DOCSLIB.ORG

April 29, 2005 Animation Gets Futuristic with Dreamworks' 'Robots'

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
April 29, 2005 Animation Gets Futuristic with Dreamworks' 'Robots' www.surveyor.wash.org April 29, 2005 17 Animation gets futuristic with DreamWorks’ ‘Robots’ Andrew Madsen film, I was reminded of movies such as “Me- staff writer tropolis” and “Blade Runner,” movies that present the future as a place of visual wonder, Animation has progressed steadily through- and yet one that also contains an element of out the years, from the early days of black and fear emitting from the rulers who control such white Disney cartoons to the latest CGI films places. Greed and the black and white side of from PIXAR and DreamWorks. human nature are also found in these movies, This is where the delightful movie “Ro- especially in “Robots,” with Rodney’s struggle bots” comes in, the latest CGI picture from against Ratchet’s plans to change Robot City DreamWorks, who is also responsible for the for the worse. successful “Shrek” movies. Certainly animation is not only what Rodney Copperbottem (voiced by Ewan makes the movie worth watching, but also McGregor) is a young robot born to an aver- the plot and characters. “Robots” great- age family. Inspired by the legendary inventor est strength lies in its characters, and the Bigweld (voiced by Mel Brooks), he dreams often funny dialogue they are given to say, of becoming a great inventor and improving along with some of the film’s entertaining, the lives of his fellow robots. comedic moments. In that aspect, Williams Rodney leaves his home and journeys as Fender is the movie’s best character, as to the gigantic metropolis of Robot City, he steals most of the scenes he’s in with where he runs into a gang of misfits led by typical comedic fashion. While Fender at the zany Fender (voiced by Robin Williams). times seems to be similar to the Genie that He also encounters the sinister corporate Williams voiced in “Aladdin,” for the most tyrant Ratchet (voiced by Greg Kinnear) and part Williams keeps the character fresh and Cappy (voiced by Halle Berry), an executive irreverent, and manages to incorporate his at Bigweld’s company. trademark zaniness into the part. First and foremost, the movie’s animation is McGregor does a fine job of voicing Rod- excellent. Chris Wedge, who also directed the ney, as he captures his youthful ideals and animated comedy “Ice Age,” does a wonderful desire to be an inventor and to help others. job of creating a robot city that is futuristic, Cappy and the rest of Fender’s gang seem to and yet has a look straight out of the 1940’s. be side note characters, and don’t really seem The movie itself, much like “A Bug’s Life” and to form a solid supporting cast. Kinnear as www.yahoomovies.com Ratchet is your typical scheming, crazy villain, other animated films, does not feel the need to Due to the film’s entertainment value and only he’s bent on corporate dominance instead include humans on screen. Rather, its about the high-spiritedness of the whole enterprise, of world conquest. Brooks has a small part creating a world on screen that looks and feels along with the film’s colorful animation and as Bigweld, yet he comes off as a fun loving, 3.5 out of 5 stars real, with human elements incorporated into visuals, I found “Robots” to be a great view- young at heart fellow, who reminded me of the movie’s characters. ing experience. Concerning the futuristic aspect of the Walt Disney. abcmedianet.com Networks hope new TV shows will make an impact for viewers workers having their own quirks and habits, Jackie Albrecht it provides for a show that is never dull. “The staff writer Office” is on Tuesdays at 8:30 p.m. Fox is debuting an animated comedy show Spring has finally arrived, and many tele- called “American Dad.” It portrays the life of vision networks have decided to do a little a family man, Stan Smith, who works for the spring cleaning to find room for the addition CIA and is constantly on the