Songs and Rhymes to Share
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A Happy Family I Love Mother; She Loves Me We Love Daddy, Yes Sir
Songs La , la, la. The snow on the ground goes Crunch, crunch, crunch A Happy Family The boys and the girls I love mother; she loves me All jump with glee We love daddy, yes sir-ree He loves us and so you see Baa Baa Black Sheep We are a happy family Baa, baa black sheep, Have you any wool? I love sister; she loves me Yes sir, yes sir, We love brother yes sir-ree Three bags full. He loves us and so you see We are a happy family One for my master, One for my dame, Animal Sounds (tune Brother John) And one for the little boy I’m a duck, Who lives down the lane. I’m a duck Watch me walk, watch me walk Baby Put Your Pants On Hear me when I talk hear me when I talk (tune: Mama’a Little Baby Loves Shortnin’) Quack, quack, quack, Baby put your pants on, pants on, pants on, Quack, quack, quack Baby put your pants on 1, 2, 3 *repeat: Repeat with shirt, socks, etc I’m a birdie, watch me fly-tweet Now that you’re all dressed, all dressed, all I’m a kitten, watch me scratch-meow dressed, I’m a dog, watch me dig-woof Now that you’re all dressed lets go play! Then sing in reverse order Apricot Tree Baby take your socks off, socks off, socks off I looked out the window and what did I see? Baby take your socks off, 1, 2, 3 Popcorn popping on the apricot tree! Repeat with shirt, pants, etc Spring has brought me such a nice surprise Now that you’re all naked, all naked, all naked Blossoms popping right before my eyes Now that you’re all naked Let’s take a bath! I can take an armful and make a treat A popcorn ball that would smell so sweet Bicycle It wasn’t really so, but it seemed to me (Tune: Row, Row, Row Your Boat) Popcorn popping on the apricot tree! Ride, ride, ride your bike Up and down the street At Christmas Time (Tune: Wheel on the Bus) Happily, happily, happily, happily, The bells on the sleigh go ring, ring ,ring. -
Young Americans to Emotional Rescue: Selected Meetings
YOUNG AMERICANS TO EMOTIONAL RESCUE: SELECTING MEETINGS BETWEEN DISCO AND ROCK, 1975-1980 Daniel Kavka A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF MUSIC August 2010 Committee: Jeremy Wallach, Advisor Katherine Meizel © 2010 Daniel Kavka All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor Disco-rock, composed of disco-influenced recordings by rock artists, was a sub-genre of both disco and rock in the 1970s. Seminal recordings included: David Bowie’s Young Americans; The Rolling Stones’ “Hot Stuff,” “Miss You,” “Dance Pt.1,” and “Emotional Rescue”; KISS’s “Strutter ’78,” and “I Was Made For Lovin’ You”; Rod Stewart’s “Do Ya Think I’m Sexy“; and Elton John’s Thom Bell Sessions and Victim of Love. Though disco-rock was a great commercial success during the disco era, it has received limited acknowledgement in post-disco scholarship. This thesis addresses the lack of existing scholarship pertaining to disco-rock. It examines both disco and disco-rock as products of cultural shifts during the 1970s. Disco was linked to the emergence of underground dance clubs in New York City, while disco-rock resulted from the increased mainstream visibility of disco culture during the mid seventies, as well as rock musicians’ exposure to disco music. My thesis argues for the study of a genre (disco-rock) that has been dismissed as inauthentic and commercial, a trend common to popular music discourse, and one that is linked to previous debates regarding the social value of pop music. -
Sexuality Education for Mid and Later Life
Peggy Brick and Jan Lunquist New Expectations Sexuality Education for Mid and Later Life THE AUTHORS Peggy Brick, M.Ed., is a sexuality education consultant currently providing training workshops for professionals and classes for older adults on sexuality and aging. She has trained thousands of educators and health care professionals nationwide, is the author of over 40 articles on sexuality education, and was formerly chair of the Board of the Sexuality Information and Education Council of the United States (SIECUS). Jan Lunquist, M.A., is the vice president of education for Planned Parenthood Centers of West Michigan. She is certified as a sexuality educator by the American Association of Sex Educators, Counselors, and Therapists. She is also a certified family life educator and a Michigan licensed counselor. During the past 29 years, she has designed and delivered hundreds of learning experiences related to the life-affirming gift of sexuality. Cover design by Alan Barnett, Inc. Printing by McNaughton & Gunn Copyright 2003. Sexuality Information and Education Council of the United States (SIECUS), 130 West 42nd Street, New York, NY 10036-7802. Phone: 212/819-9770. Fax: 212/819-9776. E-mail: [email protected] Web site: http://www.siecus.org 2 New Expectations This manual is dedicated to the memory of Richard Cross, M.D. 1915-2003 “What is REAL?” asked the Rabbit one day, when they were lying side by side near the nursery fender before Nana came to tidy the room. “Does it mean having things that buzz inside you and a stick-out handle?” “Real isn’t how you are made,” said the Skin Horse. -
