The Making of Modern “Mysticism”
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Universal Mythology: Stories
Universal Mythology: Stories That Circle The World Lydia L. This installation is about mythology and the commonalities that occur between cultures across the world. According to folklorist Alan Dundes, myths are sacred narratives that explain the evolution of the world and humanity. He defines the sacred narratives as “a story that serves to define the fundamental worldview of a culture by explaining aspects of the natural world, and delineating the psychological and social practices and ideals of a society.” Stories explain how and why the world works and I want to understand the connections in these distant mythologies by exploring their existence and theories that surround them. This painting illustrates the connection between separate cultures through their polytheistic mythologies. It features twelve deities, each from a different mythology/religion. By including these gods, I have allowed for a diversified group of cultures while highlighting characters whose traits consistently appear in many mythologies. It has the Celtic supreme god, Dagda; the Norse trickster god, Loki; the Japanese moon god, Tsukuyomi; the Aztec sun god, Huitzilopochtli; the Incan nature goddess, Pachamama; the Egyptian water goddess, Tefnut; the Polynesian fire goddess, Mahuika; the Inuit hunting goddess, Arnakuagsak; the Greek fate goddesses, the Moirai: Clotho, Lachesis, and Atropos; the Yoruba love goddess, Oshun; the Chinese war god, Chiyou; and the Hindu death god, Yama. The painting was made with acrylic paint on mirror. Connection is an important element in my art, and I incorporate this by using the mirror to bring the audience into the piece, allowing them to see their reflection within the parting of the clouds, whilst viewing the piece. -
IST Journal 2014 – Spring
The Journal Spring 2014 Contents Editor’s welcome Ian Moulson 02 Chairman’s view Terry Croft 03 Tribute to John Robinson Joan Ward 04 IST members’ news IST Office 06 IST chairman in UK’s top 100 scientists IST Office 07 In defence of the university technician IST Office 08 New members and registrations IST Office 10 The hanging burettes of Eiloart Alan Gall 12 The “Royal Protein” Raffaele Conte 22 Killer whales may have menopause NERC 30 Transmission of fish mycobacteriosis David Conroy 32 Branching for food: how nutrients remodel fruit fly vessels MRC 38 The University Zoology Museum in Maracay, Venezuela José Clavijo 40 The Effective Laboratory Conference 18-19 June 2013 Michelle Jackson 42 Gamma ray bursts Colin Neve 45 Digging into Data Challenge ESRC 48 Dementia isn’t the end of fun! ESRC 50 Anglo-Saxon entertainment AHRC 51 High growth businesses fuse technology and arts AHRC 52 National Network of Arts Technicians Steve Carroll 54 KeJi at Cheltenham Science Festival 2012 Steve Carroll 55 Enchanted Garden Alex Tymków 56 Covering up: the art of skin camouflage Julia Hyland 58 IST – Who are we? IST Office 61 IST Journal Publication IST Office 62 IST Organisation IST Office 63 The IST CPD IST Office 64 The Journal The Official Journal of The Institute of Spring 2014 Science & Technology The Professional Body for Specialist, Technical and Managerial Staff ISSN 2040-1868 Editor’s welcome Welcome to the Spring However, those subjects with a need for potential edition of the IST’s Journal. high levels of highly skilled technical support have risen by >23% over the same period. -
Cth 821 Course Title: African Traditional Religious Mythology and Cosmology
NATIONAL OPEN UNIVERSITY OF NIGERIA SCHOOL OF ARTS AND SOCIAL SCIENCES COURSE CODE: CTH 821 COURSE TITLE: AFRICAN TRADITIONAL RELIGIOUS MYTHOLOGY AND COSMOLOGY 1 Course Code: CTH 821 Course Title: African Traditional Religious Mythology and Cosmology Course Developer: Rev. Fr. Dr. Michael .N. Ushe Department of Christian Theology School of Arts and Social Sciences National Open University of Nigeria, Lagos Course Writer: Rev. Fr. Dr. Michael .N. Ushe Department of Christian Theology School of Arts and Social Sciences National Open University of Nigeria, Lagos Programme Leader: Rev. Fr. Dr. Michael .N. Ushe Department of Christian Theology School of Arts and Social Sciences National Open University of Nigeria, Lagos Course Title: CTH 821 AFRICAN TRADITIONAL RELIGIOUS MYTHOLOGY AND COSMOLOGY COURSE DEVELOPER/WRITER: Rev. Fr. Dr. Ushe .N. Michael 2 National Open University of Nigeria, Lagos COURSE MODERATOR: Rev. Fr. Dr. Mike Okoronkwo National Open University of Nigeria, Lagos PROGRAMME LEADER: Rev. Fr. Dr. Ushe .N. Michael National Open University of Nigeria, Lagos CONTENTS PAGE Introduction…………………………………………………………………………………… …...i What you will learn in this course…………………………………………………………….…i-ii 3 Course Aims………………………………………………………..……………………………..ii Course objectives……………………………………………………………………………...iii-iii Working Through this course…………………………………………………………………….iii Course materials…………………………………………………………………………..……iv-v Study Units………………………………………………………………………………………..v Set Textbooks…………………………………………………………………………………….vi Assignment File…………………………………………………………………………………..vi -
