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Abstract a Case Study of Cross-Ownership Waivers
ABSTRACT A CASE STUDY OF CROSS-OWNERSHIP WAIVERS: FRAMING NEWSPAPER COVERAGE OF RUPERT MURDOCH’S REQUESTS TO KEEP THE NEW YORK POST by Rachel L. Seeman Media ownership is an important regulatory issue that is enforced by the Federal Communications Commission. The FCC, Congress, court and public interest groups share varying viewpoints concerning what the ownership limits should be and whether companies should be granted a waiver to be excused from the rules. News Corporation is one media firm that has a history of seeking these waivers, particularly for the New York Post and television stations in same community. This study conducted a qualitative framing analysis of news articles from the New York Times and the Wall Street Journal to determine if the viewpoints expressed by the editorial boards were reflected in reports on News Corp.’s attempt to receive cross-ownership waivers. The analysis uncovered ten frames the newspapers used to assist in reporting the events and found that 80% of these frames did parallel the positions the paper’s editorial boards took concerning ownership waivers. A CASE STUDY OF CROSS-OWNERSHIP WAIVERS: FRAMING NEWSPAPER COVERAGE OF RUPERT MURDOCH’S REQUESTS TO KEEP THE NEW YORK POST A Thesis Submitted to the Faculty of Miami University in partial fulfillment of the requirements for the degree of Master of Arts Department of Communications by Rachel Leianne Seeman Miami University Oxford, OH 2009 Advisor: __________________________________ (Dr. Bruce Drushel) Reader: __________________________________ (Dr. Howard -
President - Schedule Proposals” of the Ron Nessen Papers at the Gerald R
The original documents are located in Box 21, folder “President - Schedule Proposals” of the Ron Nessen Papers at the Gerald R. Ford Presidential Library. Copyright Notice The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Ron Nessen donated to the United States of America his copyrights in all of his unpublished writings in National Archives collections. Works prepared by U.S. Government employees as part of their official duties are in the public domain. The copyrights to materials written by other individuals or organizations are presumed to remain with them. If you think any of the information displayed in the PDF is subject to a valid copyright claim, please contact the Gerald R. Ford Presidential Library. nATE: October 2, 1974 10M: Ron Nessen I -......1A : Warren Rustand MEETING With Joe Alsop (Los Angeles Time Syndicate, Washington Post Syndicate) DATE Anytime during December 1974. PURPOSE To personally congratulate Joe Alsop on his career as a distinguished columnist and to provide him an opportunity, in the last month of his column, to interview the President. FORMAT Oval Office (if lunch also, lunch in the Residence) 45 minutes. Participants: The President Joe Alsop (The President should .be offered the option of following a late morning interview with a private lunch for Joe Alsop, with Ron Nessen and perhaps a few other White House _aides present) SPEECH MATERIAL ! None required. PRESS COVERAGE White House photographer; no announcement, but to confirm when column runs. BACKGROUND : 1. In a recent column, which I showed you, Joe Alsop announced his retirement from his column. -
Noah Cappe and 22-23 Our Top Suggested Programs Bids Farewell His Cast-Iron Stomach to Watch This Week!
