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CHICAGO to Tour Australia in 2009 with a Stellar Cast
MEDIA RELEASE Embargoed until 6pm November 12, 2008 We had it coming…CHICAGO to tour Australia in 2009 with a stellar cast Australia, prepare yourself for the razzle-dazzle of the hit musical Chicago, set to tour nationally throughout 2009 following a Gala Opening at Brisbane‟s Lyric Theatre, QPAC. Winner of six Tony Awards®, two Olivier Awards, a Grammy® and thousands of standing ovations, Chicago is Broadway‟s longest-running Musical Revival and the longest running American Musical every to play the West End. It is nearly a decade since the “story of murder, greed, corruption, violence, exploitation, adultery and treachery” played in Australia. Known for its sizzling score and sensational choreography, Chicago is the story of a nightclub dancer, a smooth talking lawyer and a cell block of sin and merry murderesses. Producer John Frost today announced his stellar cast: Caroline O’Connor as Velma Kelly, Sharon Millerchip as Roxie Hart, Craig McLachlan as Billy Flynn, and Gina Riley as Matron “Mama” Morton. “I‟m thrilled to bring back to the Australian stage this wonderful musical, especially with the extraordinary cast we have assembled. Velma Kelly is the role which took Caroline O‟Connor to Broadway for the first time, and her legion of fans will, I‟m sure, be overjoyed to see her perform it once again. Sharon Millerchip has previously played Velma in Chicago ten years ago, and since has won awards for her many musical theatre roles. She will be an astonishing Roxie. Craig McLachlan blew us all away with his incredible audition, and he‟s going to astound people with his talent as a musical theatre performer. -
General Executive Board Meetings Book 1 James J
REPORT OF THE GENERAL EXECUTIVE BOARD MEETINGS BOOK 1 JAMES J. CLAFFEY, JR., Thirteenth Vice REPORT OF THE President GENERAL EXECUTIVE In addition to the members of the Board, those BOARD MEETING present included: International Trustees Patricia A. White, Carlos Cota and Andrew C. Oyaas; CLC HELD AT THE Delegate Siobhan Vipond; Assistant to the President SHERATON GRAND Sean McGuire; Director of Communications Matthew Cain; Director of Broadcast Sandra England; LOS ANGELES, CA Political Director J. Walter Cahill, Assistant Political JANUARY 29 – FEBRUARY 2, 2018 Director Erika Dinkel-Smith; Assistant Directors of Motion Picture and Television Production Daniel CALL TO ORDER Mahoney and Vanessa Holtgrewe; Co-Director of The regular Mid-Winter meeting of the General Stagecraft Anthony DePaulo, Assistant Director of Executive Board of the International Alliance of Theatrical Stagecraft D. Joseph Hartnett; Assistant Director Stage Employees, Moving Picture Technicians, Artists of Education and Training Robyn Cavanagh; and Allied Crafts of the United States, Its Territories and International Representatives Ben Adams, Steve Canada convened at 10:00 a.m. on Monday, January 29, Aredas, Christopher “Radar” Bateman, Steve Belsky, 2018 in the California BCEF Ballrooms of the Sheraton Jim Brett, Peter DaPrato, Don Gandolini, Jr., Ron Grand, Los Angeles, California. Garcia, John Gorey, Scott Harbinson, Krista Hurdon, Kent Jorgensen, Steve Kaplan, Mark Kiracofe, Peter Marley, Fran O’Hern, Joanne Sanders, Stasia Savage, ROLL CALL Lyle Trachtenberg, and Jason Vergnano; Staff General Secretary-Treasurer James B. Wood called members Leslie DePree, Asha Nandlal, Alejandra the roll and recorded the following members present: Tomais, Marcia Lewis and MaryAnn Kelly. MATTHEW D. -
Finding Aid for the Gary L. Hill Broadway Theatre Guild Stage Door Collection Collection 349
