The Macomb Center for the Performing Arts 2014–2015 Season
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Senior Musical Theater Recital Assisted by Ms
THE BELHAVEN UNIVERSITY DEPARTMENT OF MUSIC Dr. Stephen W. Sachs, Chair presents Joy Kenyon Senior Musical Theater Recital assisted by Ms. Maggie McLinden, Accompanist Belhaven University Percussion Ensemble Women’s Chorus, Scott Foreman, Daniel Bravo James Kenyon, & Jessica Ziegelbauer Monday, April 13, 2015 • 7:30 p.m. Belhaven University Center for the Arts • Concert Hall There will be a reception after the program. Please come and greet the performers. Please refrain from the use of all flash and still photography during the concert Please turn off all cell phones and electronics. PROGRAM Just Leave Everything To Me from Hello Dolly Jerry Herman • b. 1931 100 Easy Ways To Lose a Man from Wonderful Town Leonard Bernstein • 1918 - 1990 Betty Comden • 1917 - 2006 Adolph Green • 1914 - 2002 Joy Kenyon, Soprano; Ms. Maggie McLinden, Accompanist The Man I Love from Lady, Be Good! George Gershwin • 1898 - 1937 Ira Gershwin • 1896 - 1983 Love is Here To Stay from The Goldwyn Follies Embraceable You from Girl Crazy Joy Kenyon, Soprano; Ms. Maggie McLinden, Accompanist; Scott Foreman, Bass Guitar; Daniel Bravo, Percussion Steam Heat (Music from The Pajama Game) Choreography by Mrs. Kellis McSparrin Oldenburg Dancer: Joy Kenyon He Lives in You (reprise) from The Lion King Mark Mancina • b. 1957 Jay Rifkin & Lebo M. • b. 1964 arr. Dr. Owen Rockwell Joy Kenyon, Soprano; Belhaven University Percussion Ensemble; Maddi Jolley, Brooke Kressin, Grace Anna Randall, Mariah Taylor, Elizabeth Walczak, Rachel Walczak, Evangeline Wilds, Julie Wolfe & Jessica Ziegelbauer INTERMISSION The Glamorous Life from A Little Night Music Stephen Sondheim • b. 1930 Sweet Liberty from Jane Eyre Paul Gordon • b. -
The Arts Page 8, the Retriever, April 28, 1975 / Cummings Laments on a Decade of 'Guess Who'
,.. The Arts Page 8, The Retriever, April 28, 1975 / Cummings laments on a decade of 'Guess Who' BY NEAL McGARITY Burton Cummings is the last original member writing better, more honest songs; of The Guess Who which began in the early whereas before we were writing songs 1960's. The band first came to prominence geared to the market more specifically. in 1965, when their song "Shakin' All Over" RETRIEVER: When the band first hit the Billboard top 20, Unable to follow formed, were there any intended goals? the latter songs' success, the band under· CUMMINGS: Well, I joined this group went some personnel changes, and toured when I was seventeen, and all I wanted throughout Canada widely, tightening them selves in the process_ The group re-appeared was a gold recoFd. Now I have a whole at the top of the charts in 1967 when house full of them. But I like going on the Cummings teamed with guitarist Rand~ Bach road and playing. There's a buzz that you man to write "These Eyes". After the success get from playing a really good gig that you of "These Eyes". Cummings found that every can't buy; and you can't get it from chicks song he touched turned to gold. "American or drugs or alcohol. Woman", "No Sugar Tonight", "No Time", RETRIEVER: Did you get a good buzz "Share the Land" and "Laughing" were just tonight? a few of the hits that followed. CUMMINGS: Oh yeah, definitely. We The band chugged easily "7Ilong on the played to twice as many as this last night, combination of Cummings' driving vocals and and they were just as receptive here Bachman) searing guitar work. -
The Great Apostasy