alert for terror- of new television shows. ist activity. Stan would do anything for his ABC seems to be the top dog when it country that he loves greatly. To add to the comes to the number of new TV shows. humor, he has a wife who is a bit of a party They’re debuting four new shows. One of girl, a daughter who is a left-winged liberal these four is “Grey’s Anatomy,” which follows (much to Stan’s dismay), a son who tries to the life of Meredith Grey (Ellen Pompeo), an act cool but fails miserably and two other intern fresh out of medical school trying to characters including a sarcastic alien and a succeed in a teaching hospital. Grey and her German talking goldfish. “American Dad” three other fellow interns receive on-the-job will premiere Sunday, May 1 at 8:30 p.m. training, where they have to think quick on For all reality TV fans, there is a new show their feet or it could be a matter of life and in town. “Meet the Barkers” follows Travis death. ‘Grey’s Anatomy” airs Sunday nights Barker, the drummer of Blink-182, and his at 9:00 p.m. wife Shanna Moakler, an actress and profes- “Eyes,” also on ABC, depicts the life of sional model as they live life in their hectic Harlan Judd (Tim Daly), head of Judd Risk world. “Meet the Barkers” airs Wednesdays Management, a low-key firm doing whatever at 9:00 p.m. on MTV. it takes to handle cases with the highest poten- USA is debuting a new remake of the tial stakes. Along with other ruthless, brilliant popular 70’s show, “Kojak.” This series and skilled individuals, they do anything they follows a New York detective, Theo Kojak can to win in a world full of blackmail, revenge (Ving Rhames), who is dedicated to his work and intrigue. “Eyes” appears Wednesdays at and solving even the most heinous crimes. 9:00 p.m. Through years of experience and his tough NBC is a close second when it comes to attitude, Kojak is able to get to the center of new TV shows, by debuting three shows. all crimes. “The Office,” based on the British hit televi- Whether it’s comedy, drama or suspense sion show, follows the lives of five nine-to-five you like, there’s bound to be a new television workers at a paper supply company. This show for you to enjoy this spring. Only time show combines documentary with reality TV will tell if these shows will hold up against and then mixes it with comedy. With all the veteran programming. .
Load more

Recommended publications
  • Suggestions for Top 100 Family Films
    SUGGESTIONS FOR TOP 100 FAMILY FILMS Title Cert Released Director 101 Dalmatians U 1961 Wolfgang Reitherman; Hamilton Luske; Clyde Geronimi Bee Movie U 2008 Steve Hickner, Simon J. Smith A Bug’s Life U 1998 John Lasseter A Christmas Carol PG 2009 Robert Zemeckis Aladdin U 1993 Ron Clements, John Musker Alice in Wonderland PG 2010 Tim Burton Annie U 1981 John Huston The Aristocats U 1970 Wolfgang Reitherman Babe U 1995 Chris Noonan Baby’s Day Out PG 1994 Patrick Read Johnson Back to the Future PG 1985 Robert Zemeckis Bambi U 1942 James Algar, Samuel Armstrong Beauty and the Beast U 1991 Gary Trousdale, Kirk Wise Bedknobs and Broomsticks U 1971 Robert Stevenson Beethoven U 1992 Brian Levant Black Beauty U 1994 Caroline Thompson Bolt PG 2008 Byron Howard, Chris Williams The Borrowers U 1997 Peter Hewitt Cars PG 2006 John Lasseter, Joe Ranft Charlie and The Chocolate Factory PG 2005 Tim Burton Charlotte’s Web U 2006 Gary Winick Chicken Little U 2005 Mark Dindal Chicken Run U 2000 Peter Lord, Nick Park Chitty Chitty Bang Bang U 1968 Ken Hughes Chronicles of Narnia: The Lion, PG 2005 Adam Adamson the Witch and the Wardrobe Cinderella U 1950 Clyde Geronimi, Wilfred Jackson Despicable Me U 2010 Pierre Coffin, Chris Renaud Doctor Dolittle PG 1998 Betty Thomas Dumbo U 1941 Wilfred Jackson, Ben Sharpsteen, Norman Ferguson Edward Scissorhands PG 1990 Tim Burton Escape to Witch Mountain U 1974 John Hough ET: The Extra-Terrestrial U 1982 Steven Spielberg Activity Link: Handling Data/Collecting Data 1 ©2011 Film Education SUGGESTIONS FOR TOP 100 FAMILY FILMS CONT..