Finding aid for the Gary L. Hill Broadway Theatre Guild Stage Door collection Collection 349 This finding aid was produced using ArchivesSpace on July 20, 2021. Describing Archives: A Content Standard Grand Rapids History and Special Collections 111 Library Street NE Grand Rapids, Michigan 49503 [email protected] URL: https://www.grpl.org/research/history/ Finding aid for the Gary L. Hill Broadway Theatre Guild Stage Door collection Collection 349 Table of Contents Summary Information ......................................................................................................................................... 4 Biographical / Historical ...................................................................................................................................... 4 Scope and Contents .............................................................................................................................................. 6 Administrative Information ............................................................................................................................... 6 Controlled Access Headings ............................................................................................................................... 7 Collection Inventory ............................................................................................................................................. 7 Series I. Historical & Biographical information. ...................................................................................... -
Hello, Dolly! Carolee Carmello
2 SHOWCASE Contents 4 Letter from the President 4 Board of Directors and Staff 7 Hello, Dolly! 23 Comprehensive Campaign 24 Institutional and Government Support 25 Individual Support 27 Matching Gifts 27 Honickman Family Society 31 Kimmel Center Staff Carolee Carmello and John Bolton in Hello, Dolly! National Tour. Photograph by Julieta Cervantes 2019 The use of cameras and recording equipment is prohibited during the performances. As a courtesy to the performers and fellow audience members, please turn off all beepers, watch alarms, and cellular phones. Latecomers and those who leave the concert hall during the performance will be seated at appropriate intervals. Showcase is published by the Kimmel Center for the Performing Arts Administrative Offices, 1500 Walnut Street, 17th Floor, Philadelphia, PA 19102 For information about advertising in Showcase, contact Proud Kimmel Center Season Sponsor Onstage Publications 937-424-0529 | 866-503-1966 e-mail: [email protected] www.onstagepublications.com Official Airline of Broadway Philadelphia @KIMMELCENTER #ArtHappensHere KIMMELCENTER.ORG#ArtHappensHere 3 Kimmel Center Cultural Campus KIMMEL CENTER, INC., OFFICERS AND BOARD OF DIRECTORS Michael D. Zisman, Chairman Anne C. Ewers, President and CEO Robert R. Corrato, Vice-Chair Jane Hollingsworth, Vice-Chair Stanley Middleman, Treasurer Jami Wintz McKeon, Secretary David P. Holveck, Immediate Past Chair Bart Blatstein Jeffrey Brown Richard D. Carpenter Dear friends, Vanessa Z. Chan Reverend Luis A. Cortés, Jr. Welcome to the Academy of Music on the Kimmel Center Robert J. Delany Sr. Cultural Campus, the two-week home of this stunning revival James F. Dever, Jr. of Hello, Dolly!. Part of our 2019-20 season, boasting 44 Frances R. -
Then and Now Substantial Contributions to the History of Musical Theatre
THE OPPRESSION AND SEXISM OF AFRICAN-AMERICAN WOMEN: THEN AND NOW SUBSTANTIAL CONTRIBUTIONS TO THE HISTORY OF MUSICAL THEATRE by KELLI OWENS A thesis submitted in partial fulfillment of the requirements for the Honors in the Major Program in Musical Theatre in the College of Arts and Humanities and in the Burnett Honors College at the University of Central Florida Orlando, Florida Spring Term, 2014 Thesis Chair: Earl Weaver, MFA © 2014 Kelli Owens ii ABSTRACT A wise Martin Luther King Jr. once said, “Freedom is never given by the oppressor; it must be demanded by the oppressed (King 1).” For as long as men and women have shared the planet, sexism has been a universal issue in civilization. In a social justice context, American society has found ways to oppress people for centuries. The Oxford Dictionary defines sexism as a “prejudice, stereotyping, or discrimination, typically