DOCSLIB.ORG

918, November 14, 2007

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

#918, NOVEMBER 14, 2007 NIGHTSPOTS 5443 N. BROADWAY, #101, CHICAGO, IL 60640 773.871.7610, fax 773.871.7609 WWW.WINDYCITYMEDIAGROUP.COM [email protected] COVER PUBLISHER Tracy Baim ASSISTANT PUBLISHER Terri Klinsky MANAGING EDITOR AJ DUBBZ AT SCARLET Kirk Williamson TEMPLATE DESIGN Brad Cawley PHOTOGRAPHY Mel Ferrand, PIX & DESIGN KIRK graysong, DJ Greg Haus, Kirk, Kizzy, Ryan Kolodziej, Steve Starr CAST OF CHAR- ACTERS Andrew Davis, Andrew Georgiou, graysong, Joan Jett-Blakk, Charlene Lichtenstein, David J. Magdziarz, Jennifer Parello, Randy Pubert, Lisa Rock INDEX ADVERTISING REPRESENTATIVES Terri Klinsky, Suzanne Kraus, Kirk Williamson, Kathleen Ulm, Amy Matheny, Jerry Nunn, Cynthia Holmes, Terry Wiegel, Thomas OP ASTROLOGY 8 Koontz NATIONAL ADVERTISING REPRESENTATIVE RIVENDELL MEDIA (212) 242-6863 PROMOTIONS Kathleen Ulm DIRECTOR OF NEW MEDIA Jean Albright p HEY, I’M THAT GUY! 10 OFFICE Cynthia Holmes, Robb Olson, Amy Wooten CALENDAR EDITOR Amy Wooten DISTRIBUTION Ashina, Allan, Carol, Crystal, Dan, Ed, Jack, John, Maria INTERVIEW - RUPAUL 14 and Sue THE SPREAD 20-21 Copyright 2007 Windy City Media Group/Lambda Publications Inc. All rights b reserved. Reprint by permission only. Back issues available for $3 per issue (postage included). Return postage must accompany all manuscripts, draw- INTERMISSION 26-27 ings, and photographs submitted if they are to be returned, and no responsibil- ity may be assumed for unsolicited materials. All rights to letters, art and pho- tos sent to Nightspots/Windy City Times will be treated as unconditionally CALENDAR 30-31 assigned for publication purposes and as such, subject to editing and com- ment. The opinions expressed by the columnists, cartoonists, letter writers, and MAP 32-33 commentators are their own and do not necessarily reflect the position of Nightspots/Windy City Times. Publication of the name, photograph, or likeness of a person or organization in articles or advertising in Nightspots/Windy City WHAT’S UP? 36 Times is not to be construed as any indication of the sexual orientation of such person or organization. While we encourage readers to support the advertisers : FROM THE BOOTH 38 who make this newspaper possible, Nightspots/Windy City Times cannot accept responsibility for advertising claims. Plus we’ll welcome Terry Oldes, author of “Dancing With Tina – A Memoir of Crystal Meth” CCUPID’SUPID’S TTREASURESREASURES 33519519 NN.. HHALSTEDALSTED 7773/348-388473/348-3884 110AM-12AM:0AM-12AM: SSun-Thun-Th uurs,rs, 110AM-1AM:0AM-1AM: FFri-Satri-Sat A Live & Silent Auction &Party featuring the talents & services of Sidetrack STAFF & friends together... to make a difference $10 donation Sponsored Bar Light Bites Wed. Nov. 14 thanks to our • 7-9pm friends at Join us once again for this uniquely Sidetrack party as we raiseawareness&supportfor The Chicago Crystal Meth Initiative Plus we’ll welcome Terry Oldes, author of “Dancing With Tina – A Memoir of Crystal Meth” CUPID’S TREASURES 3519 N. HALSTED The Video Bar 3349 North Halsted 773/348-3884 Valet Parking Available 10AM-12AM: Sun-Th urs, 10AM-1AM: Fri-Sat www.SidetrackChicago.com OP outOUT in the stars IN THE STARS OP by The earth may shimmy hood and get very neighborly. especially if you don’t have to clean. charlene and shake but you LEO (JULY 24 - AUG. 23) Proud Lions easi- lichtenstein easily retain your ly sweep anyone they want right off their CAPRICORN (DEC. 23 - JAN. 20) Pink footing when Uranus feet. And they will have a wide choice of Caps are careful communicators but redirects. So don’t fear the heights. admirers from which to choose. Be dis- recent mistakes have made you a little Trip the light fantastic and show the cerning; your eyes are too big for your gun shy. Now, although you still experi- world how deft and graceful you are. stomach (among other things) and you ence a slip of the tongue, you know where Whoops!! become insatiable. This is bad? it goes and how to move it around. That makes you quite popular in certain cir- ARIES (MARCH 21 - APRIL 20) Find out VIRGO (AUG. 24 - SEPT. 23) Have there cles. what is happening behind the scenes and been times when your expectations have put an end to any dissent. Proud Rams not been met? Or have your actions AQUARIUS (JAN. 21 - FEB. 19) Instead of not only see which way the wind blows, caused unintended reactions or overreac- squandering your hard earned dough on they create a windstorm all by them- tions? Step back and survey the land- some yeasty scheme, Aqueerians might selves. Does that mean you become a bit scape. Queer Virgins get things back on let it bake a while. Avoid