DOCSLIB.ORG

Encore01.Pdf

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Encore01.Pdf This past year has arguably been one of the most ambitious and letter productive. Several large scale projects came to fruition, including our first exchange of faculty from our agreement with the Academy of Performing Arts in Prague, our collaboration with the Columbus Sym- from phony Orchestra, our Marcel Marceau residency, and the first in-class testing of our Virtual Roy Bowen Theatre. And to cap it off, our work the was recognized with a major grant from the university! Many thanks to faculty, staff, and students who make this possible – and to our alumni and friends, whose continued support and gifts to the depart- chair ment make a significant difference! Sincerely, Lesley Ferris Fall Quarter Sophokles’ Elektra, Laugh, Cry and Get Angry 2001-02 a version by Ezra Pound with Benjamin Zephaniah s e a s o n Uncommon Clay, by Jeanine Thompson Special Events A Series of New and Winter Quarter Renewed Staged Readings Division Street, Annual Lawrence and Lee The- by Steve Tesich atre Research Institute Lecture Laurie Stone: Comedy and Solo Performance The Shoemaker’s Holiday, What the Comic Voice Can Get Away With by Thomas Dekker 50th Anniversary of the Lawrence and MFA New Works: Lee Theatre Research Institute by Kathleen Gonzales and Allyson Rosen School Tours Spring Quarter Private Words: The Hiding of Anne Frank’s Diary, Porcelain, by Lesley Ferris by Chay Yew Sobering Thoughts, The Memory of Water, by Jason Kravits by Shelagh Stephenson Saint Joan of the Stockyards, by Bertolt Brecht 2 encore 2001 table of contents partnerships 2001-02 Season ............................2 Season Review ...............................4 Regional Campus Report ..............6 1 da da kamera Residency ..............8 Wexner Partnerships ....................8 New Works .....................................9 2 Marceau Residency .................... 10 Peer Gynt .......................................12 Awards and Accolades .............. 13 3 Guest Artists ............................... 14 School Tours ................................ 16 Degrees Awarded ....................... 17 4 OSU and 1. Ebony Wimbs as Lucy and Ryan Columbus Theatre Scene .......... 18 Ratliff as Linus in our production of You’re a Good Man, Charlie Comparative Brown 2. President Brit Kirwan poses with Drama Conference ..................... 19 Snoopy (aka MFA actress Jenni- fer Manvich) during the Wexner Internships & Actitivities ........... 20 Center’s Family Day celebration in honor of Charles Schulz. Scholarships .................................21 5 3. Undergraduates Allyson Morgan and Greg Maier perform in the first-ever Take-Out Theatre Festi- International Initiatives ............. 22 val. 4. Lighting studio supervisor Matt London Program ..........................24 Hazard basks in the glow from a Vari-Lite instrument TRI Update ................................... 25 5. The graduate and undergraduate actors who were featured in da da kamera’s new work Beautiful Technology and Innovation ....... 28 View, presented by the Wexner Center. Undergraduates .......................... 29 Faculty and Staff News ............. 30 Alumni and Friends News ........ 35 Questionnaire/Address Info ..... 43 encore 2001 3 1. The Ohio State Murders by Adrienne Kennedy. Mount Hall Studio Theatre. Directed by John Har- ris. Scenic Design by Jessica Secrest. Costume Design by Tatjana Longerot. Lighting Design by Kristopher Jones. Sound design by Dave Wallingford. OSU Season in Review October 31 – November 17, 2000. 2. Orpheus Descending by Tennessee Williams. Thurber Theatre. Directed by Sue Ott Rowlands. Scenic Design by Guest Artist Jaroslav Malina. Costume Design by Jean Najar. Lighting Design by Nan Zhang. Sound design by Mollie-Marie Work- man. November 8-19, 2000. 