Press Release 2013

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INFO The Noise Next Door are the U.K’s premier improv comedy troupe, and in recent years they have taken the comedy world by storm. Five time sell-out veterans of the Edinburgh Fringe Festival and one of the country’s most sought after comedy club headliners, The Noise Next Door leave audiences everywhere in awe of their lightning-quick wit and totally original comedic talents. The Noise Next Door are Tom Houghton, Charlie Granville, Matt Grant, Tom Livingstone and Sam Pacelli. They have been performing their own distinctive brand of off-the-cuff comedy together since 2006. Taking audience suggestions, the cheeky and charming quintet, transform them into fantastically funny scenes and songs in the blink of an eye with a perfect blend of ludicrous characters, witty one-liners, epic stories, and explosive physicality. The Noise Next Door appeared on BBC Radio 4’s ‘Sketchorama’, have performed alongside Harry Hill, Al Murray and Jason Manford, and were the first international group to peform at FRACAS, the improv festival in California. Having received standing ovations in front of corporate dinners, the British forces, secondary school students and even fans at ‘Download’ Heavy Metal music festival, they are also one of the most versatile acts in the business. Unstoppably funny and uniquely talented, The Noise Next Door are well on their way to becoming comedy’s next big thing. ONLINE Website: www.thenoisenextdoor.com Facebook: www.facebook.com/noisenextdoor Twitter: www.twitter.com/noisenextdoor YouTube: www.youtube.com/noisenextdoorvideos PRESS “HILARIOUS... A SUPERIOR KIND OF CHAOS” «««« Daily Telegraph “PERFORMANCES SUCH AS THESE ARE SIMPLY BEYOND THE CAPABILITY OF MORTALS” ««««« ThreeWeeks “IT’S VERY RARE TO SEE IMPROV COMEDY SO CONSISTENTLY HIT THE MARK” «««« The List “PURE GENIUS” ««««« Fringe Review “A WORLD-CLASS ACT” ««««« USA Weekly “THE SHEER VOLUME OF LAUGHTER THIS SHOW PRODUCED WAS ASTONISHING” «««« Edinburgh Evening News “A MULTI-TALENTED BEHEMOTH OF IMPROV COMEDY... BRILLIANT” «««« Fringe Guru “HILARIOUS” **** The Daily Telegraph “SUBLIME” **** Chortle “MASTERPIECE” ***** ThreeWeeks “GENIUS” ***** Fringe Review “WORLD-CLASS” ***** USA Weekly “ASTONISHING” **** Edinburgh Evening News “INFECTIOUS” **** Fringe Guru “INCREDIBLE” ***** Broadway Baby “SPECIAL” ***** Gigglebeats “BONKERS” **** Edinburgh Festivals “REFRESHING” **** The List “ABSURD” **** What’s On Stage “FANTASTIC” **** Hairline “BRILLIANT” **** ScotsGay “SAUCY” ***** Latest 7 “PERFECT” **** Groggy Squirrel TAG-ONS -STARS OF ‘SKETCHORAMA’ ON BBC RADIO 4- .

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Legitimacy and the Celebrity Single-Issue Candidate
Legitimacy and the celebrity single-issue candidate While news coverage of General Elections can be argued to ‘crowd out’ other topics of public interest in the public sphere, some saw the election as an opportunity to attract publicity to a cause. The artist Bob and Roberta Smith stood in Michael Gove’s Surrey Heath constituency in protest at the coalition’s changes to the education curriculum downgrading the importance of art, while the comedian Al Murray’s ‘Pub Landlord’ candidacy in South Thanet was presented, perhaps more ambiguously, as a satirical criticism of fellow candidate Nigel Farage (the initials of Murray’s ‘Free United Kingdom Party’ (FUKP) illustrating the blunt nature of any ironical intent). Murray’s manifesto pledged to brick up the channel tunnel using British bricks and Polish workers; Smith’s platform was built around placing art at the centre of the curriculum. Towards the end of the campaign, and notwithstanding the final outcome, legitimacy - in the sense of the various potential parliamentary combinations of the main parties - became a key media topic. To what extent was the legitimacy of candidates such as Murray and Smith questioned? Mainstream media coverage of Smith was limited, but some supportive niche media emphasised his artist-activist credentials. This is perhaps partly due to the ‘safe’ seat he was contesting, which was never likely to change hands; he could not be argued to be disrupting ‘legitimate’ electoral politics. The campaign was also constructed around a positive, niche single issue - the importance of art education both culturally and in economic terms - which could be treated by other candidates and the media as a legitimate (but marginal) topic.
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