    [Show full text]
  • Toy Story: How Pixar Reinvented the Animated Feature
    Brown, Noel. " An Interview with Steve Segal." Toy Story: How Pixar Reinvented the Animated Feature. By Susan Smith, Noel Brown and Sam Summers. London: Bloomsbury Academic, 2017. 197–214. Bloomsbury Collections. Web. 2 Oct. 2021. <http:// dx.doi.org/10.5040/9781501324949.ch-013>. Downloaded from Bloomsbury Collections, www.bloomsburycollections.com, 2 October 2021, 03:24 UTC. Copyright © Susan Smith, Sam Summers and Noel Brown 2018. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher, and provide a link to the Creative Commons licence. 1 97 Chapter 13 A N INTERVIEW WITH STEVE SEGAL N o e l B r o w n Production histories of Toy Story tend to focus on ‘big names’ such as John Lasseter and Pete Docter. In this book, we also want to convey a sense of the animator’s place in the making of the fi lm and their perspective on what hap- pened, along with their professional journey leading up to that point. Steve Segal was born in Richmond, Virginia, in 1949. He made his fi rst animated fi lms as a high school student before studying Art at Virginia Commonwealth University, where he continued to produce award- winning, independent ani- mated shorts. Aft er graduating, Segal opened a traditional animation studio in Richmond, making commercials and educational fi lms for ten years. Aft er completing the cult animated fi lm Futuropolis (1984), which he co- directed with Phil Trumbo, Segal moved to Hollywood and became interested in com- puter animation.
    [Show full text]
  • Theaters 3 & 4 the Grand Lodge on Peak 7
    The Grand Lodge on Peak 7 Theaters 3 & 4 NOTE: 3D option is only available in theater 3 Note: Theater reservations are for 2 hours 45 minutes. Movie durations highlighted in Orange are 2 hours 20 minutes or more. Note: Movies with durations highlighted in red are only viewable during the 9PM start time, due to their excess length Title: Genre: Rating: Lead Actor: Director: Year: Type: Duration: (Mins.) The Avengers: Age of Ultron 3D Action PG-13 Robert Downey Jr. Joss Whedon 2015 3D 141 Born to be Wild 3D Family G Morgan Freeman David Lickley 2011 3D 40 Captain America : The Winter Soldier 3D Action PG-13 Chris Evans Anthony Russo/ Jay Russo 2014 3D 136 The Chronicles of Narnia: The Voyage of the Dawn Treader 3D Adventure PG Georgie Henley Michael Apted 2010 3D 113 Cirque Du Soleil: Worlds Away 3D Fantasy PG Erica Linz Andrew Adamson 2012 3D 91 Cloudy with a Chance of Meatballs 2 3D Animation PG Ana Faris Cody Cameron 2013 3D 95 Despicable Me 3D Animation PG Steve Carell Pierre Coffin 2010 3D 95 Despicable Me 2 3D Animation PG Steve Carell Pierre Coffin 2013 3D 98 Finding Nemo 3D Animation G Ellen DeGeneres Andrew Stanton 2003 3D 100 Gravity 3D Drama PG-13 Sandra Bullock Alfonso Cuaron 2013 3D 91 Hercules 3D Action PG-13 Dwayne Johnson Brett Ratner 2014 3D 97 Hotel Transylvania Animation PG Adam Sandler Genndy Tartakovsky 2012 3D 91 Ice Age: Continetal Drift 3D Animation PG Ray Romano Steve Martino 2012 3D 88 I, Frankenstein 3D Action PG-13 Aaron Eckhart Stuart Beattie 2014 3D 92 Imax Under the Sea 3D Documentary G Jim Carrey Howard Hall
    [Show full text]
  • Jacob Burns Film Center Celebrates Blue Sky Studios, Creators of Ice Age, Robots, and Rio
