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Daniel Green
DANIEL GREEN 2 TABLE OF CONTENTS RADICAL REALISTS “Like Life: Radical Realism and the Fiction of Sam Pink” (5) “Reinforcing Hard Reality: Stephen Dixon” (14) “Sincerity and the Surface: On Nicholson Baker” (19) “Not Somewhere or Anywhere” (Ottessa Moshfegh) (26) “Entering Cross River” (Rion Amilcar Scott) (30) “Contextualized Naturalism: The Artfulness of Russell Banks's Affliction” (36) “Sleights of Hand” (Philip Roth) (46) REGRESSIVE REALISTS “Richard Powers I: Forsaking Illusions” (50) “Lost in the Woods: Richard Powers, The Overstory” (58) “Safely Familiar” (Denis Johnson) (63) “Getting At The Thing Itself” (Kent Haruf” (66) “Endless Talk” (Richard Ford) (71) “Killing the Joke” (Lorrie Moore) (80) “Until the Movie Comes Out” (Richard Russo) (84) “Illusions of Substance” (Charles Baxter) (89) 3 PREFACE The underlying assumption of most of my critical writing has been that, far from representing a tangential, eccentric practice (as much of current literary culture would have it), “experimental” fiction in fact provides an indispensable service in helping to keep the literary resources of fiction refreshed. Often this entails contrasting such fiction with a conventionalized or exhausted realism, which despite the interventions of fabulists and postmodernists (not to mention the efforts of many genre writers) remains more or less the default preference in both American fiction and general-interest literary criticism. But the problem with a blanket critique of realism, especially from the years after World War II, and even more especially -
OLLI Spring 2020 the Novels of Richard Powers: an Overview
Regier – Syllabus for The Novels of Richard Powers: An Overview - 1 OLLI Spring 2020 The Novels of Richard Powers: An Overview Instructor: Willis Goth Regier E-mail address: [email protected] Course Description: Authors like to hear that their latest book is their best. When saying that about a Richard Powers novel we should always add “so far.” Every new novel makes some advance upon the others, and who is to say that one step is more important than another? Yet some novels seem to be strides rather than steps, and his latest, The Overstory (2018) is such a stride. This course will survey each of Powers’ twelve novels in chronological order, from Three Farmers on Their Way to a Dance (1985) to The Overstory. I will feature favorite passages in each novel, reflect their glories, and indicate what is distinctive about each. Powers’ readers will be reminded of novels they wish to reread. The course will also consider Powers’ novels as twelve parts of a whole which, properly put together, gives us a large look at Richard Powers. I will propose theses about the novels: They refuse to succumb to the predictabilities of a genre. They change themes, structures, and tones, though some themes recur and reassert their importance. The twelve take up complex issues and pose problems of individual responsibility. They have in common Powers’ resolution to make each unique and his determination in every case to “get it right.” Recommended: Richard Powers, The Overstory (New York: W. W. Norton, 2018). Regier – Syllabus for The Novels of Richard Powers: -
European Journal of American Studies, 2-1 | 2007 “Only the Conversation Matters” 2
European journal of American studies 2-1 | 2007 Spring 2007 “Only the Conversation Matters” An interview with Richard Powers Jean-Yves Pellegrin Édition électronique URL : https://journals.openedition.org/ejas/1145 DOI : 10.4000/ejas.1145 ISSN : 1991-9336 Éditeur European Association for American Studies Référence électronique Jean-Yves Pellegrin, « “Only the Conversation Matters” », European journal of American studies [En ligne], 2-1 | 2007, document 2, mis en ligne le 27 avril 2007, consulté le 08 juillet 2021. URL : http:// journals.openedition.org/ejas/1145 ; DOI : https://doi.org/10.4000/ejas.1145 Ce document a été généré automatiquement le 8 juillet 2021. Creative Commons License “Only the Conversation Matters” 1 “Only the Conversation Matters” An interview with Richard Powers Jean-Yves Pellegrin NOTE DE L’ÉDITEUR This interview took place at the Sorbonne on the 20th of February 2006. Many thanks to Richard Powers for his exceptional kindness and patience. 1 From Three Farmers on Their Way to a Dance (1985) to The Echo Maker (2006), American novelist Richard Powers explores the effects of modern science and technology on human lives. He teaches in the Creative Writing M.F.A. program at the University of Illinois at Urbana-Champaign. He was elected a Fellow of the American Academy of Arts and Sciences in 1998, has been awarded a MacArthur Fellow (1989) and is the recipient of a Lannan Literary Award (1999). 2 Jean-Yves Pellegrin is Associate Professor of American literature at the University of Paris-Sorbonne (Paris IV). He has translated two novels by Richard Powers. 3 J-Y. -
Here I Am a Novel Jonathan Safran Foer
