2016-2017 Annual Report
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Pritzker Architecture Prize Laureate
For publication on or after Monday, March 29, 2010 Media Kit announcing the 2010 PritzKer architecture Prize Laureate This media kit consists of two booklets: one with text providing details of the laureate announcement, and a second booklet of photographs that are linked to downloadable high resolution images that may be used for printing in connection with the announcement of the Pritzker Architecture Prize. The photos of the Laureates and their works provided do not rep- resent a complete catalogue of their work, but rather a small sampling. Contents Previous Laureates of the Pritzker Prize ....................................................2 Media Release Announcing the 2010 Laureate ......................................3-5 Citation from Pritzker Jury ........................................................................6 Members of the Pritzker Jury ....................................................................7 About the Works of SANAA ...............................................................8-10 Fact Summary .....................................................................................11-17 About the Pritzker Medal ........................................................................18 2010 Ceremony Venue ......................................................................19-21 History of the Pritzker Prize ...............................................................22-24 Media contact The Hyatt Foundation phone: 310-273-8696 or Media Information Office 310-278-7372 Attn: Keith H. Walker fax: 310-273-6134 8802 Ashcroft Avenue e-mail: [email protected] Los Angeles, CA 90048-2402 http:/www.pritzkerprize.com 1 P r e v i o u s L a u r e a t e s 1979 1995 Philip Johnson of the United States of America Tadao Ando of Japan presented at Dumbarton Oaks, Washington, D.C. presented at the Grand Trianon and the Palace of Versailles, France 1996 1980 Luis Barragán of Mexico Rafael Moneo of Spain presented at the construction site of The Getty Center, presented at Dumbarton Oaks, Washington, D.C. -
Kazuyo Sejima, Born in 1956 in the Prefecture of Ibaraki, Studied Architecture at the Japan Women's University, Graduating with a Master's Degree
Kazuyo Sejima, born in 1956 in the prefecture of Ibaraki, studied architecture at the Japan Women's University, graduating with a master's degree. She then joined the bureau of Toyo Ito. In 1987, she set up her own firm Kazuyo Sejima & Associates in Tokyo. Her early buildings already attracted attention, demonstrating not only elegance in form and material composition but also and above all her completely independent design approach. The young Japanese architect works on the basis of an abstract description of the uses and purposes of each particular building, transferring these into a spatial diagram and converting this diagram into architecture. This results in equally unusual and impressive buildings, which seem to confound all conventional typology, but remain closely related to their function. In this way, Kazuyo Sejima once again takes up the threads of the Modernism, but with an unorthodox, contemporary new interpretation of its premises and claims. In contrast to her teacher Ito and most of his generation, she is not concerned with reflecting or even increasing the fleetingness of the contemporary, but far more with a contemplative deceleration, which is without any kind of nostalgia. Earlier examples of this are the three house projects produced between 1988 and 1990, simply called PLATFORM I, PLATFORM II and PLATFORM III. With the Saishunkan Seljyku Women's Dormitory from 1991, for the first time she demonstrated the implementation of a complex programme into an equally irritating and refined architecturally aesthetic approach. The three Pachinko Parlors, created between 1993 and 1996 and numbered like the PLATFORM houses to declare the serial and continuous nature of the principal architectural research behind them, are essentially functionally neutral structures, whose elegance betrays the signature of their author throughout. -
The Things They've Done : a Book About the Careers of Selected Graduates
