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16.49 Her Duties in Luthec >Vv Local Schools After Held Last Year in Washington with Serted in the Icy Downpour
Property of the4 ,- Watertown./•» , t *? V Historical Society f - watertownhistoricalsociety.org DEVOTED TO THE WBOhM COMMUNITY—N0TI1JNQ ELBE OM LM8M VoL XV. No. 14. WATKIITOWN, CONK* MARCH It, 1«2t, TWO DOLLAM PSR VIA* . SUITABLE REWARD r-j CHANGE IN TIME OF CIVIC I BACK TOURNEY J1TNEY PLAYERS BUSY UNION MEETINM j All Madison Prepares Motor Cara- I* The committee In charge of the George C. Dudley Elected OM ef , At 'the monthly meeting of the van for Summer Tour set back tournament, which has been executive, committee of the Civis Four Representatives from Con- Plans for the sixth annual tour of planned. with the members of the WHO'S WHO THIS WEEK Union held Sunday afternoon it waa nscticut to National Club \ the Jitney.Players reached a point Litchfleld lire department, are busily J decided to change the time of meet- recently where Mr. and Mrs. Chancy engaged, making final arrangements Camp in June ing from 5 o'clock on the afternoon have had to call on many of their for the games. On Tuesday evening George C. Dudley of Litchfleld, a of the second Sunday of the month townsfolk in Madison for help in March 20, the Litchfleld department Mrs. Raymond Parker is seriously Everett Cook of Hamilton avenue 4-H Dairy Club member for the past to 5:30 o'clock on the.afternoon of1 anticipation ot the three months' will send 89 of their best card play- 111 at her home'on Scott avenue. has purchased a/new Ford Coupe. three years, has been recently elect- the second Tuesday. -
University Leader, October 25, 2012
Fort Hays State University FHSU Scholars Repository University Leader Archive Archives Online 10-25-2012 University Leader, October 25, 2012 University Leader Staff Follow this and additional works at: https://scholars.fhsu.edu/university_leader Content Disclaimer The primary source materials contained in the Fort Hays State University Special Collections and Archives have been placed there for research purposes, preservation of the historical record, and as reflections of a past belonging ot all members of society. Because this material reflects the expressions of an ongoing culture, some items in the collections may be sensitive in nature and may not represent the attitudes, beliefs, or ideas of their creators, persons named in the collections, or the position of Fort Hays State University. Recommended Citation University Leader Staff, "University Leader, October 25, 2012" (2012). University Leader Archive. 836. https://scholars.fhsu.edu/university_leader/836 This Article is brought to you for free and open access by the Archives Online at FHSU Scholars Repository. It has been accepted for inclusion in University Leader Archive by an authorized administrator of FHSU Scholars Repository. Men’s cross-country Honor Society hosts takes No. 1 in MIAA Battle of the Bands championship See page 4A See page 1B The offi cial student publication of Fort Hays State University Vol. 108 No. 10 leader.fhsu.edu Thursday, October 25, 2012 Students discuss domestic violence Tyler Parks The University Leader Domestic violence is a problem that plagues our society, and college campuses are not immune. Yesterday, the American Democracy Project’s Times Talk focused on this issue and techniques to prevent gender-based violence from occurring. -
Samulnori Kim Duk Soo, Artistic Director
SamulNori Kim Duk Soo, Artistic Director TEACHER RESOURCE GUIDE University Musical Society 2001/2002 Youth Education ThisTeacher Resource Guide is a product of the University Musical Society’sYouth Education Program and was prepared by Ryan C. Steinman and Jennie Salmon and edited by Kristin Fontichiaro. and Ben Johnson. Much of this guide is taken from press and publicity materials contributed by SamulNori. Photos provided by SamulNori unless otherwise noted. We would like to give special thanks to the sponsors of SamulNori and the UMS Youth Education Program: Ford Motor Company Fund Michigan Council for Arts and Cultural Affairs University of Michigan Ann Arbor Area Community Foundation Association of Performing Arts Presenters Border’s Books and Music Butzel Long Attorneys Café Marie/David Loesel CFI Group Charles Reinhart Company Realtors Comerica Incorporated Community Foundation for Southeastern Michigan Consumers Energy Foundation Doris Duke Charitable Foundation/JazzNet DTE Energy Foundation Ford Foundation Forest Health Services/Mary and Randall Pittman Heartland Arts Fund Keybank MASCO Corporation THE MOSAIC FOUNDATION (of R. and P. Heydon) National Endowment for the Arts New England Foundation for the Arts Office of the Senior Vice Provost for Academic Affairs Pepper Hamilton LLP Pfizer Global Research and Development, Ann Arbor Laboratories ProQuest TCF Bank Texaco Foundation Thomas B. McMullen Company UMS Advisory Committee Visteon Wallace-Reader’s Digest Funds University Musical Society 2001/2002 Youth Education IN Kim Duk -
The Golden Bough (Vol