    Jacob Burns Film Center Celebrates Blue Sky Studios, Creators of Ice Age, Robots, and Rio A Collaboration with Katonah Museum of Art Pleasantville, NY – Sept. 5, 2012 – The Jacob Burns Film Center (JBFC) is collaborating with the Katonah Museum of Art (KMA) to Celebrate Blue Sky Studios. KMA is presenting “Ice Age to the Digital Age: The 3D Animation of Blue Sky Studios,” a Blue Sky Studios exhibition from Sept. 16, 2012–Jan. 20, 2013. Starting in September, the JBFC is hosting Blue Sky Studios related workshops, screenings, and special opportunities for families, teachers, and volunteers. Throughout the JBFC and KMA Blue Skies Studios celebration, members of one institution will receive member discounts at the other (unless otherwise stated). One highlight of the program is “An Evening with Chris Wedge” at the JBFC Theater. Wedge is the cofounder and VP of Creative Development at Blue Sky Studios and the director of such films as Ice Age and Robots. Bunny, which he wrote and directed, won an Academy Award for Best Animated Short Film. Wedge is coming to JBFC to present a selection of short films and to discuss the art of animation. Check burnsfilmcenter.org for more information. In conjunction with KMA’s “Ice Age to the Digital Age” exhibition, JBFC is hosting Blue Sky Studios related classes at its Media Arts Lab. A member of the Blue Sky Studios team will participate in each of these special workshops. Sessions include “The Sounds of Blue Sky Studios,” where students recreate the voice and sound effects of an animated Blue Sky film, “Voice Acting” taught by Chris Wedge, “The Art of Storyboarding,” taught by professional storyboard artists from Blue Sky Studios, and “A Taste of Animation,” in which Blue Sky Studio artists help students create short, stop-motion animated films.
    [Show full text]
  • Paper Summaries Projects Plan for Today Motivational Films Motivation
    Paper Summaries • Any takers? Dynamics I Linear Motion Projects Plan for today • Proposals due Wednesday • Physics 101 for rigid body animation • Project role call Motivational Films Motivation Films • Spotlight on Blue Sky Studios • Two short films by Chris Wedge – Founder and Vice President of Creative Development at Blue Sky Studios • Director of Ice Age – Before Blue Sky • Lead animator on TRON (MAGI) • Student at Ohio State’s Advanced Computing Center for the Arts and Design (ACCAD). 1 Motivational Film Motivational Film • Tuber’s Two Step (1985) • Bunny (1998) – Chris Wedge (while at ACCAD) – Bunny began as an effort to stretch the limits – Shown at SIGGRAPH 85 of the company's proprietary lighting software • First animated short to use Radiosity Let’s get started Role of Animation • Physics for Rigid Body Dynamics • Degrees of freedom • Today: Linear Motion – Number of parameters • Wednesday: Rotational Motion whose values must be • Winter Break defined in order to fully • Monday, January 5: Collisions position objects • Wednesday, January 7: Numerical Integration / Constraints Purpose of animation Provide values to each of the DOF for each time step. Degrees of freedom Modeling Motion • 60 sec animation • Most animation techniques employs some – Video: 30 frames / sec = 1800 frames sort of structured model for producing – Assume each object has 7 degrees of freedom motion. • x, y, z, s, v – Assume 5 objects – Need for some sort of procedure / set of rules. • (5 x 7 x 1800) = 63000 – Control vs. Flexibility – Need to determine the values of 63000 parameters to complete animation. 2 Modeling Motion Kinematics vs. Dynamics • Three approaches – Kinematic control – Hueristics • Refers to motion of object irrespective of the forces • Rules of thumb, guidelines, cheap hacks involved • Keyframing, traditional cel animation • E.g.
