Kurt Andersen

Total Page:16

File Type:pdf, Size:1020Kb

Kurt Andersen Kurt Andersen • Author, RESET: How This Crisis Can Restore Our Values and Renew America • Visionary, media icon and entrepreneur • Bestselling novelist • Host, public radio’s Studio 360 “It’s the end of the world as we’ve known it,” Kurt Andersen writes in Reset, “but it isn’t the end of the world.” In this smart and refreshingly hopeful new book, Andersen – a brilliant analyst and synthesizer of historical and cultural trends, as well as a bestselling novelist and host of public radio’s Studio 360 – shows us why the current economic crisis is actually a moment of great opportunity to get ourselves and our nation back on track. Andersen explains how we’ve done it before and why we are about to do it again–and better than ever. Andersen is the author of the novels Heyday and Turn of the Century. Heyday was a New York Times bestseller that the Los Angeles Times called "a major work." The New York Times Book Review said there is "something moving, a stirring spirit, in the energy of its amazement." And the Chicago Sun-Times (and nine other papers) said that it "deserves instant acceptance into the ranks [of] Thomas Berger's Little Big Man, E.L. Doctorow's Ragtime, [and] Gore Vidal's Lincoln." It was included on several best-books-of-the- year lists. The New York Times called Turn of the Century "wickedly satirical" and "outrageously funny" and one of its Notable Books of the year, while The Wall Street Journal called it a "smart, funny and excruciatingly deft portrait of our age." It was a national bestseller. He is also host and co-creator of Studio 360, the Peabody Award-winning cultural magazine show broadcast on 140 stations to more than half a million listeners each week. From 2001 through 2004 he served as a creative consultant to Universal Television, helping to create cable channels and to shape Universal's TV programming. He also writes for film, television and the stage. He has written screenplays for Walt Disney Pictures and Village Roadshow. Currently, GreeneStreet Films is developing Turn of the Century as a film, for which he is serving as an executive producer. He is also developing a series for HBO. During the 1990s he was executive producer and head writer of two prime-time specials for NBC, starring Jerry Seinfeld and Julia Louis-Dreyfus, and a creator of three pilots for ABC and NBC. He was co-author of Loose Lips, a satirical off-Broadway revue that had long runs in New York and Los Angeles starring Bebe Neuwirth, Harry Shearer and Andy Richter. From 2004 through 2008 he wrote a column for New York (one of which is included in The Best American Magazine Writing 2008), and contributes to Vanity Fair, for which his piece on new architecture in China won the 2009 Deadline Club Award for arts reporting. He has previously been a columnist for The New Yorker and TIME. He began his career in journalism at TIME, where he was an award-winning writer on politics and criminal justice before becoming, for eight years, the magazine’s architecture and design critic. As an editor, he co-founded the legendary Spy, which transformed journalism and became profitable after three years. He also served as editor-in-chief of New York magazine during the mid-90s, presiding over its editorial reinvigoration and record profitability. In 1999 he co-founded Inside, an online and print publication covering the media and entertainment industries, and in 2004 and 2005 he oversaw a relaunch of Colors magazine. In 2006 he co-founded Very Short List, an email service for connoisseurs of culture and information that won a 2009 Webby Award. And he is editor-at-large for Random House, responsible for finding, conceiving, and overseeing non-fiction books. In 2009 he served as Visionary in Residence at Art Center College of Design in Pasadena. At the Smithsonian's Cooper-Hewitt National Design Museum in 2004, he curated an exhibit called “Faster, Cheaper, Newer, More: Revolutions of 1848." He has since joined the board of trustees of the Cooper- Hewitt, and also serves on the boards of the Pratt Institute in Brooklyn and the non-profit movie theater Filmstreams in Omaha, Nebraska, where he was born and raised. He graduated magna cum laude from Harvard College, where he was an editor of the Lampoon. He received an honorary doctorate from the Rhode Island School of Design in 2005. In 2003, New York magazine named him one of the “100 People Who Changed New York”, and in 2008 Forbes.com named him one of The 25 Most Influential Liberals in the U.S. Media. He lives in Brooklyn with his wife, Anne Kreamer, and his daughters Kate and Lucy. .
