NY-NYIFF -May 5 2017 Layout 1

Total Page:16

File Type:pdf, Size:1020Kb

NY-NYIFF -May 5 2017 Layout 1 34 May 5, 2017 FILM ‘Lipstick Under My Burkha’ Opens 17th New York Indian Film Festival Continued From Page 33 film people who were presenting the re- Indra Nooyi (sixth from left in middle row) in the audience. sults of their efforts later in the Festival. “It’s a lovely festival, we love the people ing his short film “Aarsa” later in the Festi- in the Festival, they always have a wonder- val, thought that while “Lipstick” raised im- ful program!” commented Meenu Gaur, di- portant issues, it had “missed its mark rector of “Jeewan Haathi” (“Elephant in the technically”. Room”) Village East Cinema was an ideal venue Indo-American Arts Council President & for “Lipstick Under My Burkha”s New York Executive Director Aroon Shivdasani wel- debut and will host the NYIFF features. Of comed guests to the opening night screen- vintage Moorish design, with an analog ing to what has been described as “the marquee and staggered balcony seating, Sundance of Indian film festivals”. the theater gives the effect of being in an Organized by the IAAC, the NYIFF is old-style movie palace. considered the oldest, most prestigious Among the 250 audience members shar- film festival of its kind in the United States, ing the experience were such glittering lu- screening premieres of films made from, of, minaries as writer Salman Rushdie, Pepsico and about the countries in the Indian sub- CEO Indra Nooyi and actor Rahul Bose. continent in all different genres. The red carpet was literally rolled out at photo by Peter Ferreira by photo the theater for the dignitaries, as well as the 'Baahubali 2' Collects Over Rs 400 Crore In Opening Weekend question 'Why tweeted: "The wave is unstop- could have easily grossed over Rs have grossed over Rs 30 crore in did Kattappa kill pable. ‘Baahubali 2' creates new 100 crore from Telangana and its opening weekend. Baahubali?', has record." Andhra. It has already broken "Sources from within the in- kept the audi- Adarsh pointed out how the every record of all other big Tel- dustry say that the film could ence coming in opening weekend figures of the ugu films," trade analyst Anand have raked in over Rs 30 crore in to find out the Hindi version of "Baahubali 2: Vanga told IANS. the state. answer. The Conclusion" had surpassed Trinath, another trade analyst, "If the early morning shows on The film, fea- Bollywood biggies such as Salman said there's no stopping the film April 28 were not cancelled, it turing Prabhas, Khan's "Sultan" and Aamir at the box office. could have easily minted another Anushka Shetty, Khan's "Dangal". "With no competition, the film Rs 5 crore," Trinath said, citing a Rana Daggubati "Sultan" had minted Rs 105.53 is making a killing at the ticket financial dispute between the and Tamannaah crore upon a Wednesday release, window. It could be the first Tel- producers of the film and its Tamil in the lead, re- and "Dangal" amassed Rs 107.01 ugu film to even gross over Rs 200 Nadu distributor. leased in Hindi, crore, he said. crore only from Telangana and In Kerala, according to the Tamil, Telugu Down south, the response has Andhra. For the next two weeks, film's distributor Global United and Malayalam been tremendous. the film will have an uninter- Media, the film has reportedly in over 6500 In Telugu states, Telangana and rupted run at the cinemas," he grossed over Rs 20 crore in the screens across Andhra Pradesh, the earnings are said. first three days. India, and in estimated to be beyond Rs 100 In Tamil Nadu, where the film In the US, the film was released 9000 plus crore. released in nearly 650 screens, it is via Great India Films. screens world- "Going by estimates, the film estimated that the film might -Ians -CHENNAI wide. ilmmaker S.S. Rajamouli's Filmmaker magnum opus "Baahubali 2: Karan Johar, who FThe Conclusion" has upped has presented the bar for box office earnings for the Hindi Indian films by amassing Rs 400 dubbed version crore plus worldwide in its open- of the film, ing weekend since its release on tweeted: "His- April 28, according to trade ex- toric Weekend! perts. Here is the Hindi The second part in the language all- "Baahubali" franchise -- a fantasy India Friday (Rs drama about a fictional kingdom 41 crore), Satur- -- has rewritten box office records, day (Rs 40.5 and how. crore), Sunday After zooming past the Rs 100 (Rs 46.5 crore). crore mark on its first day of hit- Grand total Rs ting screens in India, the much- 128 crore." awaited movie which piqued the Trade analyst interest of viewers with the Taran Adarsh www.desitalk.com – that’s all you need to know.