The Things They've Done A book about the careers of selected graduates ot the Rice University School of Architecture Wm. T. Cannady, FAIA Architecture at Rice For over four decades, Architecture at Rice has been the official publication series of the Rice University School of Architecture. Each publication in the series documents the work and research of the school or derives from its events and activities. Christopher Hight, Series Editor RECENT PUBLICATIONS 42 Live Work: The Collaboration Between the Rice Building Workshop and Project Row Houses in Houston, Texas Nonya Grenader and Danny Samuels 41 SOFTSPACE: From a Representation of Form to a Simulation of Space Sean tally and Jessica Young, editors 40 Row: Trajectories through the Shotgun House David Brown and William Williams, editors 39 Excluded Middle: Toward a Reflective Architecture and Urbanism Edward Dimendberg 38 Wrapper: 40 Possible City Surfaces for the Museum of Jurassic Technology Robert Mangurian and Mary-Ann Ray 37 Pandemonium: The Rise of Predatory Locales in the Postwar World Branden Hookway, edited and presented by Sanford Kwinter and Bruce Mau 36 Buildings Carios Jimenez 35 Citta Apperta - Open City Luciano Rigolin 34 Ladders Albert Pope 33 Stanley Saitowitz i'licnaei Bell, editor 26 Rem Koolhaas: Conversations with Students Second Editior Sanford Kwinter, editor 22 Louis Kahn: Conversations with Students Second Edition Peter Papademitriou, editor 11 I I I I I IIII I I fo fD[\jO(iE^ uibn/^:j I I I I li I I I I I II I I III e ? I I I The Things They've DoVie Wm. -
Vision for M+ Herzog & De Meuron Start Each Project Free Of
Herzog & de Meuron + TFP Farrells Vision for M+ Herzog & de Meuron start each project free of M+ shall be much more than an individual building, but predetermined ideas, guided by curiosity and conscious instead like a small city with entrance gates, gathering naivety. Developed through rational methodologies and places, main avenues and side streets. Movement, of open dialogue, we design projects that respond to the people and objects, shall be conceived horizontally and needs of users and are meaningful to their context. vertically, like Hong Kong itself, to achieve openness and accessibility. M+ has the opportunity and responsibility to lead the architecture and atmosphere of the West Kowloon As a shared platform for the local and global to meet, M+ Cultural District in its development. M+ shall address shall both grow out of and nourish the evolving cultural all of its neighbours with equal consideration whether it community of Hong Kong and include a large distribution be sea or land, city or park, underground or sky, tunnel of education spaces that encourage direct and spontaneous or tower. The responses to each internal and external learning. condition will ultimately shape M+ into its final form. The ability to choose and create one’s own experience We imagine a variety of exhibition possibilities – both could be a key factor that differentiates M+ from previous inside and outdoors – that provide the very specific and incarnations of the big museum, and leads it to become the very flexible by offering a range of spaces and uses not only a global centre of culture, but a common space in that embrace difference and individuality, rather than Hong Kong to generate new perceptions, new phenomena repetition or one-size-fits-all universality. -
The Art of Architecture
LEARNING TO LOOK AT ARCHITECTURE LOOK: Allow yourself to take the time to slow down and look carefully. OBSERVE: Observation is an active process, requiring both time and attention. It is here that the viewer begins to build up a mental catalogue of the building’s You spend time in buildings every day. But how often visual elements. do you really look at or think about their design, their details, and the spaces they create? What did the SEE: Looking is a physical act; seeing is a mental process of perception. Seeing involves recognizing or connecting the information the eyes take in architect want you to feel or think once inside the with your previous knowledge and experiences in order to create meaning. structure? Following the steps in TMA’s Art of Seeing Art™* process can help you explore architecture on DESCRIBE: Describing can help you to identify and organize your thoughts about what you have seen. It may be helpful to think of describing as taking a deeper level through close looking. a careful inventory. ANALYZE: Analysis uses the details you identified in your descriptions and LOOK INTERPRET applies reason to make meaning. Once details have been absorbed, you’re ready to analyze what you’re seeing through these four lenses: OBSERVE ANALYZE FORM SYMBOLS IDEAS MEANING SEE DESCRIBE INTERPRET: Interpretation, the final step in the Art of Seeing Art™ process, combines our descriptions and analysis with our previous knowledge and any information we have about the artist and the work—or in this case, * For more information on the Art of Seeing Art and visual literacy, the architect and the building. -