Recommended publications
  • Notes and Sources for Evil Geniuses: the Unmaking of America: a Recent History
    Notes and Sources for Evil Geniuses: The Unmaking of America: A Recent History Introduction xiv “If infectious greed is the virus” Kurt Andersen, “City of Schemes,” The New York Times, Oct. 6, 2002. xvi “run of pedal-to-the-medal hypercapitalism” Kurt Andersen, “American Roulette,” New York, December 22, 2006. xx “People of the same trade” Adam Smith, The Wealth of Nations, ed. Andrew Skinner, 1776 (London: Penguin, 1999) Book I, Chapter X. Chapter 1 4 “The discovery of America offered” Alexis de Tocqueville, Democracy In America, trans. Arthur Goldhammer (New York: Library of America, 2012), Book One, Introductory Chapter. 4 “A new science of politics” Tocqueville, Democracy In America, Book One, Introductory Chapter. 4 “The inhabitants of the United States” Tocqueville, Democracy In America, Book One, Chapter XVIII. 5 “there was virtually no economic growth” Robert J Gordon. “Is US economic growth over? Faltering innovation confronts the six headwinds.” Policy Insight No. 63. Centre for Economic Policy Research, September, 2012. --Thomas Piketty, “World Growth from the Antiquity (growth rate per period),” Quandl. 6 each citizen’s share of the economy Richard H. Steckel, “A History of the Standard of Living in the United States,” in EH.net (Economic History Association, 2020). --Andrew McAfee and Erik Brynjolfsson, The Second Machine Age: Work, Progress, and Prosperity in a Time of Brilliant Technologies (New York: W.W. Norton, 2016), p. 98. 6 “Constant revolutionizing of production” Friedrich Engels and Karl Marx, Manifesto of the Communist Party (Moscow: Progress Publishers, 1969), Chapter I. 7 from the early 1840s to 1860 Tomas Nonnenmacher, “History of the U.S.
    [Show full text]
  • How America Lost Its Mind the Nation’S Current Post-Truth Moment Is the Ultimate Expression of Mind-Sets That Have Made America Exceptional Throughout Its History
    1 How America Lost Its Mind The nation’s current post-truth moment is the ultimate expression of mind-sets that have made America exceptional throughout its history. KURT ANDERSEN SEPTEMBER 2017 ISSUE THE ATLANTIC “You are entitled to your own opinion, but you are not entitled to your own facts.” — Daniel Patrick Moynihan “We risk being the first people in history to have been able to make their illusions so vivid, so persuasive, so ‘realistic’ that they can live in them.” — Daniel J. Boorstin, The Image: A Guide to Pseudo-Events in America (1961) 1) WHEN DID AMERICA become untethered from reality? I first noticed our national lurch toward fantasy in 2004, after President George W. Bush’s political mastermind, Karl Rove, came up with the remarkable phrase reality-based community. People in “the reality-based community,” he told a reporter, “believe that solutions emerge from your judicious study of discernible reality … That’s not the way the world really works anymore.” A year later, The Colbert Report went on the air. In the first few minutes of the first episode, Stephen Colbert, playing his right-wing-populist commentator character, performed a feature called “The Word.” His first selection: truthiness. “Now, I’m sure some of the ‘word police,’ the ‘wordinistas’ over at Webster’s, are gonna say, ‘Hey, that’s not a word!’ Well, anybody who knows me knows that I’m no fan of dictionaries or reference books. They’re elitist. Constantly telling us what is or isn’t true. Or what did or didn’t happen.