against women, on the basis of sex (“sexism”).” Voting rights in America were established in 1790, but it took years of petitioning at various women’s rights conventions before the Nineteenth Amendment to the United States Constitution stating "the right of citizens of the United States to vote shall not be denied or abridged by the United States or by any State on account of sex" was passed in 1920 (“Nineteenth Amendment”). Traditionally, men were supposed to be the strong, decisive, driven, courageous, money-making breed, while women were expected to be the nurturing, affectionate, weak subordinates. Today, we find men and women working in careers previously linked with sexism; men as nurses and teachers, women as CEOs and factory workers. -
BTW.C.Schedule2017(MH Edit)
Broadway Teachers Workshop C 2017 Schedule (*subject to change) Thursday, July 13, 2017 Today’s workshops are held at The Sheen Center; 18 Bleecker Street, New York, NY 10012 9:15 a.m. – 10:00 a.m. Registration/ Welcome/ Meet and Greet Your Peers 10:00 a.m. – 11:30 a.m. Opening Session: Creativity and Connection: with Susan Blackwell ([title of show]) In this fun, festive welcome session, Susan Blackwell kicks off your Broadway Teachers Workshop with a bang! This year's theme is CREATIVITY and--as always--the discussion will be spirited, the ideas shared will be inspiring, and the connections made will lay the foundation for a warm, wonderful BTW adventure! Susan Blackwell is on a mission to free people’s creativity and self-expression. She champions this cause as a performer, writer, educator and business consultant. She played a character based on herself in the original Broadway musical [title of show} and the Off-Broadway musical Now. Here. This. She created and hosts the freewheeling chat show ‘Side by Side by Susan Blackwell’ on Broadway.com. As the founder of Susan Blackwell & Co., she partners with like-minded compassionate artists and thought leaders to deliver inspiring entertainment and educational offerings aimed at freeing people’s creativity and self-expression. 11:45 a.m. – 1:00 p.m. A.) EXPLORING FRANK LOESSER: A concert and class with Broadway Music Director David Loud Join Broadway Music Director David Loud (Scottsboro Boys, Curtains, The Visit) in another of his delightful inquiries into the songs of our greatest theatre composers. -
High Sierra Theatres Announces San Francisco Opera’S Show Boat
FOR IMMEDIATE RELEASE HIGH SIERRA THEATRES ANNOUNCES SAN FRANCISCO OPERA’S SHOW BOAT THE CLASSICAL AMERICAN MUSIC THEATRE EXCLUSIVE Santa Fe, NM (March 24, 2015) – HIGH SIERRA THEATRES today announced that they will be premiering San Francisco Opera’s Show Boat on June 6 at 4:00 PM and June 10 at 7:00 PM Instead of just showing Hollywood Blockbusters, the Desert Sky Cinema and The Movie Picture Showhouse present alternative programs such as Operas, Broadway Shows and Art Exhibits. Presentation A true classic of American musical theater, this tale of life on the Mississippi from the 1880s to the 1920s is both a poignant love story and a powerful reminder of the bitter legacy of racism. Director Francesca Zambello’s grand-scale production is "a triumph—a stylish, fast-paced and colorful show that had the capacity audience on its feet, cheering loud and long" (Chicago Classical Review). The magnificent Jerome Kern-Oscar Hammerstein II score, which includes such classic songs as "Ol’ Man River," "Can’t Help Lovin’ Dat Man," "Make Believe" and "You Are Love," will sound glorious "under the authoritative baton of music-theater maestro John DeMain" (Chicago Tribune). "No one should miss it" (Chicago Sun- Times). According to General Director David Gockley, "Show Boat will be done in grand opera fashion in the way the creators conceived. The Opera House is—I believe—the appropriate venue for these great classic musicals that require full-voiced, 'legit' singing." "One memorable song follows another, each an enduring thread in the fabric of American -