The Great Apostasy R. J. M. I. By The Precious Blood of Jesus Christ; The Grace of the God of the Holy Catholic Church; The Mediation of the Blessed Virgin Mary, Our Lady of Good Counsel and Crusher of Heretics; The Protection of Saint Joseph, Patriarch of the Holy Family and Patron of the Holy Catholic Church; The Guidance of the Good Saint Anne, Mother of Mary and Grandmother of God; The Intercession of the Archangels Michael, Gabriel, and Raphael; The Intercession of All the Other Angels and Saints; and the Cooperation of Richard Joseph Michael Ibranyi To Jesus through Mary Júdica me, Deus, et discérne causam meam de gente non sancta: ab hómine iníquo, et dolóso érue me Ad Majorem Dei Gloriam 2 “I saw under the sun in the place of judgment wickedness, and in the place of justice iniquity.” (Ecclesiastes 3:16) “Woe to you, apostate children, saith the Lord, that you would take counsel, and not of me: and would begin a web, and not by my spirit, that you might add sin upon sin… Cry, cease not, lift up thy voice like a trumpet, and shew my people their wicked doings and the house of Jacob their sins… How is the faithful city, that was full of judgment, become a harlot?” (Isaias 30:1; 58:1; 1:21) “Therefore thus saith the Lord: Ask among the nations: Who hath heard such horrible things, as the virgin of Israel hath done to excess? My people have forgotten me, sacrificing in vain and stumbling in their way in ancient paths.” (Jeremias 18:13, 15) “And the word of the Lord came to me, saying: Son of man, say to her: Thou art a land that is unclean, and not rained upon in the day of wrath. -
Audience Insights Table of Contents
GOODSPEED MUSICALS AUDIENCE INSIGHTS TABLE OF CONTENTS JUNE 29 - SEPT 8, 2018 THE GOODSPEED Production History.................................................................................................................................................................................3 Synopsis.......................................................................................................................................................................................................4 Characters......................................................................................................................................................................................................5 Meet the Writer........................................................................................................................................................................................6 Meet the Creative Team.......................................................................................................................................................................7 Director's Vision......................................................................................................................................................................................8 The Kids Company of Oliver!............................................................................................................................................................10 Dickens and the Poor..........................................................................................................................................................................11 -
2018 UVU Dancesport Festival Summary Results
UVU 2018 Dancesport Festival Judges A Louis Van Amstel B Tara Boyd C Shawn Fisher D Elaine Grenko E Lori Hicks F Trey Jackson G Michael Johnson H Annie Topham I Chris Witt Heat 7: AC- Open Pre-Champ Latin (C/S/R) Semi-final 15 Recalls 391 Tristan Moe Elna West UVU 15 Recalls 429 Jonathan Peterson Kristi Blank Ryan Di Lello 13 Recalls 109 Christian Alva Rebecca Cobb UVU 13 Recalls 450 Daniel Riddle Kelani Podzikowski Independent 12 Recalls 520 Sean Thomas Katia Flores Strictly ballroom 10 Recalls 487 Paul Skousen Alejandra Bueno UVU 10 Recalls 567 Zion Willis Sacoya Anderson Rick Robinson 5 Recalls 352 Julio Lazarte Julie Fletcher Ryan Di Lello 5 Recalls 465 Robert Safsten Jerrica James Ryan Di Lello 4 Recalls 186 Jared Combs Brooke Staples BYU 2 Recalls 531 Jason Trump Kirsten Evans BYU 1 Recalls 387 Connor Millett Rebecca Rasmussen BYU 0 Recalls 518 Brandon Theurer Sarah Simpson Kristina Gerber 0 Recalls 377 Geoffrey McIntire Laurel Loveless BYU 0 Recalls 448 Fletcher Riches Danielle Haroldsen BYU 0 Recalls 353 Wesley Ledesma Rachel Halversen BYU Heat 7: AC- Open Pre-Champ Latin (C/S/R) Final 1st 391 Tristan Moe Elna West UVU 2nd 429 Jonathan Peterson Kristi Blank Ryan Di Lello 3rd 450 Daniel Riddle Kelani Podzikowski Independent 4th 487 Paul Skousen Alejandra Bueno UVU 5th 109 Christian Alva Rebecca Cobb UVU 6th 520 Sean Thomas Katia Flores Strictly ballroom 7th 567 Zion Willis Sacoya Anderson Rick Robinson Heat 8: AC- Open Youth Pre-Champ Ballroom (W/T/QS) Quarter-final 15 Recalls 295 Shea Holt Hannah Schuman Davis County Ballroom 15 -
