An Analysis of Bipolar Disorders As Portrayed in Matthew
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List of Animated Films and Matched Comparisons [Posted As Supplied by Author]
Appendix : List of animated films and matched comparisons [posted as supplied by author] Animated Film Rating Release Match 1 Rating Match 2 Rating Date Snow White and the G 1937 Saratoga ‘Passed’ Stella Dallas G Seven Dwarfs Pinocchio G 1940 The Great Dictator G The Grapes of Wrath unrated Bambi G 1942 Mrs. Miniver G Yankee Doodle Dandy G Cinderella G 1950 Sunset Blvd. unrated All About Eve PG Peter Pan G 1953 The Robe unrated From Here to Eternity PG Lady and the Tramp G 1955 Mister Roberts unrated Rebel Without a Cause PG-13 Sleeping Beauty G 1959 Imitation of Life unrated Suddenly Last Summer unrated 101 Dalmatians G 1961 West Side Story unrated King of Kings PG-13 The Jungle Book G 1967 The Graduate G Guess Who’s Coming to Dinner unrated The Little Mermaid G 1989 Driving Miss Daisy PG Parenthood PG-13 Beauty and the Beast G 1991 Fried Green Tomatoes PG-13 Sleeping with the Enemy R Aladdin G 1992 The Bodyguard R A Few Good Men R The Lion King G 1994 Forrest Gump PG-13 Pulp Fiction R Pocahontas G 1995 While You Were PG Bridges of Madison County PG-13 Sleeping The Hunchback of Notre G 1996 Jerry Maguire R A Time to Kill R Dame Hercules G 1997 Titanic PG-13 As Good as it Gets PG-13 Animated Film Rating Release Match 1 Rating Match 2 Rating Date A Bug’s Life G 1998 Patch Adams PG-13 The Truman Show PG Mulan G 1998 You’ve Got Mail PG Shakespeare in Love R The Prince of Egypt PG 1998 Stepmom PG-13 City of Angels PG-13 Tarzan G 1999 The Sixth Sense PG-13 The Green Mile R Dinosaur PG 2000 What Lies Beneath PG-13 Erin Brockovich R Monsters, -
Nick Davis Film Discussion Group December 2015
Nick Davis Film Discussion Group December 2015 Spotlight (dir. Thomas McCarthy, 2015) On Camera Spotlight Team Robby Robinson Michael Keaton: Mr. Mom (83), Beetlejuice (88), Birdman (14) Mike Rezendes Mark Ruffalo: You Can Count on Me (00), The Kids Are All Right (10) Sacha Pfeiffer Rachel McAdams: Mean Girls (04), The Notebook (04), Southpaw (15) Matt Carroll Brian d’Arcy James: mostly Broadway: Shrek (08), Something Rotten (15) At the Globe Marty Baron Liev Schreiber: A Walk on the Moon (99), The Manchurian Candidate (04) Ben Bradlee, Jr. John Slattery: The Station Agent (03), Bluebird (13), TV’s Mad Men (07-15) The Lawyers Mitchell Garabedian Stanley Tucci: Big Night (96), The Devil Wears Prada (06), Julie & Julia (09) Eric Macleish Billy Crudup: Jesus’ Son (99), Almost Famous (00), Waking the Dead (00) Jim Sullivan Jamey Sheridan: The Ice Storm (97), Syriana (05), TV’s Homeland (11-12) The Victims Phil Saviano (SNAP) Neal Huff: The Wedding Banquet (93), TV’s Show Me a Hero (15) Joe Crowley Michael Cyril Creighton: Star and writer of web series Jack in a Box (09-12) Patrick McSorley Jimmy LeBlanc: Gone Baby Gone (07), and that’s his only other credit! Off Camera Director-Writer Tom McCarthy: See below; co-wrote Pixar’s Up (09), frequently acts Co-Screenwriter Josh Singer: writer, West Wing (05-06), producer, Law & Order: SVU (07-08) Cinematography Masanobu Takayanagi: Silver Linings Playbook (12), Black Mass (15) Original Score Howard Shore: The Lord of the Rings Trilogy (01-03), nearly 100 credits Previous features from writer-director -
Exploring the Role of Time Alone in Modern Culture
Suggested APA style reference information can be found at http://www.counseling.org/knowledge-center/vistas Article 56 Exploring the Role of Time Alone in Modern Culture Paper based on a program presented at the 2013 American Counseling Association Conference, March 20-24, Cincinnati, OH. William Z. Nance and Melinda Mays Nance, W. Z., Project Assistant at Shawnee State University, is a recent graduate of the Lindsey Wilson College School of Professional Counseling and served as a graduate assistant, developing a research interest in the role solitude plays in the lives of individuals in modern society. Zac has accepted a graduate assistantship from Kent State University to pursue his doctoral studies. Mays, M. G., is an assistant professor at Lindsey Wilson College in the School of Professional