DVD TOP PICKS FEUD: BETTE HERE COME AND JOAN THE BOSTON Susan Sarandon and Jessica Lange play other CELTICS! top actresses PLUS! TIME AFTER TIME SHADES OF BLUE MAKING HISTORY The chase across eras is continues to offer What two guys and on again as ‘Time After Jennifer Lopez new a duffel bag can Time’ becomes an ABC shades of acting accomplish series VAMPIRE DIARIES FOLIO SPECIAL INSERT Courtesy of Gracenote March 5 - 11, 2017 C What’s HOT this contents Week! YOURTVLINK STAFF PICK TOP STORIES 12-13 A movie with an enduring following becomes a series as H.G. Wells pursues Jack the Ripper to modern New York in “Time After Time,” premiering Sunday on ABC. Stars Freddie Stroma and Josh Bowman and executive producer Kevin Williamson tell Jay Bobbin about keeping certain aspects of the film while making the show its own project. 14-15 New police intrigue greets Jennifer Lopez as her NBC drama series “Shades of Blue” begins its second season Sunday. The actress-producer-singer and fellow star Ray Liotta tell Jay Bobbin about the fresh twists and turns 3 awaiting their characters in the show’s sophomore round. 17 In Fox’s “Making History,” Adam Pally stars as a professor The rivalry between two screen legends is dramatized by Susan who invents a device that allow him and his colleague to Sarandon and Jessica Lange in “Feud: Bette and Joan,” premiering go back in time and alter historical events – presumably to Sunday on FX. The Oscar winners and executive producer Ryan improve the present. -
Annual Report of the Librarian of Congress
ANNUAL REPO R T O F THE LIBR ARIAN OF CONGRESS ANNUAL REPORT OF T HE L IBRARIAN OF CONGRESS For the Fiscal Year Ending September , Washington Library of Congress Independence Avenue, S.E. Washington, DC For the Library of Congress on the World Wide Web visit: <www.loc.gov>. The annual report is published through the Public Affairs Office, Office of the Librarian, Library of Congress, Washington, DC -, and the Publishing Office, Library Services, Library of Congress, Washington, DC -. Telephone () - (Public Affairs) or () - (Publishing). Managing Editor: Audrey Fischer Copyediting: Publications Professionals LLC Indexer: Victoria Agee, Agee Indexing Design and Composition: Anne Theilgard, Kachergis Book Design Production Manager: Gloria Baskerville-Holmes Assistant Production Manager: Clarke Allen Library of Congress Catalog Card Number - - Key title: Annual Report of the Librarian of Congress For sale by the U.S. Government Printing Office Superintendent of Documents, Mail Stop: SSOP Washington, DC - A Letter from the Librarian of Congress / vii Library of Congress Officers and Consultants / ix Organization Chart / x Library of Congress Committees / xiii Highlights of / Library of Congress Bicentennial / Bicentennial Chronology / Congressional Research Service / Copyright Office / Law Library of Congress / Library Services / National Digital Library Program / Office of the Librarian / A. Bicentennial / . Steering Committee / . Local Legacies / . Exhibitions / . Publications / . Symposia / . Concerts: I Hear America Singing / . Living Legends / . Commemorative Coins / . Commemorative Stamp: Second-Day Issue Sites / . Gifts to the Nation / . International Gifts to the Nation / v vi Contents B. Major Events at the Library / C. The Librarian’s Testimony / D. Advisory Bodies / E. Honors / F. Selected Acquisitions / G. Exhibitions / H. Online Collections and Exhibitions / I. -
There's a Moment of Theatrical Magic That Millions of People Have Succumbed To: the Showbiz Moment When Peter Pan Asks Us If We
I I PUBLISHER/EDITOR—IN—CHIEF There's a moment of theatrical magic that millions of Wyndham Wise people have succumbed to: the showbiz moment ASSOCIATE EDITOR when Peter Pan asks us if we believe in fairies. Tinker Maurie Alioff Bell has been badly hurt, and like a dying firefly, her CONTRIBUTING EDITORS light is ebbing away. Desperate to save her, Peter Cynthia Amsden, Matthew Hays, Tom McSorley grabs at a long shot. He tells us, the audience, that if we believe in fairies, we should clap our hands. EDITORIAL BOARD HALIFAX: Ron Foley Macdonald MONTREAL: Maurie Alioff, Matthew Hays, Like audiences who believe that Tinker Bell will Isa Tousignant come back to life if they clap loud enough, Canadian OTTAWA: Tom McSorley entertainment writers and other like–minded unin- TORONTO: Cynthia Amsden, Kathleen Cummins, Wyndham