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1919 Golden Globe Nominees 1
1919 Golden Globe Nominees 1. BEST TELEVISION SERIES – DRAMA a. THE AMERICANS FX NETWORKS Fox 21 Television Studios / FX Productions b. BODYGUARD NETFLIX World Productions / an ITV Studios company c. HOMECOMING PRIME VIDEO Universal Cable Productions LLA / Amazon Studios d. KILLING EVE BBC AMERICA BBC AMERICA / Sid Gentle Films Ltd e. POSE FX NETWORKS Fox 21 Television Studios / FX Productions 2. BEST PERFORMANCE BY AN ACTRESS IN A TELEVISION SERIES – DRAMA a. CAITRIONA BALFE OUTLANDER b. ELISABETH MOSS THE HANDMAID'S TALE c. SANDRA OH KILLING EVE d. JULIA ROBERTS HOMECOMING e. KERI RUSSELL THE AMERICANS 3. BEST PERFORMANCE BY AN ACTOR IN A TELEVISION SERIES – DRAMA a. JASON BATEMAN OZARK b. STEPHAN JAMES HOMECOMING c. RICHARD MADDEN BODYGUARD d. BILLY PORTER POSE e. MATTHEW RHYS THE AMERICANS 4. BEST TELEVISION SERIES – MUSICAL OR COMEDY a. BARRY HBO HBO Entertainment / Alec Berg / Hanarply b. THE GOOD PLACE NBC Universal Television / Fremulon / 3 Arts Entertainment c. KIDDING SHOWTIME SHOWTIME / SOME KIND OF GARDEN / Aggregate Films / Broadlawn Films d. THE KOMINSKY METHOD NETFLIX Warner Bros. Television e. THE MARVELOUS MRS. MAISEL PRIME VIDEO Amazon Studios 5. BEST PERFORMANCE BY AN ACTRESS IN A TELEVISION SERIES – MUSICAL OR COMEDY a. KRISTEN BELL THE GOOD PLACE b. CANDICE BERGEN MURPHY BROWN c. ALISON BRIE GLOW d. RACHEL BROSNAHAN THE MARVELOUS MRS. MAISEL e. DEBRA MESSING WILL & GRACE 6. BEST PERFORMANCE BY AN ACTOR IN A TELEVISION SERIES – MUSICAL OR COMEDY a. SACHA BARON COHEN WHO IS AMERICA b. JIM CARREY KIDDING c. MICHAEL DOUGLAS THE KOMINSKY METHOD d. DONALD GLOVER ATLANTA e. BILL HADER BARRY 7. -
Current Film Slate
CURRENT PROJECTS Updated 06 August 2021 For more information on any of the projects listed below, please contact the Premier film team as follows: • Email: [email protected] • Visit our website: https://www.premiercomms.com/specialisms/film/public-relations UK DISTRIBUTION NIGHT OF THE KINGS UK release date: 23 July 2021 (in cinemas) Directed by: Philippe Lacôte Starring: Koné Bakary, Barbe Noire, Steve Tientcheu, Rasmané Ouédraogo, Issaka Sawadogo, Digbeu Jean Cyrille Lass, Abdoul Karim Konaté, Anzian Marcel Laetitia Ky, Denis Lavant Running time: 93 mins Certificate: 12A UK release: 23 July 2021 Premier contacts: Annabel Hutton, Simon Bell, Josh Glenn When a young man (first-timer Koné Bakary) is sent to an infamous prison, located in the middle of the Ivorian forest and ruled by its inmates, he is chosen by the boss 'Blackbeard' (Steve Tientcheu, BAFTA and Academy-Award nominated LES MISÉRABLES) to take part in a storytelling ritual just as a violent battle for control bubbles to the surface. After discovering the grim fate that awaits him at the end of the night, Roman begins to narrate the mystical life of a legendary outlaw to make his story last until dawn and give himself any chance of survival. JOLT UK release date: 23 July 2021 (Amazon Prime Video) Directed by: Tanya Wexler Starring: Kate Beckinsale, Bobby Cannavale, Jai Courtney, Laverne Cox, David Bradley, Ori Pfeffer, Susan Sarandon, Stanley Tucci Running time: 91 mins Certificate: TBC UK release: Amazon Studios Premier contacts: Matty O’Riordan, Monique Reid, Brodie Walker, Priyanka Gundecha Lindy is a beautiful, sardonically-funny woman with a painful secret: Due to a lifelong, rare neurological disorder, she experiences sporadic rage-filled, murderous impulses that can only be stopped when she shocks herself with a special electrode device. -
Who Will Win the SAG Awards? Is ‘Black Panther’ Likely to Win Ensemble Honor?