Cv Grima Eng 2016 Full
Joseph Grima Born 24 February 1977, Avignon (France) Nationality: British Current address: Piazza de Marini 4 16123 Genova (GE) Italy Email: [email protected] Twitter: @joseph_grima Instagram: @josephgrima Education 2001 - 2003 Diploma in Architecture Architectural Association School of Architecture (London, UK) 1997 - 2000 BA in Architecture (1st class honours) Oxford Brookes University (Oxford, UK) Current titles and positions 2014 - ongoing Founder and principal Space Caviar (architecture, design and research studio, Genoa, Italy) (www.spacecaviar.net) 2015 - ongoing Director IdeasCity Program and conference cycle at the New Museum, New York (www.ideas-city.org) 2015 - ongoing Artistic Director Matera Italy), European Capital of Culture 2019 Previous affiliations 2010 – 2013 Editor in Chief Domus magazine (Milan, Italy) - international bilingual architecture and design review founded by Gio Ponti in 1928, distributed in 88 countries 2007 – 2010 Director Storefront for Art and Architecture, New York (USA) 2003 – 2007 Editor Domus magazine, Milan (Italy) Teaching 2015 - ongoing Unit Master (advanced architecture studio) Architectural Association School of Architecture, London 2016 - ongoing Sir Banister Fletcher Visiting Professor Bartlett, University College, London 2014-15 Visiting Professor Department of Architecture, University of Genova, Italy 2011-13 Studio Master Strelka Institute of Media, Arts and Design, Moscow (w/ Jiang Jun) Fabrica, Treviso, Italy 2010-12 Visiting Lecturer Domus Academy, Milan and Eindhoven Design Academy, -
Kazuyo Sejima the Star Architect and Pritzker Prize Holder Will Teach Architecture Starting in October 2015
Kazuyo Sejima The star architect and Pritzker Prize holder will teach architecture starting in October 2015. “I am extremely pleased that the outstanding and innovative architect Kazuyo Sejima has agreed to teach at our university. The Pritzker Prize holder will take up her position as a visiting professor this coming October, initially for one semester,” relates Gerald Bast, Rector of the University of Applied Arts Vienna. In the fall of 2015, a professorial chair will be advertised and the appointment procedure will begin. The Japanese architect has received numerous prizes and awards in the course of her career to date, the highlight being the illustrious Pritzker Prize in 2010. The Pritzker jury’s citation described Sejima’s architecture as “simultaneously delicate and powerful, precise and fluid”. She is the second woman to have received this award, often spoken of as the “Nobel Prize of architecture”. The first was Zaha Hadid, who was honored with the Pritzker Prize in 2004. Hadid will become Professor Emeritus at the end of the summer semester, after fifteen successful years at the University of Applied Arts Vienna. The university will express its appreciation and bid her farewell at a special festive ceremony. Kazuyo Sejima was born in 1956 in Ibaraki, Japan. She concluded her studies in 1981 and, together with Ryue Nishizawa, founded the architecture firm SANAA in Tokyo in 1987. In 2010 she became the first woman to direct the Venice Architecture Biennale. Sejima’s clear designs are characterized by modernity and an exceptional understanding of the spatial experience. Her architecture firm SANAA builds mainly in a minimalist style, using, primarily, textured concrete, steel, aluminum, and glass. -
C:\Users\Gutschow\Documents\CMU Teaching\Postwar Modern
Arch. 48-350 -- Postwar Modern Architecture, S’13 Prof. Gutschow, Class #5 DISCUSSION: WHAT IS POSTWAR MODERN? Discuss: Joedicke, J. “Introduction,” Architecture Since 1945 (1969) Goldhagen & Legault, “Introduction: Critical Themes of Postwar Modernism,” in Anxious Modernisms Goldhagen, “Coda: Reconceptualizing Modernism,” in Anxious Modernisms Ockman: “Introduction,” in Architecture Culture, 1943-1968 Differentiate: Prewar Modernism; Postwar Modernism; Postmodernism Critical Themes of Postwar Modernism: Anxiety, Popular Culutre, Consumer Culture, Everyday Life, Anti- Architecture, Democratic Freedom, Homo Ludens (play), Primitivism, Authenticity, Architecture’s History, Regionalism, Place, Skepticism & Infatuation with Technology. Postwar Modern Architects & Pritzker Architecture Prize Laureates 2010: SANAA, Kazuyo Sejima + Ryue Nishizawa of Japan. 