    [Show full text]
  • 9781474410571 Contemporary
    CONTEMPORARY HOLLYWOOD ANIMATION 66543_Brown.indd543_Brown.indd i 330/09/200/09/20 66:43:43 PPMM Traditions in American Cinema Series Editors Linda Badley and R. Barton Palmer Titles in the series include: The ‘War on Terror’ and American Film: 9/11 Frames Per Second Terence McSweeney American Postfeminist Cinema: Women, Romance and Contemporary Culture Michele Schreiber In Secrecy’s Shadow: The OSS and CIA in Hollywood Cinema 1941–1979 Simon Willmetts Indie Reframed: Women’s Filmmaking and Contemporary American Independent Cinema Linda Badley, Claire Perkins and Michele Schreiber (eds) Vampires, Race and Transnational Hollywoods Dale Hudson Who’s in the Money? The Great Depression Musicals and Hollywood’s New Deal Harvey G. Cohen Engaging Dialogue: Cinematic Verbalism in American Independent Cinema Jennifer O’Meara Cold War Film Genres Homer B. Pettey (ed.) The Style of Sleaze: The American Exploitation Film, 1959–1977 Calum Waddell The Franchise Era: Managing Media in the Digital Economy James Fleury, Bryan Hikari Hartzheim, and Stephen Mamber (eds) The Stillness of Solitude: Romanticism and Contemporary American Independent Film Michelle Devereaux The Other Hollywood Renaissance Dominic Lennard, R. Barton Palmer and Murray Pomerance (eds) Contemporary Hollywood Animation: Style, Storytelling, Culture and Ideology Since the 1990s Noel Brown www.edinburghuniversitypress.com/series/tiac 66543_Brown.indd543_Brown.indd iiii 330/09/200/09/20 66:43:43 PPMM CONTEMPORARY HOLLYWOOD ANIMATION Style, Storytelling, Culture and Ideology Since the 1990s Noel Brown 66543_Brown.indd543_Brown.indd iiiiii 330/09/200/09/20 66:43:43 PPMM Edinburgh University Press is one of the leading university presses in the UK. We publish academic books and journals in our selected subject areas across the humanities and social sciences, combining cutting-edge scholarship with high editorial and production values to produce academic works of lasting importance.
    [Show full text]
  • Twentieth Century Fox Film Company Limited
    TWENTIETH CENTURY FOX FILM COMPANY LIMITED PRODUCTION NOTES Release Date – 1 st July 2009 Certificate – TBC Running time – TBC [email protected] www.foxpressofficeuk.com www.fox.co.uk www.picselect.com The sub-zero heroes from the worldwide blockbusters “Ice Age” and “Ice Age: The Meltdown” are back, on an incredible adventure...for the ages. Scrat is still trying to nab the ever-elusive nut (while, maybe, finding true love); Manny and Ellie await the birth of their mini-mammoth; Sid the sloth gets into trouble when he creates his own makeshift family after finding some dinosaur eggs; and Diego the saber-toothed tiger wonders if he’s growing too “soft” hanging with his pals. On a mission to rescue the hapless Sid, the gang ventures into a mysterious underground world, where they have some close encounters with dinosaurs, battle flora and fauna run amok – and meet a relentless, one-eyed, dino-hunting weasel named Buck. ICE AGE: DAWN OF THE DINOSAURS has everything audiences loved about the first two films, adding even more comedy, action, spectacular visuals – plus the movie magic of 3-D. Our beloved heroes live on, with some memorable new characters thrown into the “Ice Age” mix. Also new to the “Ice Age” franchise is an incredible and immense underground world populated by dinosaurs. The lush world provides a sharp contrast to the wintry environs of the first two “Ice Age” films, and dwarfs even the vastness of the above- ground Ice Age. It’s a land of danger, massive creatures, mammal-eating plants, a daredevil weasel, a wily romantic foil for Scrat, named Scratte – and areas with names like the Chasm of Death, and the Plates of Woe.