Here I Am A Novel Jonathan Safran Foer A monumental new novel from the bestselling author of Everything Is Illuminated and Extremely Loud and Incredibly Close In the book of Genesis, when God calls out, “Abraham!” before ordering him to sacrifice his son Isaac, Abraham responds, “Here I am.” Later, when Isaac calls out, “My father!” before asking him why there is no animal to slaughter, Abraham responds, “Here I am.” How do we fulfill our conflicting duties as father, husband, and son; wife and mother; child and adult? Jew and American? How can we claim our own identities when our lives are linked so closely to others’? These are FICTION the questions at the heart of Jonathan Safran Foer’s first novel in eleven years--a work of extraordinary scope and heartbreaking intimacy. Farrar, Straus and Giroux | 9/6/2016 9780374280024 | $28.00 / $31.50 Can. Unfolding over four tumultuous weeks in present-day Washington, D.C., Hardcover | 592 pages Carton Qty: 0 | 9 in H | 6 in W Here I Am is the story of a fracturing family in a moment of crisis. As Brit., trans., 1st ser., dram.: Aragi, Inc. Jacob and Julia and their three sons are forced to confront the distances Audio: FSG between the lives they think they want and the lives they are living, a catastrophic earthquake sets in motion a quickly escalating conflict in the MARKETING Middle East. At stake is the very meaning of home--and the fundamental question of how much aliveness one can bear. Author Tour National Publicity National Advertising Showcasing the same high-energy inventiveness, hilarious irreverence, Web Marketing Campaign and emotional urgency that readers and critics loved in his earlier work, Library Marketing Campaign Reading Group Guide Here I Am is Foer’s most searching, hard-hitting, and grandly entertaining Advance Reader's Edition novel yet. -
Farrar, Straus and Giroux
The Ninth Hour A Novel Alice McDermott A portrait of the Irish-American experience by the National Book Award-winning author On a dim winter afternoon, a young Irish immigrant opens the gas taps in his Brooklyn tenement. He is determined to prove—to the subway bosses who have recently fired him, to his badgering, pregnant wife—“that the hours of his life belong to himself alone.” In the aftermath of the fire that follows, Sister St. Savior, an aging nun, a Little Sister of the Sick Poor, appears, unbidden, to direct the way forward for his widow and his unborn child. In Catholic Brooklyn, in the early part of the twentieth century, decorum, FICTION superstition, and shame collude to erase the man’s brief existence, and yet his suicide, although never spoken of, reverberates through many Farrar, Straus and Giroux | 9/19/2017 lives—testing the limits and the demands of love and sacrifice, of 9780374280147 | $26.00 Hardcover | 256 pages forgiveness and forgetfulness, even through multiple generations. Carton Qty: 24 | 8.3 in H | 5.5 in W Rendered with remarkable lucidity and intelligence, Alice McDermott’s Brit., trans., 1st ser., dram.: The Gernert Co. The Ninth Hour is a crowning achievement of one of the finest American Audio: FSG writers at work today. MARKETING Alice McDermott is the author of seven previous novels, including After This; Child of My Heart; Charming Billy, winner of the 1998 National Book Award; At Author Tour Weddings and Wakes; and Someone—all published by FSG. That Night, At National Publicity Weddings and Wakes, and After This were all finalists for the Pulitzer Prize. -
Richard Powers and the Post-Postmodern Novel of Ideas: Part 1: the First Four Novels
Texture: A Journal of Humanities and Social Sciences 2017 Richard Powers and the Post-Postmodern Novel of Ideas: Part 1: The First Four Novels Martin Kich Professor of English Wright State University Lake Campus Abstract In producing a very substantial body of highly regarded work, Richard Powers has established himself as one of the major American novelists of the late 20th and early 21st centuries. Powers has taken the novel into new territory, and his work very clearly represents an acute awareness of and a conscious synthesis of the traditions in the American novel, and the novel more broadly. This essay treats Powers’ first four novels which stand as a substantial and noteworthy body of work. They demonstrate the things that make his novels distinctively his: the daunting range of interests and preoccupations; the gradual enlargement of his sensibilities, or his sense of the world, and of his place as a novelist within that world; and the continuing refinement of his skills as a novelist and his increasing sense, I think, of a cumulative legacy—of how each new novel complements his earlier efforts and yet extends it in terms of the selection and treatment of subjects, structure, characters, themes, and style. Keywords: Richard Powers, Postmodernism, Novel of Ideas, Dos Passos. Introduction Since 1985, eleven of Richard Powers’ novels have been published. His output has been very regular, with each new novel following the previous one at an interval of two to three years, with the exception of his most recent novel, Orfeo, which appeared five years after the novel that preceded it, Generosity. -
