The Dating hierarchy of images of the artist’s work. For example, a widely Game) on which he introduced himself as ‘a multimedia artist’. reproduced photograph of The Freebie King, a wax sculpture of He has been using TV formats as ready-mades ever since and calls Matthieu pushing a laden supermarket trolley that was exhibited his appearances ‘Apparitions’. Among them is a session on Je passe by Harald Szeemann at the Venice Biennial in 2001, is reprinted on à la télé (I am on TV), a talent show in which both the aim and the the least imposing objects in the exhibition, a small metal military prize are avoiding being voted off by a live audience. Alongside his dogtag on a stainless steel ball-chain (Matthieu himself think of work on screen during the 1990s, Matthieu undertook several long- this image as something of an icon). -
2 Duchamp Closky Angl
Communication Department PRESS PACK PRIX MARCELDUCHAMP 2005 CLAUDE CLOSKY: «MANÈGE» 17 MAY - 31 JULY 2006 PRIX MARCEL DUCHAMP 2005 CLAUDE CLOSKY : «MANÈGE» 17 MAY - 31 JULY 2006 ESPACE 315, LEVEL 1 Direction de la communication CONTENTS 75191 Paris Cedex 04 director Roya Nasser 1. PRESENTATION OF THE ARTIST’S PROJECT page 3 press offficer Dorothée Mireux 2. PLAN OF THE EXHIBITION page 6 telephone 00 33 (0)1 44 78 46 60 fax 3. CATALOGUES page 7 00 33 (0)1 44 78 13 02 e-mail [email protected] 4. BIOGRAPHY page 9 Adiaf www.adiaf.com 5. VISUALS AVAILABLE FOR PRESS USE page 10 press officer Caroline Crabbe telephone 6. THE MARCEL DUCHAMP PRIZE page 11 00 33 (0) 6 10 19 36 31 e-mail [email protected] curator Jean-Pierre Bordaz, Musée national d’art moderne, service des collections contemporaines page 3 Claude Closky is laureate of the fifth edition of the Marcel Duchamp Prize in the wake of Thomas Hirschhorn, Dominique Gonzalez-Foerster, Mathieu Mercier and Carole Benzaken. The Centre Pompidou has commissioned him to create a new work, which will be on show between 17 May and 31 July in the Espace 315. Claude Closky was awarded the prize by the jury for “showing great artistic maturity in his implementation of this universal language”. Very present on the Parisian scene where he is represented by the Galerie Laurent Godin, he has participated in more than 200 international exhibitions and his work is exhibited in Germany, Switzerland, Italy, the States and Japan. The artist is not unknown at the Centre Pompidou as it is he who designed the entrance ticket as well as the wallpaper in the offices. -
Sean Landers Cv 2021 0223
SEAN LANDERS Born 1962, Palmer, MA Lives and works in New York, NY EDUCATION 1986 MFA, Yale University School of Art, New Haven, CT 1984 BFA, Philadelphia College of Art, Philadelphia, PA SOLO EXHIBITIONS 2020 Petzel Gallery, New York, NY, 2020 Vision, April 26–ongoing (online presentation) Greengrassi, London, UK, Northeaster, June 16–July 31 Consortium Museum, Dijon, France, March 13– October 18, curated by Eric Troncy 2019 Ben Brown Fine Arts, Hong Kong, China, November 12–January 9, 2020 Galerie Rodolphe Janssen, Brussels, Belgium, November 9–December 20 (catalogue) Petzel Bookstore, New York, NY, Curated by . Featuring Sean Landers, November 7– December 14 Freehouse, London, UK, Sean Landers: Studio Films 90/95, curated by Daren Flook, January 13–February 24 2018 Petzel Gallery, New York, NY, March 1–April 21 (catalogue) 2016 Capitain Petzel, Berlin, Germany, Sean Landers: Small Brass Raffle Drum, September 16– October 29 2015 Taka Ishii Gallery, Tokyo, Japan, December 5–January 16, 2016 Galerie Rodolphe Janssen, Brussels, Belgium, October 29–December 19 (catalogue) China Art Objects, Los Angeles, CA, February 21–April 11 2014 Petzel Gallery, New York, NY, Sean Landers: North American Mammals, November 13– December 20 (catalogue) 2012 Galerie Rodolphe Janssen, Brussels, Belgium, November 8–December 21(catalogue) Sorry We’re Closed, Brussels, Belgium, Longmore, November 8–December 21 greengrassi, London, UK, April 26–June 16 1 2011 Friedrich Petzel Gallery, New York, NY, Sean Landers: Around the World Alone, May 6–June 25 Marianne Boesky Gallery, New York, NY, Sean Landers: A Midnight Modern Conversation, April 21–June 18 (catalogue) 2010 Contemporary Art Museum St. -
Dossier Laurette
MATTHIEU LAURETTE SELECTED WORKS (1993-2003) WWW.LAURETTE.NET Represented by YVON LAMBERT, Paris/New York http://www.yvon-lambert.com DEWEER ART GALLERY, Otegem http://www.deweerartgallery.com BLOW de la BARRA, London http://www.blowdelabarra.com Matthieu Laurette was born in 1970 (Villeneuve St Georges, France). lives and works in Paris and New York. Matthieu Laurette recent selected exhibitions and projects include Let's Make Lots of Money, Blow de la Barra, London (2006) [Solo]; Notre Histoire, Palais de Tokyo, Paris (2006); Day Labor, PS1/MoMA, N.Y (2005) ; Populism, CAC, Vilnius, Lithuania; Kunstverein, Frankfurt, Germany; Stedelijk Museum, Amsterdam, Netherlands, (2005); The Today Show, Yvon Lambert Gallery, Paris (2005) [Solo]; Comodities, Deweer Art Gallery, Otegem (2004) [Solo]; Biennale de Pontevedra, Pontevedra (2004); Matthieu Laurette : Prix Ricard S.A. 2003, MNAM-Centre Pompidou, Paris, (2004) [Solo]; Publicness, ICA, London; GNS (GLOBAL NAVIGATION SYSTEM), Palais de Tokyo, Paris; Propaganda, Espace Paul Ricard, Paris (2003); Less Ordinary, Artsonje Center, Seoul; La vie au fond se rit du vrai, CAPC Musée d'Art Contemporain, Bordeaux; Art and Economy, Deichtorhallen, Hamburg (2002); Form Follows Fiction, Castello di Rivoli, Torino; Plateau of Humankind, 49th Venice Biennale (2001); Voilà, Arc-Musée d'Art Moderne de la Ville, Paris, El Gran Trueque, Consonni, Bilbao (Solo); Plan B, De Appel, Amsterdam; Au dela du Spectacle (Let’s Entertain), Centre Pompidou, Paris (2000); Patchwork in Progress, Mamco-Musée d'Art Moderne et Contemporain, Geneva [Solo]; Crash !, ICA, London (1999); Applaus, Casco Projects [Solo], Utrecht; Premisses, Salomon R. Guggenheim Museum Soho, New York (1998). He received in 2003 the RICARD S.A.