3. The London Cuckolds by Edward Ravenscroft, Gent. A Version by Terry Johnson. Roy Bowen Theatre. Directed by Mau- reen Ryan. Scenic Design by Vicki A. Horning. Costume Design by Rebecca Graves. Lighting Design by Nan Zhang. Sound design by Chad Lewis. February 7-24, 2001. 6 4. Alchemy of Desire/ Dead Man’s Blues 2 by Thurber Playwright-in-Residence Caridad Svich. Mount Hall Studio The- atre. Directed by Kristin Crouch. Scenic Design by Jessica Secrest. Costume Design by Jennifer L. Bach. Lighting Design by Drew Ward. Sound design by Jessica Secrest. February 13-17, 4 2001. 1 5. Peer Gynt by Henrick Ibsen. Adapted by Murray Ross. Presented by the Columbus Symphony Orchestra and The Ohio State University College of the Arts, in association with the Wexner Center for the Arts. Mershon Auditorium. March 2-4, 2001. (see story p. 12) 6. Wit by Margaret Edson. Roy Bowen The- atre. Directed by Lesley Ferris. Scenic Design by Brad Steinmetz. Costume Design by Tatjana Longerot. Light- 5 ing Design by Jim Hutchison. Sound design by Eric H. Mayer. May 2-19, 2001. 7. Thirty-Three Swoons: Four Farces by Checkov by Anton Checkov. Translated by Carol Rocamora. Mount Hall Studio Theatre. Directed by Bruce Hermann. Scenic Design by Chad Mahan. Costume Designs by Colin Sweet and Rebecca Graves. Lighting Designs by Emily Mathews and Mollie-Marie Workman. Sound design by Ben Shurr. May 8-25, 2001. 4 encore 2001 OSU Season in Review AFTER WORDS A Post-Performance Discussion Following the 2nd Thursday eve- ning performance, an invited guest gives a brief response to the play and then leads a discussion with the audience and the production team. This year we were fortunate 2000– enough to have the following indi- viduals participate in After Words: The Ohio State Murders 2001 Dr. Paul Jackson Professor and Chair of Theatre, Miami University Orpheus Descending Dr. Mark Zelinsky 7 OSU Department of Theatre The London Cuckolds Dr. David Brewer OSU Department of English Peer Gynt Dramaturg Jennifer Schlueter, Dr. Thomas Postlewait, OSU Department of Theatre and William Halverson, Associate Dean Emeritus, University College at Ohio State Wit Dr. Larry Copeland Head of the Ovarian Cancer Unit at the James Cancer Hospital and Solove Research Institute Dr. Phoebe Spinrad OSU Department of English Carole Anderson Dean of the School of Nursing, 3 OSU Thirty-Three Swoons: Four Farces by Chekov Dr. George Kalbouss OSU Department of Slavic and East European Languages and Literatures The After Words discussions were organized by Dr. Ted Ziter, Visiting Assistant Professor of Theatre, OSU. For school tours see page16. encore 2001 5 Regional Campus Report The theatre program at OSU-Mansfield continues to be very active, under the direction of Larry J. Evans, Associate Professor of Theatre. The fall production was The Diary of Anne Frank, which was entered in the Kennedy Center/ American College Theatre Festival, and which was also scheduled for two performances for the Richland County Children’s Theatre Foundation. The win- ter production was the musical Singin’ in the Rain (with Associate Professor of Music David Tovey as music director/ conductor); this musical was co-pro- duced with the Mansfield Renaissance Theatre. And the spring production was Impossible Marriage. OSU Lima. Spring 2001. Shakespeare’s A Midsummer Night’s Dream, which was performed outdoors OSU - LIMA for five performances. Theatre students were kept busy with production in the newly renovated The theatre department and the cam- performance and technical responsibili- space (Spring 2003), marking Professor pus drama club (Ohio Eta Chapter of ties in two productions at OSU—Lima Malina’s third collaboration on the Lima Theta Alpha Phi) worked together on this past year. Dr. Maria Ignatieva, As- Campus. a number of special projects this past sistant Professor of Theatre, wrote and year: directed The Prince and the Puppet for OSU—Lima campus students kept 1. Sponsoring a European Theatre our sixth annual Theatre for Young Audi- busy backstage for on-campus tour Trip, July 