    [Show full text]
  • Press Release
    SCIENCE AND ENGINEERING FAIR OF METROPOLITAN DETROIT INC. P.O. Box 158 · Farmington, Michigan 48332-0158 248-471-9900 · fax: 248-479-0383 · email: [email protected] · http://www.sefmd.org PRESS RELEASE FOR IMMEDIATE RELASE: For additional information: Tim Fino, Science Fair Director Dawn Jedrusik 248-471-9900 Solomon Friedman Entertainment Web Site: www.sefmd.org Phone: 248-594-5307 fax: 248-540-1395 Top Science Fair winners to preview and introduce new movie “Robots” This year, the top ‘gold award’ science fair winners will have an extra perk – an opportunity to preview the new 20th Century Fox animated motion picture “Robots” before it opens to the public. Students that receive a grand award, first, second, or third place award will be invited to attend a special awards ceremony at the Star Southfield Theater on Thursday, March 10, 2005 at 5:45 PM. As part of the awards ceremony, the students selected to compete in the State Science Fair will be selected; and the top nine projects will be introduced that will represent metro Detroit at the International Science Fair. Winners will then be selected to ‘introduce’ the new Twentieth Century Fox movie film, “Robots” (see synopsis below). Several of the top projects will also be on display. The Science Fair will be open to the public on Thursday and Friday, March 10 and 11 from 9:00 AM until 8:00 PM. Admission is free. SYNOPSIS OF MOVIE: Academy Award® winning director Chris Wedge (“Bunny,” “Ice Age”) brings his innovative filmmaking magic to ROBOTS, taking the animated feature film genre to a new, exciting level.
    [Show full text]
  • Haswell, Helen. " Story Is King: Understanding the Toy Story
    Haswell, Helen. " Story Is King: Understanding the Toy Story Franchise as an Allegory for the Studio Narrative of Pixar Animation." Toy Story: How Pixar Reinvented the Animated Feature. By Susan Smith, Noel Brown and Sam Summers. London: Bloomsbury Academic, 2017. 181–196. Bloomsbury Collections. Web. 27 Sep. 2021. <http://dx.doi.org/10.5040/9781501324949.ch-012>. Downloaded from Bloomsbury Collections, www.bloomsburycollections.com, 27 September 2021, 09:33 UTC. Copyright © Susan Smith, Sam Summers and Noel Brown 2018. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher, and provide a link to the Creative Commons licence. 1 81 Chapter 12 S TORY IS KING: UNDERSTANDING THE TOY STORY FRANCHISE AS AN ALLEGORY FOR THE STUDIO NARRATIVE OF PIXAR ANIMATION Helen Haswell When Toy Story (John Lasseter) was released in 1995, analyses of the fi lm suggested it was an allegory for the popularization of computer- generated (CG) animation and the subsequent displacement of hand- drawn methods.1 According to this view, Toy Story ’s narrative implies that Disney’s traditional 2- D animation, represented by Woody, the outdated pull- string cowboy doll, has been rendered irrelevant by Pixar’s pioneering digital animation, represented by Buzz Lightyear, the new and more advanced space ranger toy. While this is apparent, I would argue that the Toy Story franchise as a whole is representative of the history and development of Pixar Animation Studios and its relationship with the Walt Disney Company. Th is twenty- fi ve- year relationship, which was formalized in 1991 when Disney agreed to fi nance the development, produc- tion and distribution of Pixar’s fi rst feature fi lm, has been both turbulent and mutually benefi cial.
    [Show full text]
  • Ideology in Popular Late Twentieth and Twenty-First Century Children's and Young Adult Literature and Film" (2012)
    University of Arkansas, Fayetteville ScholarWorks@UARK Theses and Dissertations 12-2012 Ideology in Popular Late Twentieth and Twenty- First Century Children's and Young Adult Literature and Film Iris Grace Shepard University of Arkansas, Fayetteville Follow this and additional works at: http://scholarworks.uark.edu/etd Part of the Children's and Young Adult Literature Commons, and the Visual Studies Commons Recommended Citation Shepard, Iris Grace, "Ideology in Popular Late Twentieth and Twenty-First Century Children's and Young Adult Literature and Film" (2012). Theses and Dissertations. 557. http://scholarworks.uark.edu/etd/557 This Dissertation is brought to you for free and open access by ScholarWorks@UARK. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of ScholarWorks@UARK. For more information, please contact [email protected], [email protected]. IDEOLOGY IN POPULAR LATE TWENTIETH AND TWENTY-FIRST CENTURY CHILDREN’S AND YOUNG ADULT LITERATURE AND FILM IDEOLOGY IN POPULAR LATE TWENTIETH AND TWENTY-FIRST CENTURY CHILDREN’S AND YOUNG ADULT LITERATURE AND FILM A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in English By Iris G. Shepard Henderson State University Bachelor of Art in English, 2001 University of Arkansas Master of Art in English, 2007 December, 2012 University of Arkansas ABSTRACT Texts created for the consumption of children and young adults are not simple texts made for the sole purpose of entertaining young audiences. In fact, these texts are complicated, multi-faceted texts that function both in the creation and performance of childhood. Children’s and young adult literature and film disseminated mainstream ideology about young people’s place in society and attempt to enculturate young readers and viewers in regards to race, gender, age, and social class.