The Big Bopper Died for Your Sins
Concordia Seminary - Saint Louis Scholarly Resources from Concordia Seminary Master of Divinity Thesis Concordia Seminary Scholarship 3-1-1970 The iB g Bopper Died For Your Sins: A Study of the Function of Rock as a Form of Religious Expression inn the World of Youth John Metzig Concordia Seminary, St. Louis, [email protected] Follow this and additional works at: https://scholar.csl.edu/mdiv Part of the Practical Theology Commons Recommended Citation Metzig, John, "The iB g Bopper Died For Your Sins: A Study of the Function of Rock as a Form of Religious Expression inn the World of Youth" (1970). Master of Divinity Thesis. 101. https://scholar.csl.edu/mdiv/101 This Thesis is brought to you for free and open access by the Concordia Seminary Scholarship at Scholarly Resources from Concordia Seminary. It has been accepted for inclusion in Master of Divinity Thesis by an authorized administrator of Scholarly Resources from Concordia Seminary. For more information, please contact [email protected]. TABLE OF CONTENTS Content Page I. THE• INTRODUCTION 1 II. THE PAPER . 3 III. THE FOOTNOTES BIBLIOGRAPHY 34 INTRODUCTION I'm not trying to cause a big sensation I'm just ttitkirtg 'bout my generation. -Peter Townshend (for The Who) 1 The problem with trying to write a paper on the subject of rock is that the field is so diverse and varied that it is all but impossible to describe everything in complete detail. Furthermore, the entire subject of the effects of rock on a listening audience varies considerably from listener to listener. The teen-ager just likes, the sound of the music and the feelings that the music brings out in him, while the adult still thinks of rock as a lot of noise no matter how many magazine articles they read or TV programs they see. -
Appendixe.Pdf
APPENDIX E Selected Discography Original London Cast Recording (1960 Decca) • Fagin: Ron Moody • Nancy: Georgia Brown • LP Record OCLC: 17984949 • Compact Disc OCLC: 49503906 Oliver! (1962 Capitol) • Fagin: Stanley Holloway • Nancy: Alma Cogan • LP Record OCLC: 3258768 • Compact Disc OCLC: 52955063 Original Broadway Soundtrack (1962 RCA Victor) • Fagin: Clive Revill • Nancy: Georgia Brown • LP Record OCLC: 3637306 • Compact Disc OCLC: 20608555 Broadway Deluxe Collector’s Edition (2003 RCA Victor) • Fagin: Clive Revill • Nancy: Georgia Brown • Compact Disc OCLC: 426295732 Includes bonus tracks of Ron Moody’s renditions of Fagin’s songs, bonus track of Patti Lupone singing “As Long as He Needs Me,” and bonus interviews with con- ductor Donald Pippin Oliver! Habima Soundtrack (196? Tel-Aviv CBS) • Fagin: Shraga Friedman • LP Record OCLC: 44809041 ( 1 ) (2) Appendix E Original Motion Picture Soundtrack (1968 RCA Victor) • Fagin: Ron Moody • Nancy: Shani Wallis • LP Record OCLC: 173199032 • Compact Disc OCLC: 18033269 All the Hits from Oliver!—Melachrino Strings and Orchestra (1968 RCA Camden) LP Record OCLC: 18177046 Oliver! Jay Productions (1991 Jay Productions) • Fagin: Julian Forsyth • Nancy: Josephine Barstow • Compact Disc OCLC: 43875398 Songs from Oliver! (1994 Pickwick) • Fagin: Victor Spinetti • Nancy: Bonnie Langford • Compact Disc OCLC: 38065023 Oliver! Palladium Revival (1995 Broadway Angel) • Fagin: Jonathan Pryce • Nancy: Sally Dexter • Compact Disc OCLC: 32668839 Oliver! Drury Lane Revival (2009 First Night Records) • Fagin: -
A Cinema of Confrontation