Wise formed souls have taken to wishing for the impossible: that Nia Vardalos's My Big WINNIPEG: Dave Barber Fat Greek Wedding (MBFGW) be a Canadian film. John McKay, writing for the VANCOUVER: Dale Drewery Canadian Press in a piece critical of the Byzantine system that qualifies a film for the ART DIRECTOR Genies states: "My Big Fat Greek Wedding [is] not considered Canadian, even Shelley Ali though it was filmed in Toronto, the screenplay...was written by Winnipeg native COPY EDITOR Nia Vardalos, who also starred, and there were lots of Canadians in the cast and Geri Savits—Fine crew. Even in Hollywood they're calling it a Canadian film." Then there is the ASSISTANT TO THE EDITOR/ CBC's official Web site—put up in time for the Oscars—that claims MBFGW to be PROOFREADER Canadian, as did a Playback editorial. -
Ruth Prawer Jhabvala's Adapted Screenplays
Absorbing the Worlds of Others: Ruth Prawer Jhabvala’s Adapted Screenplays By Laura Fryer Submitted in fulfilment of the requirements of a PhD degree at De Montfort University, Leicester. Funded by Midlands 3 Cities and the Arts and Humanities Research Council. June 2020 i Abstract Despite being a prolific and well-decorated adapter and screenwriter, the screenplays of Ruth Prawer Jhabvala are largely overlooked in adaptation studies. This is likely, in part, because her life and career are characterised by the paradox of being an outsider on the inside: whether that be as a European writing in and about India, as a novelist in film or as a woman in industry. The aims of this thesis are threefold: to explore the reasons behind her neglect in criticism, to uncover her contributions to the film adaptations she worked on and to draw together the fields of screenwriting and adaptation studies. Surveying both existing academic studies in film history, screenwriting and adaptation in Chapter 1 -- as well as publicity materials in Chapter 2 -- reveals that screenwriting in general is on the periphery of considerations of film authorship. In Chapter 2, I employ Sandra Gilbert’s and Susan Gubar’s notions of ‘the madwoman in the attic’ and ‘the angel in the house’ to portrayals of screenwriters, arguing that Jhabvala purposely cultivates an impression of herself as the latter -- a submissive screenwriter, of no threat to patriarchal or directorial power -- to protect herself from any negative attention as the former. However, the archival materials examined in Chapter 3 which include screenplay drafts, reveal her to have made significant contributions to problem-solving, characterisation and tone. -
"Little Miss Sunshine"
FOX SEARCHLIGHT PICTURES In association with Big Beach Present A Dayton/Faris Film A Big Beach/Bona Fide Production GREG KINNEAR TONI COLLETTE STEVE CARELL PAUL DANO with ABIGAIL BRESLIN and ALAN ARKIN Directed by...................................................................JONATHAN DAYTON & .....................................................................................VALERIE FARIS Written by ....................................................................MICHAEL ARNDT Produced by .................................................................ALBERT BERGER & .....................................................................................RON YERXA .....................................................................................MARC TURTLETAUB .....................................................................................DAVID T. FRIENDLY .....................................................................................PETER SARAF Executive Producers.....................................................JEB BRODY .....................................................................................MICHAEL BEUGG Director of Photography ..............................................TIM SUHRSTEDT, A.S.C. Production Design by...................................................KALINA IVANOV Edited by......................................................................PAMELA MARTIN Costumes Designed by.................................................NANCY STEINER Music Composed by ....................................................MYCHAEL -
2012 Twenty-Seven Years of Nominees & Winners FILM INDEPENDENT SPIRIT AWARDS