The Project Gutenberg EBook of The Golden Bough (Vol. 2 of 2) by James George Frazer This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at http://www.gutenberg.org/license Title: The Golden Bough (Vol. 2 of 2) Author: James George Frazer Release Date: November 12, 2012 [Ebook 41359] Language: English ***START OF THE PROJECT GUTENBERG EBOOK THE GOLDEN BOUGH (VOL. 2 OF 2)*** The Golden Bough A Study in Comparative Religion By James George Frazer, M.A. Fellow of Trinity College, Cambridge In Two Volumes. Vol. II. New York and London MacMillan and Co. 1894 Contents Chapter III—(continued). .2 § 10.—The corn-spirit as an animal. .2 § 11.—Eating the god. 61 § 12.—Killing the divine animal. 81 § 13.—Transference of evil. 134 § 14.—Expulsion of evils, . 142 § 15.—Scapegoats. 165 § 16.—Killing the god in Mexico. 197 Chapter IV—The Golden Bough. 202 § 1.—Between heaven and earth. 202 § 2.—Balder. 220 § 3.—The external soul in folk-tales. 268 § 4.—The external soul in folk-custom. 295 § 5.—Conclusion. 323 Note. Offerings of first-fruits. 335 Index. 349 Footnotes . 443 [Transcriber's Note: The above cover image was produced by the submitter at Distributed Proofreaders, and is being placed into the public domain.] [001] Chapter III—(continued). § 10.—The corn-spirit as an animal. In some of the examples cited above to establish the meaning of the term “neck” as applied to the last sheaf, the corn-spirit appears in animal form as a gander, a goat, a hare, a cat, and a fox. -
A Critique of Danish Imperialist Shame and Ongoing Colonialism in Kalaallit Nunaat
Bates College SCARAB Honors Theses Capstone Projects 5-2020 The Construction of Exceptionalist Nationalism: A Critique of Danish Imperialist Shame and Ongoing Colonialism in Kalaallit Nunaat Sofie Lee Sogaard Bates College, [email protected] Follow this and additional works at: https://scarab.bates.edu/honorstheses Recommended Citation Sogaard, Sofie Lee, "The Construction of Exceptionalist Nationalism: A Critique of Danish Imperialist Shame and Ongoing Colonialism in Kalaallit Nunaat" (2020). Honors Theses. 332. https://scarab.bates.edu/honorstheses/332 This Open Access is brought to you for free and open access by the Capstone Projects at SCARAB. It has been accepted for inclusion in Honors Theses by an authorized administrator of SCARAB. For more information, please contact [email protected]. The Construction of Exceptionalist Nationalism: A Critique of Danish Imperialist Shame and Ongoing Colonialism in Kalaallit Nunaat An Honors Thesis Presented to The Faculty of the Department of American Cultural Studies Bates College In partial fulfillment of the requirements for the Degree of Bachelor of Arts By Sofie Lee Søgaard Lewiston, Maine April 2020 i Acknowledgements First and foremost, I want to thank the Indigenous communities of Kalaallit Nunaat, whose voices and generosity made this thesis possible. Without your collaboration, this thesis could not exist. Thank you to my advisor Professor Kristen Barnett, who has guided me through my four years at Bates with wisdom and kindness. Thank you to the American Studies Department for your flexibility and encouragement. Thank you to my family: Mamma, Pappa, Kristian, Niels, Peanut, and RBG for your unwavering love and support. I love you! Mara and Topher, thank you for always being there for me. -
Download ADP Performance Details
PERFORMANCE DETAILS Arab Dance Platform | SECOND EDITION | 20th – 24th of April 2011 | Beirut, Lebanon Organized by Leymoun- Arab Contemporary Dance Network & Maqamat Dance Theatre FEATURED COMPANIES AND CHOREOGRAPHERS Artist/Company ANMAR TAHA | IRAQI BODIES Performance The Sleepers Country Iraq/Sweden Venue Theatre Monnot Time/Date 7:00 pm/ Wednesday 20th of April Duration 45 min. About the Based in Sweden, Iraqi Bodies, aims at sustaining research in both theater choreographer/ and dance performance in order to develop a methodology that fits with our company understanding of art theories and that allows us to learn from others and share our thoughts. Anmar Taha is a choreographer and a performer from Iraq who has settled in Sweden. He has participated in many performances in Europe and the Middle East. He choreographed and directed The Bald Headed and The Sleepers. He is currently preparing a new performance Unidentified. About the A victim is a person who is not part of a conflict. Conflicts are based on a performance harsh desire of an imaginative power. Sleepers are those who do not make it to the light, simply becoming victims. The performance is about looking for a solution at a time when there is no way to turn, challenging one's dogmas and fears. A quest to seek the source of violence that grows from within; to empty of it and make ready to get filled again. Artist/Company ENAD MAAROUF Performance Sequence of Movement Country Syria Venue Babel Theatre Time/Date 10:00 pm/ Saturday 23rd of April Duration 30 min. About the Born 1985, Enad Marouf studied Ballet at the Ballet School of Damascus and then at choreographer/ the Higher Institute for Dramatic Arts. -
A Fresh Look at Amazon Indians: Karl Von Den Steinen and Curt Nimuendaju,´ Giants of Brazilian Anthropology