H20 | SUNDAY, JANUARY 27, 2019 SIOUXCITYJOURNAL.COM Who will win the SAG Awards? Is ‘Black Panther’ likely to win ensemble honor? BRUCE R. MILLER [email protected] ill Sunday’s Screen Actors Guild Awards be a chance for actors to Wmake up for Oscar’s slights? If so, look for Timothee Chalamet, Em- ily Blunt, Margo Robbie and John David Washington to be front and center. They’re among the folks snubbed by Oscar. Re- gina King – who didn’t get a SAG nomination – is considered an Oscar front-runner for her work in “If Beale Street Could Talk.” “Roma,” which leads the Os- car nominations, didn’t figure into the SAG mix, so there is a big disconnect. Winning a SAG Award doesn’t guarantee an Os- IMAGES COURTESY THE STUDIOS car, but it certainly helps. Erik Killmonger (Michael B. Jordan) and T’Challa/Black Panther (Chadwick Boseman) in Marvel Studios’ “Black Panther.” The Screen Actors Guild represents the largest vot- ing body in the Academy of PORTING ROLE: With Regina King OUTSTANDING FE- Motion Picture Arts and Sciences. out of the mix, it could be Amy Adams’ MALE ACTOR IN TV Because there is no “Best Picture” cat- chance to attract attention. She was great MOVIE OR LIMITED egory with SAG, the Outstanding Perfor- as Lynne Cheney in “Vice.” SERIES: Amy Adams mance by an Ensemble is about as close OUTSTANDING CAST, FILM: There could be a double winner as it comes. are so many blue-chip people in “Black (here, for “Sharp Objects”) Who will win? Here’s a look. -
Affective Agency in Viola Davis's Award Speeches
Yearbook of the Poznań Linguistic Meeting 6 (2020), pp. 159–181 DOI: 10.2478/yplm-2020-0009 To be sentimental, powerful, and Black: Affective agency in Viola Davis’s award speeches Agata Janicka Adam Mickiewicz University, Poznań [email protected] Abstract This article considers how the long-standing American cultural tradition of sentimen- tality and its affective power can be discursively utilized by contemporary Black women in the public contexts. Using the concept of sentimental political storytelling as discussed by Rebecca Wanzo, I analyze three award speeches given by Viola Davis – a popular and acclaimed African American actress whose speeches generate signifi- cant public and media attention. Framing Davis’s speeches within the Black feminist epistemology, I draw on the conventions of sentimental storytelling proposed by Wanzo to argue that Davis is an example of a Black woman skilfully using sentimen- tality to gain affective agency and mobilize sympathy from mainstream public while at the same time narrativizing African Americans’ lived experiences to have their hu- manity and their struggle recognized today. Given the continued prioritization of White female suffering in the American media over stories of Black women’s struggle, the ways in which Black women can discursively utilize sentimentality to gain affective agency and negotiate self-definition in interactional public contexts is of significant sociolinguistic interest. Keywords: African American women; sentimentality; affective agency; discourse; media. 0. Introduction Sentimentality holds a major potential for sociolinguistic studies of language. Inherently emotional, sentimentality has had a long-lasting and conspicuous role in the American literary history, and it has been the object of considerable attention in literary criticism (Howard 1999). -