25 – August 13, 2000, ences production. Dr. Joe Brandesky performances such as the National including the Oberammergau Pas- directed an all-student production of Shakespeare Company’s production of sion Play as well as travel through Impossible Marriage by Beth Henley Hamlet (SP 2001) and working off-cam- for the Spring 2001 production. Den- pus for Lima Symphony and Broadway nis Christilles, Associate Professor of Series performances at the Civic Center. Theatre and Film from the University of Kansas, served as guest designer for At the end-of-year barbecue in the the production. Next Autumn, Casey campus quad, three students were Kearns, a recent MFA recipient from recognized with awards. E. C. Miller re- the University of Kansas will join us in ceived the Arts Divisional Award while the new position of Technical Direc- Theatre Departmental awards went to tor/Designer. Kearns was selected from Dave Cook (a two time recipient) and a number of applicants from across the Jacob Elrod. E. C. Miller and Jair Torres U.S., Canada and Germany. His addition received financial awards that enabled is due in part to the upcoming renova- them to join the late summer Study tion of Reed Hall Auditorium, made Tour to the Czech Republic. They joined possible by a generous gift from former sixteen others in Prague, Brno, Cesky OSU—Lima Campus Theatre director, Krumlov and Karlovy Vary (Karlsbad). Martha Farmer. Campus performances The tour leader was Dr. Brandesky, as- will be held at the Veteran’s Memorial sisted by Dr. Beverly Bletstein, Assistant Civic and Convention Center in down- Professor of Music Education. town Lima during construction. Our longtime friend and colleague, Czech scenographer Jaroslav Malina, has OSU - Mansfield Mansfield Rain: Singing in the Rain, been selected to design the inaugural OSU Mansfield, Winter 2001. 6 encore 2001 Regional Campus Report 2000– sat on two sides of an open space rep20- 01 resenting the sunporch of the old-age home in which the play is set. Newark’s Nuts. The set was placed in the south- blue-blooded acting couple, Rich and west corner of the room, and featured a Ellie Unger, performed the two speak- stained-wood floor; the audience was ing roles with their customary high level placed very close to the stage. Audi- of craft, and the movement ensemble ences appreciated the intimacy, and the added by the director, Dave Williams, author’s clever dialogue.
Load more

Recommended publications
  • Sydney Program Guide
    Page 1 of 22 Sydney Program Guide Sun Dec 6, 2015 06:00 PAW PATROL Captioned Repeat HD G A pack of six heroic puppies and a tech-savvy 10-year-old boy work together using a unique blend of problem- solving skills, cool vehicles and lots of cute doggy humour on high-stakes rescue missions to protect the Adventure Bay community. 06:30 DORA THE EXPLORER Captioned Repeat WS G Halloween Parade Dora and Boots must help Little Monster find a costume so he can march in the Halloween parade. 07:00 WEEKEND TODAY Captioned Live HD WS NA Join the Weekend Today team as they bring you the latest in news, current affairs, sports, politics, entertainment, fashion, health and lifestyle. 10:00 MY SURF TV Captioned HD WS G mySURFtv brings you the best surf stories and footage from around the globe and speaks to the people that make it all happen. 10:30 CYBERSHACK Captioned WS PG The Cybershack crew showcase all the latest gadgets and gaming technology. Join hosts Jessica Smith, Anthony Slater and Charlie Brown as Australia's longest running technology show brings you the latest technology, special guests, competitions and more. 11:00 WORLD SURF LEAGUE Captioned HD WS NA Moche Rip Curl Pro Portugal Filipe Toledo (BRA) flew, hacked and spun his way to winning the Moche Rip Curl Pro Portugal, his third Championship Tour (CT) win of the season. The win pushes him up in the Jeep rankings to No. 2, overtaking Adriano de Souza (BRA) and sitting just 200 points behind World No.