risky ventures of a blowhard? Whatever turns ‘em on. track... if that is what they really want. and feast on your bread later in the holi- day season. Who knows who you may get TAURUS (APRIL 21 - MAY 21) Queer Bulls LIBRA (SEPT. 24 - OCT. 23) Things a rise out of later this year. are pushed and prodded into the crush of become more manageable on the job... or the herd. Rejoice, mingle and learn a few at least less surprising. No matter where PISCES (FEB. 20 - MARCH 20) Guppies things. Expand into areas where you you go, there is no escape from the salt cannot fade into the background, much demonstrate your talents. Of course if one mines, proud Libra... unless of course you as they may try. You are so bold now that of those talents is toenail clipping sculp- find a clever way of spreading the sugar you impress important folks. So forget ture, I would rethink it. around the senior staff. your shyness and find ways to make your presence known. It helps if you can make GEMINI (MAY 22 - JUNE 21) Pink Twins SCORPIO (OCT. 24 - NOV. 22) Recent your presents known. Hint, hint. find themselves leaving their career artistic attempts veered towards the radi- movement to the whims of fate. Why cal extremes... often with unexpected (c) 2007 THE STARRY EYE, LLC., All Rights allow others to dictate your direction, results. You now command the party Reserved. For Entertainment Purposes Only. speed and progress? Harness your horse- scene instead of vice versa. And you power and take a giant step. No risk, no manage to enjoy it with a vengeance. Can’t get enough? Join the blog: thestarry- reward. No reward, no cushy retirement. That is exactly the way gay Scorps like it! eye.typepad.com/queer CANCER (JUNE 22 - JULY 23) Venture Out SAGITTARIUS (NOV. 23 - DEC. 22) Get Lichtenstein’s “HerScopes: A Guide To and explore the world. Don’t snooze your back into the groove at home. There Astrology For Lesbians” is an international life away. Catch your extra z’s on a far- might be a few unanticipated projects sensation and has just “come out” in its 6th away beach with a zesty stranger. If floating around but at least you handle printing. Buy it and feel the vibration. money and time are tight, move your trav- them with flair and dispatch. In fact, you elling show to the immediate neighbor- might enjoy a bit of quiet domesticity... www.womenandchildrenfirst.com 5233 N. Clark, 773-769-9299 8 Nightspots NOVEMBER 14, 2007 S p HEY, I’M THAT GUY FROMhey, i’m that guy THE from the magazineMAGAZINE by here’s no And a huge thanks to AJ Dubbz, stronger cock tape. She was pitch- pkirk T shame in who unwittingly posed for this ing a silver mesh tent over the williamson Scarlet, week’s cover shot. AJ will be spin- stripper at Hydrate this past Halsted’s new nightspot. Filling ning at Scarlet next Friday, Thursday. Guess you can’t keep a the former Gentry on Halsted November 23 and every other good cock down. space, Scarlet is brighter, breezier Friday following that. For more on Make sure to get to Hunters this and a fresh take on the cocktail Saturday night for the Breaking lounge scene. I just happened to 1 Down the Wall party, co-sponsored be lucky enough to be strolling by by TPAN and Nightspots. Help during their invite-only construc- break down that stupid wall of tion party. Still a finishing touch or silence, meet a nice fellow, no big two to be touched up, but by the whoop. time it opens this Thursday night, By the time you read this, you November 15, all we be ready for his oeuvre (and oeuvre and oeuvre) will most likely have already seen your eager livers. Hi to Paul and check out myspace.com/ajdubbz or the new Project Runway. And if Jeff and the whole staff. Welcome ajdubbz.com. you’ve recovered, I’ll see you at to the neighborhood! Teri Yaki must need some Crew next Wednesday! 1 Paul (center) and friends at Scarlet. pix by Kirk [email protected] fine shirts makep a B A D fine Briggs Austin Doherty, Jr. man or woman CUSTOM CLOTHIERS Providing the finest in ON CALL custom shirts, outstanding fabrics, terrific workmanship and 312-643-8445 extraordinary attention to detail. 10 Nightspots NOVEMBER 14, 2007 So George Ryan finally E went to prison? Don’t worry George. Police backup is shortly behind. MON TUES TUES Champions Avenue Tavern Jackhammer DECEMBER 3, 9:30pm-12:30am 9:30pm-1:30am 10pm-4am (773) 743-1797 (773) 975-7000 (773) 743-5772 TUES TUES WED WED Crew Gentry on State Victory Liquors The Copa 9pm-Midnight 9:30pm-1:30am 8:30pm-12:30am 9:30pm-1:30am (773) 784-CREW (312) 836-0933 (773) 348-5600 (312) 642-3449 WED WED WED Holiday Club Squeeze Inn @mosphere 9:30pm-1:30am 9:30pm-1:30am November 28 - 8pm-12am (773) 348-9600 5642 W.
Recommended publications

