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UPA : Redesigning Animation
This document is downloaded from DR‑NTU (https://dr.ntu.edu.sg) Nanyang Technological University, Singapore. UPA : redesigning animation Bottini, Cinzia 2016 Bottini, C. (2016). UPA : redesigning animation. Doctoral thesis, Nanyang Technological University, Singapore. https://hdl.handle.net/10356/69065 https://doi.org/10.32657/10356/69065 Downloaded on 05 Oct 2021 20:18:45 SGT UPA: REDESIGNING ANIMATION CINZIA BOTTINI SCHOOL OF ART, DESIGN AND MEDIA 2016 UPA: REDESIGNING ANIMATION CINZIA BOTTINI School of Art, Design and Media A thesis submitted to the Nanyang Technological University in partial fulfillment of the requirement for the degree of Doctor of Philosophy 2016 “Art does not reproduce the visible; rather, it makes visible.” Paul Klee, “Creative Credo” Acknowledgments When I started my doctoral studies, I could never have imagined what a formative learning experience it would be, both professionally and personally. I owe many people a debt of gratitude for all their help throughout this long journey. I deeply thank my supervisor, Professor Heitor Capuzzo; my cosupervisor, Giannalberto Bendazzi; and Professor Vibeke Sorensen, chair of the School of Art, Design and Media at Nanyang Technological University, Singapore for showing sincere compassion and offering unwavering moral support during a personally difficult stage of this Ph.D. I am also grateful for all their suggestions, critiques and observations that guided me in this research project, as well as their dedication and patience. My gratitude goes to Tee Bosustow, who graciously -
Here Comes Television
September 1997 Vol. 2 No.6 HereHere ComesComes TelevisionTelevision FallFall TVTV PrPrevieweview France’France’ss ExpandingExpanding ChannelsChannels SIGGRAPHSIGGRAPH ReviewReview KorKorea’ea’ss BoomBoom DinnerDinner withwith MTV’MTV’ss AbbyAbby TTerkuhleerkuhle andand CTW’CTW’ss ArleneArlene SherShermanman Table of Contents September 1997 Vol. 2, . No. 6 4 Editor’s Notebook Aah, television, our old friend. What madness the power of a child with a remote control instills in us... 6 Letters: [email protected] TELEVISION 8 A Conversation With:Arlene Sherman and Abby Terkuhle Mo Willems hosts a conversation over dinner with CTW’s Arlene Sherman and MTV’s Abby Terkuhle. What does this unlikely duo have in common? More than you would think! 15 CTW and MTV: Shorts of Influence The impact that CTW and MTV has had on one another, the industry and beyond is the subject of Chris Robinson’s in-depth investigation. 21 Tooning in the Fall Season A new splash of fresh programming is soon to hit the airwaves. In this pivotal year of FCC rulings and vertical integration, let’s see what has been produced. 26 Saturday Morning Bonanza:The New Crop for the Kiddies The incurable, couch potato Martha Day decides what she’s going to watch on Saturday mornings in the U.S. 29 Mushrooms After the Rain: France’s Children’s Channels As a crop of new children’s channels springs up in France, Marie-Agnès Bruneau depicts the new play- ers, in both the satellite and cable arenas, during these tumultuous times. A fierce competition is about to begin... 33 The Korean Animation Explosion Milt Vallas reports on Korea’s growth from humble beginnings to big business. -
NORMAN MCLAREN RETROSPECTIVE at Moma
The Museum of Modern Art 50th Anniversary NO. 7 no FOR IMMEDIATE RELEASE NORMAN MCLAREN RETROSPECTIVE AT MoMA As part of NATIONAL FILM BOARD OF CANADA: A RETROSPECTIVE, Norman McLaren, master animator and founder of the Board's an imation unit in 1941, will be honored with a retrospective of virtually all the films he made at NFBC. Part One of MoMA's NFBC Retrospective, ANIMATION, runs from January 22 through February 16, and presents a survey of 150 animated films. Five programs of the extraordinary and influential work of Norman McLaren will be presented from February 12 through 16. "Animation came to the National Film Board of Canada in 1941 with the person of Norman McLaren. In 1943, after having recruited George Dunning, Jim MacKay and Grant Munro, it was McLaren who was put in charge of the first animation workshop. The earliest films were craftsmanlike, having a more utilitarian than aesthetic character. After the war the time of the artist came about. The spirit and goals of the animation unit changed; the styles and techniques became more and more refined leading to today's sophisticated animation." —Louise Beaudet, Head of Animation Department, Cinematheque quebecoise, Montreal "Norman McLaren (Stirling, Scotland, 1914) completed his first abstract films in 1933 while a student at the Glasgow School of Art, Here he attracted the attention of John Grierson, who invited the young man upon graduation to make promotional films for the General Post Office in London. McLaren worked for the GPO from 1936 until 1939 when, at the onset of war, he moved to New York. -