2009: Peter Zumthor of Switzerland 2008: Jean Nouvel of France 2007: Richard Rogers of the United Kingdom 2006: Paulo Mendez da Rocha of Brazil 2005: Thom Mayne of the United States 2004: Zaha Hadid of the United Kingdom 2003: Jorn Utzon of Denmark 2002: Glenn Murcutt of Australia 2001: Herzog and de Meuron of Switzerland 2000: Rem Koolhaas of The Netherlands 1999: Norman Foster of the United Kingdom 1998: Renzo Piano of Italy 1997: Sverre Fehn of Norway 1996: Rafael Moneo of Spain presented 1995: Tadao Ando of Japan 1994: Christian de Portzamparc of France 1993: Fumihiko Maki of Japan 1992: Alvaro Siza of Portugal 1991: Robert Venturi of the United States 1990: Aldo Rossi of Italy 1989: Frank O. Gehry of the United States 1988: Gordon Bunshaft of the United States and Oscar Niemeyer of Brazil 1987: Kenzo Tange of Japan 1986: Gottfried Boehm of Germany 1985: Hans Hollein of Austria 1984: Richard Meier of the United States 1983: Ieoh Ming Pei of the United States 1982: Kevin Roche of the United States 1981: James Stirling of Great Britain 1980: Luis Barragan of Mexico 1979: Philip Johnson of the United States. -
Catalogue Spring 2014
1 Idea Books Nieuwe Herengracht 11 1011 RK Amsterdam The Netherlands tel +31 20 6226154 fax +31 20 6209299 e-mail [email protected] www.ideabooks.nl www.facebook.com/ideabooks.nl General Information This catalogue is a selected list of new titles. Consult our website www.ideabooks.nl for the complete list. Prices are in Euros and may change without notice. Titles marked with an asterisk (*) had not yet been published in March 2014. When ordering, please use Idea Codes. Contents Architecture 2 Art 19 Photography 33 Graphic Design 47 Industrial & Interior Design 50 Fashion & Textile 54 Performing Arts 57 Popular Culture 58 Gift 59 Essay & Literature 61 Index 62 Representation 64 2 3 El Croquis 168/169: Álvaro Siza ISBN 9788488386779 This is Hybrid (expanded edition) ISBN 9788461662371 El Croquis, El Escorial 2013 Euro 76,45 a+t architecture publishers, Vitoria- Euro 49,00 Idea Code 13540 Gasteiz 2014 Idea Code 14130 The acclaimed Portuguese architect Álvaro Siza Vieira An updated and enlarged selection of the articles and takes centre stage in this instalment, with special projects initially published in the ‘Hybrids’ series focus on works completed over the last five years. of ‘a+t’ magazine, this comprehensive overview of In total, 26 diverse projects are detailed, from the hybrid buildings in the 21st century seeks to uncover China International Design Museum and Camilo Study their potential and applications in the wider realm of Centre to wineries in Quinta do Portal and a spa in architecture and urbanism. Along with a prologue by Pedra Salgadas. The issue includes a biography of the Steven Holl, written specially for this compilation, master architect along with an essay by Juan Antonio the volume presents research on new prototypes Cortés analysing eleven architectural issues in the conducted by Iñaki Ábalos, plus works by Herzog & de work of Siza. -
Kazuyo Sejima + Ryue Nishizawa / S a N a a Kazuyo Sijima B
Kazuyo Sejima + Ryue Nishizawa / S A N A A Kazuyo Sijima b. 1956 Ibaraki Prefecture, Japan Architecture at Japan Women’s University Studied under Toyo Ito Own practice in 1987 Japan Institute of Architects’ Young Architect of the Year in Japan 1992 Visiting Professor at Tama Art University and Keio University in Tokyo Ryue Nishizawa b. 1966 Kanagawa Prefecture, Japan Architecture at Yokohama National University Independent practice since 1997 Professorship at Yokohama National University and Ecole Polytechnique Fédérale de Lausanne Jean Labatut Professorship at School of Architecture at Princeton University Established 1995 Tokyo, Japan International, broad range of projects (landscaping, planning, interiors, exhibitions, furniture and product design) Typically use Sasaki and Partners as structural engineers 2010 Pritzker Architecture Prize Laureates Buildings: Louvre Museum , Toledo Museum of Art’s Glass Pavilion, New Museum of Contemporary Art, the extension of the Institut Valencià d’Art Modern, the N-Museum, the 21st Century Museum of Contemporary Art, and the Onishi Civic Center. Design Concepts + Process Critics have stated that SANAA’s designs are formed from simplicity, formal austerity, and geometric purity. They tend to be minimalist in the sense that they are not striving to create ideal forms, but make the concept or the organization of spaces explicit. They aspire to immateriality and often create a virtual of hyper-real sensation. SANAA is very interested in creating a landscape and atmosphere for people to utilize. Thus, many of their designs focus on resisting the location of a primary façade or a single entrance and a sense of weightlessness and transparency from minimal structure. -