ORGANIZED CHARITY and the CIVIC IDEAL in INDIANAPOLIS 1879-1922 Katherine E. Badertscher Submitted to the Faculty of the Univers
ORGANIZED CHARITY AND THE CIVIC IDEAL IN INDIANAPOLIS 1879-1922 Katherine E. Badertscher Submitted to the faculty of the University Graduate School in partial fulfillment of the requirements for the degree Doctor of Philosophy in the Lilly Family School of Philanthropy, Indiana University May 2015 Accepted by the Graduate Faculty, Indiana University, in partial fulfillment of the requirements for the degree of Doctor of Philosophy. ______________________________ Dwight F. Burlingame, Ph.D., Chair Doctoral Committee ______________________________ Robert G. Barrows, Ph.D. March 6, 2015 ______________________________ Nancy Marie Robertson, Ph.D. ______________________________ Philip V. Scarpino, Ph.D. ii Acknowledgments My thanks begin with my doctoral committee. Dwight Burlingame advised me throughout my entire program, chose the perfect readings for me in our dissertation seminar, helped me shape the project, and read each chapter promptly and thoughtfully. His steadfast belief in my scholarship and his infinite kindness have been invaluable. Phil Scarpino and Bob Barrows led the seminars during which my dissertation idea took shape. Nancy Robertson challenged me to look at the work from many different angles and suggested a veritable treasure trove of scholarship upon which to draw. All their questions, comments, guidance, and encouragement have helped my work more than mere words can express. My colleagues in the doctoral program and students in the undergraduate program provided unwavering support as I lovingly talked about my research, “my organization,” and “my time period.” I especially thank Barbara Duffy, who chose the Charity Organization Society of Indianapolis (1879-1883) for her History of Philanthropy doctoral seminar research project. I enjoyed talking about “our women,” sharing our emerging ideas, swapping sources, and basking in one another’s “Eureka!” moments as we made one connection after another. -
Biblical Faith and Natural Theology This Page Intentionally Left Blank Biblical Faith and Natural Theology
Biblical Faith and Natural Theology This page intentionally left blank Biblical Faith and Natural Theology TheGiffordLecturesfor1991 Delivered in the University of Edinburgh James Barr CLARENDON PRESS · OXFORD Great Clarendon Street, Oxford OX2 6DP Oxford University Press is a department of the University of Oxford It furthers the University's objective of excellence in research, scholarship, and education by publishing worldwide in Oxford New York Auckland Bangkok Buenos Aires Cape Town Chennai Dar es Salaam Delhi Hong Kong Istanbul Karachi Kolkata Kuala Lumpur Madrid Melbourne Mexico City Mumbai Nairobi São Paulo Shanghai Taipei Tokyo Toronto Oxford is a registered trade mark of Oxford University Press in the UK and in certain other countries Published in the United States by Oxford University Press Inc., New York © James Barr 1993 First published in paperback 1994 The moral rights of the authors have been asserted All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, or under terms agreed with the appropriate reprographcs rights organization. Enquiries concerning reproduction outside the scope of the above should be sent to the Rights Department, Oxford University Press, at the address above You must not circulate this book in any other binding or cover and you must impose this same condition on any acquirer British Library Cataloguing in Publication Data Data available Library of Congress Cataloging in Publication Data Biblical faith and natural theology: the Gifford lectures for 1991, delivered in the University of Edinburgh/James Barr. -
The Monthly Record South Place Ethical Society
Non-Members may receive this publication by post on payment of 2/8 per CUM MAY, 1937 The Monthly Record of South Place Ethical Society CONWAY HALL, RED LION SQUARE, W.C.1. Telephone : CHANCERY 8032. "The Owerrs Or rim Soarrt are the study and dissemination of ethical principles and the cultivation of a rational religious sentiment." SUNDAY MORNING MEETINGS itt ELEVEN O'CLOCK. April 25—S. K. RATCLIFFE—The New Problem of Loyalty Bass Solo : Breathe soft ye Winds .., ... Handel Mr. G. C. BOWMAN. Soprano Solo : Loveliest of Trees ... ... Graham Peel Miss HESE SIMPSON.- I No.120 and 227. The heart it hath its own estate. - Hymn" -No.28 (second tune). Oh dew of life! oh light of earth! May 2—W: B. CURRY, M.A., B.So.—Miohael Faraday and Scientific Method Pianoforte Solo : Sonata in E minor ...Haydn Presto—Adagio—Molto Vivace. Mr. WILLIAM Buscn. H ymns No. 82. Ala, happy they who feel their birth. No. 59. In silence mighty things are wrought. May 9—PROFESSOR F. AVELING, D.So.—Experimente on Will and Choioe Bass Solo : Sweet Chance that led my steps ... Michael Head Mr. G. C. BOWMAN. Soprano Solo : On Mighty Pens- . ... Haydn Miss HEBE SIMPSON. Hymns No.103. 0 truth! 0 freedom! how ye still are born. No. 24, Tune 211. To mercy, pity, peace and love. May 10—No Meeting May 23—S. K. RATCLIFFE—The Arehbishop's Recall to Religion Bass Solos : (a) The wonderful month of May ... ... Schumann (b) Myself when young.. ... Lehmann Mr. G. C. BOWMAN. Soprano Solo : By the Simplicity of Venus' Doves .. -