Oral Defensiveness
ORAL DEFENSIVENESS Oral Defensiveness is an aversive response to touch sensations in and around the mouth that may cause extreme sensory, emotional and behavioural responses when eating. Treatment Principles • In all instances, approach oral defensiveness in a fun and playful way. • Rapport must be well established with the child. • Intervention should be carried out at times other than meal times. • Allow the child to be an active participant in therapy as much as possible. • Take turns at playing the games with the child or include siblings. • Slow and steady wins the race. • Establish a routine - Performing the routine the same way in each session helps a child to know the expectations. • Take it one step at a time - For severely orally aversive children you may not even be able to start near their mouth. Work your way from the outer perimeter of the face in toward the mouth, then the outside of the mouth, and gradually work your way into the mouth • Reinforce all positive responses. Give verbal praise and tangible reinforcement Therapy should be directed toward reducing the sensory problems that triggered the food refusal. However, the general strategy is to influence the sensory processing system, not just the mouth. Many of the strategies used in Sensory Integration programs are effective. These include use of vestibular input(movement through space), deep- pressure touch, and proprioceptive input through the joints. Rhythmical, organizing music and sound can also influence the auditory-vestibular system. Most of these strategies can be incorporated in the family routine to prepare. For example, spoon feeding can be introduced while providing vestibular input in a rocking chair, or using specific types of organizing music during the meal. -
Round 1 Michael Etzkorn • Brad Fischer • Clare Keenan • Mike Laudermith • Lauren Onel Noah Prince • Jacob Simmons • Kristin Strey • Tyler Vaughan
2017 SCOP MS 8 Round 1 Michael Etzkorn • Brad Fischer • Clare Keenan • Mike Laudermith • Lauren Onel Noah Prince • Jacob Simmons • Kristin Strey • Tyler Vaughan Tossups (1) One example of this type of process is a cycloaddition named for Diels and Alder. Substances that increase the rate of these processes without being consumed by them are known as (*) catalysts. When these processes take place, a change in color or temperature may be observed, unlike physical changes. For ten points, give this term for a process that creates new chemical substances. ANSWER: chemical reaction (2) In a poem by this author, a man asks “is there balm in Gilead?” This man wrote a short story whose narrator hears a sound like a “watch enveloped in cotton” after hiding his neighbor’s (*) body under his floorboards. The title animal repeats the word “Nevermore” in a poem by, for ten points, what author of “The Raven” and “The Tell-Tale Heart?” ANSWER: Edgar Allan Poe (3) Examples of this musical genre include Sir Edward Elgar’s Pomp and Circumstance and a somber piano sonata by Chopin intended for a funeral. This genre includes the lively “Washington Post” and the (*) “Liberty Bell” by John Philip Sousa. For ten points, name this type of music often performed by military bands, especially when on the move. ANSWER: marches (accept additional information like military march; accept funeral march after “Chopin” is read) (4) This woman was the first president of the Ninety-Nines. With funding from Purdue, where she served as a technical adviser, this woman constructed a modified Model 10 Electra. -
Web of Life: from Aardvark to Zinnia 2018
Web of Life: from Aardvark to Zinnia 2018 LYRICS SONG PAGE NUMBER 1. Bio, Biodiversity by Lauren Mayer ..............................................................................................2 2. Edward O. Wilson by Molly Ruggles ..........................................................................................3 3. Taxonomy by David Haines .........................................................................................................4 4. Extremophiles by David Haines ...................................................................................................5 5. Bacteria by David Haines ............................................................................................................6 6. Intelligent Slime Mould by David Haines ....................................................................................7 7. Fungi by David Haines ................................................................................................................8 8. All About Plants by Lauren Mayer ..............................................................................................9 9. Water Bears by Andrea Gaudette ...............................................................................................10 10. Cambridge Public School Medley by David Haines ................................................................11 11. LUCA (Last Universal Common Ancestor by Bruce Lazarus ..................................................13 12. Mutate! by David Haines .........................................................................................................14 -