Counseling. Abstract This article is a discussion of a qualitative study in which seven undergraduate college students were interviewed regarding their impressions about the role of solitude in their lives and society’s view of the same concept. Those interviewed expressed value in solitude, but also strongly suggested an imbalance of solitude versus socialization has detrimental effects. The role of social media was cited often, even though not a topic of the interview questions. Responses reflected changes in the conceptualization of solitude in current society. These changes have potential to impact the delivery of mental health services. When observing modern culture, particularly in the United States, the trend toward interconnectedness becomes markedly apparent. There are Internet-based social networking sites specifically designed to keep the user connected to family, friends, classmates, and co-workers. -
Perception of Mental Illness Based Upon Its Portrayal in Film
University of Central Florida STARS HIM 1990-2015 2015 Perception of Mental Illness Based Upon its Portrayal in Film Erika Hanley University of Central Florida Part of the Sociology Commons Find similar works at: https://stars.library.ucf.edu/honorstheses1990-2015 University of Central Florida Libraries http://library.ucf.edu This Open Access is brought to you for free and open access by STARS. It has been accepted for inclusion in HIM 1990-2015 by an authorized administrator of STARS. For more information, please contact [email protected]. Recommended Citation Hanley, Erika, "Perception of Mental Illness Based Upon its Portrayal in Film" (2015). HIM 1990-2015. 609. https://stars.library.ucf.edu/honorstheses1990-2015/609 PERCEPTION OF MENTAL ILLNESS BASED UPON ITS PORTRAYAL IN FILM by ERIKA HANLEY A thesis submitted in partial fulfillment of the requirements for the Honors in the Major Program in Sociology in the College of Sciences and in the Burnett Honors College at the University of Central Florida Orlando, Florida Summer Term 2015 Thesis Chair: Amy Donley ABSTRACT Perceptions can be influenced by the media concerning different groups of people. As a result of the importance of the media in how individuals obtain information and formulate opinions, how different groups are presented whether negatively or positively is important. This research examines the portrayal of mental illness in films and the impact that such portrayals have on the perceptions of mental illness of the viewers. Mental illness representations can be found quite prevalently among film and the way in which it is represented can be important as to how populations perceive those with mental disorders. -
Decoding Silver Linings Playbook
return to updates DECODING Silver Linings Playbook by Miles Mathis First published July 6, 2014 This may be a couple of years too late, but I work on my own schedule. I can't be bothered to respond to all propaganda in a timely manner. The film Silver Linings Playbook came out in 2012 and was nominated for 8 academy awards. Jennifer Lawrence won best actress. I will now decode the movie for you. As part of that decoding, let us look at its 92% “fresh” score at Rotten Tomatoes. Along with IMDB, Rotten Tomatoes is one of the top online review sites for new movies. So a lot of people base their movie choices on the scores at these places. Like everything else, these scores are rigged. A large percentage of the “counted” reviews are written by embedded Intelligence agents, so—like the Academy Award nominations—these reviews simply act as promotion by the CIA for their own movies. You will ask for proof of that assertion, but the 92% score is proof enough by itself. Given nothing but the plot of the movie, anyone can see that score is ridiculously high. Any intelligent person can tell from the preview alone that the movie is garbage: each snippet is more cringe-inducing than the last. But the pages at Rotten Tomatoes disprove the number as well. Go to the review pages and catalog all the responses. If the movie were really so popular, this guy's thread should have been absolutely swamped by lovers of it. It isn't. -
The Stars Are Aligning in Toronto