Ty and Multiplicity in the Novels of Richard Powers
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by OpenEdition European journal of American studies 2-1 | 2007 Spring 2007 Surviving in the Particular? Uni(versali)ty and Multiplicity in the Novels of Richard Powers Heinz Ickstadt Electronic version URL: http://journals.openedition.org/ejas/1119 DOI: 10.4000/ejas.1119 ISSN: 1991-9336 Publisher European Association for American Studies Electronic reference Heinz Ickstadt, « Surviving in the Particular? Uni(versali)ty and Multiplicity in the Novels of Richard Powers », European journal of American studies [Online], 2-1 | 2007, document 1, Online since 22 May 2007, connection on 30 April 2019. URL : http://journals.openedition.org/ejas/1119 ; DOI : 10.4000/ ejas.1119 This text was automatically generated on 30 April 2019. Creative Commons License Surviving in the Particular? Uni(versali)ty and Multiplicity in the Novels of... 1 Surviving in the Particular? Uni (versali)ty and Multiplicity in the Novels of Richard Powers Heinz Ickstadt 1 Although some of the ‘masters’ of postmodernism are still producing ‘postmodern’ narratives (e.g. Robert Coover with his recent Lucky Pierre), contemporary American fiction has largely moved ‘back’ into realism’s territory of the everyday that the postmodernists had been so determined to abandon. It is true that, as in the case of Don DeLillo, this new realism is not grounded in any ontological notion of the ‘real’ but in an experienced ‘hyper-reality’ of surface and of image. Yet it makes nevertheless use of familiar conventions of realism: its emphasis on everyday experience, the importance of family, and the question (explored in conversation and communicative interaction) of shared values. -
Farrar, Straus and Giroux | 9/4/2018 Petty Crime in the City
The Piranhas The Boy Bosses of Naples: A Novel Roberto Saviano; translated from the Italian by Antony Shugaar The saga of a city under the rule of a criminal network, and the Neapolitan boys who create their own gang Nicolas Fiorillo is a brilliant and ambitious fifteen-year-old from the slums of Naples, eager to make his mark and to acquire power and the money that comes with it. With nine friends, he sets out to create a new paranza, or FICTION gang. Together they roam the streets on their motorscooters, learning how to break into the network of small-time hoodlums that controls drug-dealing and Farrar, Straus and Giroux | 9/4/2018 petty crime in the city. They learn to cheat and to steal, to shoot 9780374230029 | $27.00 / $35.00 Can. Hardcover with dust jacket | 368 pages semiautomatic pistols and AK-47s. Slowly they begin to wrest control of the Carton Qty: 20 | 9.2 in H | 6.4 in W neighborhoods from enemy gangs while making alliances with failing old Brit., trans., 1st ser., dram.: The Wylie Agency bosses. Nicolas’s strategic brilliance is prodigious, and his cohorts’ rapid rise Audio: FSG and envelopment in the ensuing maelstrom of violence and death is riveting and impossible to turn away from. In The Piranhas, Roberto Saviano MARKETING imagines the lurid glamour of Nicolas’s story with all the vividness and insight National review attention that made Gomorrah a worldwide sensation. Print features and profiles Men’s interest media outreach Roberto Saviano was born in 1979 and studied philosophy at the University of NPR and radio interviews Naples. -
Pynchon's Bequest
Pynchon’s Bequest Robert L. McLaughlin Stephen J. Burn and Peter Dempsey, eds. Intersections: Essays on Richard Powers. Champaign: Dalkey Archive P, 2008. Paper, xxxix + 336. $29.95. Although Thomas Pynchon has famously avoided the spotlight, he and his work—especially Gravity’s Rainbow—nevertheless cast a large shadow over contemporary American fiction. In a Bloomian anxiety of influence, a subsequent generation of fiction writers—I’m thinking of writers like the late David Foster Wallace, William T. Vollmann, Rick Moody, Bradford Morrow, Mary Caponegro, Michael Chabon, A. M. Homes, Colson Whitehead, and the subject of the collection of essays under review, Richard Powers—has been inspired to write by Pynchon’s great novels but has also sought to find a way out from under their shadow. This anxiety is made more acute by the concomitant sense that the postmodernism exemplified by Pynchon and his fellow experimental writers of the sixties and seventies (Barth, Coover, Sorrentino, Gaddis, Barthelme, Reed, and so on) has reached something of a dead end. That is, postmodernism’s consciousness of language, its iconoclasm, and its questioning of all master narratives, which in the 1960s played an important role in exposing and debunking many long-held social conceits and hypocrisies, by the late 1980s and 1990s had devolved into an all-purpose irony, the rolling of the eye and the nudging in the ribs that mocks any assertion that eschews irony’s game and aspires to sincerity. As Wallace explained in a 1993 interview with Larry McCaffery, “Irony’s useful for debunking illusions, but most of the illusion-debunking in the U.S. -