Uptownlive.Song List Copy.Pages
Uptown Live Sample - Song List Top 40/ Pop 24k Gold - Bruno Mars Adventure of A Lifetime - Coldplay Aint My Fault - Zara Larsson All of Me (John Legend) Another You - Armin Van Buren Bad Romance -Lady Gaga Better Together -Jack Johnson Blame - Calvin Harris Blurred Lines -Robin Thicke Body Moves - DNCE Boom Boom Pow - Black Eyed Peas Cake By The Ocean - DNCE California Girls - Katy Perry Call Me Maybe - Carly Rae Jepsen Can’t Feel My Face - The Weeknd Can’t Stop The Feeling - Justin Timberlake Cheap Thrills - Sia Cheerleader - OMI Clarity - Zedd feat. Foxes Closer - Chainsmokers Closer – Ne-Yo Cold Water - Major Lazer feat. Beiber Crazy - Cee Lo Crazy In Love - Beyoncé Despacito - Luis Fonsi, Daddy Yankee and Beiber DJ Got Us Falling In Love Again - Usher Don’t Know Why - Norah Jones Don’t Let Me Down - Chainsmokers Don’t Wanna Know - Maroon 5 Don’t You Worry Child - Sweedish House Mafia Dynamite - Taio Cruz Edge of Glory - Lady Gaga ET - Katy Perry Everything - Michael Bublé Feel So Close - Calvin Harris Firework - Katy Perry Forget You - Cee Lo FUN- Pitbull/Chris Brown Get Lucky - Daft Punk Girlfriend – Justin Bieber Grow Old With You - Adam Sandler Happy – Pharrel Hey Soul Sister – Train Hideaway - Kiesza Home - Michael Bublé Hot In Here- Nelly Hot n Cold - Katy Perry How Deep Is Your Love - Calvin Harris I Feel It Coming - The Weeknd I Gotta Feelin’ - Black Eyed Peas I Kissed A Girl - Katy Perry I Knew You Were Trouble - Taylor Swift I Want You To Know - Zedd feat. Selena Gomez I’ll Be - Edwin McCain I’m Yours - Jason Mraz In The Name of Love - Martin Garrix Into You - Ariana Grande It Aint Me - Kygo and Selena Gomez Jealous - Nick Jonas Just Dance - Lady Gaga Kids - OneRepublic Last Friday Night - Katy Perry Lean On - Major Lazer feat. -
Classifying Rivers - Three Stages of River Development
Classifying Rivers - Three Stages of River Development River Characteristics - Sediment Transport - River Velocity - Terminology The illustrations below represent the 3 general classifications into which rivers are placed according to specific characteristics. These categories are: Youthful, Mature and Old Age. A Rejuvenated River, one with a gradient that is raised by the earth's movement, can be an old age river that returns to a Youthful State, and which repeats the cycle of stages once again. A brief overview of each stage of river development begins after the images. A list of pertinent vocabulary appears at the bottom of this document. You may wish to consult it so that you will be aware of terminology used in the descriptive text that follows. Characteristics found in the 3 Stages of River Development: L. Immoor 2006 Geoteach.com 1 Youthful River: Perhaps the most dynamic of all rivers is a Youthful River. Rafters seeking an exciting ride will surely gravitate towards a young river for their recreational thrills. Characteristically youthful rivers are found at higher elevations, in mountainous areas, where the slope of the land is steeper. Water that flows over such a landscape will flow very fast. Youthful rivers can be a tributary of a larger and older river, hundreds of miles away and, in fact, they may be close to the headwaters (the beginning) of that larger river. Upon observation of a Youthful River, here is what one might see: 1. The river flowing down a steep gradient (slope). 2. The channel is deeper than it is wide and V-shaped due to downcutting rather than lateral (side-to-side) erosion. -
WHAT YOU NEED to KNOW ABOUT DATING VIOLENCE a TEEN’S HANDBOOK “I Think Dating Violence Is Starting at a Younger Age
WHAT YOU NEED TO KNOW ABOUT DATING VIOLENCE A TEEN’S HANDBOOK “I think dating violence is starting at a younger age. It happened to me when I was 14 and I didn’t know what to do. We were friends, and then we started becoming closer. One day, he tried to push himself onto me physically. I didn’t tell anyone for months. I was embarrassed. When I finally told people, the more I talked about it the better I felt. My friend said, ‘You have to remember that you don’t deserve people taking advantage of you.’ A lot of my friends said stuff to him, and it made him feel really stupid about what he had done. The more I talked about it, the more I heard that this stuff happens but it’s not your fault.” — A. R., age 17 table of contents 3 to our teenage friends 4 chapter one: summer’s over 7 chapter two: risky business 10 chapter three: no exit? 14 chapter four: a friend in need 20 chapter five: taking a stand 25 for more information “I’m sorry,” he says, taking her hand. “It’s just that I miss you when you’re not around. I’m sorry I lost my temper.” Excerpted from chapter two. to our teenage friends Your teen years are some of the most exciting and challenging times in your life. You’re meeting new people, forming special friendships and making lifelong decisions. Some of these decisions may involve dating. And while dating can be one of the best things about being a teenager, it brings a host of new feelings and experiences — not all of them good. -
