DOCSLIB.ORG

GARDENS of ROME & Surroundings

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
GARDENS of ROME & Surroundings AETAS VIAGGI – tel. + 39 06 71 58 40 64 – [email protected] – www.aetasviaggi.com GARDENS OF ROME & surroundings 4 DAYS/3 NIGHTS Day 1 : Arrival at the airport of Rome Fiumicino, welcome and departure by private bus GT to the city center. Guided sightseeing starting from the Basilica of St. Paul Outside-The Walls, the Pyramid, Circus Maximum, Lungotevere, Temples of Vesta, Bocca della Verità, Synagogue, Bridge Vittorio Emanuele, Via della Conciliazione, arrival at the entrance of the Vatican Gardens. The Vatican Gardens occupy two-thirds of the State of Vatican City (23 hectares). The gardens are a place of rest and meditation of the Roman Pope since 1279. The period of greatest architectural development of the Gardens is, however, between the sixteenth and the seventeenth century, when artists and architects working as Donato Bramante and Pirro Ligorio (the Casina Pio IV ), as well as painters and engravers that portray the beauty of the place, including Antonio Tempesta , Giovanni Maggi and Giovanni Battista Falda . In the gardens, consisting of an Italian garden, an English garden and the Horto of the Pope, there are sections of the Leonine Walls, cottages, fountains, temples, caves and shrines dedicated to Our Lady, such as the one dedicated to Our Lady Guard or the reproduction of Lourdes Grotto. Plants, trees, flowers, shrubs, climbers from all over the world complete the garden. After, you will have the opportunity to visit one of the most famous museums in the world, the Vatican Museums, with a unique collection of ancient and modern art and the magnificent Sixtine Chapel. And to visit the most important church of Catholicism in the world, St. Peter’s Basilica, built and decorated by the greatest artistes of all time. Overnight. Day 2 : After breakfast, transfer at the Aventino Hill for the visit of the Magistral Villa of the Order of Malta, well known by tourists for its celebrated ‘Buco della Serratura’, a keyhole framing the dome of St Peter’s Basilica. Entering the villa and the beautiful Italian garden, we discover the corridor of bushes that creates the perspective on the dome of St. Peter. In the middle of the garden, there is biggest Lebanon cedar in Europe. it is more than six hundred years old and it is said that Michelangelo used to rest and draw under his shadow! After the visit, transfer to another wonderful Villa, Villa Wolkonski, the Roman residence of the British ambassador, immersed in a property that covers eleven hectares of the Esquiline hill, just inside the Aurelian Walls. Inside there are the thirty-six arches of Nero's aqueduct, built by the emperor as a connection to the Claudio Aqueduct of 52 AD. to supply the Domus Aurea and the nymphaeum with the water coming from Subiaco at the temple of the Divo Claudio. Roman tombs are also present. The extensive landscaped gardens are also home to the annual Queen's birthday party, the British national holiday. A recent census of plants and trees has listed the presence of about 200 different species. After the visit, time at leisure to visit the Basilica of San Giovanni in Laterano, the Holy Stairs or make shopping in Via Appia. Overnight. Day 3 : After breakfast, departure to Tivoli, a pretty town about 30 kilometres east-north-east of Rome, at the falls of the Aniene river where it issues from the Sabine hills. Guided visit of Villa d’Este, masterpiece of the Italian Garden, included in the UNESCO world heritage list. With its impressive concentration of fountains, nymphs, grottoes, plays of water, and music, it constitutes a much-copied model for European gardens in the mannerist and baroque styles. The garden is generally considered within the larger –and altogether extraordinary-- context of Tivoli itself: its landscape, art and history which includes the important ruins of ancient villas such as the Villa Adriana, as well as a zone rich in caves and waterfalls displaying the unending battle between water and stone. The imposing constructions and the series of terraces above terraces bring to mind the hanging gardens of Babylon, one of the wonders of the ancient world. The addition of water-- including an aqueduct tunneling beneath the city -- evokes the engineering skill of the Romans themselves. After the visit, transfer to Castelgandolfo, pretty village of the Roman hills. Visit the papal gardens of Palazzo Barberini. In fact, from the 1st March 2014, Pope Francis opened the door of the papal summer residence to the public (upon reservation). The manicured gardens are full of pines and cypresses, holms oaks and lemons, roses and violets, hydrangeas and magnolias. A true show of colors and perfumes. Embellished with fountains, balustrades and baroque stairways, statues and Roman ruins that emerge from everywhere. The whole complex insists on the ancient Domitian's Villa, most remainder is the gigantic cryptoporticus hundreds of meters long. A curiosity: inside the Pontifical Villa there is a small model farm, that produces several hundred liters of cow's milk and eggs a day, fruit (cherries, figs, kiwi and the famous peaches of Castel Gandolfo), vegetables, and olive oil produced by 900 olive trees, including the historical one donated by King Hussein of Jordan to Paul VI during his trip to the Holy Land in 1964. Return journey to Rome. Overnight. Day 4 : After breakfast, transfer to the airport. Before leaving Rome, stop at the Rome Rose Garden, located opposite the Circus Maximus on the Aventine Hill, established in 1931. Over 1100 varieties of roses are grown there, many of them gifts from countries around the world. The Rome Rose Garden covers 10,000 m square and each section has rose varieties characteristic of, or grown in, the respective variety. The park also has an experimental section where new varieties of roses are tested for their suitability for public and private gardens in Italy. .
