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Chapter 296-78 WAC, Sawmills and Woodworking
Chapter 296-78 WAC Introduction Sawmills and Woodworking Operations _________________________________________________________________________________________________________ Chapter 296-78 WAC Sawmills and Woodworking Operations (Form Number F414-010-000) This book contains rules for Safety Standards for sawmills and woodworking operations, as adopted under the Washington Industrial Safety and Health Act of 1973 (Chapter 49.17 RCW). The rules in this book are effective March 2018. A brief promulgation history, set within brackets at the end of this chapter, gives statutory authority, administrative order of promulgation, and date of adoption of filing. TO RECEIVE E-MAIL UPDATES: Sign up at https://public.govdelivery.com/accounts/WADLI/subscriber/new?topic_id=WADLI_19 TO PRINT YOUR OWN PAPER COPY OR TO VIEW THE RULE ONLINE: Go to https://www.lni.wa.gov/safety-health/safety-rules/rules-by-chapter/?chapter=78/ DOSH CONTACT INFORMATION: Physical address: 7273 Linderson Way Tumwater, WA 98501-5414 (Located off I-5 Exit 101 south of Tumwater.) Mailing address: DOSH Standards and Information PO Box 44810 Olympia, WA 98504-4810 Telephone: 1-800-423-7233 For all L&I Contact information, visit https://www.lni.wa.gov/agency/contact/ Also available on the L&I Safety & Health website: DOSH Core Rules Other General Workplace Safety & Health Rules Industry and Task-Specific Rules Proposed Rules and Hearings Newly Adopted Rules and New Rule Information DOSH Directives (DD’s) See http://www.lni.wa.gov/Safety-Health/ Chapter 296-78 WAC Table of Contents Sawmills and Woodworking Operations _________________________________________________________________________________________________________ Chapter 296-78 WAC SAFETY STANDARDS FOR SAWMILLS AND WOODWORKING OPERATIONS WAC Page WAC 296-78-500 Foreword. -
Foreign Shipyard Coatings Benchmarking Study
Foreign Shipyard Coatings Benchmarking Study NSRP Surface Preparation and Coatings Panel Project Report MAY, 2013 Approved for public release; distribution is unlimited. Category B Data – Government Purpose Rights Foreign Shipyard Coatings Benchmarking Study Client Name ELZLY CORPORATION Contact Peter Ault Contract Code 0825CSP3 Document Number 0825CSP3002R Safinah Contact Raouf Kattan Date 13/05/13 The information contained in this document is believed to be correct at the present time but the accuracy is not guaranteed. Safinah Ltd its employees and subcontractors cannot accept liability for loss suffered in consequence of reliance on the information contained given here. This document does not release the receiver of the need to make further appropriate enquiries and inspections. All information is supplied in accordance with our standard terms and conditions (a link to these can be found at the foot of our web site). Safinah Ltd 21A Bridge Street Morpeth NE61 1NT EN ISO 9001:2008 Tel: +44 1670 519900 compliant Fax: +441670519911 0825CSP3002R Sanitised (w edits).docx UNCONTROLLED IF PRINTED Created on 13/05/2013 09:22:00 0825CSP3002R 0825CSP3002R 1 DOCUMENT CONTROL Document No 0825CSP3002R Document Title Foreign Shipyard Coatings Benchmarking Study Client ELZLY CORPORATION Compiled by Rakat Approved by Rakat Revision Date Summary By 0825CSP3002R Sanitised (w edits).docx Page 2 of 44 UNCONTROLLED IF PRINTED Created on 13/05/2013 09:45 0825CSP3002R 0825CSP3002R Contents 1 DOCUMENT CONTROL ...................................................................................................... -
Technology in the Fashion Industry: Designing with Digital Media
Lindenwood University Digital Commons@Lindenwood University Theses Theses & Dissertations Fall 8-2014 Technology in the Fashion Industry: Designing with Digital Media Adima Cope Follow this and additional works at: https://digitalcommons.lindenwood.edu/theses Part of the Fashion Design Commons TECHNOLOGY IN THE FASHION INDUSTRY: DESIGNING WITH DIGITAL MEDIA A Thesis Submitted to the Faculty of the Art and Design Department in Partial Fulfillment of the Requirements for the Degree of Master of Fine Arts at Lindenwood University By Adima Cope Saint Charles, Missouri August 2014 Cope 2 Abstract Title of Thesis: Technology in the Fashion Industry: Designing with Digital Media Adima Cope, Master of Fine Art, 2014 Thesis Directed by: Chajuana V. Trawick, Ph.D., Assistant Professor of Art and Design, Fashion Program Manager The fashion industry has advanced new technologies in the twenty-first century that has made producing apparel more cost effective with faster time-to-market capabilities and greatly reduced steps in the manufacturing process. The reasons for these improvements can be linked to new apparel computer-aided-design (CAD) technologies that have come about in the market as computers have advanced and grown in processing power and reduction in size since the 1980s. Computers are revolutionizing many industries and the way business is conducted in today’s modern workplace. The fashion industry has yet to convert all processes to digital means but advancements have been growing in popularity over the years and are certain to increase as the technologies available become better and more reliable. This raises the need for research to take place to survey the market and determine what types of software are available and the capabilities of the technologies. -
