Student Handbook for Newly Enrolled Students in 2020
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Heroes (TV Series) - Wikipedia, the Free Encyclopedia Pagina 1 Di 20
Heroes (TV series) - Wikipedia, the free encyclopedia Pagina 1 di 20 Heroes (TV series) From Wikipedia, the free encyclopedia Heroes was an American science fiction Heroes television drama series created by Tim Kring that appeared on NBC for four seasons from September 25, 2006 through February 8, 2010. The series tells the stories of ordinary people who discover superhuman abilities, and how these abilities take effect in the characters' lives. The The logo for the series featuring a solar eclipse series emulates the aesthetic style and storytelling Genre Serial drama of American comic books, using short, multi- Science fiction episode story arcs that build upon a larger, more encompassing arc. [1] The series is produced by Created by Tim Kring Tailwind Productions in association with Starring David Anders Universal Media Studios,[2] and was filmed Kristen Bell primarily in Los Angeles, California. [3] Santiago Cabrera Four complete seasons aired, ending on February Jack Coleman 8, 2010. The critically acclaimed first season had Tawny Cypress a run of 23 episodes and garnered an average of Dana Davis 14.3 million viewers in the United States, Noah Gray-Cabey receiving the highest rating for an NBC drama Greg Grunberg premiere in five years. [4] The second season of Robert Knepper Heroes attracted an average of 13.1 million Ali Larter viewers in the U.S., [5] and marked NBC's sole series among the top 20 ranked programs in total James Kyson Lee viewership for the 2007–2008 season. [6] Heroes Masi Oka has garnered a number of awards and Hayden Panettiere nominations, including Primetime Emmy awards, Adrian Pasdar Golden Globes, People's Choice Awards and Zachary Quinto [2] British Academy Television Awards. -
Heroes and Philosophy
ftoc.indd viii 6/23/09 10:11:32 AM HEROES AND PHILOSOPHY ffirs.indd i 6/23/09 10:11:11 AM The Blackwell Philosophy and Pop Culture Series Series Editor: William Irwin South Park and Philosophy Edited by Robert Arp Metallica and Philosophy Edited by William Irwin Family Guy and Philosophy Edited by J. Jeremy Wisnewski The Daily Show and Philosophy Edited by Jason Holt Lost and Philosophy Edited by Sharon Kaye 24 and Philosophy Edited by Richard Davis, Jennifer Hart Week, and Ronald Weed Battlestar Galactica and Philosophy Edited by Jason T. Eberl The Offi ce and Philosophy Edited by J. Jeremy Wisnewski Batman and Philosophy Edited by Mark D. White and Robert Arp House and Philosophy Edited by Henry Jacoby Watchmen and Philosophy Edited by Mark D. White X-Men and Philosophy Edited by Rebecca Housel and J. Jeremy Wisnewski Terminator and Philosophy Edited by Richard Brown and Kevin Decker ffirs.indd ii 6/23/09 10:11:12 AM HEROES AND PHILOSOPHY BUY THE BOOK, SAVE THE WORLD Edited by David Kyle Johnson John Wiley & Sons, Inc. ffirs.indd iii 6/23/09 10:11:12 AM This book is printed on acid-free paper. Copyright © 2009 by John Wiley & Sons, Inc. All rights reserved Published by John Wiley & Sons, Inc., Hoboken, New Jersey Published simultaneously in Canada No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, scanning, or otherwise, except as permitted under Section 107 or 108 of the 1976 United States Copyright Act, without either the prior written permission of the Publisher, or autho- rization through payment of the appropriate per-copy fee to the Copyright Clearance Center, 222 Rosewood Drive, Danvers, MA 01923, (978) 750–8400, fax (978) 646–8600, or on the web at www.copyright.com. -
The Multiplatform Brand Flows of Heroes