Load more

Recommended publications
  • Negotiating Julio-Claudian Memory: the Vespasianic Building Program and the Representation of Imperial Power in Ancient Rome Joseph V
    Macalester College DigitalCommons@Macalester College Classics Honors Projects Classics Department Spring 5-2-2014 Negotiating Julio-Claudian Memory: The Vespasianic Building Program and the Representation of Imperial Power in Ancient Rome Joseph V. Frankl Macalester College, [email protected] Follow this and additional works at: http://digitalcommons.macalester.edu/classics_honors Part of the Ancient, Medieval, Renaissance and Baroque Art and Architecture Commons, and the Classics Commons Recommended Citation Frankl, Joseph V., "Negotiating Julio-Claudian Memory: The eV spasianic Building Program and the Representation of Imperial Power in Ancient Rome" (2014). Classics Honors Projects. Paper 19. http://digitalcommons.macalester.edu/classics_honors/19 This Honors Project is brought to you for free and open access by the Classics Department at DigitalCommons@Macalester College. It has been accepted for inclusion in Classics Honors Projects by an authorized administrator of DigitalCommons@Macalester College. For more information, please contact [email protected]. Negotiating Julio-Claudian Memory: The Vespasianic Building Program and the Representation of Imperial Power in Ancient Rome By Joseph Frankl Advised by Professor Beth Severy-Hoven Macalester College Classics Department Submitted May 2, 2014 INTRODUCTION In 68 C.E., the Roman Emperor Nero died, marking the end of the Julio-Claudian imperial dynasty established by Augustus in 27 B.C.E (Suetonius, Nero 57.1). A year-long civil war ensued, concluding with the general Titus Flavius Vespasianus seizing power. Upon his succession, Vespasian faced several challenges to his legitimacy as emperor. Most importantly, Vespasian was not a member of the Julio-Claudian family, nor any noble Roman gens (Suetonius, Vespasian 1.1).
    [Show full text]
  • The Quietest Painting in the Room
    The Quietest Painting in the Room cardus.ca/comment/article/the-quietest-painting-in-the-room/ I hate that line in Good Will Hunting when the counselor (Robin Williams) says to the genius janitor (Matt Damon): So if I asked you about art, you'd probably give me the skinny on every art book ever written. Michelangelo, you know a lot about him. Life's work, political aspirations, him and the pope, sexual orientations, the whole works, right? But I'll bet you can't tell me what it smells like in the Sistine Chapel. I hate it not because it seems to me a kind of bullying, like age condescending to youth and inexperience (though that's true), but because the Sistine Chapel doesn't have any particular smell. The Domus Aurea, sure: a bit mossy and dank, but cool, and with imaginary lavender. The Palatine smells vaguely of cats and burning wheat. Even Saint Peter's, just a stone's throw from Capella Sistina, has a scent: clay, and neoprene rope, and tourists. But the Sistine Chapel hasn't even an olfactory trace of incense, or oil paints, or sweating sixteenth century architects lying on their backs. It may have had all those things when, in 1598, another painter named Michelangelo (Merisi da Caravaggio), from a town by whose name he was eventually known, made the first of his many visits there to see the great painting that his namesake had called forth from the abyss. We think of the Sistine ceiling as heavenly and eternal, but it helps to remember it was new once, shocking, and influential in a different sense than we mean it now.