New York Magazine
ITALIAN RESTAURANT WARS MOYNIHAN BLACKS VS. JEWS - - $2.95 • MAY 2, 1994 Jft^ '^ytt' y Drag Oueen a Surreal Murder Mystery ByJeanie Russell Hasindorf J* 1. Paris Is Burning diva Oprian Corey 0 739175 0 DON'T CRACK UNDER PRESSURE The 6000 series. 18-karat gold and fine brushed steel. Exclusive bracelet design Scratch-resistant sapphire crystal with magnified date indicator Water-resistant to 200 meters (660 feet). JOSEPH EDWARDS ON FIFTH 500 Fifth Avenue, New York TAGHeuer MOSTLY WATCHES SWISS MADE SINCE 1860 200 West 57th Street, h4ew York . bthel acKpa( reachesinewlheights "coior This One Mother's Day is May 8th CEC8-NL9-S0LX Kipling nylon backpack in red, anthracite, ochre, eucalyptus, orange, spruce, Sjp. Handbags, Main Floor, Herald Square. i I i i it Call Linda Lee at Macy's By Appointment for details: 2. 1 z-4g4-4 8 . Outside New York: -Soo-j^j-o SAKS Fl FTH A What's new at Saks Fifth Avenue. Take Five. On Five. The floor for clothes that work. Yet don't necessarily go to work. Clothes that are more about softness than structure. And as much about comfort as attitude. Case in point: the pure innovation of Vivienne Tarn. DEFINING STYLE AT SAKS FIFTH AVENUE ^ TAKE FIVE SPECIAL EVENT: MAY 5-7. THURSDAY 5-7:30PM • FRIDAY NOON-4PM • SATURDAY N00N-4PM VOL. NO. 18 27, MAY 2 , 1994 CONTENTS The Power and the Glory DEPARTMENTS l" BY ERIC ALTERMAN 22 Daniel Patrick Moynihan be- MEDIA gan his political career by By Ion Katz challenging the liberal ortho- Exploiting extremism—who doxy on fwverty and race. -
The Program for Broadway in Detroit at the Fisher Theatre Scott Rudin Roy Furman James L
THE PROGRAM FOR BROADWAY IN DETROIT AT THE FISHER THEATRE SCOTT RUDIN ROY FURMAN JAMES L. NEDERLANDER ELI BUSH UNIVERSAL THEATRICAL GROUP ROGER BERLIND WILLIAM BERLIND JOHN GORE ORGANIZATION LEN BLAVATNIK PETER MAY THE ARACA GROUP INDEPENDENT PRESENTERS NETWORK JAY ALIX & UNA JACKMAN SCOTT M. DELMAN STEPHANIE P. MCCLELLAND AL NOCCIOLINO WENDY FEDERMAN & HENI KOENIGSBERG PATTY BAKER & GOOD PRODUCTIONS BENJAMIN LOWY ERIC CORNELL & JACK SENNOTT EXECUTIVE PRODUCERS JOEY PARNES SUE WAGNER JOHN JOHNSON PRESENT CAROLEE CARMELLO IN HELLO, DOLLY! ALSO STARRING JOHN BOLTON BASED ON THE PLAY “THE MATCHMAKER” BY THORNTON WILDER BOOK BY MUSIC AND LYRICS BY M I C H A E L S T E WA R T JERRY HERMAN ORIGINALLY PRODUCED ON THE NEW YORK STAGE BY DAVID MERRICK FEATURING DANIEL BEEMAN ANALISA LEAMING SEAN BURNS CHELSEA CREE GROEN COLIN LEMOINE LAURA SKY HERMAN JANE BROCKMAN BLAKE HAMMOND COLIN BRADBURY ALEC COHEN JULIAN DEGUZMAN KAREN ELLIOTT CHRISTOPHER FAISON JENNY HICKMAN LAURA IRION MADISON JOHNSON JULIE KAVANAGH NATHAN KEEN BEN LANHAM MARTY LAUTER IAN LIBERTO HILLARY PORTER STEFFANY PRATT KYLE SAMUEL LIZ SCHMITZ SCOTT SHEDENHELM TIMOTHY SHEW CASSIE AUSTIN TAYLOR CAYEL TREGEAGLE DAVIS WAYNE BRANDON L. WHITMORE SCENIC AND COSTUME DESIGN LIGHTING DESIGN SOUND DESIGN SANTO LOQUASTO NATASHA KATZ SCOTT LEHRER ORCHESTRATIONS MUSIC DIRECTOR MUSIC SUPERVISION LARRY HOCHMAN BEN WHITELEY ANDY EINHORN VOCAL ARRANGEMENTS DANCE ARRANGEMENTS MUSIC COORDINATOR DON PIPPIN DAVID CHASE SEYMOUR RED PRESS HAIR, WIGS & MAKE UP DESIGN CASTING PRODUCTION SUPERVISOR CAMPBELL -
Chita Rivera
We l c o m e t o Dear Theatregoers... After the smashing success of this summer’s remarkable Shakespeare Festival, plus Moonlight and Magnolias and The Lady with All the Answers, we might well be inclined to give a huge sigh of relief and accomplish- ment and relax. But that’s hardly going to be possible, given the double-bill we offer at the moment. To welcome my beloved colleagues Terrence McNally and Graciela Daniele back to this theatre is a consummation devoutly to be wished, since he last graced our halls with The Full Monty; and she hasn’t worked her magic since The Snow Ball. But that they’ve come to celebrate the irresistibly dynamic Chita Rivera: The Dancer’s Life, rolling out the events of the our industry’s signature dance icon, not only makes us