    [Show full text]
  • Previsualization in Computer Animated Filmmaking THESIS
    Previsualization in Computer Animated Filmmaking THESIS Presented in Partial Fulfillment of the Requirements for the Degree Master of Fine Arts in the Graduate School of The Ohio State University By Nicole Lemon Graduate Program in Industrial, Interior and Visual Communication Design The Ohio State University 2012 Master's Examination Committee: Maria Palazzi, Advisor Alan Price Dan Shellenbarger Copyright by Nicole Lemon 2012 Abstract Previsualization (previs) is a pre-production process that uses 3D animation tools to generate preliminary versions of shot or sequences. This process is quickly gaining popularity in live action film, and is beginning to be used in animation production as well. This is because it fosters creativity by allowing for designers and artists to experiment more freely and intuitively with visual design choices, and insures efficiency in production and post-production. Previs is also able to provide a means to communicate and test plans visually in the pre-production stage which enhances clarity and understanding. The intention of this thesis is to make available information about previs that is, for the most part, unpublished or unknown by all but those already deeply involved in the process, and to explore and document the application of a previs process of my own in the production my first short film. To begin I will describe the previs process from several perspectives. Previs will be presented in historical context in order to provide insight into its development. Next I will present the results of an industry professionals survey conducted in late 2011 and early 2012 as a way of revealing an insider’s viewpoint on the use of previs in commercial computer animation production.
    [Show full text]
  • Garyâ•Žs Sneakers a 3D Animated Short
    Syracuse University SURFACE Syracuse University Honors Program Capstone Syracuse University Honors Program Capstone Projects Projects Spring 5-1-2010 Gary’s Sneakers A 3D Animated Short Meg Grube Follow this and additional works at: https://surface.syr.edu/honors_capstone Part of the Graphic Design Commons Recommended Citation Grube, Meg, "Gary’s Sneakers A 3D Animated Short" (2010). Syracuse University Honors Program Capstone Projects. 314. https://surface.syr.edu/honors_capstone/314 This Honors Capstone Project is brought to you for free and open access by the Syracuse University Honors Program Capstone Projects at SURFACE. It has been accepted for inclusion in Syracuse University Honors Program Capstone Projects by an authorized administrator of SURFACE. For more information, please contact [email protected]. Gary’s Sneakers A 3D Animated Short A Capstone Project Submitted in Partial Fulfillment of the Requirements of the Renée Crown University Honors Program at Syracuse University Meg Grube Candidate for B.F.A. Degree and Renée Crown University Honors May/2010 Honors Capstone Project in _______Computer Art_______ Capstone Project Advisor: __________________________ (Heath Hanlin) Honors Reader: __________________________________ (Gail Hoffman) Honors Director: __________________________________ Samuel Gorovitz Date:___________________________________________ Abstract Gary’s Sneakers , a collaboration between Kelsey Adams and myself, is a 3D animated short about a young boy and his sneakers. The short features Gary, an unmotivated individual who has no other apparent interests aside from playing video games. Unfortunately, his unused pair of running sneakers are very bored and, upon being inspired by a magazine advertisement, conspire to get Gary up and in action. To create this, Kelsey and I covered the entire animation production pipeline.
    [Show full text]