    [Show full text]
  • Download on the AASL Website an Anonymous Funder Donated $170,000 Tee, and the Rainbow Round Table at Bit.Ly/AASL-Statements
    May 2021 THE MAGAZINE OF THE AMERICAN LIBRARY ASSOCIATION MARSHALL BREEDING’S LIBRARY SYSTEMS REPORTp. 22 Library Jobs Landscape p. 34 NEWSMAKER: Isabel Allende p. 20 PLUS: Drive-In Storytimes, Rural Telehealth, Bike Tour Librarian This Summer! Join us online at the event created and curated for the library community. Event Highlights • Educational programming • COVID-19 information for libraries • News You Can Use sessions highlighting • Interactive Discussion Groups new research and advances in libraries • Presidents' Programs • Memorable and inspiring featured authors • Livestreamed and on-demand sessions and celebrity speakers • Networking opportunities to share and The Library Marketplace with more than • connect with peers 250 exhibitors, Presentation Stages, Swag-A-Palooza, and more • Event content access for a full year ALA Members who have been recently furloughed, REGISTER TODAY laid o, or are experiencing a reduction of paid alaannual.org work hours are invited to register at no cost. #alaac21 Thank you to our Sponsors May 2021 American Libraries | Volume 52 #5 | ISSN 0002-9769 COVER STORY 2021 LIBRARY SYSTEMS REPORT Advancing library technologies in challenging times | p. 22 BY Marshall Breeding FEATURES 38 JOBS REPORT 34 The Library Employment Landscape Job seekers navigate uncertain terrain BY Anne Ford 38 The Virtual Job Hunt Here’s how to stand out, both as an applicant and an employer BY Claire Zulkey 42 Serving the Community at All Times Cultural inclusivity programming during a pandemic BY Nicanor Diaz, Virginia Vassar
    [Show full text]
  • Print Hardcover Best Sellers
    Copyright © 2017 October 1, 2017 by The New York Times THE NEW YORK TIMES BOOK RE­­VIEW Print Hardcover Best Sellers THIS LAST WEEKS THIS LAST WEEKS WEEK WEEK Fiction ON LIST WEEK WEEK Nonfiction ON LIST A COLUMN OF FIRE, by Ken Follett. (Viking) The lovers Ned 1 WHAT HAPPENED, by Hillary Rodham Clinton. (Simon & 1 1 1 Willard and Margery Fitzgerald find themselves on opposite sides Schuster) The first woman nominated for president by a major of a conflict between English Catholics and Protestants while political party details her campaign, mistakes she made, outside Queen Elizabeth fights to maintain her throne. forces that affected the outcome and how she recovered in its aftermath. THE GIRL WHO TAKES AN EYE FOR AN EYE, by David 1 2 Lagercrantz. (Knopf) Lisbeth Salander teams up with an UNBELIEVABLE, by Katy Tur. (Dey St.) The NBC News 1 2 investigative journalist to uncover the secrets of her childhood. A correspondent describes her work covering the 2016 campaign continuation of Stieg Larsson’s Millennium series. of the Republican nominee for president and his behavior toward her. 3 ENEMY OF THE STATE, by Kyle Mills. (Atria/Emily Bestler) Vince 2 3 Flynn’s character Mitch Rapp leaves the C.I.A. to go on a manhunt 1 ASTROPHYSICS FOR PEOPLE IN A HURRY, by Neil deGrasse 20 3 when the nephew of a Saudi King finances a terrorist group. Tyson. (Norton) A straightforward, easy-to-understand introduction to the universe. THE ROMANOV RANSOM, by Clive Cussler and Robin Burcell. 1 4 (Putnam) Sam and Remi Fargo search for two missing filmmakers 2 HILLBILLY ELEGY, by J.
    [Show full text]
  • How America Went Haywire
    Have Smartphones Why Women Bully Destroyed a Each Other at Work Generation? p. 58 BY OLGA KHAZAN Conspiracy Theories. Fake News. Magical Thinking. How America Went Haywire By Kurt Andersen The Rise of the Violent Left Jane Austen Is Everything The Whitest Music Ever John le Carré Goes SEPTEMBER 2017 Back Into the Cold THEATLANTIC.COM 0917_Cover [Print].indd 1 7/19/2017 1:57:09 PM TerTeTere msm appppply.ly Viistsits ameierier cancaanexpexpresre scs.cs.s com/om busbubusinesspsplatl inuummt to learnmn moreorer . Hogarth &Ogilvy Hogarth 212.237.7000 CODE: FILE: DESCRIPTION: 29A-008875-25C-PBC-17-238F.indd PBC-17-238F TAKE A BREAK BEFORE TAKING ONTHEWORLD ABREAKBEFORETAKING TAKE PUB/POST: The Atlantic -9/17issue(Due TheAtlantic SAP #: #: WORKORDER PRODUCTION: AP.AP PBC.17020.K.011 AP.AP al_stacked_l_18in_wide_cmyk.psd Art: D.Hanson AP17006A_003C_EarlyCheckIn_SWOP3.tif 008875 BLEED: TRIM: LIVE: (CMYK; 3881 ppi; Up toDate) (CMYK; 3881ppi;Up 15.25” x10” 15.75”x10.5” 16”x10.75” (CMYK; 908 ppi; Up toDate), (CMYK; 908ppi;Up 008875-13A-TAKE_A_BREAK_CMYK-TintRev.eps 008875-13A-TAKE_A_BREAK_CMYK-TintRev.eps (Up toDate), (Up AP- American Express-RegMark-4C.ai AP- AmericanExpress-RegMark-4C.ai (Up toDate), (Up sbs_fr_chg_plat_met- at americanexpress.com/exploreplatinum at PlatinumMembership Business of theworld Explore FineHotelsandResorts. hand-picked 975 atover head your andclear early Arrive TerTeTere msm appppply.ly Viistsits ameierier cancaanexpexpresre scs.cs.s com/om busbubusinesspsplatl inuummt to learnmn moreorer . Hogarth &Ogilvy Hogarth 212.237.7000
    [Show full text]
  • The Creative Life of 'Saturday Night Live' Which Season Was the Most Original? and Does It Matter?