Care and Preservation of Furniture and Wooden Objects by Louise Beck, Conservator, the Henry Ford
The Care and Preservation of Furniture and Wooden Objects by Louise Beck, Conservator, The Henry Ford. Introduction Antique furniture and wooden objects can be maintained for years of use and enjoyment provided that some basic care and attention is given to their preservation. The conservation staff at The Henry Ford have compiled the information in this fact sheet to help individuals care for their objects and collections. The first step in the care of collections is to understand and minimize or eliminate conditions that can cause damage. The second step is to follow basic guidelines for care, handling and cleaning. Types of Damage For most antique furniture owners, the desire to both utilize their collections and at the same time preserve them presents a formidable challenge. These two objectives are often at odds with each other. Improper handling/usage/display, environment, cleaning, and repair are the most common causes of damage to furniture and wooden objects. The primary cause of damage to furniture is careless handling and use, resulting in damage to surfaces or structural damage to the object. Inappropriate environment, both in terms of light and relative humidity, can lead to damage. Excessive light can accelerate the aging and degradation of finishes resulting in a cracked, brittle or "alligatored" appearance; it can also cause fading or softening of the finish. Since wood is a porous material it readily absorbs water when humidity levels are high. This absorption of moisture causes wood to swell. Conversely, wood shrinks in a dry environment. The shrinkage of wood in dry environments leads to the formation of structural cracks, lifting veneer and inlays, gaps in joints and the embrittlement of adhesives. -
National Wood Preservative Decorative Coatings Technical Data Sheet
NATIONAL WOOD PRESERVATIVE DECORATIVE COATINGS TECHNICAL DATA SHEET NATIONAL WOOD PRESERVATIVE PRODUCT National Wood Preservative is a solution containing broad DESCRIPTION microbiological activity spectrum biocide, which inhibits the growth of algae. It acts against blue stain fungi, brown red fungi, and wood destroying insects. In general product is useful as a wood preservative. RECOMMENDED For preservation of wood, wooden articles from algae, blue USES stain and general types of wood destroying insects. TECHNICAL DATA COLOUR, DRY FILM Liquid FINISH, DRY FILM Clear, Transparent SPECIFIC GRAVITY 0.80 ± 0.05 2 THEORETICAL SPREADING 15 M /LTR, indicative, depends on the nature of wood FLA SH POINT 38ºC DRYING TIME Drying time @ 30°C (Temperature, humidity, air movement, film thickness and number of coats all affect the drying time.) TOUCH DRY 5 – 10 minutes DRY TO OVER COAT 1 hour ADVANTAGES NATIONAL WOOD Easy to apply on wooden surface, uniform spreading on PRESERVATIVE SYSTEM surface, does not give any colour to surface, can be overcoated easily. APPLICATION INSTRUCTION SURFACE PREPARATION Before application, the surface should be sound, clean and free from oil, grease, loose particles, dust, etc. Application can be done by the recommended application methods. APPLICATION DATA APPLICATION METHOD Brush, cotton cloth wiping. CLEAN ING /THINN ING National G.P. Thinner THINNE R (VOLU ME) Ready to use CONV . S PRAY RE QUIREMENT S Not recommended NOZZLE SIZE NA Rev. 07/18 Page 1/2 www .natio nal -paints. com NATIONAL WOOD PRESERVATIVE DECORATIVE COATINGS TECHNICAL DATA SHEET SYSTEM For wooden surface: RECOMMENDED SYSTEM Remove oil or grease from the wooden surface. -
Wood Finishing Demonstration Project Final Report
Wood Finishing Demonstration Project Final Report Paul Pagel Minnesota Technical Assistance Program & Barb Loida Minnesota Pollution Control Agency Small Business Compliance Assistance Program January 1997 Table of Contents INTRODUCTION......................................................................................................................................... 1 FINDING AND SELECTING A CANDIDATE FOR THE PROJECT................................................... 1 THE WOOD FINISHING PROCESS......................................................................................................... 2 PROCESS CONSIDERATIONS AND COMPANY COMPARISONS............................................................................. 2 EMISSIONS AND WASTES ....................................................................................................................... 4 AT PINE-TIQUE ................................................................................................................................................ 4 AT VIKING ....................................................................................................................................................... 5 USE OF WATERBORNE FINISHES......................................................................................................... 6 FINISH CRITERIA AND PROCESS CONSIDERATIONS FOR SELECTING ALTERNATIVE COATINGS ......................... 6 TESTING, MODIFICATIONS AND RESULTS...................................................................................... -