Combating Online Hate Speech and Anti-Semitism
WORKING PAPER SERIES Oxford Digital Diplomacy Research Group Oxford Department of International Development University of Oxford Corneliu Bjola and Ilan Manor Combating Online Hate Speech and Anti-Semitism DigDiploROx Working Paper No 4 (Jan 2020) I. EXECUTIVE SUMMARY The spread of hate speech and anti-Semitic content has become endemic to social media. Faced with a torrent of violent and offensive content, nations in Europe have begun to take measures to remove such content from social media platforms such as Facebook and Twitter. However, these measures have failed to curtail the spread, and possible impact of anti-Semitic content. Notably, violence breeds violence and calls for action against Jewish minorities soon lead to calls for violence against other ethnic or racial minorities. Online anti-Semitism thus drives social tensions and harms social cohesion. Yet the spread of online anti-Semitism also has international ramifications as conspiracy theories and disinformation campaigns now often focus on WWII and the Holocaust. On Nov 29, 2019, the Oxford Digital Diplomacy Research Group (DigDiploROx) held a one-day symposium at the European Commission in Brussels. The symposium brought together diplomats, EU officials, academics and civil society organizations in order to search for new ways to combat the rise in online anti-Semitism. This policy brief offers an overview of the day’s discussions, the challenges identified and a set of solutions that may aid nations looking to stem the flow of anti- Semitic content online. Notably, these solutions, or recommendations, are not limited to the realm of anti-Semitism and can to help combat all forms of discrimination, hate and bigotry online. -
French Jews Decry 'Wall of Indifference' Surrounding
PATRIOTS Opinion. Tradition. OWNER HRW: BROTHERS: KRAFT ANTI-ISRAEL A DRAMA IN OFFERS ACTIVIST GROUP FIVE ACTS THANKS A2. A10. A11. THE algemeiner JOURNAL $1.00 - PRINTED IN NEW YORK FRIDAY, FEBRUARY 15, 2019 | 10 ADAR I 5779 VOL. XLVI NO. 2393 French Jews Decry Congresswoman Omar ‘Apologizes’ ‘Wall of Indifference’ for Offensive Surrounding AIPAC Tweet Antisemitism BY ALGEMEINER STAFF Freshman Congresswoman Ilhan Omar (D-MN) attempted to head off a storm of criticism on Monday with a statement saying she was “listening and learning, but standing strong” following the furor over her tweets the previous day that were widely slammed as antisemitic. While Omar said that she “unequivocally apolo- gized” for causing offense, she also appeared to stick by her earlier false allegation that the American Israel Public Affairs Committee (AIPAC) exercises an outsize influence One of the antisemitic slogans ap- pearing with increasing frequency in pubic spaces in France. Photo: Screenshot. Congresswoman Ilhan Omar (D-MN) speaks to the media on Capitol Hill. Photo: Reuters / Joshua Roberts. BY BEN COHEN “disturbing liberation” in France on Sunday of a mural of the from the taboo around antisemitic late Simone Veil — a Holocaust in national politics because of its financial clout — a claim hatred established after World War survivor and pioneer of women’s that echoes modern antisemitic conspiracy theories about The representative body of II, Francis Kalifat — president of the rights in France who was interred Jewish economic and political power. Omar claimed she Jews in France called on Tuesday French Jewish communal organi- last July in the famous Pantheon in was learning about “antisemitic tropes,” but her statement for French society to “break the zation CRIF — said in a statement. -
The Animated Movie Guide
THE ANIMATED MOVIE GUIDE Jerry Beck Contributing Writers Martin Goodman Andrew Leal W. R. Miller Fred Patten An A Cappella Book Library of Congress Cataloging-in-Publication Data Beck, Jerry. The animated movie guide / Jerry Beck.— 1st ed. p. cm. “An A Cappella book.” Includes index. ISBN 1-55652-591-5 1. Animated films—Catalogs. I. Title. NC1765.B367 2005 016.79143’75—dc22 2005008629 Front cover design: Leslie Cabarga Interior design: Rattray Design All images courtesy of Cartoon Research Inc. Front cover images (clockwise from top left): Photograph from the motion picture Shrek ™ & © 2001 DreamWorks L.L.C. and PDI, reprinted with permission by DreamWorks Animation; Photograph from the motion picture Ghost in the Shell 2 ™ & © 2004 DreamWorks L.L.C. and PDI, reprinted with permission by DreamWorks Animation; Mutant Aliens © Bill Plympton; Gulliver’s Travels. Back cover images (left to right): Johnny the Giant Killer, Gulliver’s Travels, The Snow Queen © 2005 by Jerry Beck All rights reserved First edition Published by A Cappella Books An Imprint of Chicago Review Press, Incorporated 814 North Franklin Street Chicago, Illinois 60610 ISBN 1-55652-591-5 Printed in the United States of America 5 4 3 2 1 For Marea Contents Acknowledgments vii Introduction ix About the Author and Contributors’ Biographies xiii Chronological List of Animated Features xv Alphabetical Entries 1 Appendix 1: Limited Release Animated Features 325 Appendix 2: Top 60 Animated Features Never Theatrically Released in the United States 327 Appendix 3: Top 20 Live-Action Films Featuring Great Animation 333 Index 335 Acknowledgments his book would not be as complete, as accurate, or as fun without the help of my ded- icated friends and enthusiastic colleagues. -