    [Show full text]
  • Applause Magazine, Applause Building, 68 Long Acre, London WC2E 9JQ
    1 GENE WIL Laughing all the way to the 23rd Making a difference LONDON'S THEATRE CRITI Are they going soft? PIUS SAVE £££ on your theatre tickets ,~~ 1~~EGm~ Gf1ll~ G~rick ~he ~ ~ e,London f F~[[ IIC~[I with ever~ full price ticket purchased ~t £23.50 Phone 0171-312 1991 9 771364 763009 Editor's Letter 'ThFl rul )U -; lmalid' was a phrase coined by the playwright and humourl:'t G eorge S. Kaufman to describe the ailing but always ~t:"o lh e m Broadway Theatre in the late 1930' s . " \\ . ;t" )ur ul\'n 'fabulous invalid' - the West End - seems in danger of 'e:' .m :: Lw er from lack of nourishmem, let' s hope that, like Broadway - presently in re . \ ,'1 'n - it too is resilient enough to make a comple te recovery and confound the r .: i " \\' ho accuse it of being an en vironmenta lly no-go area whose theatrical x ;'lrJ io n" refuse to stretch beyond tired reviva ls and boulevard bon-bons. I i, clUite true that the season just past has hardly been a vintage one. And while there is no question that the subsidised sector attracts new plays that, =5 'ears ago would a lmost certainly have found their way o nto Shaftes bury Avenue, l ere is, I am convinced, enough vitality and ingenuity left amo ng London's main -s tream producers to confirm that reports of the West End's te rminal dec line ;:m: greatly exaggerated. I have been a profeSSi onal reviewer long enough to appreciate the cyclical nature of the business.
    [Show full text]
  • Thursday 17 January 2019 National Theatre: February
    Thursday 17 January 2019 National Theatre: February – July 2019 Inua Ellams’ Barber Shop Chronicles will play at the Roundhouse, Camden for a limited run from July as part of a UK tour Gershwyn Eustache Jnr, Leah Harvey and Aisling Loftus lead the cast of Small Island, adapted by Helen Edmundson from Andrea Levy’s prize-winning novel, directed by Rufus Norris in the Olivier Theatre Justine Mitchell joins Roger Allam in Rutherford and Son by Githa Sowerby, directed by Polly Findlay Phoebe Fox takes the title role of ANNA in Ella Hickson and Ben and Max Ringham’s tense thriller directed by Natalie Abrahami Further casting released for Peter Gynt, directed by Jonathan Kent, written by David Hare, after Henrik Ibsen War Horse will return to London as part of the 2019 UK and international tour, playing at a new venue, Troubadour Wembley Park Theatre, for a limited run in October Olivier Theatre SMALL ISLAND adapted by Helen Edmundson based on the novel by Andrea Levy Previews from 17 April, press night 1 May, in repertoire until 10 August Andrea Levy’s epic, Orange Prize-winning novel bursts into new life on the Olivier Stage. A cast of 40 tell a story which journeys from Jamaica to Britain through the Second World War to 1948, the year the HMT Empire Windrush docked at Tilbury. Adapted for the stage by Helen Edmundson Small Island follows the intricately connected stories of two couples. Hortense yearns for a new life away from rural Jamaica, Gilbert dreams of becoming a lawyer, and Queenie longs to escape her Lincolnshire roots.
    [Show full text]
  • Dear Elizabeth Written by Sarah Ruhl Directed by Kate Whoriskey
    For Immediate Release Contact: Vivacity Media Group | 212-812-1483 Leslie Papa, [email protected] Whitney Holden Gore, [email protected] WOMEN’S PROJECT THEATER ANNOUNCES INITIAL CASTING FOR THE NEW YORK PREMIERE OF DEAR ELIZABETH WRITTEN BY SARAH RUHL DIRECTED BY KATE WHORISKEY ROTATING CAST OF LUMINARIES INCLUDES: DAVID AARON BAKER, KATHLEEN CHALFANT, RINDE ECKERT, CHERRY JONES, MIA KATIGBAK, ELLEN MCLAUGHLIN, J. SMITH-CAMERON, JOHN DOUGLAS THOMPSON, HARRIS YULIN AND POLLY NOONAN ADDITIONAL CASTING SOON TO BE ANNOUNCED OCTOBER 26 – DECEMBER 5, 2015 **TICKETS ARE NOW ON-SALE** (New York, NY) Women’s Project Theater, under the leadership of Producing Artistic Director Lisa McNulty and Managing Director Maureen Moynihan, is thrilled to announce the rotating casts for the New York premiere of DEAR ELIZABETH, the inaugural production at the WP’s new theatrical home the McGinn/Cazale Theatre, 2162 Broadway (at 76th Street). Written by two-time Pulitzer Nominee and Tony Nominee Sarah Ruhl (The Oldest Boy, In the Next Room, or the vibrator play) and directed by Kate Whoriskey (Ruined, Sweat), this insightful and impassioned examination of the famed correspondence between Elizabeth Bishop and Robert Lowell - two of the twentieth century’s most brilliant poets - will be presented from October 26 through December 5, 2015 with six rotating casts of stage and screen luminaries. DEAR ELIZABETH tells a tale of unconventional friendship and intimacy that spanned thirty years and more than 400 letters, with postmarks from Maine to Key West, from London to South America. This portrayal of Bishop and Lowell's lives, work, and the true nature of friendship will be performed from October 26 – 31 by WP Theater founding artist, Tony Award nominee and Drama Desk, Obie & Outer Critics Circle Award winner Kathleen Chalfant (Wit, Angels in America) & Drama Desk nominee Harris Yulin (Hedda Gabler, Diary of Anne Frank); from November 2 – 7 by Obie Award & Drama Desk Award winner J.