Recommended publications
  • Vizag Is New Capital for AP
    Follow us on: RNI No. APENG/2018/764698 @TheDailyPioneer facebook.com/dailypioneer Established 1864 Published From ANALYSIS 7 MONEY 8 SPORTS 12 VIJAYAWADA DELHI LUCKNOW BHOPAL LEAD BY INDIA SET TO CROSS 100GW SIMAR, ISHANT BLOW RAIPUR CHANDIGARH BHUBANESWAR EXAMPLE IN RENEWABLE ENERGY AWAY HYDERABAD RANCHI DEHRADUN HYDERABAD *Late City Vol. 2 Issue 56 VIJAYAWADA, FRIDAY DECEMBER 27, 2019; PAGES 12 `3 *Air Surcharge Extra if Applicable SARILERU COMING A DAY IN ADVANCE, LOSS FOR ALA VAIKUNTHAPURAMULO { Page 11 } www.dailypioneer.com FOUR CHILDREN BURIED NECK-DEEP ANTI-CAA STIR: UP MINISTER JU STUDENTS "RUSTICATE" UP SUB-INSPECTOR BOOKED FOR IN MUD TO ‘CURE’ DISABILITIES REFUSES TO MEET MUSLIM FAMILIES CHANCELLOR JAGDEEP DHANKHAR RAPING WOMAN IN POLICE OUTPOST our children were buried neck- deep in the mud in a village in n Uttar Pradesh minister on a visit here on Thursday refused to meet n the warpath with West Bengal Governor Jagdeep Dhankhar, students sub-inspector posted with the Bareilly police and two others have FKalaburagi district on Thursday as part of a superstitious belief to Athe families of the two Muslim men who died in the recent protests Oof Jadavpur University on Thursday "rusticated" him as the chancellor Abeen booked for allegedly raping a woman and thrashing her cure their disabilities on the day of eclipse. As most parts of the country against the new citizenship law, terming them "upadravi" (vandals). "Why over his stand on a host of issues, including the contentious Citizenship husband at a police outpost in August. The case was witnessed the annular solar eclipse, the children were buried alive upto should I go to vandals' place? How can those who are involved Act.
    [Show full text]
  • Jio Mami Movie Mela with Star to Showcase the First Look of Baahubali 2: the Conclusion
    JIO MAMI MOVIE MELA WITH STAR TO SHOWCASE THE FIRST LOOK OF BAAHUBALI 2: THE CONCLUSION Director S.S. Rajamouli and Prabhas Mumbai, October 17, 2016: Why did Kattappa kill Baahubali? After watching the National Award winning film, everyone was left with the same question, but couldn’t get any answer. Find out the answer at the Jio MAMI Movie Mela with Star which is gearing up to enthrall film lovers with two days dedicated to popular Indian cinema. One of the major highlights of the Movie Mela is the first look of Baahubali 2: The Conclusion, which will be showcased on October 22, 2016. The Movie Mela will host the cast of Baahubali 2 who will share their experiences on the making of the movie. The film is a historical fiction directed by S. S. Rajamouli which has garnered an unbelievable fan following. The magnum opus promises to be grander and visually more dramatic than part one. Baahubuli team will also launch the teaser to a virtual reality spin off film set around the world of Baahubali, and give the audience a sneak-peak into a game and comic based on the epic franchise. The cast who will be present are: Director, SS Rajamouli Producer, Shobu Yarlagadda Protagonist, Prabhas who plays the role of Shivudu/Baahubali Rana Daggubati who plays the role of Bhallala Deva/Pallvalathevan Anushka Shetty who plays the role of Devasena Tamannaah who plays the role of Avanthika Raja Koduri who heads the VFX Department Speaking about the launch, Director, SS Rajamouli said, “I am really excited to share the First Look of Baahubali 2 with all the fans.
