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GCSE (9-1) Media Studies Teacher Guide News (Print and Online)

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Qualification Accredited GCSE (9–1) Teacher Guide MEDIA STUDIES J200 For first teaching in 2017 News (print and online): Industry and audience Version 1 www.ocr.org.uk/gcsemediastudies GCSE (9–1) Media Studies Teacher Guide: News (print and online): Industry and Audience Contents Print newspapers in the 1960s and 2010s 3 Funding 5 Historical print newspapers and social, cultural, political and historical contexts 5 Newspaper industries – ownership and control 6 Press freedom and regulation 7 Convergence 8 Newspaper audiences 8 Uses and gratification 9 DISCLAIMER This resource was designed using the most up to date information from the specification at the time it was published. Specifications are updated over time, which means there may be contradictions between the resource and the specification, therefore please use the information on the latest specification at all times. If you do notice a discrepancy please contact us on the following email address: [email protected] 2 © OCR 2017 GCSE (9–1) Media Studies Teacher Guide: News (print and online): Industry and Audience Print newspapers in the 1960s and 2010s Newspapers in the 1960s were already fearing competition The segmentation of the newspaper market in the 1960s from other media – in this case, television. However, reflected the clear class and political differences in society: newspaper circulations were very high by today’s standards. Labour supporting working class readers bought the Mirror, The peak in newspapers’ circulation was in the early 1950s, with Conservative supporting working class readers bought the decline ever since. By 1965, circulation of Sunday newspapers Daily Express; the social elite read The Times, the Conservative had fallen to 25 million, which represented 1.4 newspapers middle class read the Daily Telegraph and the Labour or per household (a fall from over 2 per household in the 1950s), Liberal supporting middle class read The Guardian. Society meaning that it was common to buy more than one Sunday in the 2010s is more fragmented, with much less sense of newspaper. By comparison, total circulation of Sunday loyalty to political parties or an identity based on class, and newspapers in 2010 was down to about 10 million, which this fragmentation may be better served by online media represents about 0.4 per household. rather than traditional print newspapers, as these can target a multitude of different audiences. 3 © OCR 2017 GCSE (9–1) Media Studies Teacher Guide: News (print and online): Industry and Audience Newspapers in the 1960s were starting to be defined by their The main characteristics of tabloid and broadsheet newspapers physical size. All upmarket newspapers such as The Observer are as below: were printed in the broadsheet format, whereas downmarket newspapers such as the Sun launched tabloid formats (the Tabloid Broadsheet Sun went tabloid in 1969). Broadsheet newspapers were Softer news agenda – e.g. Harder news agenda – e.g. dominated by a news agenda, with relatively little self- human interest stories, politics, finance, international promotion on the front page, whereas tabloid newspapers celebrities news relied on their front covers to attract readers. The Times, for example, continued to fill its front page with classified Less formal language register More formal language advertising until 1966. Front pages for The Observer from register the mid-60s, for example, have many more news stories on Pages dominated by Pages dominated by copy the front page, less space dedicated to photography and headlines and images promotion of the newspaper’s contents, and are written in a Target a more downmarket Target a more upmarket more formal language register than would be used today. audience audience The increasing role of marketing in newspapers was, however, Offers news as entertainment Offers news as information evident in the launching of colour supplements in the This simple division does not always work in practice: early 1960s – these were designed to offer advertisers the opportunity to use high quality colour images. Printing in • Newspapers such as The Daily Mail position themselves as the main newspapers was monochrome and of poor quality mid-market, combining conventions of both the tabloid compared to contemporary standards. and broadsheets. • Some traditionally ‘tabloid’ features – such as extensive use The terms ‘broadsheet’ and ‘tabloid’ are still in common use to of photography, human interest stories, and stories about describe the style of a newspaper, although few newspapers celebrities, are increasingly common in the broadsheet are still printed in the broadsheet format (The Observer – press, especially in supplements such as The Guardian’s currently in Berliner format – is scheduled to change to the G2 – a process sometimes rather inelegantly described as tabloid format in 2018). The ‘quality’ or ‘broadsheet’ press ‘broadloidisation’. sometimes refer to their tabloid format as ‘compact’, as they feel the term ‘tabloid’ carries negative connotations of sensationalism and gutter journalism. 