CSIF/Calgary Public Library 16Mm and Super 8 Film Collection
CSIF Film Library CSIF/Calgary Public Library 16mm and Super 8 Film Collection Film Running Time Number Title Producer Date Description (min) A long, hard look at marriage and motherhood as expressed in the views of a group of young girls and married women. Their opinions cover a wide range. At regular intervals glossy advertisements extolling romance, weddings, babies, flash across the screen, in strong contrast to the words that are being spoken. The film ends on a sobering thought: the solution to dashed expectations could be as simple as growing up before marriage. Made as part of the Challenge for Change 1 ... And They Lived Happily Ever After Len Chatwin, Kathleen Shannon 1975 program. 13 min Presents an excerpt from the original 1934 motion picture. A story of bedroom confusions and misunderstandings that result when an American dancer begins pursuing and English woman who, in turn, is trying to invent the technical grounds of 2 Gay Divorcee, The (excerpt) Films Incorporated 1974 divorce 14 A hilarious parody of "Star Wars". Uses a combination of Ernie Fosselius and Michael Wiese special effects and everyday household appliances to simulate 4 Hardware Wars (Pyramid Films) 1978 sophisticated space hardware. 10 Laurel and Hardy prepare for a Sunday outing with their wives 5 Perfect Day, A Hal Roach Studios (Blackhawk Films) 1929 and Uncle Edgar Kennedy, who has a gouty foot. 21 Witty, sad, and often bizarre anecdotes of Chuck Clayton, the 73-year-old former manager of the largest cemetery east of 6 Boo Hoo National Film Board of Canada 1975 Montreal, told as he wanders nostalgically through its grounds. -
Debunking 18 Claims Justifying the Gaza Massacre
Debunking 18 Claims Justifying the Gaza Massacre By Riham Darwish Region: Middle East & North Africa Global Research, May 21, 2018 Theme: Crimes against Humanity, Law and Mondoweiss 17 May 2018 Justice, Media Disinformation, Police State & Civil Rights In-depth Report: PALESTINE After spending a great deal of time online, I read and watched endless virtual conversations about who’s at fault and who’s not in the wake of the over 60 casualties in Gaza on Monday. Discussions varied from whether Israel is exercising a righteous act of self-defense, or if Palestinians are legitimately organizing a peaceful protest; whether it is a conflict between two equals who are both guilty, or it is between an army of a state and an occupied territory packed with civilians? It’s mind-blowing how people have the energy to keep repeating the same claims over and over again for days and weeks, ignoring outside information. That is why I have decided to spare others the time, effort, and emotion, by writing out the most common claims I have seen regarding the events of the Great March of Return, followed by my responses. Those interested in fact-checking these common falsehoods, can find them in one place. The one claim that I will not deal with, one of the most popular, is that of: “The Bible say God give the land of Israel to the Jewish people?” Fundamentalists, regardless of faith, will never see beyond their own holy books. This list isn’t for them and I won’t bother trying to change their minds. -
L'animation Dans Les Compagnies Privées Au Québec
Document generated on 10/03/2021 6:01 p.m. 24 images L’animation dans les compagnies privées au Québec Portrait d’une industrie Jeanne Painchaud Cinéma d’animation Number 43, Summer 1989 URI: https://id.erudit.org/iderudit/22926ac See table of contents Publisher(s) 24/30 I/S ISSN 0707-9389 (print) 1923-5097 (digital) Explore this journal Cite this article Painchaud, J. (1989). L’animation dans les compagnies privées au Québec : portrait d’une industrie. 24 images, (43), 51–54. Tous droits réservés © 24 images inc., 1989 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ DOSSIER CINEMA D'ANIMATION L'ANIMATION DANS LES COMPAGNIES PRIVEES AU QUÉBEC PORTRAIT D'UNE INDUSTRIE par Jeanne Painchaud EST-IL POSSIBLE DE FAIRE DU CINÉMA D'ANIMATION AU QUÉBEC EN DEHORS D'INSTITUTIONS COMME l'ONF ou Radio-Canada? Il y a bien quelques productions artisanales, mais qu'en est-il des boîtes qui se spécialisent en animation, ou du moins qui réservent une importante partie de leurs activités à ce domaine? Après une brève enquête sur l'industrie privée de l'animation, on se rend vite compte de la diversité de chacune des compagnies, tant en ce qui concerne leurs moyens (techniques et financiers), que les secteurs dans lesquels elles oeuvrent. -
