Amanda Coogan

Total Page:16

File Type:pdf, Size:1020Kb

Amanda Coogan AMANDA COOGAN www.amandacoogan.com ARTIST STATEMENT Amanda is an internationally recognised and critically acclaimed artist working across the medias of live art, performance, photography and video. Her 2015 exhibition in the Dublin's Royal Hibernian Academy, I’ll sing you a song from around the Town, was described by Artforum as 'performance art at its best'. In 2010 the Irish Times said, 'Coogan, whose work usually entails ritual, endurance and cultural iconography, is the leading practitioner of performance in the country'. Coogan’s expertise lies in her ability to condense an idea to its very essence and communicate it through her body. Using gesture and context she makes allegorical and poetic works that challenge expected contexts. ARTIST BIOGRAPHY Coogan holds a degree in sculpture from Dublin’s National College of Art and Design. She was a Masters student of Marina Abramovic at the Hochschule fur Bildende Kunst in Braunschweig, Germany and received her PhD from the University of Ulster in 2013. She is an occasional lecturer at the National College of Art and Design, Dublin; Limerick School of Art and Design; The Institute of Art, Design and Technology, Dublin; Dublin Institute of Technology and Crawford College of Art, Cork. Among many awards Coogan recieved the Allied Irish Bank’s Art prize in 2004. She has performed and exhibited her work extensively including the Broad Museum, Michigan; MOCA, Jacksonville; The Neimeyer Centre, Spain; The MAC, Belfast; Lismore Arts, Waterford; HOME mrc, Manchester; The Golden Thread, Belfast; The Museum of Fine Arts, Boston; The Venice Biennale; Liverpool Biennial; The LAB, Dublin; Limerick City Gallery of Art; PS1, New York; The Irish Museum of Modern Art, Dublin; National Gallery, Dublin; West Cork Arts Centre; Crawford Art Gallery, Cork; Royal Hibernian Academy, Dublin, Van Gogh Museum, Amsterdam; Centre Culturel Irlandais, Paris and the Hugh Lane Gallery, Dublin. .
Recommended publications
  • Marcel Vidal Kerlin Gallery Anne’S Lane, South Anne Street, Dublin 2, Ireland T +3531 670 9093 F +3531 670 9096 [email protected]
    Kerlin Gallery Marcel Vidal Kerlin Gallery Anne’s Lane, South Anne Street, Dublin 2, Ireland T +3531 670 9093 F +3531 670 9096 [email protected] www.kerlin.ie MARCEL VIDAL New pain)ngs 2020 Marcel Vidal's pain)ngs exploit photorealism and extreme cropping to create images that are oAen disarming and unseCling with an ominous beauty. In this new series created in 2020 Vidal has turned his aCen)on to details of tents. These works con)nue the ar)st’s interest in the push and pull between highly craAed representa)on and extreme composi)on. The tent pain)ngs offer the sa)sfac)on of detail and perfectly rendered fabric while genera)ng frustra)on by withholding informa)on or a wider comprehensive view. In so doing they act differently at different distances, seen as colour-field abstrac)ons from a far and forensic observa)on up close. Blue, Grey, 2020 oil on linen, 140 x 105 cm / 55.1 x 41.3 in , MV03920 Blue, Grey 2020 oil on linen 140 x 105 cm / 55.1 x 41.3 in MV03920 Grey, Yellow, 2020 oil on linen, 140 x 105 cm / 55.1 x 41.3 in , MV03720 Grey, Yellow 2020 oil on linen 140 x 105 cm / 55.1 x 41.3 in MV03720 Green, 2020 oil on linen, 140 x 105 cm / 55.1 x 41.3 in, MV03820 Green 2020 oil on linen 140 x 105 cm / 55.1 x 41.3 in MV03820 Marcel Vidal b. 1986, Dublin, Ireland. Marcel Vidal makes paintings and sculptures.
    [Show full text]
  • Brutal Silences
    Brutal Silences Parachute by Aideen Barry. A Live Art Development Agency Study Room Guide on Live Art in Ireland By Ann Maria Healy and Helena Walsh 1 Table of Contents Introduction to Guide - p. 3. Ann Maria Healy (AMH) and Helena Walsh (HW) Interrupting Cycles of Silence: The Study Guide in Context - p. 6. Helena Walsh Silent Interventions Amanda Coogan: Medea (HW) - p. 11. Áine Phillips: Redress (HW) - p. 13. Dominic Thorpe: Redress State: Questions Imagined (AMH) - p.14. Helena Walsh: Invisible Stains (HW) - p.17. Áine Oʼ Dwyer: Horseplay (HW) - p. 20 Staining Aideen Barry: Whatgoesaroundcomesaround (HW) - p. 22. Aideen Barry: Black Ice (AMH) - p. 25. Michele Browne: Rite of Passage (HW) - p. 26. Chrissie Cadman: The Laundries (HW) - p.29. Pure Labour Amanda Coogan: Yellow (HW) - p. 33. Amanda Coogan: Yellow Re-performed (AMH) - p. 36. Ann Maria Healy: Out of your mind and into your body (AMH) - p. 39. Helena Hamilton: Brought Forth By Birth (Notetoadistantgod) (AMH) - p. 41. Moving Forward in Circles Aideen Barry: Flight Folly (HW) - p. 43. Victoria McCormack: If you donʼt know where you are headed then you are bound to end up where youʼre going (AMH) - p. 45. Áine Phillips: Red Weight (HW) - p. 47. Study Room Resources on Live Artists Featured in the Guide - p. 49. Study Room Resources on Live Art and Irish Culture - p. 55. 2 Introduction to the Study Guide This Study Guide is about endurance and duration. It is about repetition, cycles of struggle, containment and oppression. It is about abuse, violence and power. It is about penance and the search for purity.
    [Show full text]
  • Amanda Coogan CV