  • Tom Rubnitz / Dynasty Handbag

    TOM RUBNITZ / DYNASTY HANDBAG 9/25/2012 PROGRAM: TOM RUBNITZ The Mother Show, video, 4 mins., 1991 Made for TV, video, 15 mins., 1984 Drag Queen Marathon, video, 5 mins., 1986 Strawberry Shortcut, video, 1:30 mins., 1989 Pickle Surprise, video, 1:30 mins., 1989 DYNASTY HANDBAG The Quiet Storm (with Hedia Maron), video, 10 mins., 2007 Eternal Quadrangle, video, 20 mins., 2012 WHITE COLUMNS JIBZ CAMERON JOSH LUBIN-LEVY What does it mean to be a great performer? In a rather conventional sense, great performing is often associated with a sense of interiority, becoming your character, identifying with your role. In that sense, a great performer could become anyone else simply by looking deep within herself. Of course, there’s a long history of performance practices that reject this model. Yet whether it is a matter of embracing or rejecting what is, so to speak, on the inside, there is an overarching belief that great performers are uniquely adept at locating themselves and using that self to build a world around them. It is no surprise then that today we are all expected to be great performers. Our lives are filled the endless capacity to shed one skin for another, to produce multiple cyber-personalities on a whim. We are hyperaware that our outsides are malleable and performative—and that our insides might be an endless resource for reinventing and rethinking ourselves (not to mention the world around us). So perhaps it’s almost too obvious to say that Jibz When I was a youth, say, about 8, I played a game in the Cameron, the mastermind behind Dynasty Handbag, is an incredible woods with my friend Ocean where we pretended to be hookers.