Tipit´ı: Journal of the Society for the Anthropology of Lowland South America Volume 1, Issue 2 2003 Article 1 A Fresh Look at Amazon Indians: Karl von den Steinen and Curt Nimuendaju,´ Giants of Brazilian Anthropology John Hemming∗ ∗[email protected] Copyright c 2003 by the authors. Tipit´ı: Journal of the Society for the Anthropol- ogy of Lowland South America is produced by The Berkeley Electronic Press (bepress). http://digitalcommons.trinity.edu/tipiti A Fresh Look at Amazon Indians: Karl von den Steinen and Curt Nimuendaju,´ Giants of Brazilian Anthropology John Hemming Abstract This essay examines two German anthropologists who changed the style of Brazilian anthro- pology. Karl von den Steinen made first contact with eight peoples of the upper Xingu in the 1880s. His anthropological observations were accurate and valuable, and he was the first to describe in- digenous people as individual human beings. Curt Nimuendaju´ also had no formal training, but was on an anthropological or archaeological expedition every year between 1905–1945, produced a prodigious volume of writing, studied shattered tribal remnants as well as newly contacted peo- ples, and was a pioneer in championing indigenous rights. Both were seminal figures in the study of the indigenous peoples of Brazil. Este ensaio examina dois antropologos´ alemaes˜ que mudaram para sempre o estilo da antropologia brasileira. Karl von den Steinen fez os primeiros contatos com oito povos ind´ıgenas do alto Xingu na decada´ de 1880. Suas observac¸oes˜ antropologicas´ foram exatas e valiosas, e ele foi o primeiro a descrever os ind´ıgenas como seres humanos individuais. -
(NETIEM) Southern African Music Educators' Society (SAMES) Newsletter Issue No
Network for Promoting Intercultural Education through Music (NETIEM) Southern African Music Educators' Society (SAMES) Newsletter Issue No. 8 November 1997 the community. The Keres group of the Pueblo Indians "recognize four areas of individual strengths: language and story- easonal greetings as we approach that period of the telling; motor activity and creativity with the hands; year which affords some much needed time for knowledge and lore about the society; and humanistic reflection and planning. With respect to The Talk- qualities, such as compassion. When an individual pos- ing Drum we reflect on the contributions of those who sesses all of these characteristics, he or she is consid- have made their own materials and articles available. ered blessed or "an ideal citizen". The blessed person Be assured that your generous act of sharing your is expected to contribute to his or her community; that, research with the larger community is gratefully indeed, is the mark of a blessed individualw.* The hope received by readers and helps to promote the aim of is that in 1998 more people will be willing to contribute NETEM - intercultural education through music. their materials for the educational community at large Teachers have phoned, written letters and spoken to through The Talking Drum. Best wishes to all for 1998. me on odd occasions about the extent to which they Elizabeth Oehrle benefit from using the content and reading the articles *Howard Gardner. 1997. Six Afterthoughts: Comments on Vari- in The Talking Drum. The one comment most often eties of Intellectual Talent in The Journal of Creative Behavior made is that The Talking Drum provides materials which one can take into the classroom and use. -
The Songs of the Russian People : As Illustrative of Slavonic Mythology
rr<^i ^•:';Am fc:-^;: THE SONGS THE RUSSIAN PEOPLE : ("?^ LONDON Il.nHJtT AND lilVINGTON, PRINTEUS, ST. John's square. 1^ ^dJri^ : THE SONGS OF THE RUSSIAN PEOPLE, AS ILLUSTEATIVE OF SLAVONIC MYTHOLOGY AND RUSSIAN SOCIAL LIFE. By W. R. S. RALSTON, M.A. OF rUE rillTlSH MUSEUM, AUTHOK OF "KKILOF AND HIS FABLES." itontJon ELLIS & GREEN, 33, KING STREET, COVENT GARDEN. 1872. lAU Hc/hfa reserved.'] I }/iU i\^^ PREFACE. When tlie present volume was originally planned it was intended to contain an account of Russian folk- lore in general—of the stories, legends, riddles, pro- verbs, and epic as well as lyric poems, which oral tradition has preserved among the Russian peasantry. But I soon found that the subject was one which, if treated at all in detail, would require more time and space than I had expected. So I thought it best to restrict myself for the present to a part of it only, leaving the rest to be described afterwards. In this first instalment of the work, therefore, I have dealt chiefly, though not exclusively, with the lyric poetry of the peasantry; the next will be mainly devoted to their Popular Tales and their Metrical Romances. In order to render intelligible the songs I have quoted, it has been necessary to give some slight account of the religious ideas attributed to the ancient VI PREFACE. Slavonians and the superstitions current among tlieir descendants, as well as of some of tlie manners and customs of tlie Eussian peasantry, especially with regard to marriages and funerals. But my book can make no pretence to any thing like a satisfactory grappling with the difficult problems—mythological, ethnological, philological, historical—suggested by the study of Slavonic antiquities.