    Home Address: 48 Sharman road, Stranmillis, Belfast BT9 5FX Studio Address: QSS, The Arches Centre, 11-13 Bloomfield Avenue, Belfast BT5 5AA Tel: 00 353 864091669 Email: [email protected] Website: www.amandacoogan.com Amanda Coogan Amanda is an internationally recognised and critically acclaimed artist working across the medias of live art, performance, sculpture and installation. The Irish Times have said, 'Coogan, whose work usually entails ritual, endurance and cultural iconography, is the leading practitioner of performance in the country'. Her extraordinary work is challenging, provocative and always visually stimulating. Using gesture and context she makes allegorical and poetic works that are multi-faceted, and challenge ex- pected contexts. She is one of the most dynamic contemporary artists practising in live art. The body, as a site of resistance, is the centrality of Coogan's work. She encompass a multitude of media; Objects, Text, moving and still image, all circulating around her live performances. Her expertise lies in her ability to condense an idea to its very es- sence and communicate it through her body. Time is a key material in Coogan's prac- tice, building controlled instability into the fabric of her work. The long durational as- pect of her live presentations invites elements of chaos with the unknown and unpre- dicted erupting dynamically through her live artworks. Coogan was awarded the Allied Irish Bank’s Art Prize and has extensively presented and performed her work, including at The Venice Biennale, Liverpool Biennial, PS1; New York, The Whitworth Gallery; Manchester, The Museum of Fine Arts; Boston, Van Gogh Museum; Amsterdam and the Manchester International Festival; The MAC, Belfast; The Golden Thread, Belfast; The Niemeyer, Aviles.
    [Show full text]
  • Noughties but Nice Innerwork 18-08-09 15:20 Pagina 1
    binnenwerk noughties:Noughties But Nice _Innerwork 18-08-09 15:20 Pagina 1 noughties but nice 21st century irish art an arts council of ireland touring pilot in the visual arts binnenwerk noughties:Noughties But Nice _Innerwork 18-08-09 15:20 Pagina 2 binnenwerk noughties:Noughties But Nice _Innerwork 18-08-09 15:20 Pagina 3 NOUGHTIESCurated by Mike Fitzpatrick and Susan Holland BUT NICE 21st Century Irish Art Limerick City Gallery of Art in association with Regional Cultural Centre, Letterkenny | VISUAL Centre for Contemporary Art, Carlow | Solstice Arts Centre, Navan binnenwerk noughties:Noughties But Nice _Innerwork 18-08-09 15:20 Pagina 4 binnenwerk noughties:Noughties But Nice _Innerwork 18-08-09 15:21 Pagina 5 contents SEVENintroduction The Audience of One and Many — Mike Fitzpatrick NINEArt Now, Art Here, What Next? — Niamh Ann Kelly ELEVENartist’s perspective Locating the Noughties — Sarah Browne THIRTEENartist’s perspective Slipping Through the Tax Net — Sean Lynch FIFTEENAudience Engagement — Shaun Hannigan SEVENTEENcatalogue of works SEVENTYacknowledgements ONE NOUGHTIES BUT NICE 5 binnenwerk noughties:Noughties But Nice _Innerwork 18-08-09 15:21 Pagina 6 Plus/Minus, 2006 Denis Connolly/Anne Cleary Interactive Video Installation Installation View 6 NOUGHTIES BUT NICE binnenwerk noughties:Noughties But Nice _Innerwork 18-08-09 15:21 Pagina 7 introduction mike fitzpatrick THE AUDIENCE OF ONE AND MANY Noughties but Nice encompasses a very particular having the energy, enthusiasm and the resources to view of the Irish Art scene of the 21st Century. The let people know these windows to creativity exist. exhibition comprises a series of artwork by both Consider some of the thirteen artists in Noughties renowned and young artists which is varied, exciting, but Nice; contrast Tom Molloy’s politically subtle challenging and engaging.
    [Show full text]
  • Brutal Silences
    LADA Study Room Guides As part of the continuous development of the Study Room we regularly commission artists and thinkers to write personal Study Room Guides on specifc themes. The idea is to help navigate Study Room users through the resource, enable them to experience the materials in a new way and highlight materials that they may not have otherwise come across. All Study Room Guides are available to view in our Study Room, or can be viewed and/or downloaded directly from their Study Room catalogue entry. Please note that materials in the Study Room are continually being acquired and updated. For details of related titles acquired since the publication of this Guide search the online Study Room catalogue with relevant keywords and use the advance search function to further search by category and date. Cover image credit: Amanda Coogan, Medea, 2001. Brutal Silences Parachute by Aideen Barry. A Live Art Development Agency Study Room Guide on Live Art in Ireland By Ann Maria Healy and Helena Walsh 1 Table of Contents Introduction to Guide - p. 3. Ann Maria Healy (AMH) and Helena Walsh (HW) Interrupting Cycles of Silence: The Study Guide in Context - p. 6. Helena Walsh Silent Interventions Amanda Coogan: Medea (HW) - p. 11. Áine Phillips: Redress (HW) - p. 13. Dominic Thorpe: Redress State: Questions Imagined (AMH) - p.14. Helena Walsh: Invisible Stains (HW) - p.17. Áine Oʼ Dwyer: Horseplay (HW) - p. 20 Staining Aideen Barry: Whatgoesaroundcomesaround (HW) - p. 22. Aideen Barry: Black Ice (AMH) - p. 25. Michele Browne: Rite of Passage (HW) - p. 26. Chrissie Cadman: The Laundries (HW) - p.29.
    [Show full text]