Interpretation of Minimalism in Architecture According to Various Culture
Published by : International Journal of Engineering Research & Technology (IJERT) http://www.ijert.org ISSN: 2278-0181 Vol. 10 Issue 07, July-2021 Interpretation of Minimalism in Architecture According to Various Culture Swetha Elangovan1 , Madhumathi.A2 1 Student, School of Architecture, VIT University, Vellore, Tamilnadu, India 2Professor, School of Architecture, VIT University, Vellore, Tamilnadu, India Abstract:- Minimalism is agreeable as a cultural definition that has an aesthetic approach towards various fields. Since the 1960s, minimalism has been a common movement of art, architecture and lifestyle. Minimalism is a name used to define arts that flourish in content and form with simplicity, as well as a sign of private expressiveness. Minimalism is recognized by reasoning as concept of culture. The modern culture is somehow impregnated by minimalism. Simplicity in architecture allows the user’s/ viewers to experience and grasp the work instantly. Necessary elements in architecture to achieve a simplicity design is limited no. of. materials, play with light, color, and geometric forms and most importantly removing the minor elements to highlight the major elements. The idea of this study is to comprehend how different cultures have diverse understandings towards minimalist architecture. Key words: Minimalist Architecture, Culture, Interpretation, Western, Japanese. 1. INTRODUCTION From 1960s, minimalism has been a common movement of art, architecture and lifestyle. Visual arts and architecture are differentiated and conveyed at one of the points is modernism as a category of art-object (Macarthur, 2002). It is reasonable to say that minimalism is a self-aware version of modernism where it reflects the current way of life. Minimalism concentrated on the most essential elements and a form’s simplicity and it is believed to be evolved from the modern movement whereas few philosophers tend to disagree by indicating that minimalism is indeed very closely linked to a user’s lifestyle and culture. -
School of Architecture 2016–2017 School of Architecture School Of
BULLETIN OF YALE UNIVERSITY BULLETIN OF YALE BULLETIN OF YALE UNIVERSITY Periodicals postage paid New Haven ct 06520-8227 New Haven, Connecticut School of Architecture 2016–2017 School of Architecture 2016 –2017 BULLETIN OF YALE UNIVERSITY Series 112 Number 4 June 30, 2016 BULLETIN OF YALE UNIVERSITY Series 112 Number 4 June 30, 2016 (USPS 078-500) The University is committed to basing judgments concerning the admission, education, is published seventeen times a year (one time in May and October; three times in June and employment of individuals upon their qualifications and abilities and a∞rmatively and September; four times in July; five times in August) by Yale University, 2 Whitney seeks to attract to its faculty, sta≠, and student body qualified persons of diverse back- Avenue, New Haven CT 0651o. Periodicals postage paid at New Haven, Connecticut. grounds. In accordance with this policy and as delineated by federal and Connecticut law, Yale does not discriminate in admissions, educational programs, or employment against Postmaster: Send address changes to Bulletin of Yale University, any individual on account of that individual’s sex, race, color, religion, age, disability, PO Box 208227, New Haven CT 06520-8227 status as a protected veteran, or national or ethnic origin; nor does Yale discriminate on the basis of sexual orientation or gender identity or expression. Managing Editor: Kimberly M. Go≠-Crews University policy is committed to a∞rmative action under law in employment of Editor: Lesley K. Baier women, minority group members, individuals with disabilities, and protected veterans. PO Box 208230, New Haven CT 06520-8230 Inquiries concerning these policies may be referred to Valarie Stanley, Director of the O∞ce for Equal Opportunity Programs, 221 Whitney Avenue, 3rd Floor, 203.432.0849.