    [Show full text]
  • Netflix and the Development of the Internet Television Network
    Syracuse University SURFACE Dissertations - ALL SURFACE May 2016 Netflix and the Development of the Internet Television Network Laura Osur Syracuse University Follow this and additional works at: https://surface.syr.edu/etd Part of the Social and Behavioral Sciences Commons Recommended Citation Osur, Laura, "Netflix and the Development of the Internet Television Network" (2016). Dissertations - ALL. 448. https://surface.syr.edu/etd/448 This Dissertation is brought to you for free and open access by the SURFACE at SURFACE. It has been accepted for inclusion in Dissertations - ALL by an authorized administrator of SURFACE. For more information, please contact [email protected]. Abstract When Netflix launched in April 1998, Internet video was in its infancy. Eighteen years later, Netflix has developed into the first truly global Internet TV network. Many books have been written about the five broadcast networks – NBC, CBS, ABC, Fox, and the CW – and many about the major cable networks – HBO, CNN, MTV, Nickelodeon, just to name a few – and this is the fitting time to undertake a detailed analysis of how Netflix, as the preeminent Internet TV networks, has come to be. This book, then, combines historical, industrial, and textual analysis to investigate, contextualize, and historicize Netflix's development as an Internet TV network. The book is split into four chapters. The first explores the ways in which Netflix's development during its early years a DVD-by-mail company – 1998-2007, a period I am calling "Netflix as Rental Company" – lay the foundations for the company's future iterations and successes. During this period, Netflix adapted DVD distribution to the Internet, revolutionizing the way viewers receive, watch, and choose content, and built a brand reputation on consumer-centric innovation.
    [Show full text]
  • Sxsw Film Festival Announces 2018 Features and Opening Night Film a Quiet Place
    SXSW FILM FESTIVAL ANNOUNCES 2018 FEATURES AND OPENING NIGHT FILM A QUIET PLACE Film Festival Celebrates 25th Edition Austin, Texas, January 31, 2018 – The South by Southwest® (SXSW®) Conference and Festivals announced the features lineup and opening night film for the 25th edition of the Film Festival, running March 9-18, 2018 in Austin, Texas. The acclaimed program draws thousands of fans, filmmakers, press, and industry leaders every year to immerse themselves in the most innovative, smart and entertaining new films of the year. During the nine days of SXSW 132 features will be shown, with additional titles yet to be announced. The full lineup will include 44 films from first-time filmmakers, 86 World Premieres, 11 North American Premieres and 5 U.S. Premieres. These films were selected from 2,458 feature-length film submissions, with a total of 8,160 films submitted this year. “2018 marks the 25th edition of the SXSW Film Festival and my tenth year at the helm. As we look back on the body of work of talent discovered, careers launched and wonderful films we’ve enjoyed, we couldn’t be more excited about the future,” said Janet Pierson, Director of Film. “This year’s slate, while peppered with works from many of our alumni, remains focused on new voices, new directors and a range of films that entertain and enlighten.” “We are particularly pleased to present John Krasinski’s A Quiet Place as our Opening Night Film,” Pierson added.“Not only do we love its originality, suspense and amazing cast, we love seeing artists stretch and explore.