  • Simon Slater

    JIMMY HARRY SELECTED CREDITS THE RIGHT KIND OF WRONG (2013) W.E. (2011) LARS AND THE REAL GIRL (2007) JOHN TUCKER MUST DIE (2006) RUPAUL: SUPERMODEL, YOU BETTER WORK (1993) BIOGRAPHY Jimmy Harry is a Golden Globe winning songwriter and composer who currently resides in Los Angeles, CA. As committed to music as he is uncommitted to a genre, Harry has worked with artists such as Madonna, Kylie Minogue, Kelly Clarkson, Weezer, Pink, Fischerspooner, Oh Land, and Santana. Recognized at the 2012 Golden Globes by the Hollywood Foreign Press Association, he won Best Original Song with Madonna and Julie Frost for the song "Masterpiece". Sprawling the areas of theater, sound installation, composition, and performance, Harry's background plunders the spectrum of art and noise. He began his career as a composer and sound designer in the avant-garde theater scene, working with the Randolph Street Gallery in Chicago, the Public Theater in NYC, and the Red Eye Collaboration in Minneapolis, the city anchoring much of his early orbit. As a young musician Harry plunged into the creative scene, writing and composing, joining rock bands, running an art gallery, and connecting with fellow talented subversives. While on assignment with the Red Eye Collaboration Harry met writer/director Leslie Mohn, with whom he partnered on the performance art piece "Everything In Sight" at MOCA Los Angeles, and installation artist Dorit Cypis, with whom he exhibited at the Whitney Museum. While commuting between theater companies and rock gigs, Harry made the acquaintance of his long-time mentor and artistic catalyst, the writer/director Lee Bruer.
  • UCLA Electronic Theses and Dissertations

    UCLA Electronic Theses and Dissertations

    UCLA UCLA Electronic Theses and Dissertations Title Reading RuPaul's Drag Race: Queer Memory, Camp Capitalism, and RuPaul's Drag Empire Permalink https://escholarship.org/uc/item/0245q9h9 Author Schottmiller, Carl Publication Date 2017 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Reading RuPaul’s Drag Race: Queer Memory, Camp Capitalism, and RuPaul’s Drag Empire A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Culture and Performance by Carl Douglas Schottmiller 2017 © Copyright by Carl Douglas Schottmiller 2017 ABSTRACT OF THE DISSERTATION Reading RuPaul’s Drag Race: Queer Memory, Camp Capitalism, and RuPaul’s Drag Empire by Carl Douglas Schottmiller Doctor of Philosophy in Culture and Performance University of California, Los Angeles, 2017 Professor David H Gere, Chair This dissertation undertakes an interdisciplinary study of the competitive reality television show RuPaul’s Drag Race, drawing upon approaches and perspectives from LGBT Studies, Media Studies, Gender Studies, Cultural Studies, and Performance Studies. Hosted by veteran drag performer RuPaul, Drag Race features drag queen entertainers vying for the title of “America’s Next Drag Superstar.” Since premiering in 2009, the show has become a queer cultural phenomenon that successfully commodifies and markets Camp and drag performance to television audiences at heretofore unprecedented levels. Over its nine seasons, the show has provided more than 100 drag queen artists with a platform to showcase their talents, and the Drag Race franchise has expanded to include multiple television series and interactive live events. The RuPaul’s Drag Race phenomenon provides researchers with invaluable opportunities not only to consider the function of drag in the 21st Century, but also to explore the cultural and economic ramifications of this reality television franchise.
  • UNIVERSITY of CALIFORNIA Los Angeles Reading Rupaul's Drag Race