Transcending the Documentary: the Films of Arthur Lipsett
Transcending the Documentary: The Films of Arthur Lipsett Michael Dmcsok A Thesis in The Department of Communication Studies Presented in Partial Fulfillment of the Requirements for a Degree in Master of A.rts at Concorda University Montreal, Quebec, Canada June 1998 O Michael Dancsok, 1998 National Library Bibliothèque nationale 1+1 of Canada du Canada Acquisitions and Acquisitions et Bibtiographic Services services bibliographiques 395 Wellington Street 395. nie Wellington Ottawa ON KIA ON4 OttawaON KIAON4 Canada Canada Your file Votre faference Our iYe Norre rël&enu? The author has granted a non- L'auteur a accordé une licence non exclusive licence allowing the exclusive permettant à la National Library of Canada to Bibliothèque nationale du Canada de reproduce, loan, distribute or sell reproduire, prêter, distribuer ou copies of this thesis in microform, vendre des copies de cette thèse sous paper or electronic formats. la forme de microfiche/film, de reproduction sur papier ou sur format électronique. The author retains ownership of the L'auteur conserve la propriété du copyright in this thesis. Neither the droit d'auteur qui protège cette thèse. thesis nor substantial extracts fkom it Ni la thèse ni des extraits substantiels may be printed or othewise de celle-ci ne doivent être imprimés reproduced without the author's ou autrement reproduits sans son permission. autorisation. TRANSCENDING THE DOCUMENTAR Y= THE FILMS OFARTHUR LIPSETT Michael Dancsok Arthur Lipsett ( 19%- 1986) was an innovative 'collage' filmmaker who worked at the National Film Board of Canada WB)from 1958 to 1970. By combining *found film footage' and sound with images he shot, his work explored the human condition and chailenged conventional notions of documentary film and representation. -
The Role of the National Film Board in the Development
THE ROLE OF THE NATIONAL FILM BOARD IN THE DEVELOPMENT OF ADULT EDUCATION PROGRAMS IN THE PROVINCE OF BRITISH COLUMBIA: 1942 TO 1970 by ALEXANDER McGECHAEN B.A. , University of British Columbia, 1970 A THESIS SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS In the Faculty of Education (Adult Education) .. We accept this thesis as conforming to the required standard: THE UNIVERSITY OF BRITISH COLUMBIA JULY, 1971 In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the Head of my Department or by his representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. ' Department of Adult Education The University of British Columbia Vancouver 8, Canada Date August 13, 1971. ABSTRACT This study presents an historical survey of the activities of the National Film Board in British Columbia. The programs of the Board are organized into a number of different categories according to the purpose of each program, its structure, the educational techniques used, and the type of audience to which each was directed. The programs fall into six major categories: General Interest, Enrichment, Instructional, Package Program Kits, Leadership Training and Community Development. The study describes four different methods of film distribution used at various times in British Columbia in the period 194 2 to 1970. -
Ctflddlflll FILIT1I1EWS
CtfldDlflll FILIT1I1EWS CFDC funds final three shorts in Montreal (Suite 2220, P.O. Box 71, Tour Canadian Film Development Corporation West Coast grant competition de la Bourse, Montreal-11 5, Quebec - is participating in the project with a (514) 283-6363), or in Toronto (Suite $125,000 investment. The Canadian Film Development Cor 18, Lothian Mews, 96 Bloor Street West, Productions Mutuelles seems to be poration has just announced the last Toronto 5, Ontario - (416) 966-6436). the most active Quebec production three recipients of its West Coast grant group. According to Cournoyer, they competition for the production of short have another feature project commenc films. The projects are After the Dance ing in April, as well as major productions by George Johnson, Inside the Reflection scheduled for July, August, and Septem by Thomas Braidwood, and Birdland by ber. He was unwilling to give us details, Arnold Saba and Gordon Fidler. They since there are pending legalities invol received $6,350, $7,350, and $7,500, ved. The organization just opened a Tor respectively. onto branch office, called Mutual Films, After the Dance, written by Johnson and plans to emphasize more English- and Doug White, is a comedy about a language productions in the future. couple of loggers, who roam around a They've already co-produced The Rain small town, after the dance, looking for bow Boys with Potterton Productions some 'action', 'tail' etc. Cinematography of Montreal, and two more joint pro by Tony Westman, sound by Richard Michael Spencer of the CFDC jects are scheduled with that company.