Selling Across the Spectrum: The Multiplatform Brand Flows of Heroes ERIN GIANNINI, independent scholar ABSTRACT This article examines how the NBC show Heroes and its use of product placement across multiple platforms represented an early response by networks and advertisers to concerns over ad-skipping and alternate viewing platforms by attempting to reconfigure how brand flow operates across multiple platforms. Not only did the series employ ‘second shift aesthetics’ (Caldwell 2003, 135), which represents networks bringing viewer-users back to the programme by ‘further engag[ing] and activat[ing] the text’ (Caldwell 2004, 50), but the products integrated within the text are pulled into the available world of Heroes’ alternative platform’s textual world, particularly Nissan branded cars. As Henry Jenkins writes: ‘Old media are not being displaced. Rather, their framework and structure shifted by the introduction of new technology’ (2006, 3-4). How these products are used within Heroes storylines and its interaction with characters and platform goes beyond simple placement to make the product another character within the show. Further, I examine the way in which Heroes, as a transmedia text, provided many points of entry for viewer-users to interact with it. While an analysis of fan activity is not the focus of this article, it is important to note these possibilities because of the ways in which the promotional apparatus of the network utilized these types of convergences for the series. Yet, in the case of Heroes, this was achieved by suturing new technological abilities of brand extension with an older model of ad- supported television (namely, the single-sponsorship model of early American television), both within the terrestrial television series and across multiple platforms. -
Dissertation
UvA-DARE (Digital Academic Repository) Superheroes and the Bush doctrine: narrative and politics in post-9/11 discourse Hassler-Forest, D.A. Publication date 2011 Document Version Final published version Link to publication Citation for published version (APA): Hassler-Forest, D. A. (2011). Superheroes and the Bush doctrine: narrative and politics in post-9/11 discourse. Eigen Beheer. General rights It is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), other than for strictly personal, individual use, unless the work is under an open content license (like Creative Commons). Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: https://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You will be contacted as soon as possible. UvA-DARE is a service provided by the library of the University of Amsterdam (https://dare.uva.nl) Download date:10 Oct 2021 Superheroes and the Bush Doctrine Narrative and Politics in Post-9/11 Discourse ACADEMISCH PROEFSCHRIFT ter verkrijging van de graad van doctor aan de Universiteit van Amsterdam op gezag van de Rector Magnificus prof. dr. D.C. van den Boom ten overstaan van een door het college voor promoties ingestelde commissie, in het openbaar te verdedigen in de Agnietenkapel op donderdag 24 maart 2011, te 14:00 uur door Daniel Alfred Hassler-Forest geboren te New York, Verenigde Staten Promotiecommissie: Promotor: prof. -
A Study of Illocutionary Acts in Heroes Series
A STUDY OF ILLOCUTIONARY ACTS IN HEROES SERIES Achmad Nurdiansyah English Department, Faculty of Languages and Arts, State University of Surabaya Email:[email protected] Abstrak Sewaktu menyaksikan sebuah film atau serial televisi, orang-orang secara tak sadar mengamati sebuah aktivitas sosial berupa komunikasi antar para pemeran. Dengan meneliti sebuah serial televisi Amerika berjudul Heroes, peneliti berusaha mengadakan studi tentang tipe-tipe tindak tutur ilokusi beserta fungsi sosial dalam komunikasi melalui dialog di serial tersebut. Untuk mengidentifikasi tipe-tipe dan subtipe tindak tutur ilokusi dalam dialog, beberapa teori yang dicetuskan oleh Searle dalam Yule (1996) dan Bach & Harnish (1982) digunakan untuk penelitian ini, sementara teori fungsi sosial dalam tindak tutur ilokusi yang digagas oleh Leech (1983) digunakan sebagai landasan untuk mengidentifikasi fungsi sosial dari tipe-tipe tindak tutur ilokusi. Penelitian ini juga berusaha membuktikan bahwa tindak tutur representatif merupakan tipe ilokusi paling dominan dalam sebuah serial sebagaimana dalam sebuah film, serta mencermati pengaruhnya terhadap cerita di serial ini. Hasil pertama dari penelitian ini mendapati bahwa kelima tipe tindak tutur ilokusi ditemukan dalam naskah serial Heroes dengan 6351 temuan yang teridentifikasi sebagai ungkapan tindak tutur ilokusi, dengan kelima tipe tersebut adalah komisif, deklarasi, direktif, ekspresif dan representatif. Kedua, peran tindak tutur ilokusi sebagai fungsi sosial dalam serial ini dipengaruhi oleh gaya -