2012 Twenty-Seven Years of Nominees & Winners FILM INDEPENDENT SPIRIT AWARDS BEST FIRST SCREENPLAY 2012 NOMINEES (Winners in bold) *Will Reiser 50/50 BEST FEATURE (Award given to the producer(s)) Mike Cahill & Brit Marling Another Earth *The Artist Thomas Langmann J.C. Chandor Margin Call 50/50 Evan Goldberg, Ben Karlin, Seth Rogen Patrick DeWitt Terri Beginners Miranda de Pencier, Lars Knudsen, Phil Johnston Cedar Rapids Leslie Urdang, Dean Vanech, Jay Van Hoy Drive Michel Litvak, John Palermo, BEST FEMALE LEAD Marc Platt, Gigi Pritzker, Adam Siegel *Michelle Williams My Week with Marilyn Take Shelter Tyler Davidson, Sophia Lin Lauren Ambrose Think of Me The Descendants Jim Burke, Alexander Payne, Jim Taylor Rachael Harris Natural Selection Adepero Oduye Pariah BEST FIRST FEATURE (Award given to the director and producer) Elizabeth Olsen Martha Marcy May Marlene *Margin Call Director: J.C. Chandor Producers: Robert Ogden Barnum, BEST MALE LEAD Michael Benaroya, Neal Dodson, Joe Jenckes, Corey Moosa, Zachary Quinto *Jean Dujardin The Artist Another Earth Director: Mike Cahill Demián Bichir A Better Life Producers: Mike Cahill, Hunter Gray, Brit Marling, Ryan Gosling Drive Nicholas Shumaker Woody Harrelson Rampart In The Family Director: Patrick Wang Michael Shannon Take Shelter Producers: Robert Tonino, Andrew van den Houten, Patrick Wang BEST SUPPORTING FEMALE Martha Marcy May Marlene Director: Sean Durkin Producers: Antonio Campos, Patrick Cunningham, *Shailene Woodley The Descendants Chris Maybach, Josh Mond Jessica Chastain Take Shelter -
Before the Labor Commissioner of the State
STATE OF CALIFORNIA Department of Industrial Relations Division of Labor Standards Enforcement BY: EDNA GARCIA EARLEY, State Bar No. 195661 320 W. 4th Street, Suite 430 Los Angeles, California 90013 Tel.: (213) 897-1511 Attorney for the Labor Commissioner BEFORE THE LABOR COMMISSIONER OF THE STATE OF CALIFORNIA NIA VARDALOS, An Individual, CASE NO. TAC 2-03 Petitioner, DETERMINATION OF CONTROVERSY vs. RICHARD SIEGEL, an individual; MARATHON ENTERTAINMENT, INC., A California Corporation, Respondent. The above-captioned petition was filed by Nia Vardalos (hereinafter, “petitioner”) on January 10, 2003. Petitioner alleges, inter alia, therein that respondents Richard Siegel, an individual and Marathon Entertainment Inc., a California Corporation (hereinafter collectively referred to as “respondents”) violated the Talent Agencies Act (hereinafter, also referred to as the “Act”) by acting in the capacity of a talent agent without being licensed, in violation of Labor Code section 1700.5. Petitioner and respondents entered into an oral agreement (hereinafter referred to as, “Agreement”) in or about November 1997, whereby respondents agreed to act as a personal manager for petitioner and agreed to seek to procure employment for petitioner as a de facto talent agent. In return, petitioner agreed to pay respondents 15% commissions on all gross earnings petitioner received in connection with activities and/or services by petitioner as an actor or writer resulting from agreements entered into or negotiated during the term of the Agreement. The Agreement was terminated by petitioner in or about October, 2000. Petitioner herein seeks a determination from the Labor Commissioner that: respondents have violated section 1700 et seq. of the Labor Code; that the Agreement is void ab initio and is therefore unenforceable; and, that petitioner has no liability thereon to respondents and respondents have no rights or privileges thereunder. -
Congressional Record—Senate S7956
S7956 CONGRESSIONAL RECORD — SENATE November 17, 2010 State senate in 1994, where he rep- ship to college, later graduating from would be able to benefit from the same resented Blaine, Camas, Gooding, and Columbia University with a degree in opportunities he had growing up. As Lincoln Counties. For a decade, he also economics. someone who worked to ensure that served as former Democratic minority In the 1950s, following a brief stint bright, hard working students from leader for the Idaho State Senate. working for a Michigan paper company low-income families who were accepted Clint always kept his mind and heart and several years of service in the U.S. to one of the country’s most pres- open as he worked hard for Idahoans. Army during World War II, John start- tigious universities would be able to Clint was a principled, considerate and ed purchasing radio stations through- make the most of their college edu- devoted