A CINEMA OF CONFRONTATION: USING A MATERIAL-SEMIOTIC APPROACH TO BETTER ACCOUNT FOR THE HISTORY AND THEORIZATION OF 1970S INDEPENDENT AMERICAN HORROR _______________________________________ A Thesis presented to the Faculty of the Graduate School at the University of Missouri-Columbia _______________________________________________________ In Partial Fulfillment of the Requirements for the Degree Master of Arts _____________________________________________________ by COURT MONTGOMERY Dr. Nancy West, Thesis Supervisor DECEMBER 2015 The undersigned, appointed by the dean of the Graduate School, have examined the thesis entitled A CINEMA OF CONFRONTATION: USING A MATERIAL-SEMIOTIC APPROACH TO BETTER ACCOUNT FOR THE HISTORY AND THEORIZATION OF 1970S INDEPENDENT AMERICAN HORROR presented by Court Montgomery, a candidate for the degree of master of English, and hereby certify that, in their opinion, it is worthy of acceptance. _________________________________ Professor Nancy West _________________________________ Professor Joanna Hearne _________________________________ Professor Roger F. Cook ii ACKNOWLEDGEMENTS I would like to express my deepest appreciation to my committee chair, Dr. Nancy West, for her endless enthusiasm, continued encouragement, and excellent feedback throughout the drafting process and beyond. The final version of this thesis and my defense of it were made possible by Dr. West’s critique. I would like to thank my committee members, Dr. Joanna Hearne and Dr. Roger F. Cook, for their insights and thought-provoking questions and comments during my thesis defense. That experience renewed my appreciation for the ongoing conversations between scholars and how such conversations can lead to novel insights and new directions in research. In addition, I would like to thank Victoria Thorp, the Graduate Studies Secretary for the Department of English, for her invaluable assistance with navigating the administrative process of my thesis writing and defense, as well as Dr. -
Burton Cummings Mccallum Theatre Monday – February 24 – 7:00Pm
FOR IMMEDIATE RELEASE January 29, 2020 CONTACT: DeAnn Lubell-Ames – (760) 831-3090 Note: Photos available at http://mccallumtheatre.com/index.php/media Burton Cummings McCallum Theatre Monday – February 24 – 7:00pm Palm Desert, CA – Burton Cummings, one of the most successful music artists in Canadian history, will head down south to the McCallum Theatre for a special performance at 7:00pm, Monday, Feb. 24. Cummings is best known as the former lead singer of and songwriter for The Guess Who. He is a member of the Canadian Music Hall of Fame, Canadian Songwriters Hall of Fame, Canadian Music Industry Hall of Fame, Canadian Walk of Fame, Canadian Music Industry Hall of Fame and the Prairie Music Hall of Fame. He’s won multiple Juno Awards, and is a recipient of the Order of Canada, the Order of Manitoba, the Governor- General’s Performance Arts Award, and several BMI (Broadcast Music Industry) awards for more than 1 million airplays of his songs. With Canada’s original rock ’n’ roll superstars The Guess Who, Burton scored an unprecedented string of international hit singles, including “These Eyes,” “Laughing,” “No Time,” “American Woman,” “Share the Land,” “Hang on to Your Life,” “Albert Flasher,” “Sour Suite,” “Glamour Boy,” “Star Baby,” “Clap for the Wolfman” and “Dancin’ Fool”—all written or co-written by Burton. By 1970, The Guess Who had sold more records than the entire Canadian music industry combined to that point, and the band’s achievements remain unparalleled. The group notched up a long list of firsts, including being the first Canadian group to reach No. -
THTR 474 Intro to Standup Comedy Spring 2021—Fridays (63172)—10Am to 12:50Pm Location: ONLINE Units: 2
THTR 474 Intro to Standup Comedy Spring 2021—Fridays (63172)—10am to 12:50pm Location: ONLINE Units: 2 Instructor: Judith Shelton OfficE: Online via Zoom OfficE Hours: By appointment, Wednesdays - Fridays only Contact Info: You may contact me Tuesday - Friday, 9am-5pm Slack preferred or email [email protected] I teach all day Friday and will not respond until Tuesday On Fridays, in an emergency only, text 626.390.3678 Course Description and Overview This course will offer a specific look at the art of Standup Comedy and serve as a laboratory for creating original standup material: jokes, bits, chunks, sets, while discovering your truth and your voice. Students will practice bringing themselves to the stage with complete