Certain Women
CERTAIN WOMEN Starring Laura Dern Kristen Stewart Michelle Williams James Le Gros Jared Harris Lily Gladstone Rene Auberjonois Written, Directed, and Edited by Kelly Reichardt Produced by Neil Kopp, Vincent Savino, Anish Savjani Executive Producers Todd Haynes, Larry Fessenden, Christopher Carroll, Nathan Kelly Contact: Falco Ink CERTAIN WOMEN Cast (in order of appearance) Laura LAURA DERN Ryan JAMES Le GROS Fuller JARED HARRIS Sheriff Rowles JOHN GETZ Gina MICHELLE WILLIAMS Guthrie SARA RODIER Albert RENE AUBERJONOIS The Rancher LILY GLADSTONE Elizabeth Travis KRISTEN STEWART Production Writer / Director / Editor KELLY REICHARDT Based on stories by MAILE MELOY Producers NEIL KOPP VINCENT SAVINO ANISH SAVJANI Executive Producers TODD HAYNES LARRY FESSENDEN CHRISTOPHER CARROLL NATHAN KELLY Director of Photography CHRISTOPHER BLAUVELT Production Designer ANTHONY GASPARRO Costume Designer APRIL NAPIER Casting MARK BENNETT GAYLE KELLER Music Composer JEFF GRACE CERTAIN WOMEN Synopsis It’s the off-season in Livingston, Montana, where lawyer Laura Wells (LAURA DERN), called away from a tryst with her married lover, finds herself defending a local laborer named Fuller (JARED HARRIS). Fuller was a victim of a workplace accident, and his ongoing medical issues have led him to hire Laura to see if she can reopen his case. He’s stubborn and won’t listen to Laura’s advice – though he seems to heed it when the same counsel comes from a male colleague. Thinking he has no other option, Fuller decides to take a security guard hostage in order to get his demands met. Laura must act as intermediary and exchange herself for the hostage, trying to convince Fuller to give himself up. -
CANDY L. WALKEN Hair Design/Stylist IATSE 706
CANDY L. WALKEN Hair Design/Stylist IATSE 706 FILM UNTITLED DAVID CHASE PROJECT Department Head, Los Angeles Aka TWYLIGHT ZONES Director: David Chase THE BACK-UP PLAN Department Head Director: Alan Poul Cast: Alex O’Loughlin, Melissa McCarthy, Michaela Watkins NAILED Department Head Director: David O. Russell Cast: Jessica Biel, Jake Gyllenhaal, Catherine Keener, James Marsden THE MAIDEN HEIST Department Head Director: Peter Hewitt Cast: Christopher Walken, Marcia Gay Harden, William H. Macy THE HOUSE BUNNY Hair Designer/Department Head Personal Hair Stylist to Anna Faris Director: Fred Wolf Cast: Emma Stone, Kat Dennings, Katharine McPhee, Rumer Willis DISTURBIA Department Head Director: D.J. Caruso Cast: Shia LaBeouf, Carrie-Anne Moss, David Morse, Aaron Yoo FREEDOM WRITERS Department Head Director: Richard La Gravenese Cast: Imelda Staunton, Scott Glenn, Robert Wisdom MUST LOVE DOGS Personal Hair Stylist to Diane Lane Director: Gary David Goldberg A LOT LIKE LOVE Department Head Director: Nigel Cole Cast: Ashton Kutcher, Amanda Peet CELLULAR Personal Hair Stylist to Kim Basinger Director: David R. Ellis ELVIS HAS LEFT THE BUILDING Personal Hair Stylist to Kim Basinger Director: Joel Zwick UNDER THE TUSCAN SUN Personal Hair Stylist to Diane Lane Director: Audrey Wells THE MILTON AGENCY Candy L. Walken 6715 Hollywood Blvd #206, Los Angeles, CA 90028 Hair Telephone: 323.466.4441 Facsimile: 323.460.4442 IATSE 706 [email protected] www.miltonagency.com Page 1 of 3 SUSPECT ZERO Department Head Director: Elias Merhige Cast: Aaron -