    [Show full text]
  • Telangana New Debt Strategy: Issue 30-Year Tenor Bonds
    Follow us on: @TheDailyPioneer facebook.com/dailypioneer RNI No. TELENG/2018/76469 Established 1864 Published From ANALYSIS 7 MONEY 8 SPORTS 12 HYDERABAD DELHI LUCKNOW DECODING THE DAVOS READIES FOR DOMINANT INDIA BHOPAL RAIPUR CHANDIGARH FUTURE OFJOBS TAKE SERIES BHUBANESWAR RANCHI DEHRADUN DECADE OF DELIVERY VIJAYAWADA ` *LATE CITY VOL. 2 ISSUE 100 HYDERABAD, MONDAY JANUARY 20, 2020; PAGES 12 3 *Air Surcharge Extra if Applicable JANHVI OUT OF FIGHTER, ANANYA IN { Page 11 } www.dailypioneer.com TWO ‘DEPRESSED' 19 INDIANS KIDNAPPED BY PIRATES INDIAN TEACHER FIRST FOREIGNER GANDHI WANTED TO SPEND CAPITAL RYOTS DIE RELEASED, ONE DIE IN CAPTIVITY TO CONTRACT CORONAVIRUS 15 AUG, 1947 IN PAK: BOOK wo farmers - Abburi Appa Rao and Bezawada Smarajyamma - died ineteen Indians, kidnapped by pirates from a commercial vessel from 45-year-old Indian school teacher is undergoing treatment for a new ahatma Gandhi wanted to spend August 15, 1947, the first day of Tdue to heart attack on Sunday. Appa Rao, who had given seven acres Nthe high sea off the western coast of Africa last month, have been Astrain of pneumonia outbreak spreading in the Chinese cities of Mfreedom, in breakaway Pakistan rather than in India, says a new book by of land under the land pooling scheme, had been participating in the released while one died in their captivity, according to the Indian Wuhan and Shenzhen, becoming the first foreigner to have contracted former Union minister MJ Akbar. This was, however, neither tokenism nor a agitation for the past one month. He went into a depression as his son mission here.
    [Show full text]
  • Baahubali –A Milestone of Indian Cinema: Digital Marketing Case Study
    Baahubali –A Milestone of Indian Cinema: Digital Marketing Case Study Sakshi Kotecha Namrata A Patil Giri Y. L SandipRakshit Sanjay Ghodawat Institute ([email protected]) ([email protected]) ISBN: 978-1-943295-08-1 ([email protected]) ([email protected]) Baahubali, advertised as the most expensive film that the country has ever produced. That it has clocked in 300crores ($48 million) worldwide in barely nine days at the box office. What’s more interesting, apart from the film itself, is that to achieve this feat without going overboard with aggressive marketing campaigns – yeah, no shoving down of paid-and-planted news down our throats, no nauseatingly incessant promotional tours by the cast on every other channel. What the makers did leverage, however, is the power of social media — not just around the release but also before it even went on floors. The result – Much like the meaning of its title – Baahubali – one with strong arms, the film created an organic hype, riding on its own shoulders. Thus, Baahubali is a great example of the power of digital marketing. For almost more than two years, the question ‘Why did Kattappa kill Baahubali?’ became a household topic of conversation and flooded social media with mimes and fan theories. Interestingly, two years before the release of the first part, a digital marketing team worked tirelessly to build its online presence and generate interest around the film since 2013. It went on to create the first Telugu hash tag on Twitter. Today, Baahubali has over 36 lakh likes on the Facebook page, 2.54 lakh followers on Twitter, 4.52 lakh subscribers on YouTube and still increasing day by day.
