http://ojs.uwindsor.ca/ojs/leddy/index.php/iasza Interdisciplinary approaches to surviving the Zombie Apocalypse Conference October 28-29, 2016, University of Windsor COMPULSION AND DESIRE IN THREE ZOMBIE FILMS: COLIN, FIDO, AND OTTO; OR, UP WITH DEAD PEOPLE. PAGES 13-37 Bill Clemente Department of English, Peru State College, Peru, NE. USA
[email protected] Copyright (c) 2017 Bill Clemente COMPULSION AND DESIRE IN THREE ZOMBIE FILMS: COLIN, FIDO, AND OTTO; OR, UP WITH DEAD PEOPLE. Bill Clemente Department of English, Peru State College, Peru, NE. USA
[email protected] ABSTRACT The focus on subjectivity in zombies garners increased interest. In Fido, the increased subjectivity of Billy Collins’ mute zombie butler plays well to the film’s comedic flow; in addition, this subjectivity reveals the extent to which this film, Colin, and Otto evolve from the familiar Romero-inspired flesh eater to the socially and politically freighted zombie of Haiti, a figure of repression and rebellion. Indeed, character development of the three protagonists underscores the conflicts of each film. Keywords: Colin, Fido, Haiti, LaBruce, Otto, Romero, subjectivity, zombie, Price, Currie. 1. INTRODUCTION: COMPULSION AND DESIRE: COLIN, FIDO, AND OTTO, LIMINAL FIGURES OF REPRESSION Despite numerous suggestions that the post 9/11 zombie media invasions have ebbed—the Zombie Renaissance having reached a point of saturation and consequent stagnation-- innovative and recent manifestations continue to attest to the zombie’s resilience in film, literature, video games, and conferences, among other areas of infection. As Roger Luckhurst writes in Zombies: A Cultural History, “The zombie is born in transit, in between cultures, and is thus always susceptible to rapid reworkings” (Luckhurst, p.191), a point the three films discussed here bolsters.