Falko Steinbach – Current CV (Sept
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Curriculum Vitae
Falko Steinbach/Profile/Curriculum Vitae Curriculum Vitae Work experience Teaching: “Künstlerischer Lehrbeauftragter” for piano at the University of Cologne (1989 – 1999) Professor of Piano at the University of New Mexico since 1999, Full Professor since 2010 Head of the piano performance program at UNM since 1999 Teaching/Applied lessons: for piano performance on graduate and undergraduate level Teaching/Classes: Piano ensemble/Chamber music, Piano Pedagogy, Piano Repertory Teaching/Master Classes: 81 international master classes and 1 – 2 week courses since 1999, in Lindlar and Heek (Germany) annually, at many Universities in Taiwan, USA and Germany, additional Master classes on music festivals in, Italy, Malaysia, Mexico, Berlin, Albuquerque (annually) and Santa Fe until summer 2018. Performing: More than 1,000 recitals (solo and collaborative) in 49 years, nationally in Germany since 1970, internationally in Europe since 1987, in Asia and North-and South America sine 1999 until summer 2018. CD’s: 16 mostly solo CD’s for the label ambitus (Hamburg), Antes Edition (Germany). The latest: “Oboe on the edge,” Centaur Records (2008); “Figures,” Centaur Records (2009); “Devisadero,” Navona Records (2011). Since 2012 Steinbach continues to produce recordings to be published on his website and on his youtube channel. Compositions: 60 compositions – mostly cycles for piano solo, choir, ensembles, chamber music, among which one opera (Berlin Suite, finished 2011), one oratorio (Apocalypse, finished 2016), 4 volumes of 53 piano etudes (finished 2009), one cycle “Eclectic Eccentric” – 5 pieces for oboe and different instruments, and many other chamber music compositions for strings, recorders and other instruments. One piano concerto (part I). Most compositions have been world premiered and repeatedly performed by various artists and ensembles, choirs and orchestras on music festivals in Germany, Italy, Taiwan, Malaysia and USA. -
Louis W. Ballard: Composer and Music Educator
LOUIS W. BALLARD: COMPOSER AND MUSIC EDUCATOR By KARL ERIK ETTINGER A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2014 1 © 2014 Karl Erik Ettinger 2 To Mom, Dad, Wendy, Wayne and Walker 3 ACKNOWLEDGMENTS I am profoundly indebted to my family for their support, encouragement, and patience. I would like to recognize the chair of my committee, David Z. Kushner who gave endlessly of his time and talent in numerous meetings while completing this document. In addition, I thank my committee members Leslie Odom, Arthur Jennings, Kevin Sharpe, and John Scott for their time and guidance. I wish to thank the staff at various archives, museums, and libraries: (1) Robena Cornwell and Michele Wilbanks, the former staff of the Music Library at the University of Florida, for their assistance on numerous occasions, (2) Ryan Flahive, archivist at the Institute of American Indian Arts, for allowing access to materials and sharing his research, (3) Howard Bass at the National Museum of the American Indian, (4) staff at the Quapaw Museum and Library. I owe more than words can express to my teachers: Nancy Hartman, Burt Perinchief, Michael Rickman, Richard Cass, and Falko Steinbach. I especially thank Maria Williams for introducing me to the world of Native American Music through her class at the University of New Mexico and encouraging me to contact Louis W. Ballard; this project began with her. Finally, I thank the family and friends of Louis W. -
Composers Symp Pgm09.Pdf
2009 Outpost Benefit Concert Series Rahim AlHaj opening :: Jefferson Voorhees April 4 Saturday, 7:30pm Hillary Smith & Friends featuring Joan Griffin, Cathryn McGill, Patty Stephens, & Patti Littlefield April 23 Thursday, 7:00pm special starting time: concert will be broadcast live on KUNM 89.9FM Jazz a la Carte April 30 Thursday, 7:30pm Paul Gonzales & Friends May 21 Thursday, 7:30pm Doug Lawrence Quartet May 28 Thursday, 7:30pm OUTPOST Performance Space 210 YALE SE • 268-0044 • www.outpostspace.org EXPERIENCE JAZZ IN NEW MEXICO LAND OF ENCHANTMENT Funded in part by the New Mexico Tourism Department John Donald Robb Composers’ Symposium FEATURED COMPOSER George Lewis James Brody Nicole Mitchell Raven Chacon Robert Morris William Fowler Collins Adam Overton Linda Dusman Jack Ox Joanne Forman Carter Pann Tom Goldstein Christopher Shultis Heather Dea