PULITZER PRIZE WINNERS in LETTERS © by Larry James
PULITZER PRIZE WINNERS IN LETTERS © by Larry James Gianakos Fiction 1917 no award *1918 Ernest Poole, His Family (Macmillan Co.; 320 pgs.; bound in blue cloth boards, gilt stamped on front cover and spine; full [embracing front panel, spine, and back panel] jacket illustration depicting New York City buildings by E. C.Caswell); published May 16, 1917; $1.50; three copies, two with the stunning dust jacket, now almost exotic in its rarity, with the front flap reading: “Just as THE HARBOR was the story of a constantly changing life out upon the fringe of the city, along its wharves, among its ships, so the story of Roger Gale’s family pictures the growth of a generation out of the embers of the old in the ceaselessly changing heart of New York. How Roger’s three daughters grew into the maturity of their several lives, each one so different, Mr. Poole tells with strong and compelling beauty, touching with deep, whole-hearted conviction some of the most vital problems of our modern way of living!the home, motherhood, children, the school; all of them seen through the realization, which Roger’s dying wife made clear to him, that whatever life may bring, ‘we will live on in our children’s lives.’ The old Gale house down-town is a little fragment of a past generation existing somehow beneath the towering apartments and office-buildings of the altered city. Roger will be remembered when other figures in modern literature have been forgotten, gazing out of his window at the lights of some near-by dwelling lifting high above his home, thinking -
Writing America
A MILLENNIUM ARTS PROJECT REVISED EDITION NATIONAL ENDOWMENT FOR THE ARTS Contents Chairman’s Message 3 NEA Literature Fellows by State 4 Editor’s Note 5 The Writer’s Place by E.L. Doctorow 7 Biographies and Excerpts 8 2 CHAIRMAN’S MESSAGE WRITERS record the triumphs and tragedies of the human spirit and so perform an important role in our society. They allow us—in the words of the poet William Blake—“to see a world in a grain of sand,” elevating the ordinary to the extraordinary and finding signifi- cance in the seemingly insignificant. Creative writers in our own country deserve our support and encouragement. After all, America’s writers record America. They tell America’s story to its citizens and to the world. The American people have made an important investment in our nation’s writers through the National Endowment for the Arts’ Literature Fellowships. Since the program was established 35 years ago, $35 million has enhanced the creative careers of more than 2,200 writers. Since 1990, 34 of the 42 recipients of poetry and fiction awards through the Pulitzer Prize, the National Book Award, and the National Book Critics Circle Award have been recipients of Arts Endowment fellowships early in their careers. Beyond statistics, however, these writers have given a lasting legacy to American literature by their work. This revised edition of WRITINGAMERICA features the work of 50 Literature Fel- lowship winners—one from each state—who paint a vivid portrait of the United States in the last decades of the twentieth century. Collectively, they evoke the magnificent spectrum of people, places, and experiences that define America. -
Lee Book4cd.Pdf (1.794Mb)
A Body of Individuals A Body of Individuals The Paradox of Community in Contemporary Fiction S U E - I M L E E THEOHI O S T A T EUNIVER S I T YPRE ss / C O L U MB us Copyright © 2009 by The Ohio State University. All rights reserved. Library of Congress Cataloging-in-Publication Data Lee, Sue-Im, 1969– A body of individuals : the paradox of community in contemporary fiction / Sue-Im Lee. p. cm. Includes bibliographical references and index. ISBN 978-0-8142-0407-8 (alk. paper) 1. American fiction—20th century—History and criticism. 2. Communities in literature. I. Title. PS374.C586L44 2009 813.’5409353—dc22 2008048781 This book is available in the following editions: Cloth (ISBN 978-0-8142-0407-8) CD-ROM (ISBN 978-0-8142-9181-8) Type set in Adobe Sabon Printed by Thomson-Shore, Inc. Cover design by James Baumann The paper used in this publication meets the minimum requirements of the American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials. ANSI Z39.48-1992. 9 8 7 6 5 4 3 2 1 To My Parents CON T EN ts Acknowledgments ix INTRODUCTION The Paradox of Community 1 CHAPTER 1 What Ails the Individual: Community Cure in Toni Morrison’s Jazz and Paradise 27 CHAPTER 2 “We Are Not the World”: Global Community, Universalism, and Karen Tei Yamashita’s Tropic of Orange 58 CHAPTER 3 Unlike Any Other: Shoring Up the Human Community in Richard Powers’s Galatea 2.2 and Plowing the Dark 86 CHAPTER 4 Motion in Stasis: Impossible Community in Fictions of Lydia Davis and Lynne Tillman 113 CHAPTER 5 Community as Multi-Party Game: Private Language in David Markson’s Wittgenstein’s Mistress 141 Notes 167 Works Cited 181 Index 193 A C KNOW L EDGMEN ts This project has been through many incarnations.