    UNIVERSITY of CALIFORNIA Los Angeles Reading Rupaul's Drag Race

    UNIVERSITY OF CALIFORNIA Los Angeles Reading RuPaul’s Drag Race: Queer Memory, Camp Capitalism, and RuPaul’s Drag Empire A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Culture and Performance by Carl Douglas Schottmiller 2017 © Copyright by Carl Douglas Schottmiller 2017 ABSTRACT OF THE DISSERTATION Reading RuPaul’s Drag Race: Queer Memory, Camp Capitalism, and RuPaul’s Drag Empire by Carl Douglas Schottmiller Doctor of Philosophy in Culture and Performance University of California, Los Angeles, 2017 Professor David H Gere, Chair This dissertation undertakes an interdisciplinary study of the competitive reality television show RuPaul’s Drag Race, drawing upon approaches and perspectives from LGBT Studies, Media Studies, Gender Studies, Cultural Studies, and Performance Studies. Hosted by veteran drag performer RuPaul, Drag Race features drag queen entertainers vying for the title of “America’s Next Drag Superstar.” Since premiering in 2009, the show has become a queer cultural phenomenon that successfully commodifies and markets Camp and drag performance to television audiences at heretofore unprecedented levels. Over its nine seasons, the show has provided more than 100 drag queen artists with a platform to showcase their talents, and the Drag Race franchise has expanded to include multiple television series and interactive live events. The RuPaul’s Drag Race phenomenon provides researchers with invaluable opportunities not only to consider the function of drag in the 21st Century, but also to explore the cultural and economic ramifications of this reality television franchise. ii While most scholars analyze RuPaul’s Drag Race primarily through content analysis of the aired television episodes, this dissertation combines content analysis with ethnography in order to connect the television show to tangible practices among fans and effects within drag communities.
  • From the Love Ball to Rupaul: the Mainstreaming of Drag in the 1990S

    From the Love Ball to Rupaul: the Mainstreaming of Drag in the 1990S

    FROM THE LOVE BALL TO RUPAUL: THE MAINSTREAMING OF DRAG IN THE 1990S by JEREMIAH DAVENPORT Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy Department of Music CASE WESTERN RESERVE UNIVERSITY August, 2017 CASE WESTERN RESERVE UNIVERSITY SCHOOL OF GRADUATE STUDIES We hereby approve the dissertation of Jeremiah Davenport candidate for the degree of PhD, Musicology. Committee Chair Daniel Goldmark Committee Member Georgia Cowart Committee Member Francesca Brittan Committee Member Robert Spadoni Date of Defense April 26, 2017 *We also certify that written approval has been obtained for any proprietary material contained therein. 2 Acknowledgements Thank you from the bottom of my heart to everyone who helped this dissertation come to fruition. I want to thank my advisor Dr. Daniel Goldmark, the Gandalf to my Frodo, who has guided me through the deepest quandaries and quagmires of my research as well as some of the darkest times of my life. I believe no one understands the way my mind works as well as Daniel and I owe him a tremendous debt of gratitude for helping me find the language and tools to write about my community and the art form I love. I also want to thank Dr. Georgia Cowart for helping me find my voice and for her constant encouragement. I am grateful to Dr. Francesca Brittan for her insights that allowed me to see the musicologist in myself more clearly and her unwavering support of this project. I also would like to thank Dr. Robert Spadoni for expanding my analytical skills and for constantly allowing me to pick his brain about drag, movies, and life.
  • Bruce Vilanch

    Bruce Vilanch

    THE VOICE OF CHICAGO’S GAY, LESBIAN, BI AND TRANS COMMUNITY SINCE 1985 November 14, 2007 • vol 23 No 09 No-Trans ENDA Passes BY Lisa KEEN Frank’s appeal came after Republicans made an openly gay member, Rep. Tammy Baldwin of Wis- In what could be argued was the most impor- eleventh-hour attempt to kill the bill through a consin. Baldwin had led efforts in recent weeks tant gay vote ever taken in Congress, the U.S. motion to send it back to committee. The specif- to have “gender identity” added to the legis- House of Representatives voted 235 to 184 Nov. ic type of “motion to recommit” they sought—a lation. Backed by more than 300 LGBT groups, 7 to approve the Employment Non-Discrimina- motion to recommit promptly—would have held Baldwin had sought the amendment as a way to tion Act (ENDA). Passage came after openly gay the bill in committee for nine calendar days. provide protection for transgender people and Rep. Barney Frank made an emotional plea to That, said Frank, would effectively kill the leg- as a way to strengthen the bill’s protections for his colleagues. islation for this session because Congress is gay people. (Some believe that, without “gen- “There are people who are your fellow citi- scheduled to adjourn in five calendar days. der identity” in the legislation, an employer can zens who are being discriminated against,” Frank, saying he was taking the vote “person- discriminate against a person for having the ap- said Frank, his voice choking in a rare display ally,” pleaded with members of the House not to pearance or mannerisms of a gender other than of emotion.