The 2020 TJFP Team
On the Precipice of Trans Justice Funding Project 2020 Annual Report Contents 2 Acknowledgements 4 Terminology 5 Letter from the Executive Director 11 Our Grantmaking Year in Review 20 Grantees by Region and Issue Areas 22 The 2020 TJFP Team 27 Creating a Vision for Funding Trans Justice 29 Welcoming Growth 34 Funding Criteria 35 Some of the Things We Think About When We Make Grants 37 From Grantee to Fellow to Facilitator 40 Reflections From the Table 43 Our Funding Model as a Non-Charitable Trust 45 Map of 2020 Grantees 49 Our 2020 Grantees 71 Donor Reflections 72 Thank You to Our Donors! This report and more resources are available at transjusticefundingproject.org. Acknowledgements We recognize that none of this would have been possible without the support of generous individuals and fierce communities from across the nation. Thank you to everyone who submitted an application, selected grantees, volunteered, spoke on behalf of the project, shared your wisdom and feedback with us, asked how you could help, made a donation, and cheered us on. Most of all, we thank you for trusting and supporting trans leadership. A special shoutout to our TJFP team, our Community Grantmaking Fellows and facilitators; Karen Pittelman; Nico Amador; Cristina Herrera; Zakia Mckensey; V Varun Chaudhry; Stephen Switzer at Rye Financials; Raquel Willis; Team Dresh, Jasper Lotti; butch.queen; Shakina; Nat Stratton-Clarke and the staff at Cafe Flora; Rebecca Fox; Alex Lee of the Grantmakers United for Trans Communities program at Funders for LGBT Issues; Kris -
2019 Olden Lobes Ballot
CD 2019 �olden �lobes Ballot BEST MOTION PICTURE / BEST PERFORMANCE BY AN ACTOR IN A BEST PERFORMANCE BY AN ACTRESS MUSICAL OR COMEDY TELEVISION SERIES / MUSICAL OR COMEDY IN A SUPPORTING ROLE IN A SERIES, ¨ Crazy Rich Asians ¨ Sasha Baron Cohen Who Is America? LIMITED SERIES OR MOTION PICTURE MADE ¨ The Favourite ¨ Jim Carrey Kidding FOR TELEVISION ¨ Green Book ¨ Michael Douglas The Kominsky Method ¨ Alex Bornstein The Marvelous Mrs. Maisel ¨ Mary Poppins Returns ¨ Donald Glover Atlanta ¨ Patricia Clarkson Sharp Objects ¨ Vice ¨ Bill Hader Barry ¨ Penelope Cruz The Assassination of Gianni Versace: American Crime Story ¨ Thandie Newton Westworld BEST MOTION PICTURE / DRAMA BEST PERFORMANCE BY AN ACTRESS ¨ Yvonne Strahovski The Handmaid’s Tale ¨ Black Panther IN A TELEVISION SERIES / DRAMA ¨ BlacKkKlansman ¨ Caitriona Balfe Outlander BEST PERFORMANCE BY AN ACTOR ¨ Bohemian Rhapsody ¨ Elisabeth Moss Handmaid’s Tale IN A SUPPORTING ROLE IN A SERIES, ¨ Sandra Oh Killing Eve ¨ If Beale Streat Could Talk LIMITED SERIES OR MOTION PICTURE MADE ¨ A Star Is Born ¨ Julia Roberts Homecoming FOR TELEVISION ¨ Keri Russell The Americans ¨ Alan Arkin The Kominsky Method BEST TELEVISION SERIES / ¨ ¨ Kieran Culkin Succession MUSICAL OR COMEDY BEST PERFORMANCE BY AN ACTOR ¨ Edgar Ramirez The Assassination ¨ Barry HBO IN A TELEVISION SERIES / DRAMA of Gianni Versace: American Crime Story ¨ The Good Place NBC ¨ Jason Bateman Ozark ¨ Ben Wishaw A Very English Scandal ¨ Kidding Showtime ¨ Stephan James Homecoming ¨ Henry Winkler Barry ¨ The Kominsky Method -