The Stars are Aligning in Toronto The Toronto International Film Festival (TIFF), now in its 40th year, has grown from an upstart film movement in 1976 to a global cinematic tour de force. Whereas Cannes is known as the Queen of Film Festivals, the Toronto International Film Festival has risen to second in the rankings, frequently referred to as Cannes’ Feisty Princess. For this year’s opening, Quebec filmmaker Jean-Marc Vallée landed TIFF’s coveted opening gala slot withDemolition , starring Jake Gyllenhaal, Naomi Watts and Chris Cooper. Jean- Marc Vallée, of course, also directed Matthew McConaughey in Dallas Buyers Club (a TIFF premiere in 2013) and Reese Witherspoon in Wild. TIFF’s long history is rich with under-the-radar movies that went on to become international blockbusters: Chariots of Fire (1981), The Big Chill (1983), The Fisher King (1991), American Beauty (1999), Crash (2004), Slumdog Millionaire (2009), The King’s Speech (2010) and Silver Linings Playbook (2012). Here are our top picks from this year’s festival: Black Mass Starring Johnny Depp as Boston’s feared underworld mobster turned FBI informant, James “Whitey” Bolger, is being heralded as the breakout role in Depp’s current career slump and an Oscar-worthy performance. Depp is evil incarnate right down to his creepy blue contact lenses. Kevin Bacon, Benedict Cumberbatch and Dakota Johnson co-star. In theaters now. The Martian Director Ridley Scott and Matt Damon team up to knock this space film out of the park. Damon is an astronaut stranded on Mars. An out-of-this-world MacGiver, he relies on his expansive engineering and botany skills to stay alive as the ground crew figures out how to get him home. -
89Th Annual Academy Awards® Oscar® Nominations Fact
® 89TH ANNUAL ACADEMY AWARDS ® OSCAR NOMINATIONS FACT SHEET Best Motion Picture of the Year: Arrival (Paramount) - Shawn Levy, Dan Levine, Aaron Ryder and David Linde, producers - This is the first nomination for all four. Fences (Paramount) - Scott Rudin, Denzel Washington and Todd Black, producers - This is the eighth nomination for Scott Rudin, who won for No Country for Old Men (2007). His other Best Picture nominations were for The Hours (2002), The Social Network (2010), True Grit (2010), Extremely Loud & Incredibly Close (2011), Captain Phillips (2013) and The Grand Budapest Hotel (2014). This is the first nomination in this category for both Denzel Washington and Todd Black. Hacksaw Ridge (Summit Entertainment) - Bill Mechanic and David Permut, producers - This is the first nomination for both. Hell or High Water (CBS Films and Lionsgate) - Carla Hacken and Julie Yorn, producers - This is the first nomination for both. Hidden Figures (20th Century Fox) - Donna Gigliotti, Peter Chernin, Jenno Topping, Pharrell Williams and Theodore Melfi, producers - This is the fourth nomination in this category for Donna Gigliotti, who won for Shakespeare in Love (1998). Her other Best Picture nominations were for The Reader (2008) and Silver Linings Playbook (2012). This is the first nomination in this category for Peter Chernin, Jenno Topping, Pharrell Williams and Theodore Melfi. La La Land (Summit Entertainment) - Fred Berger, Jordan Horowitz and Marc Platt, producers - This is the first nomination for both Fred Berger and Jordan Horowitz. This is the second nomination in this category for Marc Platt. He was nominated last year for Bridge of Spies. Lion (The Weinstein Company) - Emile Sherman, Iain Canning and Angie Fielder, producers - This is the second nomination in this category for both Emile Sherman and Iain Canning, who won for The King's Speech (2010). -
From Loneliness to Solitude