  • Reeling ‘Em In

    THE VOICE OF CHICAGO’S GAY, LESBIAN, BI AND TRANS COMMUNITY SINCE 1985 November 7, 2007 • vol 23 No 08 Reba McEntire Doubles page 24 Your Pleasure Reeling ‘Em In Starrbooty (starring RuPaul, top), Kevin’s Room: Together (with Byron Stewart, middle) and Gendercator (featuring Amanda Coppes and Emily Wood, bottom) are just three of the dozens of A ‘Boo’-tiful films that will be shown as part of the Reeling Night page 6 International Gay and Lesbian Film Festival, the second-oldest event of its kind in that country. Find out about line-ups, and read profiles, interviews and reviews on pages 13-15, 19-22. Harris, Mell to Run Richard Cordova Unopposed Runs Over BY AMY WOOTEN Obstacles page 26 The deadline to file in order to run in the next primary election (Feb. 5, 2008) has passed, cre- ating both historical and celebratory news, as well as controversy, for the local LGBT commu- nity. pick it up As of Nov. 5, the deadline to file, Rep. Greg for our ‘Siempre’ Harris, D-Chicago, will run unopposed in the th take it home Democratic primary, while activist Deb Mell is anniversary 6 (plus 11 years as Nightlines!) set to become the first open lesbian to serve in # 9 1 7 , N O V E M B E R 7 , 2 0 0 7 and the Illinois General Assembly. No Republicans or Democrats have filed in either Harris’s 13th or Forever Mell’s 40th House district races, both on Chica- page 6 go’s Northwest Side, and the incumbent in Mell’s race (Richard Bradley) has decided to not seek re-election.
  • Transatlantica, 2 | 2015 Exploitation Cinema and the Lesbian Imagination 2

    Transatlantica, 2 | 2015 Exploitation Cinema and the Lesbian Imagination 2

    Transatlantica Revue d’études américaines. American Studies Journal 2 | 2015 The Poetics and Politics of Antiquity in the Long Nineteenth-Century / Exploiting Exploitation Cinema Exploitation Cinema and the Lesbian Imagination Anne Crémieux Electronic version URL: http://journals.openedition.org/transatlantica/7869 DOI: 10.4000/transatlantica.7869 ISSN: 1765-2766 Publisher AFEA Electronic reference Anne Crémieux, “Exploitation Cinema and the Lesbian Imagination”, Transatlantica [Online], 2 | 2015, Online since 14 July 2016, connection on 29 April 2021. URL: http://journals.openedition.org/ transatlantica/7869 ; DOI: https://doi.org/10.4000/transatlantica.7869 This text was automatically generated on 29 April 2021. Transatlantica – Revue d'études américaines est mis à disposition selon les termes de la licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International. Exploitation Cinema and the Lesbian Imagination 1 Exploitation Cinema and the Lesbian Imagination Anne Crémieux At the heart of the exploitation movie is the issue of the destructive nature of female sexuality (Zalcock, 2001, 59) 1 The sexism and homophobia of most exploitation films is unmistakable. Lesbian vampires and gay hitchhikers are obviously meant to be warnings against homosexuality. Yet to modern audiences no longer worried about the once very real fears that would turn into very real rejection, such camp storylines can now be enjoyed as pure fantasy and even convey a form of empowerment. 1 After all, the hitchhikers in Vanishing Point (Richard C. Sarafian, 1971) may be slimy hijackers, but they are also unashamedly flamboyant on their way to San Francisco with their broken-down car that says “just married,” and they carry a gun in case somebody does not like it.
  • Let's Hear It for the Ruand

