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Extrait Gratuit n°44 - Novembre 2008 4,90 € Interview Yann Armellino Maloh Venturia Felipecha Andromeda GREG HOWE GRATUIT EXTRAIT Cours Le groove funky Brisez vos gammes majeures Jouez le sweeping autrement n°44 - novembre 2008 Sommaire 3... Edito Actualités INTERVIEWS 4... Greg Howe : l’interview vidéo 6... Yann Armellino et ses invités de marque 8... Maloh : le coup de cœur de Guitare Live 10... Venturia : un groupe à suivre 14... Felipecha : un album conçu de fil en aiguille... 16... Andromeda : le metal engagé Actualités CD 18... AC/DC, Black Ice : le retour du père Angus 19... Oasis : le retour sur la scène rock 20... TV On The Radio, Dear Science : l’album de l’année 21... Mercury Rev, Snowflake Midnight : un opus qui peine à convaincre Bancs d’essai 22... Zoom ZFX C5.1T 24... Vision In Guitar Eruption Pro Series 26... Vision In Guitar Cobra Pro Series 28... Vision In Guitar Screech Pro Series 30... Vision In Guitar Cobra Bass Cours HOME STUDIO 32... Comment enregistrer une rythmique metal ? le mixage RYTHMIQUE 34... Riff’n’Rich : le groove funky TECHNIQUE 36... Solo’n’Rich : gamme majeure et technique 39... Jouez le sweeping autrement PRATIQUE 42... Jouez à la manière de Greg Howe 44... « Scottish Games » : la guitare acoustique façon celtique PLANS 46... Les plans du mois de Manu Livertout Guitare Live magazine n°44 - novembre 2008 Editorial ’était la première fois qu’il venait en France et il a Howe. Si les ambiances funky, comme on peut les trouver conquis le public français grâce à son talent, certes, chez ce guitariste d’exception, trouvent aussi grâce à vos Cmais aussi grâce à ses qualités humaines et à sa sin- yeux, Richard Chuat vous dévoilera les secrets des tourne- cérité. Greg Howe nous a donc accordé une interview en ries les plus groovy du funk. Pour bien s’échauffer avant vidéo lors de sa tournée européenne. Bien entendu, Guitare noël, nous vous proposons en novembre de remporter des Live ne pouvait pas en rester là et, non content d’avoir fait albums de Yann Armellino, des livres Who’s Rock et un tirage gagner des places pour son concert parisien et des exem- d’art monté sur bois du « boss » Bruce Springsteen. Et ce plaires de son nouvel album Sound Proof (qu’il faut abso- n’est qu’un échauffement avant noël... ■ lument se procurer !), nous vous proposons ce mois-ci un cours spécial pour tout savoir sur le jeu de guitare de Greg Kévin CINTAS Guitare Live et Guitariste.com sont des publications Audio Print, SARL au capital de 12 000 € Direction Audio Print : Laurent Pouliquen RCS 453 032 377 Nanterre TVA Intracommunautaire : FR 73.453.032.377 Pour nous écrire : AUDIO PRINT - 64 rue Anatole France - 92300 LEVALLOIS-PERRET Standard : 01.48.04.96.10 - Fax : 01.48.04.97.08 - site : www.audioprint.fr Rédacteur en chef : Kévin CINTAS Abonnement : r 6 mois, soit 6 numéros : 29 € Identifiant ISSN : 1776-0879 r 6 mois avec accès illimité aux archives : 59 € r 1 an, soit 13 numéros + 3 archives gratuites : 49 € Crédits photos : Daniel JOULIN, Kévin CINTAS r 1 an avec accès illimité aux archives + album CD concept Publicité : Caroline BLANCHON - [email protected] de Guitariste.com : 79 € Réalisation graphique : Charlotte FELIX - [email protected] Pour vous abonner : www.guitare-live.com/abonnement.php Ils collaborent à Guitare Live magazine n°44, retrouvez-les sur www.guitare-live.com Manu LIVERTOUT Eric TAMET Pascal VIGNÉ Richard CHUAT Toute reproduction, représentation, traduction ou adaptation, qu’elle soit inté- grale ou partielle, quel qu’en soit le procédé, le support ou le média, est stric- Aymeric SILVERT tement interdite sans l’autorisation d’Audio Print, sauf dans les cas prévus par l’article L.122-S du Code de la propriété intellectuelle. © 2008 Audio Print Guitare Live magazine n°44 - novembre 2008 ACTUALITÉS YANN ARMELLINO et ses invités de marque Yann Armellino est la preuve vivante qu’on peut faire des albums de musique instrumentale sans pour autant verser dans le shred et la technique à tout va. Malgré cela, il reste un guitariste reconnu par ses pairs et les participations de Patrick Rondat et de Gildas Arzel sur cet opus, co-écrit avec le chanteur Chris Carron, ne témoignent pas du contraire. PAR KÉVIN CINTAS INTERVIEW on cinquième album s’inti- Tu étais au courant de la manière m’a renvoyé le morceau avec sa voix tule Gimme The Sound, et dont la musique de Chris avait dessus. Un belle surprise ! Tc’est aussi celui d’une col- évolué ? Ses projets, groupes etc. ? laboration