FROM LONELINESS TO SOLITUDE “I’m lonely—I’m lonely!” is the cry of drinking alcoholics all over the face of the earth—in a lonely room, in a crowded bar, in the heart of a family gathering, on a street in the midst of hundreds of people. Then, in contradiction, people would get on our nerves and we would go off by ourselves to “get away from it all.” But this didn’t work, either; we could not endure for long the burden of our dark thoughts. We tried hard to remove our aloneness with the bottle, and for a little while we could, but not for long. When we hit bottom and realized we could not go on as we were, by the grace of God we found ourselves thrust into an unbearable aloneness, separated from everything and everybody. Thus separated, we were able to look at our lives, our problem, the hopelessness of our situation. Only now could we ask questions and give answers and make decisions. Now we could make a decision to do something about our drinking and living problems. There are two sides of man’s being alone. In our language, “loneliness” expresses the pain of being alone. “Solitude” expresses the glory of being alone. What happens to us in A. A. that makes it possible for us, not only to endure, but to enjoy moments of solitude? What changes our loneliness to solitude? The love and understanding we find in A.A. are a protective curtain between ourselves and the aching aloneness of our drinking days. -
Solitude As an Approach to Affective Self-Regulation
PSPXXX10.1177/0146167217733073Personality and Social Psychology BulletinNguyen et al. 733073research-article2017 Empirical Research Paper Personality and Social Psychology Bulletin Solitude as an Approach to 1 –15 © 2017 by the Society for Personality and Social Psychology, Inc Affective Self-Regulation Reprints and permissions: sagepub.com/journalsPermissions.nav DOI:https://doi.org/10.1177/0146167217733073 10.1177/0146167217733073 pspb.sagepub.com Thuy-vy T. Nguyen1, Richard M. Ryan1,2, and Edward L. Deci1,2,3 Abstract In this research, we showed that solitude generally has a deactivation effect on people’s affective experiences, decreasing both positive and negative high-arousal affects. In Study 1, we found that the deactivation effect occurred when people were alone, but not when they were with another person. Study 2 showed that this deactivation effect did not depend on whether or not the person was engaged in an activity such as reading when alone. In Study 3, high-arousal positive affect did not drop in a solitude condition in which participants specifically engaged in positive thinking or when they actively chose what to think about. Finally, in Study 4, we found that solitude could lead to relaxation and reduced stress when individuals actively chose to be alone. This research thus shed light on solitude effects in the past literature, and on people’s experiences when alone and the different factors that moderate these effects. Keywords solitude, affect, self-regulation, motivation, choice Received March 11, 2016; revision accepted August 28, 2017 To date, research on solitude has yielded mixed results. Some many researchers focus on the experiences that happen researchers have shown that time spent in solitude tends to be around solitude rather than directly targeting solitude as a experienced as “slow” and unexciting (Larson, 1990, 1997; phenomenon in and of itself. -
Copy of HHS Waivers
Movie School Course Date Approved Platoon HHS Film Study 10/14/1996 Against All Odds HHS Film Study 11/6/2000 Analyze This HHS Film Study 11/6/2000 Angela's Ashes HHS Film Study 11/6/2000 Antonement HHS Film Study, Literature to Film 5/25/2008 Apt Pupil HHS Film Study 11/6/2000 Argo HHS Film Study, Literature to Film 10/29/2013 Beach, The HHS Film Study 11/6/2000 Birdcage, The HHS Film Study 11/6/2000 Boyz N The Hood HHS Film Study 9/28/1998 Braveheart HHS Film Study 11/6/2000 Brazil HHS Film Study 11/6/2000 Capote HHS Film Study, Literature to Film 5.03.06 Children of Men HHS Film Study, Literature to Film 5.22.07 DaVinci Code, The HHS Film Study, Fine Arts 03.30.05 Dead Man Walking HHS Film Study 10/14/1996 Departed, The HHS Film Study, Literature to Film 5.22.07 District 9 HHS Film Study, Literature to Film 8/28/2010 End of Days HHS Film Study 11/6/2000 Movie School Course Date Approved Platoon HHS Film Study 10/14/1996 Eternal Sunshine of the Spotless Mind HHS Film Study, Fine Arts 3.30.05 Fargo HHS Film Study, Fine Arts 3.30.05 Felicia's Journey HHS Film Study 11/6/2000 Fight Club HHS Film Study, AP History/Psych, 10/6/2000 Fisher King HHS Film Study 9/28/1998 Friday Night Lights HHS Film Study, Fine Arts 3.30.05 Get Shorty HHS Film Study 10/14/1996 Girl, Interupted HHS Film Study 11/6/2000 Go HHS Film Study 11/6/2000 Gods and Monsters HHS Film Study 11/6/2000 Good Will Hunting HHS Film Study 11/6/2000 Gran Torino HHS Film Study 9/8/2009 Green Mile, The HHS Film Study 11/6/2000 H2O HHS Film Study 11/6/2000 Heat HHS Film Study 11/6/2000 Hurt Locker The, HHS Film Study, Literature to Film 8/28/2010 I Know What You Did HHS Film Study 9/28/1998 Jackal, The HHS Film Study 9/28/1998 Movie School Course Date Approved Platoon HHS Film Study 10/14/1996 JFK HHS Film Study 11/6/2000 Kinsey HHS Film Study, Literature to Film 6.07.05 L.S. -