    Let's Hear It for the Ruand

    JUNE 23, 2017 #1471 LET’S HEAR IT FOR THE RED, WHITE AND ONLYIN IN EW IT’S A REUNION BONANZA! THE CASTS OF RU TOGETHER AGAIN AMERICA’S FIRST LADY OF DRAG REFLECTS ON 30 YEARS OF LGBTQ POP CULTURE BY MARC SNETIKER Feel your power. SIMULATION OF ACTUAL PRODUCT RESULTS ON LASHES ENHANCED WITH LASH INSERTS. Maybelline.com Big shot volume, root to tip. Now, get the power of fully loaded lashes. NEW the COLOSSAL™ BIG SHOT™ BEFORE: AFTER: Lashes without Just 1 coat for Big Shot volume. fully loaded lashes. BIG SHOT BRISTLES HOLD MORE FOR FULLY LOADED LASHES. BIG SHOT VOLUME. VS. ORIGINAL COLOSSAL. #BIGSHOTMASCARA ©2017 Maybelline LLC. IF YOU DON’T LIKE THE MESSAGE, EAT THE MESSENGER. HUNGER BARS ARE BACK THE TOP 10 THINGS WE LOVE THIS WEEK Lorde 2 3 4 1 5 1 2 3 4 5 : NICOLE WILDER/USA NETWORK WILDER/USA NICOLE : MUSIC TV MUSIC BOOKS MOVIES MELODRAMA, PLAYING THE NASHVILLE THE WIDOW SCORE: A Lorde HOUSE SOUND, NASH, by Jamie FILM MUSIC Jason Isbell and Harrison DOCUMENTARY PLAYING HOUSE PLAYING • Oh, Lordey! Four • Celebrate yourself the 400 Unit years after slaying with home with the BFFs of • This gorgeously • Quincy Jones, Hans “Royals,” New Zealand’s Pinebrook (the excellent • The roots-rocker has written historical novel Zimmer, Danny Elfman, coolest export is still duo of Lennon Parham consistently proved follows Dulcy, a young and other iconic film the reigning queen of and Jessica St. Clair), himself to be one of the woman in 1904 who composers unite for this weirdo-pop.
  • Week of 'T' Rights

    Week of 'T' Rights

    THE VOICE OF CHICAGO’S GAY, LESBIAN, BI AND TRANS COMMUNITY SINCE 1985 November 21, 2007 • vol 23 No 10 Todd Haynes Interview page 20 WEEK OF ‘T’ LCCP Brunch page 26 RIGHTS Last week there was a wide range of events calling attention to transgender issues, from a protest held at an HRC-Chi- cago event, to a vigil for victims of anti- trans violence, to a rousing trans celebra- tion, and a forum following the screening of the film The Gendercator at the Reeling festival. See pages 6, 23, 24 and 27 for coverage. Images here of the vigil Sunday night. Photos by Kat Fitzgerald. More pho- tos online at www.windycitymediagroup. com and www.mysticimagesphotography. com Locals BLACK PRIDE SCHISM Challenge Paula Vogel ‘08 Competing Events page 15 Lutheran BY AMY WOOTEN Some previous WCBP members resigned (includ- ing current WWCBP Vice President Lois Bates) Celibacy Rule Due to controversy, conflict and a lack of unity, before the group allegedly voted Nelson out this Chicago will most likely have two separate Black summer. Much of the conflict occurred in the Pride celebrations put on by two different orga- midst of the 2007 Black Pride. The current WCBP nizations July 2008. board claims that alleged activities took place pick it up Although this isn’t the first time Black Pride without the board’s approval, which led to the take it home has been riddled with controversy and conflict, removal of Nelson. the recent rift has caused many in the commu- The first Black Pride celebration took place in nity to become concerned regarding the future 1999 after a series of yearly park parties held by #919, NOVEMBER 21, 2007 of Black Pride celebrations.
  • Cruising "Alexander: the Other Side of Dawn" "Can We Talk" 31 Mins. By