Honoring the Class of 2021
Honoring the Class of 2021 UNIVERSITY OF MICHIGAN Spring Commencement MAY 1, 2021 Honoring the Class of 2021 SPRING COMMENCEMENT UNIVERSITY OF MICHIGAN May 1, 2021 This book includes a list of the candidates for degrees to be granted upon completion of formal requirements. Candidates for graduate degrees are recommended jointly by the Executive Board of the Horace H. Rackham School of Graduate Studies and the faculty of the school or college awarding the degree. Following the School of Graduate Studies, schools are listed in order of their founding. Candidates within those schools are listed by degree then by specialization, if applicable. Horace H. Rackham School of Graduate Studies .....................................................................................................23 College of Literature, Science, and the Arts ..............................................................................................................32 Medical School .........................................................................................................................................................53 Law School ..............................................................................................................................................................55 School of Dentistry ..................................................................................................................................................57 College of Pharmacy ................................................................................................................................................58 -
Saint Brendan CATHOLIC PARISH
Saint Brendan CATHOLIC PARISH 4 AUGUST 2019 • EIGHTEENTH SUNDAY IN ORDINARY TIME 4242 BRENDAN LANE BAPTISM • At any Mass, or the first and third Sunday at l:00 PM. (Baptismal NORTH OLMSTED, OHIO 44070 class required for a first child). Schedule with the parish office. RECONCILIATION • Saturday 3:30 PM – 4:30 PM, or by appointment. Phone: (440) 777-7222 • Fax: (440) 779-7997 School: (440) 777-8433 MATRIMONY • Arranged at least six months in advance, call a parish priest. Religious Education: (440) 777-3702 Maintenance: (440) 777-7225 M INISTRY TO THE SICK/HOMEBOUND • We are happy to bring the Website: www.stbrendannortholmsted.org Eucharist or Anointing of the Sick to the homebound. Call the parish office. Email: [email protected] RCIA • Contact the parish office for information on becoming Catholic. Saturday Vigil ................................................ 5:00 PM NEW PARISHIONERS • We welcome you! Please call the parish office to Sunday ........................................ 9:00 AM • 11:30 AM make an appointment. Monday ― Friday .......................................... 8:30 AM PM EUCHARISTIC ADORATION • Monday – Friday, l:00 PM – 9:00 PM Holy Day Vigil ............................................... 7:30 Holy Day ....................................... 8:30 AM • 7:30 PM ROSARY • Monday – Friday: before 8:30 AM Mass and at 7:00 PM in the Prayer Garden Pastor Emeritus: Fr. Cornelius J. Murray ............... Pastor: Fr. Thomas G. Woost ....................... ext 11 PRAYER LINE • Gennie Fioritto (440) 777-5950 Deacon: Deacon Bob Herron ........................ ext 14 Eileen Campbell (440) 734-1071 Pastoral Minister: Ed DeVenney .................. ext 19 Director of Religious Ed.: Mary Oldja ......... ext 27 MISSION STATEMENT • The members of the Catholic community of Saint Brendan School Principal: Julie Onacila ................... -
ABSTRACT Title of Dissertation: VISUALIZING