    [Show full text]
  • Sundance Institute Presents Institute Sundance U.S
    1 #sundance • sundance.org/festival sundance.org/festival Sundance Institute Presents Institute Sundance Check website or mobile app for full description and content information. The U.S. Dramatic Competition Films As You Are The Birth of a Nation U.S. Dramatic Competition Dramatic U.S. Many of these films have not yet been rated by the Motion Picture Association of America. Read the full descriptions online and choose responsibly. Films are generally followed by a Q&A with the director and selected members of the cast and crew. All films are shown in 35mm, DCP, or HDCAM. Special thanks to Dolby Laboratories, Inc., for its support of our U.S.A., 2016, 110 min., color U.S.A., 2016, 110 min., color digital cinema projection. As You Are is a telling and retelling of a Set against the antebellum South, this story relationship between three teenagers as it follows Nat Turner, a literate slave and traces the course of their friendship through preacher whose financially strained owner, PROGRAMMERS a construction of disparate memories Samuel Turner, accepts an offer to use prompted by a police investigation. Nat’s preaching to subdue unruly slaves. Director, Associate Programmers Sundance Film Festival Lauren Cioffi, Adam Montgomery, After witnessing countless atrocities against 2 John Cooper Harry Vaughn fellow slaves, Nat devises a plan to lead his DIRECTOR: Miles Joris-Peyrafitte people to freedom. Director of Programming Shorts Programmers SCREENWRITERS: Miles Joris-Peyrafitte, Trevor Groth Dilcia Barrera, Emily Doe, Madison Harrison Ernesto Foronda, Jon Korn, PRINCIPAL CAST: Owen Campbell, DIRECTOR/SCREENWRITER: Nate Parker Senior Programmers Katie Metcalfe, Lisa Ogdie, Charlie Heaton, Amandla Stenberg, PRINCIPAL CAST: Nate Parker, David Courier, Shari Frilot, Adam Piron, Mike Plante, Kim Yutani, John Scurti, Scott Cohen, Armie Hammer, Aja Naomi King, Caroline Libresco, John Nein, Landon Zakheim Mary Stuart Masterson Jackie Earle Haley, Gabrielle Union, Mike Plante, Charlie Reff, Kim Yutani Mark Boone Jr.
    [Show full text]
  • Here to Play Back Faithfully in Any Theatre
    399644_CAS_QuarterlyMagazineAwards_Ad.indd 1 HBO® CONGRATULATES OUR 49TH CINEMA AUDIO SOCIETY AWARDS WINNER Jamie Ledner Brian Riordan,CAS ©2013 HomeBoxOffice,Inc. Allrightsreserved.HBO FOR YOURRECOGNITION THANK YOU,CASMEMBERS, FAME INDUCTIONCEREMONY THE 2012ROCK&ROLLHALLOF SERIES ORSPECIALS VARIETY ORMUSIC TELEVISION NON-FICTION, ® andrelatedchannelsservice marksarethepropertyofHomeBoxOffice,Inc. 4/22/13 5:41 PM MORE POWERFUL STORYTELLING BRINGS YOUR VISION TO LIFE Hear what industry professionals say about Dolby® Atmos™. EXPANDS THE ARTISTIC PALETTE Place and move sound anywhere to play back faithfully in any theatre. “I strive to make movies that allow the audience to participate in the events onscreen, rather than just watch them unfold. Wonderful technology is now available to support this goal: high frame rates, 3D, and now the stunning Dolby Atmos system. Dolby has always been at the cutting edge of providing cinema audiences with the ultimate sound experience, and they have now surpassed them- selves. Dolby Atmos provides the completely immersive sound experience that filmmakers like myself have long dreamed about.” —Peter Jackson, Co-Writer, Director, and Producer The Hobbit: An Unexpected Journey SIMPLIFIES AUDIO POSTPRODUCTION Automatically generate 5.1, 7.1, and other delivery formats from the Dolby Atmos mix. “We needed a workflow that matched what we use already for Dolby Atmos to work for The Hobbit in the timeframe we had. Dolby had really great ideas for integration and developed the tools we needed for a bulletproof process.” —Gilbert Lake, Dolby Atmos Rerecording Mixer The Hobbit: An Unexpected Journey See the full list of Dolby Atmos titles at dolby.com/atmosmovies. Dolby and the double-D symbol are registered trademarks of Dolby Laboratories.