A STAND Talking with Queer Activist PAGE 6
Alice Cozad and Linda Young. Photos courtesy of the couple VOL 35, NO. 23 AUG. 5, 2020 PAGE 10 www.WindyCityMediaGroup.com KEN ILIO Gay-marriage pioneer dies at 63. Photo of Ilio, left, and husband Ron Dorfman by Hal Baim ETERNAL 5 MODEL CITIZEN Jay Manuel releases new book. FLAME Photo by Troy Word Lesbian couple together for 50 years 13 YVONNE ZIPTER TAKING Chicagoan on upcoming poetry collection. Book cover A STAND Talking with queer activist PAGE 6 Asha Ransby-Sporn Asha Ransby-Sporn. 16 Photo by Texas Isaiah @windycitytimes /windycitymediagroup @windycitytimes www.windycitymediagroup.com 2 Aug. 5, 2020 WINDY CITY TIMES PAGE 6 Chicago Pride Parade 2019. Photo by Kat Fitzgerald (www.MysticImagesPhotography.com) "Kickoff," The Chicago Gay Pride Parade 1976. Diane Alexander White Photography TWO SIDES OF PAGE 20 YESTERDAY APRIL 29, 2020 VOL 35, NO. 20 Looking back at Pride memories of the past (above) WINDYJUNE 24, 2020 and this month’s Drag March for Change (below) PRIDEChicagoBuffalo Pridedrives Grove postponed; on Pride VOL 35, NO. 16 CITY www.WindyCityMediaGroup.com AND TODAY EDDIE TIMES HUNSPERGER PAGE 17 Activist and partner of Rick Garcia dies. Photo of Hunsperger (right) and Garcia courtesy of Garcia 4 Buffalo Grove Pride 2019. SEEING Tim Carroll Photography THE LIGHT Lighthouse Foundation prepares programming. Photo of Rev. Jamie Frazier by Marcel Brunious 8 PAGE 4 www.windycitymediagroup.com From the Drag March for Change. Photo by Vernon Hester @windycitytimes /windycitymediagroup @windycitytimes www.windycitymediagroup.com @windycitytimes FUN AND GUNN Tim Gunn on his new show, /windycitymediagroup 'Making the Cut'. Photo by Scott McDermott 13 @windycitytimes SUPPORT Photo by Tim Peacock VOL 35, NO. -
Golden Globes Ballot Watch Live Sunday on Nbc Coverage Begins at 7Et/4Pt
2016 GOLDEN GLOBES BALLOT WATCH LIVE SUNDAY ON NBC COVERAGE BEGINS AT 7ET/4PT Best Motion Picture, Best Actress Motion Picture, Best Actor Motion Picture, Best Motion Picture, Drama Drama Drama Musical or Comedy Carol Cate Blanchett, Carol Bryan Cranston, Trumbo The Big Short Mad Max: Fury Road Brie Larson, Room Leonardo DiCaprio, The Revenant Joy The Revenant Rooney Mara, Carol Michael Fassbender, Steve Jobs The Martian Room Saoirse Ronan, Brooklyn Eddie Redmayne, The Danish Girl Spy Spotlight Alicia Vikander, The Danish Girl Will Smith, Concussion Trainwreck Best Actress Motion Picture, Best Actor Motion Picture, Best Motion Picture, Best Motion Picture, Musical or Comedy Musical or Comedy Animated Foreign Language Jennifer Lawrence, Joy Christian Bale, The Big Short Anomalisa The Brand New Testament Melissa McCarthy, Spy Steve Carell, The Big Short The Good Dinosaur The Club Amy Schumer, Trainwreck Matt Damon, The Martian Inside Out The Fencer Maggie Smith, The Lady in the Van Al Pacino, Danny Collins The Peanuts Movie Mustang Lily Tomlin, Grandma Mark Ruffalo, Infinitely Polar Bear Shaun the Sheep Movie Son of Saul Best Supporting Actress, Best Supporting Actor, Best Director, Best Screenplay, any Motion Picture any Motion Picture Motion Picture Motion Picture Jane Fonda, Youth Paul Dano, Love & Mercy Todd Haynes, Carol Emma Donoghue, Room Jennifer Jason Leigh, The Hateful Eight Idris Elba, Beasts of No Nation Alejandro Iñárritu, The Revenant Tom McCarthy, Josh Singer, Spotlight Helen Mirren, Trumbo Mark Rylance, Bridge of Spies Tom -