Jennings Gary Smart Deborah Kavasch Falko Steinbach Thomas Licata Anneliese Weibel Paul Lombardi Scott Wilkinson John Marvin ENSEMBLE IN RESIDENCE Hoffmann/Goldstein Duo Symposium events are held at the University of New Mexico, Center for the Arts. All events, except Sunday evening, are free and open to the public. Dr. James Linnell, Acting Dean, College of Fine Arts Dr. Steven Block, Chair, Department of Music COMPOSERs’ SYMPOSIUM STAFF Dr. Christopher Shultis, Artistic Director Raven Chacon, Guest Curator, “What’s New Wednesday” Tobias Kokkelink, Graduate Assistant, John D. Robb Musical Trust Lauren Hunter, Amy Oakes, Interim Keller Hall Managers Manny Rettinger, Audio Engineer Cover image: © Eric Metcalfe. All rights reserved. John Donald Robb John Donald Robb (1892-1989) led a rich and varied life as an attorney, composer, arts educator, and folk song collector and preservationist. -
Download Program
5TH ANNUAL UNM Mentoring Institute MENTORINGOCTOBER 24 - 26, 2012 | ALBUQUERQUE, NEW MEXICO, USA CONFERENCE Facilitating Developmental Relationships for SUCCESS Mentoring Institute | Division of Student Affairs | Student Union Building | University of New Mexico Welcome to UNM Founded in 1889, The University of New Mexico (UNM) now occupies 600 acres along old Route 66 in the heart of Albuquerque, a city of more than 700,000 people. From the magnificent mesas to the west, past the banks of the historic Rio Grande to the Sandia Mountains to the east, Albuquerque is a blend of culture and cuisine, styles and stories, people, pursuits and panoramas. Offering a distinctive campus environment with a Pueblo Revival architectural theme, the campus echoes the buildings of nearby Pueblo Indian villages. The nationally recognized Campus Arboretum and the popular Duck Pond offer an outstanding botanical experience in the midst of one of New Mexico’s great public open spaces. The People As a Hispanic-serving Institution, the University represents a cross-section of cultures and backgrounds. In the Spring of 2008, there were 24,177 students attending the main campus with another 6,658 students at branch campuses and education centers. UNM boasts an outstanding faculty that includes a Nobel Laureate, two Mac Arthur Fellows, 35 Fulbright scholars and several members of national academies UNM employes 20,210 people statewide, including employees of University Hospital. It has more than 120,000 alumni, with Lobos in every state and 92 foreign counties. Over half choose to remain in New Mexico. The Programs The University is the state’s flagship research institution. -
John Donald Robb Composers' Symposium
John Donald Robb Composers’ Symposium Featured Composer: Gordon Mumma Curt Cacioppo Panaiotis Richard Cameron-Wolfe Steve Peters Dawn Chambers Riccardo Piacentini Anne Marie Guzzo John Donald Robb Richard Hermann Christopher Shultis John Kennedy Falko Steinbach Carlo Alessandro Landini Molly Sturges Yvonne Lee Daniel James Wolf Daniel Lentz William Wood Paul Lombardi Ensemble in Residence Duo Alterno Symposium events are held at the University of New Mexico, Center for the Arts. All events are free and open to the public Dr. Christopher Mead, Dean, College of Fine Arts Dr. Steven Block, Chair, Department of Music Composers’ Symposium Staff Dr. Christopher Shultis, Artistic Director Doris Williams, Managing Director, John D. Robb Musical Trust Timothy Saeed, Graduate Assistant, John D. Robb Musical Trust Victoria Weller, Keller Hall Manager Manny Rettinger, Audio Engineer Cover art: © 2005 Courtesy of Anthology of Recorded Music. All rights reserved. John Donald Robb John Donald Robb (1892-1989) led a rich and varied life as an attorney, composer, arts administrator, and ethnomusicologist. He composed an impressive body of work including symphonies, concertos for viola and piano, sonatas, chamber and other instrumental music, choral works, songs, and arrangements of folk songs, two operas, Dontero and Little Jo, a musical comedy, Joy Comes to Deadhorse, and more than sixty-five electronic works. Robb’s orchestral works have been played by many major orchestras in the U.S. and abroad and under noted conductors such as Hans Lange, Maurice Abravenel, Leonard Slatkin, Gilberto Orellana, and Yoshimi Takeda, among others. During his two decades as an international lawyer in New York, Robb studied composition with Horatio Parker, Darius Milhaud, Roy Harris, Paul Hindemith and Nadia Boulanger.