Scheme of the Research
SCHEME OF THE RESEARCH TITLE OF THE RESEARCH THE IN FLUENCE OF SOCIAL CLASS TO THE USE OF SWEAR WORD IN NICKI MINAJS’S RAP SONGS LYRIC Sociolinguistic Study Social Class Language Variety Style and Regist - Uper-uper class - Lower-uper class - Uper-middle class - Lower-middle class Swear Word - Uper-Lower class - Lower-lower class THE INFLUENCE OF SOCIAL CLASS TO THE USE OF SWEAR WORDS IN NICKI MINAJ’S RAP SONGS LYRIC Darma Persada University POSTER OF THE RESEARCH THE FLUENCE OF SOCIAL CLASS TO THE USE SWEAR WORD IN NICKI MINAJ’S RAP SONGS LYRIC Mely Arfiyanti 2015130032 DARMA PERSADA UNIVERSITY BACKGROUND FRAME WORK OF THEORIES: Sociolinguistics is the study of the relationship between language and society. How social factors can influence the Sociolinguistics Theory: way people speak. Community development; Culture, - Factors of social technology andeven religion, has caused people to form classs - Type of scoial class certian groups of social class. This form social class demands that group identities differ fromn other social Language variety classes. This need cause the effort to be different; - Style and register Included in the use of language. Each social lass seeks to be different from other sociall classes through the use of a different language. METHOD OF THE RESEARCH RESULT OF THE RESEARCH In this research, the writer use Based on the songs that the writer analyzesd, style and qualitative method to collect the data. register theory use in rap songs. They use swear The sources of the data are from words as her style asher special language that use in journals, articles, books, and internet. -
How to Pan for Gold Swirls to Expose the Gold
coming to a stop. This will carry the quartz sand away, as well as some of the black sand, leaving the gold in its trail. It may take 4-5 How to Pan for Gold swirls to expose the gold. With much of the by quartz sand in the area between the 9 and 6 Robin C. Hale oclock positions, incline the pan toward you, Tennessee Division of Geology immersing it in the water, and increase the tilt so as to wash the quartz sand out of the Department of Environment & Conservation pan. Then, add a small amount of water to the pan, incline it toward the 12 oclock posi- PUBLIC INFORMATION SERIES NO. 2 Figure 3. Increase in tilt should be smooth and continuous, not jerky. tion, shaking it so that the sand is again con- centrated at the 12 oclock position, then level Stop when the edge of the sand and gravel STEP 4: it and repeat the circular motion. You will prob- reaches the rim of the pan (see Figure 3). ably need to repeat this several times to sepa- When you get to the point where there are only rate most of the quartz and black sand from With the pan in the last position shown in Fig. a few tablespoons of white to tan quartz, black the gold. 3, gently immerse the inclined pan in the wa- sand, and hopefully gold, at the angle of the ter until the material is covered with about an side and bottom of the pan, put a few table- The gold and some of the black sand can be inch of water. -
Rhythm, Dance, and Resistance in the New Orleans Second Line
UNIVERSITY OF CALIFORNIA Los Angeles “We Made It Through That Water”: Rhythm, Dance, and Resistance in the New Orleans Second Line A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Ethnomusicology by Benjamin Grant Doleac 2018 © Copyright by Benjamin Grant Doleac 2018 ABSTRACT OF THE DISSERTATION “We Made It Through That Water”: Rhythm, Dance, and Resistance in the New Orleans Second Line by Benjamin Grant Doleac Doctor of Philosophy in Ethnomusicology University of California, Los Angeles, 2018 Professor Cheryl L. Keyes, Chair The black brass band parade known as the second line has been a staple of New Orleans culture for nearly 150 years. Through more than a century of social, political and demographic upheaval, the second line has persisted as an institution in the city’s black community, with its swinging march beats and emphasis on collective improvisation eventually giving rise to jazz, funk, and a multitude of other popular genres both locally and around the world. More than any other local custom, the second line served as a crucible in which the participatory, syncretic character of black music in New Orleans took shape. While the beat of the second line reverberates far beyond the city limits today, the neighborhoods that provide the parade’s sustenance face grave challenges to their existence. Ten years after Hurricane Katrina tore up the economic and cultural fabric of New Orleans, these largely poor communities are plagued on one side by underfunded schools and internecine violence, and on the other by the rising tide of post-disaster gentrification and the redlining-in- disguise of neoliberal urban policy.