leader. With an unequalled out the country. By the time he found- cations. As someone who gave back to dedication, he had a love for natural ed Metromedia, the country’s first the people and institutions that helped resources, agricultural efforts and the major independent broadcasting com- make his meteoric rise in the cor- beauty of the State. Clint was a suc- pany, in 1961, he had already made a porate world possible. cessful, hard-working and fair business- small fortune from his radio stations For my part, I will certainly remem- man. He loved his family very much, and a regional food distribution busi- ber John Kluge for his uncanny busi- and he will be remembered as a loving ness he founded in Baltimore. -
A DECADE of TRANSFORMATION —INSIDE & out the Legacy of Dr
SPRING WINNIPEG 2014 A DECADE OF TRANSFORMatION: The Legacy of Dr. Lloyd Axworthy DISCOVER ACHIEVE BELONG THE UNIVERSITY OF WINNIPEG MAGAZINE 34. 10. 18. Sustainability UNITED Health Community on Campus & RecPlex Learning Reward yourself. Get the BMO® University of Winnipeg MasterCard.®* Reward yourself with 1 AIR MILES®† reward mile for every $20 spent or 0.5% CashBack® and pay no annual fee1,2. Give something back With every purchase you make, BMO Bank of Montreal® makes a contribution to help support the development of programs and services for alumni, at no additional cost to you. Apply now! 1-800-263-2263 Alumni: bmo.com/winnipeg Student: bmo.com/winnipegspc Call 1-800-263-2263 to switch your BMO MasterCard to a BMO University of Winnipeg MasterCard. 1 Award of AIR MILES reward miles is made for purchases charged to your Account (less refunds) and is subject to the Terms and Conditions of your BMO MasterCard Cardholder Agreement. The number of reward miles will be rounded down to the nearest whole number. Fractions of reward miles will not be awarded. 2 Ongoing interest rates, interest-free grace period, annual fees and all other applicable fees are subject to change. See your branch, call the Customer Contact Center at 1-800-263-2263, or visit bmo.com/mastercard for current rates.® Registered trade-marks of Bank of Montreal. ®* MasterCard is a registered trademark of MasterCard International Incorporated. ®† Trademarks of AIR MILES International Trading B.V. Used under license by LoyaltyOne, Inc. and Bank of Montreal. Docket #: 13-321 Ad or Trim Size: 8.375" x 10.75" Publication: The Journal (Univ of Winnipeg FILE COLOURS: Type Safety: – Alumni Magazine) Description of Ad: U. -
Production in Ontario 2019
SHOT IN ONTARIO 2019 Feature Films – Theatrical A GRAND ROMANTIC GESTURE Feature Films – Theatrical Paragraph Pictures Producers: David Gordian, Alan Latham Exec. Producer: n/a Director: Joan Carr-Wiggin Production Manager: Mary Petryshyn D.O.P.: Bruce Worrall Key Cast: Gina McKee, Douglas Hodge, Linda Kash, Rob Stewart, Rose Reynolds, Dylan Llewellyn Shooting dates: Jun 24 - Jul 19/19 AGAINST THE WILD III – THE JOURNEY HOME Feature Films – Theatrical Journey Home Films Producer: Jesse Ikeman Exec. Producer: Richard Boddington Director: Richard Boddington Production Manager: Stewart Young D.O.P.: Stephen C Whitehead Key Cast: Natasha Henstridge, Steve Byers, Zackary Arthur, Morgan DiPietrantonio, John Tench, Colin Fox, Donovan Brown, Ted Whittall, Jeremy Ferdman, Keith Saulnier Shooting dates: Oct 2 - Oct 30/19 AKILLA'S ESCAPE Feature Films - Theatrical Canesugar Filmworks Producers: Jake Yanowski, Charles Officer Exec. Producers: Martin Katz, Karen Wookey, Michael A. Levine Director: Charles Officer Production Manager: Dallas Dyer D.O.P.: Maya Bankovic Key Cast: Saul Williams, Thamela Mpumlwana, Vic Mensa, Bruce Ramsay, Shomari Downer Shooting dates: May 14 - Jun 6/19 AND YOU THOUGHT YOU WERE NORMAL Feature Films - Streaming Side Three Media Producers: Leanne Davies, Tim Kowalski Exec. Producer: Colin Brunton Director: Tim Kowalski, Kevan Byrne Production Manager: Woody Whelan D.O.P.: Tim Kowalski Key Cast: Gary Numan, Owen Pallett, Tim Hill, Cam Hawkins, Steve Hillage Shooting dates: Jan 28 - Mar 5/19 AWAKE As of January 14, 2019 1 SHOT IN ONTARIO 2019 Feature Films - Streaming eOne / Netflix Producers: Mark Gordon, Paul Schiff Executive Producer: Whitney Brown Director: Mark Raso Production Manager: Szonja Jakovits D.O.P.: Alan Poon Key Cast: Gina Rodrigues Shooting dates: Aug 6 - Sep 27/19 CASTLE IN THE GROUND Feature Films - Theatrical 2623427 Ontario Inc.