abandon and unashamed commitment to their own, unique sense of humor. We will explore the “rules” that facilitate a healthy standup dynamic and delight in the human connection through comedy. Students will draw on anything and everything to prepare and perform a three to four minute set in front of a worldwide Zoom audience. Learning Objectives By the end of this course, students will be able to: • Implement the comic’s tools: notebook, mic, stand, “the light”, and recording device • List the elements of a joke and numerous joke styles • Execute the stages of standup: write, “get up”, record, evaluate, re-write, get back up • Identify style, structure, point of view, and persona in the work we admire • Demonstrate their own point of view and comedy persona (or character) • Differentiate audience feedback (including heckling) -
Tumbling Dice and Other Tales from a Life Untitled Tammy Mckillip Mckillip University of Texas at El Paso, [email protected]
University of Texas at El Paso DigitalCommons@UTEP Open Access Theses & Dissertations 2016-01-01 Tumbling Dice and Other Tales from a Life Untitled Tammy Mckillip Mckillip University of Texas at El Paso, [email protected] Follow this and additional works at: https://digitalcommons.utep.edu/open_etd Part of the Creative Writing Commons Recommended Citation Mckillip, Tammy Mckillip, "Tumbling Dice and Other Tales from a Life Untitled" (2016). Open Access Theses & Dissertations. 897. https://digitalcommons.utep.edu/open_etd/897 This is brought to you for free and open access by DigitalCommons@UTEP. It has been accepted for inclusion in Open Access Theses & Dissertations by an authorized administrator of DigitalCommons@UTEP. For more information, please contact [email protected]. TUMBLING DICE AND OTHER TALES FROM A LIFE UNTITLED TAMMY MCKILLIP Master’s Program in Creative Writing APPROVED: ______________________________________ Liz Scheid, MFA, Chair ______________________________________ Lex Williford, MFA ______________________________________ Maryse Jayasuriya, Ph.D. _________________________________________________ Charles Ambler, Ph.D. Dean of the Graduate School TUMBLING DICE AND OTHER TALES FROM A LIFE UNTITLED ©Tammy McKillip, 2016 This work is dedicated to my beautiful, eternally-young mother, who taught me how to roll. Always in a hurry, I never stop to worry, Don't you see the time flashin’ by? …You’ve got to roll me And call me the tumbling dice —The Rolling Stones TUMBLING DICE AND OTHER TALES FROM A LIFE UNTITLED BY TAMMY -
Comedian A-Train M COMEDIAN RADIO PERSONALITY HOST EMCEE PRODUCER P H I L a N T H R O P I S T
c o m e d i a n a t r a i n . c o comedian a-train m COMEDIAN RADIO PERSONALITY HOST EMCEE PRODUCER P H I L A N T H R O P I S T em: [email protected] ph: 904.514.7955 COMEDIAN A-TRAIN as seen and heard on bio Comedian A-Train, seen on WEtv’s Braxton Family Values, The Low Down with James Yon, River City Live, First Coast Living, and The Chat, is host of Yo Daddy’ Nem Podcast—iHeart Radio’s #1 Podcast in Duval, former co-host of Jacksonville’s #1 morning show, on 107.9 and Jacksonville’s #1 drive-time radio show on 103.7. He's a clean, traveling, stand-up, and corporate comedian, host and emcee. He tours with Original King of Comedy D. L. Hughley, and has toured with Kountry Wayne. He has featured for the biggest names in clean comedy, Michael Jr., viral sensation KevonStage, Dave Coulier (Uncle Joey on Full House), and Preacher Lawson (AGT). He's performed with Pete Lee (Jimmy Fallon and VH1’s Best Week Ever), Comedienne Dominique (Last Comic Standing), Bill Bellamy (Who's Got Jokes and Ladies Night Out), Ali Siddiq (Bring the Funny and Comedy Central), Loni Love (The Real), Deon Cole (Blackish and Grownish), Ronnie Jordan (Bossip), Huggy Low Down and Chris Paul (Tom Joyner Morning Show), and many others. Comedian A-Train has hosted the Zora Neal Hurston Festival, Orlando Jazz Festival, Steel City Jazz Festival— Birmingham, and Jacksonville Jazz Festival—the second largest in the country where he’s the first and only comedian to host in the city’s 40-year history.