AP-42, CH 6.4: Paint and Varnish
6.4PaintAndVarnish 6.4.1PaintManufacturing1 Themanufactureofpaintinvolvesthedispersionofacoloredoilorpigmentinavehicle, usuallyanoilorresin,followedbytheadditionofanorganicsolventforviscosityadjustment.Only thephysicalprocessesofweighing,mixing,grinding,tinting,thinning,andpackagingtakeplace.No chemicalreactionsareinvolved. Theseprocessestakeplaceinlargemixingtanksatapproximatelyroomtemperature. Theprimaryfactorsaffectingemissionsfrompaintmanufacturearecareinhandlingdry pigments,typesofsolventsused,andmixingtemperature.About1or2percentofthesolventislost evenunderwell-controlledconditions.Particulateemissionsamountto0.5to1.0percentofthe pigmenthandled. Afterburnerscanreduceemittedvolatileorganiccompounds(VOC)by99percentand particulatesbyabout90percent.Awatersprayandoilfiltersystemcanreduceparticulateemissions frompaintblendingby90percent. 6.4.2VarnishManufacturing1-3,5 Themanufactureofvarnishalsoinvolvesthemixingandblendingofvariousingredientsto produceawiderangeofproducts.Howeverinthiscase,chemicalreactionsareinitiatedbyheating. Varnishiscookedineitheropenorenclosedgas-firedkettlesforperiodsof4to16hoursat temperaturesof93to340°C(200to650°F). Varnishcookingemissions,largelyintheformofvolatileorganiccompounds,dependonthe cookingtemperaturesandtimes,thesolventused,thedegreeoftankenclosureandthetypeofair pollutioncontrolsused.Emissionsfromvarnishcookingrangefrom1to6percentoftheraw material. Toreduceorganiccompoundemissionsfromthemanufactureofpaintandvarnish,control techniquesincludecondensersand/oradsorbersonsolventhandlingoperations,andscrubbersand -
Annex 2B: OSB (Oriented Strand Board)
Panel Guide Version 4 Annex 2B: OSB (oriented strand in panels from different manufacturers; in panels from different manufacturers it is possible to obtain ratios board) of property levels in the machine- to cross-direction of Description 1.25:1 to 2.5:1, thereby emulating the ratios found in OSB is an engineered wood-based panel material in plywood. which long strands of wood are bonded together with a synthetic resin adhesive. OSB is usually composed Appearance of three layers, with the strands of the outer two layers OSB is readily identified by its larger and longer wood orientated in a particular direction, more often than strands, compared to particleboard. The orientation not in the long direction of the panel. While there is an of the surface strands is not always visually apparent, orientation, it is often hard to see because there is quite especially in small pieces of panel. The panel tends to a large degree of variability in this orientation among have a number of holes on the surface due to the overlap adjacent strands in the panels from any one production of strands, but a smoother surface can be obtained by line, as well as between panels from different producers. sanding. However, OSB will never possess the smooth- ness of surface found in fibreboards and particleboards: rather its merits lie in the field of mechanical perfor- mance which is directly related to the use of longer and larger strands of wood. OSB varies in colour from a light straw colour to a medium brown depending on species used, resin system adopted and pressing conditions employed. -
Setting up an Archery Range
Setting up an Archery Range 1 Updated March 2014 How to set up an archery range Content: Introduction ....................................................................................................... 2 Rules for designing a safe target archery range ............................................ 3-4 Outdoor shooting grounds ................................................................................. 4 Outdoor field orientation .................................................................................. 5 Outdoor field of play with safety zones ......................................................... 5-6 Outdoor field of play with reduced safety zones .......................................... 6-7 Indoor shooting range .................................................................................... 7-8 Field, Clout and Flight archery ..................................................................... 9-10 Setting out a competition target archery range ........................................ 10-12 Further reading ............................................................................................... 10 Introduction Archery is practiced all over the world. As with other sports, a special area is needed for practice and competition. Bow and arrows are part of the equipment of an archer; an archery range on a flat level field is needed for the safe practice of target archery. In field archery the ground is mostly far from level, however in this discipline there exist special rules for range layout. The specialist -
Blazing for Beginners