    [Show full text]
  • Michelangelo's Locations
    1 3 4 He also adds the central balcony and the pope’s Michelangelo modifies the facades of Palazzo dei The project was completed by Tiberio Calcagni Cupola and Basilica di San Pietro Cappella Sistina Cappella Paolina crest, surmounted by the keys and tiara, on the Conservatori by adding a portico, and Palazzo and Giacomo Della Porta. The brothers Piazza San Pietro Musei Vaticani, Città del Vaticano Musei Vaticani, Città del Vaticano facade. Michelangelo also plans a bridge across Senatorio with a staircase leading straight to the Guido Ascanio and Alessandro Sforza, who the Tiber that connects the Palace with villa Chigi first floor. He then builds Palazzo Nuovo giving commissioned the work, are buried in the two The long lasting works to build Saint Peter’s Basilica The chapel, dedicated to the Assumption, was Few steps from the Sistine Chapel, in the heart of (Farnesina). The work was never completed due a slightly trapezoidal shape to the square and big side niches of the chapel. Its elliptical-shaped as we know it today, started at the beginning of built on the upper floor of a fortified area of the Apostolic Palaces, is the Chapel of Saints Peter to the high costs, only a first part remains, known plans the marble basement in the middle of it, space with its sail vaults and its domes supported the XVI century, at the behest of Julius II, whose Vatican Apostolic Palace, under pope Sixtus and Paul also known as Pauline Chapel, which is as Arco dei Farnesi, along the beautiful Via Giulia.
    [Show full text]
  • The Conservation Works the Hall of Masks in the Domus Aurea Conservation Studies Held in the 80'S Conservation Works of the H
    The conservation works the Hall of Masks in the Domus Aurea Donatella Cavezzali1, Annamaria Giovagnoli, Elisabetta Giani, Bruno Mazzone, Carlo Cacace, Fabio Aramini 1 Istituto Superiore per la Conservazione ed il Restauro (ISCR), Rome, Italy Since 2004 the Istituto Superiore per la Conservazione ed il Restauro (ISCR) of Rome has begun to study the conservation conditions of the Hall of Masks in the Domus Aurea (64-68 AD), the palace of Emperor Nero whose decorations have inspired artist such as Rafael, Giovanni da Udine and Vasari becoming reference model for all the Renaissance. Conservation studies and restoration works have been focused in particular on two rooms of the great hypogeal palace, the Hall of Masks (room n. 114) and the nearby Corridor (room n. 131), whose frescoes are among the most famous and better preserved of all the site. In the last twenty years the rooms have been experimentally confined with airtight doors (1986) to test the microclimatic conditions in absence of light and thermo-hygrometric exchanges. After this long period of experimentation ISCR has lead a pilot conservation project to deal with the conservation and musealization of the Hall of Masks and Corridor n. 131. Conservation studies held in the 80’s Since 1969 the Central Institute of Restoration (now ISCR) began to study the preservation of the Domus Aurea, in particular focusing on the frescoes of the Golden Vault. Later (1986) began the studies in The Hall of Masks and the Corridor n. 131, focused on the stabilization of the microclimate as preventive conservation of the paintings. The two connected rooms were confined with airtight doors and restoration tests of frescoes were held to experiment maintenance in time.