    Cruising "Alexander: the Other Side of Dawn" "Can We Talk" 31 Mins. By

    CANADIAN LESBIAN AND GAY ARCHIVES Moving Images Cruising •"Different from the others", starring Conrad Veidt Theme(s): Homophobia (German, 1919) Credits: Jerry Weintraub. USA 1980 video/VHS •)"Respect", music video by Erasure (1989) Accession: 2007-119 Theme(s): •Film •Music England video/Beta Accession: "Alexander: The other Side of Dawn" Theme(s): Gay Youth "Family Secrets" Eps#1 "Birth Mothers Never Forget" USA 1977 video/VHS Theme(s): Families Remarks: Taped from Television. TV-movie sequel to Credits: Makin' Movies Inc. Canada 2003 video/VHS•22:45 "Dawn: Portrait of a Teenage Runaway" with Accession: 2006-008 Leigh J. McCloskeyas a youth trying to escape the sordid world of male prostitution. Eve Plumb, Earl Holliman, Alan Feinstein, Juliet Mills. "I Believe in the Good of Life" West Wing footage. Accession: 2006-155 Dec. 2001. From West Wing Art Space. Many Art Fags including the debut of The Hidden Cameras. "Can We Talk" 31 mins. By Norman Taylor for the Theme(s): •Art Coalition for Lesbian/ Gay Rights in Ontario. •Parties Credits: Norman Taylor. video/VHS•30:55 Credits: Shot by Guntar Kravis. Canada Dec. 2001 video/VHS Remarks: Item is a slideshow video which discusses and Accession: 2006-053 debunks myths in the gay and lesbian community. Myths include the following: "Gay "Is He. ." can be spotted a mile away", "Homosexuals Theme(s): •Coming Out are known by the type of work they do", •Comedy "Homosexual is a sickness", "Homosexuals are Credits: Director: Linda Carter•Writer: Charlie David•Actor: Charlie child molesters", :Homosexuality is David. Canada 2004 other (see Form Details field)•Mini DV•9 min.
  • The Queer Economy of Rupaul's Drag Race by Ted

    The Queer Economy of Rupaul's Drag Race by Ted

    MOTHER OF THE HOUSE OF NO SHAME: THE QUEER ECONOMY OF RUPAUL’S DRAG RACE BY TED FAUST DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Communications & Media in the Graduate College of the University of Illinois at Urbana-Champaign, 2019 Urbana, Illinois Doctoral Committee: Professor James Hay, Chair Professor CL Cole Associate Professor Richard T. Rodriguez, UC Riverside Assistant Professor Amanda Ciafone i ABSTRACT In this dissertation, I consider the television show RuPaul’s Drag Race and the vast web of digital and broadcast media productions it has spawned, as a means to explore the changing cultural, technological, and economic conditions that have allowed for the emergence of a widespread queer media economy in which it is currently positioned as a central touchstone and engine of production and productivity. I seek to understand the history and evolution of the changing economics and production practices of the reality television genre that led to the emergence of (and have been deployed, tweaked, and recirculated by) the semi-satirical Drag Race; to better understand its position, as a “broadcast” cable television show, in a wider network of “new” and “spreadable” social media enterprises flowing into and out of it; to analyze the artistic, aesthetic, ethical and ascetic technologies of the self practiced by the contestants on the show, alongside a genealogical account of their origins in queer spaces and subcultures; and to explore the show’s position in a wider television landscape, asking how it is related to other programs of the current conjuncture, its technologization and commodification of a queer mode of belonging, and its relationships to virtual and material queer spaces as a globalized cultural technology.