    [Show full text]
  • Paper Teplate
    © 2019 JETIR June 2019, Volume 6, Issue 6 www.jetir.org (ISSN-2349-5162) Transmedia Storytelling in the Indian Context: Select Structural Challenges and Significant Possibilities *1M.N.V.V.K, Chaitanya, 2Mallam, Sasi Kiran Reddy *1 Associate Professor, Annapurna International School of Film and Media (AISFM), Hyderabad, India 2 Research Scholar, Department of Communication, University of Hyderabad, India ABSTRACT While Transmedia Storytelling is more than a decade old concept in the west, it is yet to catch up in the Indian Media space. The recent phenomenal success of films like Baahubali led to a section of the media industry and audience noticing the franchise’s transmedia efforts. Hollywood is one of the spaces which took the idea of transmedia forward, which initially took the shape of marketing and later became a more nuanced effort to add to the story worlds of franchises. It led to the formation of agencies specializing in transmedia storytelling like Starlight Runner and what’s more, the Producers Guild of America incorporating the credit of ‘Transmedia Producer’. One could argue that over the last two decades transmedia storytelling in the USA has moved from experimentation to institutionalization. Although Hollywood and the various regional film industries that exists in India (Bollywood, Kollywood, Tollywood, Sandalwood, Gollywood, Deccanwood, Bhollywood, Coastalwood etc.) are radically and structurally different in every possible way, a comparative approach would lead to an identification of lacunae and might give us a few pointers to start with. The article will engage with the structural challenges and inherent possibilities of Trans-media Storytelling in a diverse media landscape that India is home to.
    [Show full text]
  • Rajinikanth and the “Regional Blockbuster”
    Rajinikanth and the “Regional Blockbuster” * S. V. Srinivas Introduction In the recent past, Tamil and Telugu films have managed to find aud- iences beyond the southern region and have also competed with the biggest Hindi films in Hindi cinema’s traditional markets in northern and western India. A subset of these films are big-budget spectaculars, which I would like to call regional blockbusters. This term flags the critical import- ance of developments in the south Indian region and film industries for the emergence of relatively new production and narrative regimes which raise interesting questions of value—of films as commodities and stars alike.1 In the pages that follow, I trace the evolution of this form to argue that it is symptomatic of a fundamental transformation of industrial- political logics of south Indian cinemas, whose most visible manifest- ations so far have been the star politician and fan clubs. I propose that Rajinikanth is a useful point of entry into the discussion of the regional blockbuster because he belongs to a small number of Indian superstars who were a part of the very problem that the blockbuster attempts to overcome and, at the same time, a valuable asset for it. By tracking the career of Rajinikanth, I propose to show how crucial this star in par- ticular, but also the south Indian star vehicle known as the “mass film,” is the condition of possibility for a form that may or may not use major stars. The paper is divided into two parts. The first elaborates on the blockbuster as a descriptive-analytical category and shows why it is use- fully seen not just as a global form but also a regional phenomenon, pred- icated on locally specific historical contingencies as well industrial-aes- thetic practices.
    [Show full text]
  • Behind the Bahubali Box Office Collections
    International Journal of Research in Social Sciences Vol. 8 Issue 4, April 2018, ISSN: 2249-2496 Impact Factor: 7.081 Journal Homepage: http://www.ijmra.us, Email: [email protected] Double-Blind Peer Reviewed Refereed Open Access International Journal - Included in the International Serial Directories Indexed & Listed at: Ulrich's Periodicals Directory ©, U.S.A., Open J-Gage as well as in Cabell’s Directories of Publishing Opportunities, U.S.A Behind the Bahubali Box office collections Swamy Kalva* Abstract The article mainly deals with the reasons behind the record-breaking collections of the movie bahubali. And it also tries to understand the plot of the movie and compares the movie with the rise of Narendra Modi’s rise from Godhra massacre to the Prime minister position. The article states that achieving 1500 crore milestone for the first time in Indian movie history and winning the highest number of Lok Sabha seats after 1984 elections are nothing but the awakening of the fake nationalism, varnashramadharma among the majority of the people of India. Key Words: Bahubali, Varnshramadharma, Hindu nationalism * Doctoral Research Scholar,Department of Political Science,University of Hyderabad- Gachibowli, Hyderabad, Telangana. 1 International Journal of Research in Social Sciences http://www.ijmra.us, Email: [email protected] ISSN: 2249-2496 Impact Factor: 7.081 Baahubali 2- The Conclusion is the first Indian movie to cross the benchmark of 1000 crores worldwide. It got released across 9000 theatres in Telugu, Hindi, Tamil, Malayalam
    [Show full text]