    [Show full text]
  • Stars for Your Garden from Down Under
    JANUARY / FEBRUARY 2003 Serving You Since 1955 981 Alden Lane, Livermore, CA www.aldenlane.com (925) 447-0280 Announcements Watch the Valley Gardener for great gardening tips with host Jacquie Williams-Courtright. Tune in 4 days a week on Cable Channel 30. Monday: 9 am & 3:30 pm, Friday: Stars For 3 p.m. and Saturday-Sunday: 7 am, 11 am & 2:30 pm. Your Garden Livermore-Amador Valley Garden From Down Under Club meets the first Tuesday of the month, join us on January 7th at 7 p.m. at Alisal School, 1454 Santa Rita By Lydia Roberts Rd, Pleasanton, Ca. For more No, Im sorry we havent got Nicole Kidman or Russell Crowe waiting to go information call Bev at 485-7812. This months speaker will be: Simone home with you, but we have got some beautiful floral stars that are center stage Martell, author of Expectant this month in the garden while our Californian talent is still preparing for their Gardener will talk about what we performance later in the season. can look forward to in our gardeners. The climate in much of Australia and New Zealand is Mediterranean, similar to On February 4th hear Judy Sandkuhle, Central California. It can be a Little cooler here in the winter but most of the plants owner of Sunset Color, talk about her suggested below are hardy to 20 degrees F. They are evergreen and flower from favorite plants and flowers. winter through spring bringing a welcome touch of color. Generally they are easy to care for. They need little to no fertilizer, especially do not use a high phosphorus fertilizer as this can kill them.
    [Show full text]
  • Human Trafficking: Issues Beyond Criminalization
    IA SCIEN M T E IA D R A V C M A PONTIFICIAE ACADEMIAE SCIENTIARVM SOCIALIVM ACTA 20 S A O I C C I I F A I T L I N V M O P Human Trafficking: Issues Beyond Criminalization The Proceedings of the 20th Plenary Session 17-21 April 2015 Edited by Margaret S. Archer | Marcelo Sánchez Sorondo Libreria Editrice Vaticana • Vatican City 2016 Human Trafficking: Issues Beyond Criminalization The Pontifical Academy of Social Sciences Acta 20 The Proceedings of the 20th Plenary Session Human Trafficking: Issues Beyond Criminalization 17-21 April 2015 Edited by Margaret S. Archer Marcelo Sánchez Sorondo IA SCIE M NT E IA D R A V C M A S A I O C C I F I I A T L I N V M O P LIBRERIA EDITRICE VATICANA • VATICAN CITY 2016 The Pontifical Academy of Social Sciences Casina Pio IV, 00120 Vatican City Tel: +39 0669881441 • Fax: +39 0669885218 Email: [email protected] • Website: www.pass.va The opinions expressed with absolute freedom during the presentation of the papers of this meeting, although published by the Academy, represent only the points of view of the participants and not those of the Academy. ISBN 978-88-86726-32-0 © Copyright 2016 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form, or by any means, electronic, mechanical, recording, pho- tocopying or otherwise without the expressed written permission of the publisher. THE PONTIFICAL ACADEMY OF SOCIAL SCIENCES LIBRERIA EDITRICE VATICANA VATICAN CITY In recent years, the Pontifical Academy of Social Sciences, thanks to the efforts of its President, its Chancellor and a num- ber of prestigious external collaborators – to whom I offer my heartfelt thanks – has engaged in important activities in defence of human dignity and freedom in our day.
    [Show full text]
  • January 2006 ********** February 2006 ********** March 2006
    January 2006 Sunday, 1st January 2006 - 11.00 am Via della Conciliazione - St. Peter's Square - Rome NEW YEAR'S DAY PARADE With the participation of: University of Nebraska Marching Band Rioni di Cori Flag Throwers Banda del Comune di Recanati Banda della Aeronautica Militare Friday, 6th January 2006 - 9.00 pm Church S. Ignazio, Piazza S. Ignazio - Rome Benedictine College Choir USA Program: sacred choir music Sunday, 22nd January 2006 – 5.00 pm Church S. Cipriano, Via di Torrevecchia 169 - Rome St. Cyprian Liturgical Choir - USA Iubilate Deo - Italy Program: sacred choir music ********** February 2006 Tuesday, 21st February 2006 - 9.00 pm Church S. Rufino, P. zza S. Rufino, Assisi Abbotts Bromley School Chapel Choir United Kingdom Program: Schubert, Elgar, Kodaly ********** March 2006 Sunday, 12th March 2006 - 9.00 pm Church S. Ignazio, Piazza S. Ignazio - Rome Curé of Ars Church Choir USA 1 Program: sacred choir music Tuesday, 14th March 2006 - 9.00 pm Church S. Ignazio, Piazza S. Ignazio - Rome Holy Trinity Church Choir USA Program: sacred choir music Sunday, 19th March 2006 - 9.00 pm Church S. Ignazio, Piazza S. Ignazio - Rome Cathedral of St. James’s Choir USA Program: sacred choir music Saturday, 25th March 2006 - 9.00 pm Auditorium Parco della Musica - Petrassi Hall Viale Pietro De Coubertin - Rome Sant'Ignazio di Loyola an Eighteenth Century chamber music piece by Domenico Zipoli S.J., Martin Schmid S.J., Anonymous Ensemble Abendmusik Interpreters: Randall Wong, Robin Blaze, Patricia Vaccari, Nicola Pascoli, Marco Andriolo, Mira Andriolo Conductor: John Finney Reservation required - Tel. nr. 0039 329 2395598 Sunday, 26th March 2006 - 5.00 pm Church Sant'Andrea al Quirinale - Via del Quirinale - Rome Sant'Ignazio di Loyola an Eighteenth Century chamber music piece by Domenico Zipoli S.J., Martin Schmid S.J., Anonymous Ensemble Abendmusik Interpreters: Randall Wong, Robin Blaze, Patricia Vaccari, Nicola Pascoli, Marco Andriolo, Mira Andriolo Conductor: John Finney Reservation required - Tel.