    [Show full text]
  • Drake Plays 1927-2021.Xls
    Drake Plays 1927-2021.xls TITLE OF PLAY 1927-8 Dulcy SEASON You and I Tragedy of Nan Twelfth Night 1928-9 The Patsy SEASON The Passing of the Third Floor Back The Circle A Midsummer Night's Dream 1929-30 The Swan SEASON John Ferguson Tartuffe Emperor Jones 1930-1 He Who Gets Slapped SEASON Miss Lulu Bett The Magistrate Hedda Gabler 1931-2 The Royal Family SEASON Children of the Moon Berkeley Square Antigone 1932-3 The Perfect Alibi SEASON Death Takes a Holiday No More Frontier Arms and the Man Twelfth Night Dulcy 1933-4 Our Children SEASON The Bohemian Girl The Black Flamingo The Importance of Being Earnest Much Ado About Nothing The Three Cornered Moon 1934-5 You Never Can Tell SEASON The Patriarch Another Language The Criminal Code 1935-6 The Tavern SEASON Cradle Song Journey's End Good Hope Elizabeth the Queen 1936-7 Squaring the Circle SEASON The Joyous Season Drake Plays 1927-2021.xls Moor Born Noah Richard of Bordeaux 1937-8 Dracula SEASON Winterset Daugthers of Atreus Ladies of the Jury As You Like It 1938-9 The Bishop Misbehaves SEASON Enter Madame Spring Dance Mrs. Moonlight Caponsacchi 1939-40 Laburnam Grove SEASON The Ghost of Yankee Doodle Wuthering Heights Shadow and Substance Saint Joan 1940-1 The Return of the Vagabond SEASON Pride and Prejudice Wingless Victory Brief Music A Winter's Tale Alison's House 1941-2 Petrified Forest SEASON Journey to Jerusalem Stage Door My Heart's in the Highlands Thunder Rock 1942-3 The Eve of St.
    [Show full text]
  • Reading and Writing As Transformative Action in Maria Irene Fornes’ and Adrienne Kennedy’S Plays
    READING AND WRITING AS TRANSFORMATIVE ACTION IN MARIA IRENE FORNES’ AND ADRIENNE KENNEDY’S PLAYS by Insoo Lee B.A. in English Literature, Seoul National University, 1995 B.F.A.in Playwriting, Korea National University of Arts, 2001 M.A. in Theatre Art, Miami University, Ohio, 2004 Submitted to the Graduate Faculty of Dietrich School of Arts and Science in partial fulfillment of the requirements for the degree of Doctor of Philosophy. University of Pittsburgh 2012 UNIVERSITY OF PITTSBURGH DIETRICH SCHOOL OF ARTS AND SCIENCE This dissertation was presented by Insoo Lee It was defended on April 16, 2012 and approved by Kathleen E. George, PhD, Professor Attilio Favorini, PhD, Professor Bruce McConachie, PhD, Professor Susan Z. Andrade, PhD, Associate Professor Dissertation Advisor: Kathleen E. George, PhD, Professor ii Copyright © by Insoo Lee 2012 iii READING AND WRITING AS TRANSFORMATIVE ACTION IN MARIA IRENE FORNES’ AND ADRIENNE KENNEDY’S PLAYS Insoo Lee, PhD University of Pittsburgh, 2012 This dissertation examines Maria Irene Fornes’ and Adrienne Kennedy’s plays, focusing on the female characters’ act of reading and writing on stage. Usually, reading and writing on stage are considered to be passive and static, but in the two playwrights’ works, they are used as an effective plot device that moves the drama forward and as willful efforts by the female characters to develop their sense of identities. Furthermore, in contrast to the usual perception of reading and writing as intellectual processes, Fornes and Kennedy depict these acts as intensely physical and sensual. Julia Kristeva’s and Hélène Cixous’ poststructuralist psychoanalytic theories of language and female sexuality, and Gloria Anzaldúa’s theory of writing the body are the major theoretical framework within which I explore the two playwrights’ works.