Blazing For Beginners Bill Menke, NCTA Great Lakes Regional Trail Coordinator Of the many different types of signs along the North Country NST, blazes are the ―workhorse.‖ They outnumber all other types of signs and are the key sign allowing a hiker to follow the trail. Gathering the Tools: Everyone has favorite tools and methods. Having observed and experimented with many of them, I always return to the following. Assemble a blazing kit based on a small, wooden box with a handle. The Buckeye Trail Association has a good design that includes a properly sized blaze painted on the end of the box. Your RTC may have a limited supply of these boxes on hand but if not, can get you the dimensions. Within the box, carry the following: A screw top plastic peanut butter (or similar) jar, full of blue paint. Using the correct paint is of utmost importance. The correct paint is Nelson Boundary (Brush Type) Paint-Blue— available from NPS. Formulated for durability and adherence, it is long lasting in the outdoor environment. Being oil based, it requires a little more work to remove inevitable splatters from your skin but its’ durability and correct color outweigh any minor inconveniences. Other advantages, over latex paint, are that it can be applied in below freezing temperatures and can be applied during wet weather as long as there isn’t a steady stream of water running down the tree. Citrus solvent or mineral spirits make for easy cleanup. Carry another jar full of Nelson Boundary (Brush Type) White only when you know your work includes blazing a spur trail. -
Woodworking Master
OHIO STATE UNIVERSITY EXTENSION OHIO 4-H MASTER PROJECTS 4-H 560M Woodworking Master By Doug Dill, Faculty Emeritus, Extension Educator, Ohio State University Extension, and Assistant Superintendent, Ohio State Fair 4-H Woodworking Day. Reviewed by Randall Reeder, Faculty Emeritus, Department of Food, Agricultural, and Biological Sciences, The Ohio State University The Woodworking Master project is for members who want to continue with woodworking after completing the Ohio 4-H woodworking projects (556 Measuring Up, 557 Making the Cut, 558 Nailing It Together, and 559 Finishing Up). Members of any age may complete this project, but must have completed the existing projects, must have woodworking experience comparable to what is required for other advanced-level 4-H projects, and must be able to plan and complete the project on their own with minimal supervision or assistance. NAME __________________________________________________________________________ AGE (as of January 1 of the current year): ______________________________________________ COUNTY: _______________________________________________________________________ CLUB NAME: _____________________________________________________________________ ADVISOR: _______________________________________________________________________ ohio4h.org CFAES provides research and related educational programs to clientele on a nondiscriminatory basis. For more information: go.osu.edu/cfaesdiversity. Project Guidelines 1. Plan, design, build, and evaluate at least one 6. If possible, have someone take pictures of you woodworking project. What you make should be working on your project at different stages as you different from what you can make within the progress from the beginning through completion, guidelines of other 4-H woodworking projects, or and attach copies of the photos in section 6 or in require specialized or professional-level skills to a separate project scrapbook. complete (beyond what would be expected in 7. -
Bellmont 1900 Series
MATISSE | Paint | Alabaster, Silvermist & Pepper Front Cover: PENTA | Legno Collection | Aspen • PASADENA | Paint | Pepper 02 | BellmontCabinets.com BellmontCabinets.com | 03 THE FRAMELESS ADVANTAGE ___________________________________________________________________________________________ Unlike traditional face frame cabinets, frameless cabinets combine the clean look of modern, full-overlay, flush-fitting doors and drawers. The unobstructed, full-access interiors create more storage and an organized space, while providing superior strength and trendsetting style. STRONG FULL-ACCESS MORE SPACE 3/4-in cabinet box and solid Greater accessibility, Wider, taller drawers with a full-top construction provide unobstructed by a frame, 75-lb load capacity feature superior strength, structural creates more usable space in the greater interior storage, more precision, and additional support same box size and provides easy clearance and the luxury touch of for solid surface countertops. access to your items inside. full-extension soft-close hardware. • • • PICTURED: Satino Drawer 04 | BellmontCabinets.com FIRMA | Ares Collection | Concrete BellmontCabinets.com | 05 CLASSIC AMERICAN STYLE for a natural elegance that will stand the test of time. MONTICELLO | Heirloom Collection | Lace BellmontCabinets.com | 07 PHOTO: Savvy Cabinetry by Design (Seattle, WA) COMBINE SIMPLICITY & TEXTURE for a tasteful blend of old & new. SHAKER | Paint | White • FIRMA | Synchro Collection | Lodge BellmontCabinets.com | 09 PHOTO: Cabinets & Beyond Design Studio (San Francisco, CA) CLEAN, STRAIGHT LINES uniting form & function with harmonious materials. COVE | Paint | Pepper • MADRID | Walnut | Bourbon BellmontCabinets.com | 11 TRADITIONAL P P P P A A A A WHAT’S RA RA RA RA C C C C RO RO RO RO RWO RWO RWO RWO YOUR STYLE? M M M M S S S S ___________________________________________________________________________________________ W W W W Bellmont’s 1900 Series offers a unique collection of door styles, available in a variety of materials and finish options.