4 © OCR 2017 GCSE (9–1) Media Studies Teacher Guide: News (print and online): Industry and Audience Funding 1960s newspapers depended on circulation and advertising for revenue. Tabloid newspapers had larger circulations but working class audiences that were less attractive to advertisers, so relied more on cover price; broadsheet newspapers had the reverse – smaller circulations but attractive upmarket audiences – and relied more on advertising. Newspaper in the 2010s have a wider range of funding sources: • Circulation – subscription or over-the-counter sales. • Paywalls – paying to access online content e.g. at The Times website – the Sun has just discontinued this option as it reduces online readership. • Membership – The Guardian/Observer are experimenting with this model for protecting free online content; they announced that they had reached 800,000 paying members worldwide in October 2017 and that the income from this now exceeded that from advertising (members pay about £5 a month). • Print and online advertising – print is traditionally much more lucrative than online advertising but has drastically reduced in recent years, though concerns over advertising being placed next to inappropriate content by Google and Facebook, for example, may boost print advertising. Historical print newspapers and Online newspapers reach a global audience and can sell advertising to different national audiences (The Guardian social, cultural, political and accessed in Greece, for example, carries advertising aimed at Greeks). historical contexts • Sponsored content – brands supplying content and/ Many news stories from the 1960s front pages of The or paying to be connected to content – this blurs the Observer clearly reflect the contexts of the time (see the boundaries between advertising and editorial that three set historical front covers here: http://www.ocr.org. journalists prize but advertisers wish to blur, e.g. ‘Cricket uk/qualifications/gcse-media-studies-j200-from-2017/ has no boundaries’ paid for and controlled by the bank assessment/): NatWest, or ‘Connecting Britain’ editorially independent content ‘supported by’ Alstrom, the train company. • ‘Lawyers will urge divorce by consent’ – an example of the • Events – The Guardian/Observer frequently run courses (e.g. social reform of the 1960s, the law commission (staffed only on journalism or literature), meetings and conferences. by men) is recommending divorce by consent – a change that made it much easier for people, mostly women, to get • Sales – The Guardian/Observer sell holidays and books, for divorced – a move to greater gender equality. example, linked to their review and travel sections. • ‘Wilson-Brown market clash’ – reflects the political context All print newspapers are facing declining circulations at the that relations with Europe were contentious in the 1960s, as same time as much advertising is moving online, and this today. online advertising is both worth less than print advertising • ‘So polite, this North Sea Spy Game’, ‘Yard suspects Blake with revenues mostly going to Facebook and Google rather used two-way radio’, ‘America accused of spy frame-up’ – than online versions of the newspapers. Print newspapers reflect the prevalence of spy stories in the 1960s Cold War are facing a crisis. Once circulation dips below a certain level historical context. The influence of the Cold War is also – 100,000 copies for example – it becomes too expensive to shown in the articles about the Vietnam war – ‘Hopes rise physically print newspapers. Hence one national newspaper for cease-fire in Vietnam’ and, indirectly, ‘Police will appease – The Independent – went online only in 2016. One fear is that marchers’, which also reflects the rise of protest in the a newspaper will lose its influence if it becomes just another 1960s, including ‘militant Marxists’. website – television news programmes now cover online as • ‘Jackie: we’re very happy’ – reflects a patriarchal context well as print newspapers in their reviews, for example, but a in which women are most often defined in terms of their print version is still seen as an essential promotional tool for relationship with men; here the dead US President’s wife online versions of newspapers as the print version carries the makes a controversial second marriage. The front pages authority of the traditional news source. As more readers rely on are characterised by the absence of women, e.g. one front social media
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