    [Show full text]
  • October 2009 Volume 3, Page 1
    by any other name the newsletter of the World Federation of RoseRose Societies’ Heritage Rose Group Contents A letter from the President Texas Teas David Ruston, Australia..............................................................................2 by Claude Graves, Texas, USA.......................................................22 Minutes of the Heritage Roses Committee Royal Roses Vancouver, 23 June 2009......................................................................3 by Sheenagh Harris, South Africa...............................................24 A rosarium for Serbia Roses on the move by Radoslav Petrovic´, Serbia.............................................................8 by Helga Brichet, Italy..............................................................................30 Roses and rose gardens of New Zealand Vacunae Rosae —portrait of a new rose garden by Doug Grant, New Zealand.............................................................10 by Gian Paolo Bonani, Italy.................................................................36 the making of Between the Rows The Canadian Hybrbridiser, Dr Felicitas Svejda by Joanne Knight, New Zealand...................................................12 by Dr Patrick White, Canada...........................................................44 Roses from cuttings by Malcolm Manners, USA.................................................................14 Pruning roses — breaking all the rules by Gregg Lowery, USA............................................................................16
    [Show full text]
  • Janson. History of Art. Chapter 16: The
    16_CH16_P556-589.qxp 12/10/09 09:16 Page 556 16_CH16_P556-589.qxp 12/10/09 09:16 Page 557 CHAPTER 16 CHAPTER The High Renaissance in Italy, 1495 1520 OOKINGBACKATTHEARTISTSOFTHEFIFTEENTHCENTURY , THE artist and art historian Giorgio Vasari wrote in 1550, Truly great was the advancement conferred on the arts of architecture, painting, and L sculpture by those excellent masters. From Vasari s perspective, the earlier generation had provided the groundwork that enabled sixteenth-century artists to surpass the age of the ancients. Later artists and critics agreed Leonardo, Bramante, Michelangelo, Raphael, Giorgione, and with Vasari s judgment that the artists who worked in the decades Titian were all sought after in early sixteenth-century Italy, and just before and after 1500 attained a perfection in their art worthy the two who lived beyond 1520, Michelangelo and Titian, were of admiration and emulation. internationally celebrated during their lifetimes. This fame was For Vasari, the artists of this generation were paragons of their part of a wholesale change in the status of artists that had been profession. Following Vasari, artists and art teachers of subse- occurring gradually during the course of the fifteenth century and quent centuries have used the works of this 25-year period which gained strength with these artists. Despite the qualities of between 1495 and 1520, known as the High Renaissance, as a their births, or the differences in their styles and personalities, benchmark against which to measure their own. Yet the idea of a these artists were given the respect due to intellectuals and High Renaissance presupposes that it follows something humanists.