Recollecting the Museum of the Moving Image
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2009 Under construction: recollecting the museum of the moving image Andrée Elise Comiskey Betancourt Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Communication Commons Recommended Citation Betancourt, Andrée Elise Comiskey, "Under construction: recollecting the museum of the moving image" (2009). LSU Doctoral Dissertations. 2029. https://digitalcommons.lsu.edu/gradschool_dissertations/2029 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. UNDER CONSTRUCTION: RECOLLECTING THE MUSEUM OF THE MOVING IMAGE A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of Communication Studies by Andrée Elise Comiskey Betancourt B.A., Smith College, 1999 M.A., University College Dublin, 2002 August 2009 ©Copyright 2009 Andrée Elise Comiskey Betancourt All rights reserved. ii To John Egil Betancourt a) For promoting the art of outlining b) For the sweet, steady sunshine that nurtures my work c) For serving -
Experiences and Factors Associated with Transphobic Hate Crimes Among Transgender Women in the San Francisco Bay Area: Comparisons Across Race Akua O
Gyamerah et al. BMC Public Health (2021) 21:1053 https://doi.org/10.1186/s12889-021-11107-x RESEARCH Open Access Experiences and factors associated with transphobic hate crimes among transgender women in the San Francisco Bay Area: comparisons across race Akua O. Gyamerah1,2*, Glenda Baguso1, Edda Santiago-Rodriguez1, Aria Sa’id3, Sean Arayasirikul4, Jess Lin5, Caitlin M. Turner4, Kelly D. Taylor6, Willi McFarland5, Erin C. Wilson5 and Paul Wesson7 Abstract Background: Trans women experience high rates of gender-based violence (GBV)—a risk factor for adverse health outcomes. Transphobic hate crimes are one such form of GBV that affect trans women. However, little is understood about factors that shape transphobic hate crimes and racial/ethnic variation in these experiences. To contextualize GBV risk and police reporting, we examined self-reported types and correlates of transphobic hate crimes by racial/ethnic group of trans women in the San Francisco Bay Area. Methods: From 2016 to 2018, trans women participated in a longitudinal cohort study of HIV. Secondary data analyses (N = 629) examined self-reported experiences of transphobic hate crimes (i.e., robbery, physical assault, sexual assault, and battery with weapon) by race/ethnicity, and whether hate crimes were reported to the police. Chi-square tests and simple logistic regression examined demographic, sociocultural, and gender identity factors associated with transphobic violence experiences and police reporting. Results: About half (45.8%) of participants reported ever experiencing a transphobic hate crime; only 51.1% of these were reported to the police. Among those who reported a hate crime experience, Black (47.9%) and Latina (49.0%) trans women reported a higher prevalence of battery with a weapon; White (26.7%) and trans women of “other” race/ethnicities (25.0%) reported a higher prevalence of sexual assault (p = 0.001).