    [Show full text]
  • October 11, 2011 (XXIII:7) Arthur Penn, BONNIE and CLYDE (1967, 112 Min)
    October 11, 2011 (XXIII:7) Arthur Penn, BONNIE AND CLYDE (1967, 112 min) Directed by Arthur Penn Writing credits David Newman & Robert Benton and Robert Towne (uncredited) Produced by Warren Beatty Original Music by Charles Strouse Cinematography by Burnett Guffey Film Editing by Dede Allen Art Direction by Dean Tavoularis Costume Design by Theadora Van Runkle Earl Scruggs....composer: Foggy Mountain Breakdown Alan Hawkshaw....musician: "The Ballad of Bonnie and Clyde" Warren Beatty...Clyde Barrow Faye Dunaway...Bonnie Parker Michael J. Pollard...C.W. Moss Gene Hackman...Buck Barrow Estelle Parsons...Blanche Denver Pyle...Frank Hamer DAVID NEWMAN (February 4, 1937, New York City, New York Dub Taylor...Ivan Moss – June 27, 2003, New York City, New York) has 18 writing Evans Evans...Velma Davis credits: 2000 Takedown, 1997 “Michael Jackson: His Story on Gene Wilder...Eugene Grizzard Film - Volume II”, 1985 Santa Claus, 1984 Sheena: Queen of the Jungle, 1983 Superman II, 1982 Still of the Night, 1982 Jinxed!, Oscars for Best Actress in a Supporting Role (Estelle 1980 Superman II, 1978 Superman, 1975 “Superman”, 1972 Bad Parsons)and Best Cinematography (Burnett Guffey). Selected for Company, 1972 Oh! Calcutta!, 1972 What's Up, Doc?, 1970 National Film Registry – 1992 There Was a Crooked Man..., and 1967 Bonnie and Clyde. BONNIE PARKER (October 1, 1910-May 23, 1934). ROBERT BENTON (September 28, 1932, Waxahachie, Texas – ) won Best Writing Oscars for Places in the Heart (1984) and (March 24, 1909-May 23-1934). Kramer v. Kramer (1979); he also
    [Show full text]
  • Two Day Autograph Auction Day 1 Saturday 02 November 2013 11:00
    Two Day Autograph Auction Day 1 Saturday 02 November 2013 11:00 International Autograph Auctions (IAA) Office address Foxhall Business Centre Foxhall Road NG7 6LH International Autograph Auctions (IAA) (Two Day Autograph Auction Day 1 ) Catalogue - Downloaded from UKAuctioneers.com Lot: 1 tennis players of the 1970s TENNIS: An excellent collection including each Wimbledon Men's of 31 signed postcard Singles Champion of the decade. photographs by various tennis VG to EX All of the signatures players of the 1970s including were obtained in person by the Billie Jean King (Wimbledon vendor's brother who regularly Champion 1966, 1967, 1968, attended the Wimbledon 1972, 1973 & 1975), Ann Jones Championships during the 1970s. (Wimbledon Champion 1969), Estimate: £200.00 - £300.00 Evonne Goolagong (Wimbledon Champion 1971 & 1980), Chris Evert (Wimbledon Champion Lot: 2 1974, 1976 & 1981), Virginia TILDEN WILLIAM: (1893-1953) Wade (Wimbledon Champion American Tennis Player, 1977), John Newcombe Wimbledon Champion 1920, (Wimbledon Champion 1967, 1921 & 1930. A.L.S., Bill, one 1970 & 1971), Stan Smith page, slim 4to, Memphis, (Wimbledon Champion 1972), Tennessee, n.d. (11th June Jan Kodes (Wimbledon 1948?), to his protégé Arthur Champion 1973), Jimmy Connors Anderson ('Dearest Stinky'), on (Wimbledon Champion 1974 & the attractive printed stationery of 1982), Arthur Ashe (Wimbledon the Hotel Peabody. Tilden sends Champion 1975), Bjorn Borg his friend a cheque (no longer (Wimbledon Champion 1976, present) 'to cover your 1977, 1978, 1979 & 1980), reservation & ticket to Boston Francoise Durr (Wimbledon from Chicago' and provides Finalist 1965, 1968, 1970, 1972, details of the hotel and where to 1973 & 1975), Olga Morozova meet in Boston, concluding (Wimbledon Finalist 1974), 'Crazy to see you'.
    [Show full text]