    [Show full text]
  • Evaluating the Effects of the Geography of Italy Geography Of
    Name: Date: Evaluating the Effects of the Geography of Italy Warm up writing space: Review: What are some geographical features that made settlement in ancient Greece difficult? Write as many as you can. Be able to explain why you picked them. _____________________________________________________________________________________________ _____________________________________________________________________________________________ _____________________________________________________________________________________________ _____________________________________________________________________________________________ _____________________________________________________________________________________________ Give One / Get One Directions: • You will get 1 card with important information about Rome’s or Italy’s geography. Read and understand your card. • Record what you learned as a pro or a con on your T chart. • With your card and your T chart, stand up and move around to other students. • Trade information with other students. Explain your card to them (“Give One”), and then hear what they have to say (“Get One.”) Record their new information to your T chart. • Repeat! Geography of Italy Pros J Cons L Give one / Get one cards (Teachers, preprint and cut a set of these cards for each class. If there are more than 15 students in a class, print out a few doubles. It’s okay for some children to get the same card.) The hills of Rome Fertile volcanic soil 40% Mountainous The city-state of Rome was originally Active volcanoes in Italy (ex: Mt. About 40% of the Italian peninsula is built on seven hills. Fortifications and Etna, Mt. Vesuvius) that create lava covered by mountains. important buildings were placed at and ash help to make some of the the tops of the hills. Eventually, a land on the peninsula more fertile. city-wall was built around the hills. Peninsula Mediterranean climate Tiber River Italy is a narrow peninsula—land Italy, especially the southern part of The Tiber River links Rome, which is surrounded by water on 3 sides.
    [Show full text]
  • Rodolfo Lanciani, the Ruins and Excavations of Ancient Rome, 1897, P
    10/29/2010 1 Primus Adventus ad Romam Urbem Aeternam Your First Visit to Rome The Eternal City 2 Accessimus in Urbe AeternA! • Welcome, traveler! Avoiding the travails of the road, you arrived by ship at the port of Ostia; from there, you’ve had a short journey up the Via Ostiensis into Roma herself. What do you see there? 3 Quam pulchra est urbs aeterna! • What is there to see in Rome? • What are some monuments you have heard of? • How old are the buildings in Rome? • How long would it take you to see everything important? 4 Map of Roma 5 The Roman Forum • “According to the Roman legend, Romulus and Tatius, after the mediation of the Sabine women, met on the very spot where the battle had been fought, and made peace and an alliance. The spot, a low, damp, grassy field, exposed to the floods of the river Spinon, took the name of “Comitium” from the verb coire, to assemble. It is possible that, in consequence of the alliance, a road connecting the Sabine and the Roman settlements was made across these swamps; it became afterwards the Sacra Via…. 6 The Roman Forum • “…Tullus Hostilius, the third king, built a stone inclosure on the Comitium, for the meeting of the Senators, named from him Curia Hostilia; then came the state prison built by Ancus Marcius in one of the quarries (the Tullianum). The Tarquin [kings] drained the land, gave the Forum a regular (trapezoidal) shape, divided the space around its borders into building- lots, and sold them to private speculators for shops and houses, the fronts of which were to be lined with porticoes.” --Rodolfo Lanciani, The Ruins and Excavations of Ancient Rome, 1897, p.
    [Show full text]
  • Chrystina HÄUBER FORTVNA: a Research Tool the Archaeological Information System for Ancient Rome
    Chrystina HÄUBER FORTVNA: A Research Tool The Archaeological Information System for Ancient Rome The subject on which we will test FORTVNA is the ancient topography of the eastern part of the Mons Oppius (the Esquiline Hill) in Rome between the modern roads of the Via Merulana and the Via Labicana. Building activities of the late nineteenth and early twentieth centuries transformed this hillside and its vineyards into a modern residential quarter. They also revealed a vast number of archaeological finds including sculpture and the remains of a number of ancient buildings not previously visible. It is unknown who commissioned these sculptures, for what buildings they were intended, or what purposes they served because they were not found in situ but were, in most cases, objects re-used as building material. Our partner in the project, Prof. Eugenio La Rocca, the suprintendent of the monuments and museums of the municipality of Rome has provided us with the most important maps of Rome in digital vector format. These plans were digitized for the project "Forma Urbis Romae", which is jointly directed by Prof. La Rocca, by Prof. Adriano La Regina, the archaeological superintendent of Rome, who is also our partner, and others. Whereas one of our aims is to provide access to this data, the other is to teach the user how to interpret it. Some ancient buildings of the area are described in ancient literary sources, but modern commentators do not always agree as to which ones of the structures seen, drawn and described since the Middle Ages should be given names known from ancient authors.
    [Show full text]