ABSTRACT Title of dissertation: VISUALIZING TRANSMEDIA NETWORKS: LINKS, PATHS AND PERIPHERIES Marc Nathaniel Ruppel, Doctor of Philosophy, 2012 Dissertation directed by: Professor Matthew G. Kirschenbaum Department of English ‘Visualizing Transmedia Networks: Links, Paths and Peripheries’ examines the increasingly complex rhetorical intersections between narrative and media (‘old’ and ‘new’) in the creation of transmedia fictions, loosely defined as multisensory and multimodal stories told extensively across a diverse media set. In order to locate the ‘language’ of transmedia expressions, this project calls attention to the formally locatable network structures placed by transmedia producers in disparate media like film, the print novel and video games. Using network visualization software and computational metrics, these structures can be used as data to graph these fictions for both quantitative and qualitative analysis. This study also, however, examines the limits to this approach, arguing that the process of transremediation, where redundancy and multiformity take precedence over networked connection, forms a second axis for understanding transmedia practices, one equally bound to the formation of new modes of meaning and literacy. VISUALIZING TRANSMEDIA NETWORKS: LINKS, PATHS and PERIPHERIES by Marc Nathaniel Ruppel Dissertation submitted to the Faculty of the Graduate School of the University of Maryland, College Park in partial fulfillment of the requirements for the degree of Doctor of Philosophy 2012 Advisory Committee: Professor -
Eract and Engage with Reality
University of Alberta Consensus Narratives on the State of Exception in American TV Shows by Young Hoon Kim A thesis submitted to the Faculty of Graduate Studies and Research in partial fulfillment of the requirements for the degree of Doctor of Philosophy in English Department of English and Film Studies © Young Hoon Kim Spring 2011 Edmonton, Alberta Permission is hereby granted to the University of Alberta Libraries to reproduce single copies of this thesis and to lend or sell such copies for private, scholarly or scientific research purposes only. Where the thesis is converted to, or otherwise made available in digital form, the University of Alberta will advise potential users of the thesis of these terms. The author reserves all other publication and other rights in association with the copyright in the thesis and, except as herein before provided, neither the thesis nor any substantial portion thereof may be printed or otherwise reproduced in any material form whatsoever without the author's prior written permission. Abstract The TV show is a central focus of American life, one that not only reflects but also produces social imaginaries for the American audience that support the way people interact and engage with reality. It is the nation‘s most influential storyteller, which dominates the nation‘s imagination and understanding of reality. This dissertation explores the political and cultural meanings of four TV shows from the George W. Bush era: The West Wing (1999-2007), Deadwood (2004-06), The Wire (2002-08) and Heroes (2006-10). In examining these TV shows, this dissertation aims to shed light on both the origins of the state of exception, its conduct, its purpose, and the possibility of meaningful critique of or resistance to the state of exception. -
Pilot Earth Skills Earth Kills Murphy's Law Twilight's Last Gleaming His Sister's Keeper Contents Under Pressure Day Trip Unity
Pilot Earth Skills Earth Kills Murphy's Law Twilight's Last Gleaming His Sister's Keeper Contents Under Pressure Day Trip Unity Day I Am Become Death The Calm We Are Grounders Pilot Murmurations The Dead Don't Stay Dead Hero Complex A Crowd Of Demons Diabolic Downward Spiral What Ever Happened To Baby Jane Hypnos The Comfort Of Death Sins Of The Fathers The Elysian Fields Lazarus Pilot The New And Improved Carl Morrissey Becoming Trial By Fire White Light Wake-Up Call Voices Carry Weight Of The World Suffer The Children As Fate Would Have It Life Interrupted Carrier Rebirth Hidden Lockdown The Fifth Page Mommy's Bosses The New World Being Tom Baldwin Gone Graduation Day The Home Front Blink The Ballad Of Kevin And Tess The Starzl Mutation The Gospel According To Collier Terrible Swift Sword Fifty-Fifty The Wrath Of Graham Fear Itself Audrey Parker's Come And Gone The Truth And Nothing But The Truth Try The Pie The Marked Till We Have Built Jerusalem No Exit Daddy's Little Girl One Of Us Ghost In The Machine Tiny Machines The Great Leap Forward Now Is Not The End Bridge And Tunnel Time And Tide The Blitzkrieg Button The Iron Ceiling A Sin To Err Snafu Valediction The Lady In The Lake A View In The Dark Better Angels Smoke And Mirrors The Atomic Job Life Of The Party Monsters The