History of Depression Through the Ages
ISSN: 2455-5460 DOI: https://dx.doi.org/10.17352/ada MEDICAL GROUP Received: 23 December, 2019 Review Article Accepted: 05 May, 2020 Published: 06 May, 2020 *Corresponding author: Michel Bourin, Neurobiology History of depression through of anxiety and mood disorders, University of Nantes, 98, rue Joseph Blanchart 44100 Nantes, France, E-mail: the ages Keywords: Depression; DSM; Freud; Greco-roman antiquity; Kraepelin Michel Bourin* https://www.peertechz.com Neurobiology of anxiety and mood disorders, University of Nantes, 98, rue Joseph Blanchart 44100 Nantes, France Abstract Depressive thoughts appeared from the origins of Humanity. They are found in philosophical writings and in literature since Antiquity. They have been approached in a religious or medical way since always, with conceptions which sometimes mixed physiological and mystical explanations. With the advent of psychiatry as a medical discipline, depressive disorder was included in the classifi cations of mental disorders. In the fi rst half of the 20th century, depression was only a detectable syndrome in most mental illnesses, psychoses and neuroses, and received no special attention in our societies. Its determinism is designed in a multifactorial way, integrating psychological, social and biological factors. Introduction - yellow bile coming from the liver (bilious character, that is to say anxious) Depression is often presented as a fashionable disease. It is considered to be the disease of the 21st century. Yet it was - the black or atrabile bile coming from the spleen already described by Hippocrates in antiquity and it was at (melancholic character) the beginning of the 1800s that this term of depression, of the These moods correspond to the four elements themselves Latin "depressio" meaning depression, will make sense with characterized by their own qualities: the birth of psychiatry. -
Ella Wheeler Wilcox's Poems of Passion and Popular Aestheticism Angela Sorby Marquette University, [email protected]
Marquette University e-Publications@Marquette English Faculty Research and Publications English, Department of 1-1-2008 The iM lwaukee School of Fleshly Poetry: Ella Wheeler Wilcox's Poems of Passion and Popular Aestheticism Angela Sorby Marquette University, [email protected] Accepted version. Legacy, Vol. 26, No. 1 (2009): 69-91. DOI. © 2009 The nivU ersity of Nebraska Press. Used with permission. Marquette University e‐Publications@Marquette English Faculty Research and Publications/Department of English This paper is NOT THE PUBLISHED VERSION; but the author’s final, peer‐reviewed manuscript. The published version may be accessed by following the link in the citation below. Legacy, Vol. 26, No. 1 (2009): 69‐91. DOI. This article is © University of Nebraska Press and permission has been granted for this version to appear in e‐Publications@Marquette. University of Nebraska Press does not grant permission for this article to be further copied/distributed or hosted elsewhere without the express permission from University of Nebraska Press. The Milwaukee School of Fleshly Poetry: Ella Wheeler Wilcox's Poems of Passion and Popular Aestheticism Angela Sorby Department of English, Marquette University, Milwaukee WI "How can one begin? Where can one leave off?" (Woolf 97). Faced with Ella Wheeler Wilcox's autobiography, The Worlds and I, Virginia Woolf was—or claimed to be—stymied: There never was a more difficult book to review. If one puts in the Madame de Staël of Milwaukee, there will be no room for the tea‐leaves; if one concentrates upon Helen Pitkin, Raley Husted Bell . must be done without. [A]nd as for Ella Wheeler Wilcox—Mrs [sic] Wilcox is indeed the chief problem.