avec le chanteur Chris Yann Armellino : Non pas du tout, et Le morceau « Gimme the sound » Carron. Comment s’est passée ce qui est d’ailleurs assez drôle c’est que est vraiment très court. Il semble cette collaboration ? les premiers enregistrements que Chris être une intro pour l’album. C’est Yann Armellino : En fait, Chris m’a envoyé étaient sans chant. Aux le cas ou c’est un titre court qui du était le premier chanteur avec lequel Etats-Unis, il fait beaucoup de concerts coup fait office d’intro ? j’avais joué il y a près de seize ans. mais n’avait pas enregistré quelque Yann Armellino : J’avais vraiment C’est lui qui a retrouvé ma trace via chose qui aurait pu me donner une envie d’avoir un morceau d’intro la Kiss Army (ndlr : fan club de Kiss idée de la manière dont aurait évolué comme on pouvait en avoir dans les dont Yann fait partie). Il s’est exilé sa voix. Je me lançais dans une col- albums de rock/hard rock qui ont il y a quinze ans aux Etats-Unis où il laboration sans trop savoir la manière construit mes influences. Un peu continue sa carrière de chanteur. On a dont Chris allait aborder la chose. Mais comme on peut l’écouter dans l’album donc décidé de reprendre cette vieille ce qui est encore plus drôle, c’est que de Bon Jovi, New Jersey (« Lay Your collaboration et d’essayer d’en sortir lorsque j’ai envoyé la bande de ce que Hands On Me »). C’est une intro basée quelque chose. je pensais être l’intro instrumentale sur un gros riff de batterie qui fait de l’album (Gimme The Sound), Chris monter la pression, et d’un coup ça se stoppe et le premier morceau de l’al- bum démarre. C’est un peu ce genre de chose que j’ai voulu avoir avec le morceau « Gimme the sound ». C’est à partir de ce morceau que nous avons commencé à travailler avec Chris. Cet album est-il le cinquième album de Yann Armellino ou bien le premier album d’une collabo- ration ? Yann Armellino : En fait, les choses se sont faites au fur et à mesure. Mais c’est à partir du titre « Gimme the sound » que j’ai pensé qu’il n’y avait pas de raison de ne pas aller plus loin. Donc au fur et à mesure, ce qui devait être mon cinquième album instrumental est devenu un album en collaboration avec Guitare Live magazine n°44 - novembre 2008 ACTUALITÉS Chris Carron. Au final, je considère cet l’avais déjà branché sur un tribute to album autant comme mon cinquième Kiss. Il m’avait fait une superbe reprise album que comme le premier album de d’ailleurs ! Sinon, évidemment que Y&C (Yann and Chris). dans mes rêves j’adorerais inviter des gens comme Van Halen, Ace Freshley Outre Chris Carron, avec qui tu as ou Paul Stanley (ou Kiss au complet)... co-écrit cet album, il y a des pres- Ça reste un rêve de gosse. tigieux invités sur cet opus. Sur le titre « After the tour » c’est Patrick Côté matos, tu joues maintenant Rondat qui intervient. Plutôt sur- sur des guitares Ibanez et Rock- prenant comme choix de titre ? tron pour l’amplification. Ces Yann Armellino : C’est vrai que je me endorsements sont une associa- suis demandé lorsque j’ai eu dans l’idée tion de raison plus que de pas- d’inviter Patrick, que je connais depuis sion ? Il y a-t-il d’autres marques en même temps tu as aussi tous les longtemps et avec qui j’ai tourné lors qui te font vibrer ? effets intégrés au pré-ampli. de la sortie de son album Ephemeral Yann Armellino : Honnêtement, World, si je devais lui composer un non. C’est vrai que d’autres marques Et les Ibanez SZ te donnent un son titre qui collerait peut-être plus à son sonnent très bien, mais par exemple aussi similaire à celui que tu avais univers. Finalement, même si ce titre dans le cas de Rocktron, c’est Nono avec les LesPaul ? est plus rock que ce que Patrick joue qui, lors de mon deuxième album, m’a Yann Armellino : Oui, je retrouve une d’habitude, j’aime beaucoup le résultat fait connaître ça. Je suis tombé à la guitare qui sonne aussi bien que les final. renverse devant la fluidité du son. Je LesPaul, mais avec des améliorations, pense que ce sont des systèmes qui comme l’accès aux aigus, le manche Tu connaissais Gildas Arzel depuis ne sont pas assez connus en France, conducteur... C’est vraiment la guitare longtemps lui aussi ? mais qui restent d’une qualité très haut qui me convient le plus. ■ Yann Armellino : Non pas du tout, de gamme. En revanche, il faut avouer nous nous sommes rencontrés tout à qu’avoir un système complet Rocktron Yann Armellino et Chris Carron fait par hasard il y a environ un an.
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