Edge Of Mystery A Little Song And Dance Hollywood Ending Assembling A Universe Pilot 0-8-4 The Asset Eye Spy Girl In The Flower Dress FZZT The Hub The Well Repairs The Bridge The Magical Place Seeds TRACKS TAHITI Yes Men End Of The Beginning Turn, Turn, Turn Providence The Only Light In The Darkness Nothing Personal Ragtag Beginning Of The End Shadows Heavy Is The Head Making Friends And Influencing People Face My Enemy A Hen In The Wolf House A Fractured House The Writing On The Wall The Things We Bury Ye Who Enter Here What They Become Aftershocks Who You Really Are One Of Us Love In The Time Of Hydra One Door Closes Afterlife Melinda Frenemy Of My Enemy The Dirty Half Dozen Scars SOS Laws Of Nature Purpose In The Machine A Wanted (Inhu)man Devils You Know 4,722 Hours Among Us Hide.. -
2556 Total Amount of Data: 761041MB G:/America
Total Number of Files: 1474 Total amount of data: 391021MB Total Number of Files: 2556 Total amount of data: 761041MB G:/American Dad!/American Dad! - [04x01] - 1600 Candles.avi G:/American Dad!/American Dad! - [04x02] - The One That Got Away.avi G:/American Dad!/American Dad! - [04x03] - One Little Word.avi G:/American Dad!/American Dad! - [04x04] - Choosey Wives Choose Smith.avi G:/American Dad!/American Dad! - [04x05] - Escape From Pearl Bailey.avi G:/American Dad!/American Dad! - [04x06] - Pulling Double Booty.avi G:/American Dad!/American Dad! - [04x07] - Phantom of the Telethon.avi G:/American Dad!/American Dad! - [04x08] - Chimdale.avi G:/American Dad!/American Dad! - [04x09] - Stan Time.avi G:/American Dad!/American Dad! - [04x10] - Family Affair.avi G:/American Dad!/American Dad! - [04x11] - Live and Let Fry.avi G:/American Dad!/American Dad! - [04x12] - Roy Rogers McFreely.avi G:/American Dad!/American Dad! - [04x13] - Jack's Back.avi G:/American Dad!/American Dad! - [04x14] - Bar Mitzvah Shuffle.avi G:/American Dad!/American Dad! - [04x15] - Wife Insurance.avi G:/American Dad!/American Dad! - [05x01] - In Country... Club.avi G:/American Dad!/American Dad! - [05x02] - Moon Over Isla Island.avi G:/American Dad!/American Dad! - [05x03] - Home Adrone.avi G:/American Dad!/American Dad! - [05x04] - Brains, Brains and Automobiles.avi G:/American Dad!/American Dad! - [05x05] - Man in the Moonbounce.avi G:/American Dad!/American Dad! - [05x06] - Shallow Vows.avi G:/American Dad!/American Dad! - [05x07] - My Morning Straitjacket.avi G:/American -
Branding and Niche Programming on American Television
1 The Big Shill: Branding and Niche Programming on American Television By Erin Giannini © This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognize that its copyright rests with the author and that no quotation from the thesis, nor any information derived therefrom, may be published without the author’s prior, written consent. 2 ACKNOWLEDGEMENTS I would like to thank Carol Giannini for her patience and sacrifice throughout this process; the late Joseph Sheehan and the late Philip Bucher for their support and love; Louise Fitzgerald for feedback throughout numerous revisions, as well as unwavering patience and always asking the right questions; the PhD community at University of East Anglia, particularly Joseph Arton, Hilmar Gudlaugsson, and Susan Pearlman for conversations in and out of the classroom that helped clarify certain questions. Meredith Perrine, Amy Degrush, Shannon Moore, Carolyn Hall, Caroline and Ann Mattis, and Megan and Anne Sullivan provided much needed friendship despite the distance, and the staff and denizens of Amity Point coffee shop provided a lovely place to study, write, and discuss my work. 3 TABLE OF CONTENTS Brave New (TV) World: Branding and Targeting in Contemporary American Television 6 They’re Stealing TV! The Broadcast and Advertiser Response to New Technology 65 Neither the Cow Nor the Milk Are Free The Marriage of Advertisers and the Gilmore Girls 117 The Tendercrisp Chicken Comedy Half-Hour: Brand Flow and the “Transcendent” DVD Text 153 A Giant Leap: The Multiplatform Brand Flows of Heroes 175 Objects in Space: Charting Boundaries and Searching for Control in a Changing Television Universe 204 Brand New Day? New Technology, Same Old Story 227 Bibliography 235 4 List of Illustrations Fig.