    THE PAGES A sampling of the obsessive pop-culture coverage you’ll find at vulture.com ost snl viewers have no doubt THE CREATIVE LIFE OF ‘SATURDAY experienced Repetitive-Sketch Syndrome—that uncanny feeling NIGHT LIVE’ WHICH Mthat you’re watching a character or setup you’ve seen a zillion times SEASON WAS THE MOST ORIGINAL? before. As each new season unfolds, the AND DOES IT MATTER? sense of déjà vu progresses from being by john sellers 73.9% most percentage of inspired (A) original sketches season! (D) 06 (B) (G) 62.0% (F) (E) (H) (C) 01 1980–81 55.8% SEASON OF: Rocket Report, Vicki the Valley 51.9% (I) Girl. ANALYSIS: Enter 12 51.3% new producer Jean Doumanian, exit every 08 Conehead, Nerd, and 16 1975–76 sign of humor. The least- 1986–87 SEASON OF: Samurai, repetitive season ever, it SEASON OF: Church Killer Bees. ANALYSIS: taught us that if the only Lady, The Liar. Groundbreaking? breakout recurring ANALYSIS: Michaels Absolutely. Hilarious? returned in season 11, 1990–91 character is an unfunny 1982–83 Quite often. But man-child named Paulie dumped Billy Crystal SEASON OF: Wayne’s SEASON OF: Mr. Robinson’s unbridled nostalgia for Herman, you’ve got and Martin Short, and Neighborhood, The World, Hans and Franz. SNL’s debut season— problems that can only rebuilt with SNL’s ANALYSIS: Even though Whiners. ANALYSIS: Using the second-least- be fixed by, well, more broadest ensemble yet. seasons 4 and 6 as this is one of the most repetitive ever—must 32.0% Eddie Murphy.
    [Show full text]
  • Some Major Advertisers Step up the Pressure on Magazines to Alter Their Content, Will Editors Bend?
    THE by Russ Baker SOME MAJOR ADVERTISERS STEP UP THE PRESSURE ON MAGAZINES TO ALTER THEIR CONTENT, WILL EDITORS BEND? In an effort to avoid potential conflicts, s there any doubt that advertisers reason to hope that other advertisers it is required that Chrysler Corporation mumble and sometimes roar about won’t ask for the same privilege. be alerted in advance of any and all edi- reporting that can hurt them? You will have thirty or forty adver- torial content that encompasses sexual, I That the auto giants don’t like tisers checking through the pages. political, social issues or any editorial pieces that, say point to auto safety They will send notes to publishers. that might be construed as provocative problems? Or that Big Tobacco hates I don’t see how any good citizen or offensive. Each and every issue that to see its glamorous, cheerful ads doesn’t rise to this occasion and say carries Chrysler advertising requires a juxtaposed with articles mentioning this development is un-American Written summary outlining major their best customers’ grim way of and a threat to freedom.” theme/articles appearing in upcoming death? When advertisers disapprove Hyperbole? Maybe not. Just about issues. These summaries are to be for- of an editorial climate, they can- any editor will tell you: the ad/edit Warded to PentaCorn prior to closing in and sometimes do take a hike. chemistry is changing for the worse. order to give Ch ysler ample time to re- But for Chrysler to push beyond Corporations and their ad agencies view and reschedule if desired.