proud, but initiates lines at the box office any theatre administrator weeps to see. And just next door, in the crucible we call the Cassius Carter Centre Stage is Associate Artist Dakin Matthews, plumbing today’s headlines concerning the church’s most devastating moral crisis with The Prince of L.A., a witty and wise work he not only wrote, but in which he plays its central character, guided by the sure hand of his most astute critic and talented wife, Anne McNaughton. This year past, and the one ahead for all the world seem to be the incarnation of “the good old days!” We are thrilled you are here to share the rewards with us. JACK O’BRIEN Artistic Director Welcome to the first play of our Winter 2005/6 Season. -
ANASTASIA-THE MUSICAL Saturday, April 22, 2017 Bus Departs the Municipal Complex at 10AM and Returns at Approximately 6PM
Bernards Township Parks & Recreation Broadway Bus Trip ANASTASIA-THE MUSICAL Saturday, April 22, 2017 Bus departs the Municipal Complex at 10AM and returns at approximately 6PM. $110 Per Person, Mid Mezzanine Seating Tickets on sale beginning January 3rd at 8:30AM! About the Show: From the creators of the Broadway classic Ragtime comes a new musical about a brave young woman attempting to discover the mystery of her past, Anastasia. Inspired by the Twentieth Century Fox Motion Pictures, Anastasia is a romantic, adventure-filled musical that takes audiences from the twilight of the Russian Empire to the euphoria of Paris in the 1920s, all set to a lush score from the Tony Award®-winning team of Terrence McNally (book), Stephen Flaherty (music), Lynn Ahrens (lyrics) and Darko Tresnjak, a Tony Award winner for Best Direction of a Musical for A Gentleman’s Guide to Love and Murder. The company will be led by Christy Altomare as Anya, Derek Klena as Dmitry, John Bolton as Vlad Popov, Ramin Karimloo as Gleb, Caroline O’Connor as Countess Lily Malevsky-Malevitch, and Mary Beth Peil as Dowager Empress Maria Feodorovna. About the Trip: The bus will depart the Municipal Building Complex, located at 1 Collyer Lane, Basking Ridge. You will receive your tickets on the bus. The bus will drop off at the Broadhurst Theater at 235 W 44th Street, at approximately 11:30 AM. Lunch is on your own. Show time is 2:00 PM. Show run time is approximately 2 hours & 30 minutes, including one intermission. Bus will depart NYC immediately following the show. -
August, 2013 CAST & CREW
Issue No. 133 Single Copy $3.50 August, 2013 CAST & CREW “The Source For Theater Happenings” OUT OF THE BOX THEATER RETURNS TO DOWNSTAGE by Muriel Kenderdine It was 2005 and L/A Community Little Theatre in Auburn, Mention at the NETC convention for their August 2011 ME, was auditioning and then rehearsing for their June performances of HAMLET! This really is an amazing production of Paul Rudnick’s I HATE HAMLET. The director achievement for a new group. All three plays were directed by was Linda Britt, who had been involved for some years with Linda with set design and technical expertise by Stan. CLT both as a director and sometimes as a playwright, including musicals written with her son, musician and composer Colin Britt. Stan Spilecki, who had also been involved with CLT for some time, occasionally on stage and frequently as a set designer, a role which also sometimes found him across the river at The Public Theatre in Lewiston, was cast as John Barrymore’s ghost. And shorn of his beard and with just the right hairpiece, as well as his acting ability, Stan was a convincing Barrymore. (And I report this from the vantage point of an onlooker since I was in the cast of that play, my first opportunity to work with director Linda and actor Stan.) Stan and Linda had met a couple of years before because of their involvement in the theater community but had not worked together before. By the time I HATE HAMLET closed, Stan was asked to play Lazar Wolfe in CLT’s August production of FIDDLER ON THE ROOF, for which Colin Britt was music director.