    [Show full text]
  • Politics of Parody
    Bryant University Bryant Digital Repository English and Cultural Studies Faculty English and Cultural Studies Journal Articles Publications and Research Winter 2012 Live From New York, It's the Fake News! Saturday Night Live and the (Non)Politics of Parody Amber Day Bryant University Ethan Thompson Texas A & M University - Corpus Christi, [email protected] Follow this and additional works at: https://digitalcommons.bryant.edu/eng_jou Part of the Other Arts and Humanities Commons, Other Film and Media Studies Commons, and the Television Commons Recommended Citation Day, Amber and Thompson, Ethan, "Live From New York, It's the Fake News! Saturday Night Live and the (Non)Politics of Parody" (2012). English and Cultural Studies Journal Articles. Paper 44. https://digitalcommons.bryant.edu/eng_jou/44 This Article is brought to you for free and open access by the English and Cultural Studies Faculty Publications and Research at Bryant Digital Repository. It has been accepted for inclusion in English and Cultural Studies Journal Articles by an authorized administrator of Bryant Digital Repository. For more information, please contact [email protected]. 1 Live from New York, It’s the Fake News! Saturday Night Live and the (Non)Politics of Parody Amber Day Assistant Professor English and Cultural Studies Bryant University 401-952-3933 [email protected] Ethan Thompson Associate Professor Department of Communication Texas A&M University - Corpus Christi 361-876-5200 [email protected] 2 Abstract Though Saturday Night Live’s “Weekend Update” has become one of the most iconic of fake news programs, it is remarkably unfocused on either satiric critique or parody of particular news conventions.
    [Show full text]
  • 6 Am 6 Am 7 Am 7 Am 8 Am 8 Am 9 Am 9 Am 10 Am 10 Am 11 Am
    SUNDAY MONDAY TUESDAY WEDNESDAY THURSDAY FRIDAY SATURDAY Public Radio Remix Midnight– BBC World Service Overnight — For detailed listings, visit: bbc.co.uk/worldservice Midnight– 5 am PRX 5 am Counterspin 6 am TUC Radio NPR’s Morning Edition from National Public Radio (starts at 5 am) 6 am NPR’s On Being with BBC World News live from London on the hour, a Daily Almanac at 5:49 & 8:49, and the school lunch menu at 6:49 Weekend Edition 7 am Krista Tippett Crosscurrents Morning Report at 6:51 & 8:51, Monday-Thursday, and 99% Invisible with Roman Mars on Friday at 6:51 & 8:51 7 am Jim Hightower’s commentaries at 7:30 on Monday and Tuesday, and World According to Sound on Friday at 7:30. with Scott Simon Hidden Brain with Sandip Roy’s “Dispatch from Kolkata” Wednesday at 7:44, Sights & Sounds Thursday at 7:44 8 am Shankar Vedantam 8 am Fresh Air with Terry Gross Wait Wait… 9 am with BirdNote at 9:04am Don’t Tell Me 9 am To The Best Of Our Knowledge Your Call with Rose Aguilar Bullseye 10 am Join the conversation at 415-841-4134 or 866-798-TALK 10 am 1A with Joshua Johnson Philosophy Talk Snap Judgment 11 am 855-236-1212 • [email protected] • @1A on Twitter 11 am Harry Shearer’s Philosophy Talk This American Life Reveal Binah Inflection Point CBC’s Day 6 noon Le Show (Rebroadcast) (Rebroadcast) noon Open Air 1 pm This American Life Alternative Radio Big Picture Science Snap Judgment with David Latulippe Latino USA KALW Presents… 1 pm BBC Cultural Frontline Thistle & Shamrock BBC’s Newshour BBC The Real Story 2 pm Alt.Latino with Fiona Ritchie 2 pm Sound Opinions NPR’s All Things Considered 3 pm Folk Music & Beyond 3 pm BBC News update at 4:01, with JoAnn Mar & Open Source with Bob Campbell 4:45pm features: Wednesday/Sandip Roy’s “Dispatch from Kolkata,” Thursday/Sights & Sounds/The Slowdown 6:01 4 pm Christopher Lydon 4 pm Crosscurrents from KALW News Your Call pm Selected Shorts Media Roundtable A Patchwork Quilt pm 5 The Daily (Rebroadcast) with 5 Kevin Vance Fresh Air with Terry Gross 6 pm The Moth Radio Hour S.F.
    [Show full text]
  • From “Discourses of Sobriety” to Deadpan Comedy: Christopher Guest’S Musical Trilogy
    Angles New Perspectives on the Anglophone World 9 | 2019 Reinventing the Sea From “Discourses of Sobriety” to Deadpan Comedy: Christopher Guest’s Musical Trilogy Charles Holdefer Electronic version URL: http://journals.openedition.org/angles/2216 DOI: 10.4000/angles.2216 ISSN: 2274-2042 Publisher Société des Anglicistes de l'Enseignement Supérieur Electronic reference Charles Holdefer, « From “Discourses of Sobriety” to Deadpan Comedy: Christopher Guest’s Musical Trilogy », Angles [Online], 9 | 2019, Online since 01 November 2019, connection on 06 September 2020. URL : http://journals.openedition.org/angles/2216 ; DOI : https://doi.org/10.4000/angles.2216 This text was automatically generated on 6 September 2020. Angles est mise à disposition selon les termes de la Licence Creative Commons Attribution 4.0 International. From “Discourses of Sobriety” to Deadpan Comedy: Christopher Guest’s Musical ... 1 From “Discourses of Sobriety” to Deadpan Comedy: Christopher Guest’s Musical Trilogy Charles Holdefer The idea was, “Wouldn’t it be fun to do a movie where people got this right for a change?” Harry Shearer, aka bass player “Derek Smalls” of Spinal Tap (Muir 2004: 25) 1 The entertainment industry has long been fascinated by the “truth” behind popular music. Indeed, the first feature length talking film, The Jazz Singer (Crosland 1927), starred Al Jolson as Jakie Rabinowitz, a young man struggling to reconcile his Jewish identity to his success at performing in blackface to white audiences. Since then, there has been an endless stream of movies about music. Some are explicitly biographical, with actors cast as iconic musicians: e.g., The Glenn Miller Story (Mann 1954), The Buddy Holly Story (Rash 1978), Ray (Hackford 2004), Walk the Line (Mangold 2005) and Bohemian Rhapsody (Singer 2018).
    [Show full text]
  • Mockumentary Film Program.Pdf
    History of the Mockumentary Film Wednesday January 1, 2020 – Friday January 10, 2020 Vicki Napolitano MALS Capstone Project About the Film Series From there start, documentary films have attempted to capture various aspects of real life, primarily for the purpose of maintaining a historical record of noteworthy people, places, and events. Today, documentaries explore multiple aspects of everyday life. They often expose uncomfortable truths in an effort to move society forward and improve human condition. One of the sub-genres of documentary filmmaking is the mockumentary. A mockumentary takes the form of a documentary but the people and events depicted are fictional and treated satirically. Through the lens of parody, filmmakers can examine and comment on current events and issues within our everyday society. The Mock Doc film series explores the history of the mockumentary film and how it’s developed throughout film history. The goal of the mockumentary is not to enhance credibility but to explicitly question the believability of what the audience is witnessing. While many early documentary films used fakery to add to the realism the directors were trying to portray, mockumentaries are designed to amuse or look as realistic as possible - both to trick the audience and to challenge them to question what they accept as truth. The series will demonstrate that several films that are labeled as traditional documentaries are actually mockumentaries and how even fiction films can come across to audiences as real life. Nanook of the North (1922) Directed by Robert Flaherty Wednesday January 1, 2020 @ 6PM Considered by many as the first feature-length documentary, director Robert Flaherty captures the life of an Inuit man named Nanook, and the struggles his family face surviving the difficult conditions of the Canadian Artic.
    [Show full text]
  • Cass Sunstein and the Modern Regulatory State Ass Sunstein ’75, J.D
    The Legal Olympian Cass Sunstein and the modern regulatory state ass sunstein ’75, J.D. ’78, has been regarded as one of the country’s Cmost influential and adven- turous legal scholars for a generation. His scholarly ar- ticles have been cited more often than those of any of his peers ever since he was a young professor. At 60, now Walmsley University Profes- sor at Harvard Law School, he publishes significant books as often as many pro- ductive academics publish scholarly articles—three of them last year. In each, by Lincoln Caplan Sunstein comes across as a brainy and cheerful tech- nocrat, practiced at thinking about the consequenc- es of rules, regulations, and policies, with attention to the linkages between particular means and ends. Drawing on insights from cognitive psychology as well as behavioral economics, he is especially focused on mastering how people make significant choices that promote or undercut their own well-being and that of society, so government and other institutions can reinforce the good and correct for the bad in shaping policy. The first book,Valuing Life: Humanizing the Regulatory State, answers a question about him posed by Eric Posner, a professor of law, a friend of Sunstein’s, and a former colleague at the University of Chicago: “What happens when the world’s leading academic expert on regu- lation is plunked into the real world of government?” In “the cockpit of the regulatory state,” as Sunstein describes the White House Office of Information and Regulatory Affairs, which he led from 2009 to 2012, he oversaw the process of approving regulations for everything from food and financial services to healthcare and national security.
    [Show full text]