A Study of the Writings of Walter Rauschenbusch As Reflected in His Books on the Social Gospel
Ouachita Baptist University Scholarly Commons @ Ouachita OBU Graduate Theses University Archives Spring 5-1966 A Study of the Writings of Walter Rauschenbusch as Reflected in His Books on the Social Gospel Natille Pierce Lindsey Ouachita Baptist University Follow this and additional works at: https://scholarlycommons.obu.edu/grad_theses Part of the Higher Education Commons, and the Sociology Commons Recommended Citation Lindsey, Natille Pierce, "A Study of the Writings of Walter Rauschenbusch as Reflected in His Books on the Social Gospel" (1966). OBU Graduate Theses. 47. https://scholarlycommons.obu.edu/grad_theses/47 This Thesis is brought to you for free and open access by the University Archives at Scholarly Commons @ Ouachita. It has been accepted for inclusion in OBU Graduate Theses by an authorized administrator of Scholarly Commons @ Ouachita. For more information, please contact [email protected]. A STUDY OP tHE WRlTINGS OF WALTER RAUSCHEN8U5CH AS REFLECTED IN HIS BOOKS ON tHa SOCIAL GOSPEL An Abstraet of a Thesis Presented to the School of Greduate Studies Ouachita Baptist University In Partial Fulfillment of the Requirement& for the Degree Master of Arts by Natille Pierce Lindsey May 1966 Using primarily hi fiv books on th social gospel mov ment, this tudy of Walt r Rau ch nbusch centered on the man as a writer and lit rary figure. A background investi- 9 tion had revealed that ther had been extensive studies of R u chenbu ch s a man, a preacher, a social critic, and a theological pl'ofessor but not of hi ea:t er or ability as a writer. Although h had publi h d five 1 rge books and two small on s in English, as well a four books in German, he had not s n noticed as a writ r . -
Aspects of Cyclic Myth in Chinese and Western Literature
ASPECTS OF CYCLIC MYTH IN CHINESE AND WESTERN LITERATURE ROBERT SHAN-MU CHEN B.A., Soochow University, 1969 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENT FOR THE DEGREE OF MASTER OF ARTS in the Programme of Comparative Literature We accept this thesis as conforming to the required standard THE UNIVERSITY OF. BRITISH COLUMBIA September, 197? Robert Shan-mu Chen, 1977 i In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the Head of my Department or by his representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Robert Shan-mu Chen Department of Comparative Literature The University of British Columbia 2075 Wesbrook Place Vancouver, Canada V6T 1W5 Datp October 20, 1977- J /ABSTRACT This thesis is a comparative study of the history and literary form of the cyclic myth in Chinese and Western European culture. The cyclic myth is seen as a complex of discrete myths and rituals which tend to identify man with the periodic regeneration of nature and celestial bodies in order to ensure personal duration against the flux of time. By comparing the origins and transformations of the cyclic myth in both cultures the essential distinctions between Chinese and Western literature will be re• vealed as both cosmological and ontological. -
Unitarian Members of Parliament in the Nineteenth Century
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Stirling Online Research Repository Unitarian Members of Parliament in the Nineteenth Century A Catalogue D. W. Bebbington Professor of History, University of Stirling The catalogue that follows contains biographical data on the Unitarians who sat in the House of Commons during the nineteenth century. The main list, which includes ninety-seven MPs, is the body of evidence on which the paper on „Unitarian Members of Parliament in the Nineteenth Century‟ is based. The paper discusses the difficulty of identifying who should be treated as a Unitarian, the criterion chosen being that the individual appears to have been a practising adherent of the denomination at the time of his service in parliament. A supplementary list of supposed Unitarian MPs, which follows the main list, includes those who have sometimes been identified as Unitarians but who by this criterion were not and some who may have been affiliated to the denomination but who were probably not. The borderline is less sharp than might be wished, and, when further research has been done, a few in each list may need to be transferred to the other. Each entry contains information in roughly the same order. After the name appear the dates of birth and death and the period as an MP. Then a paragraph contains general biographical details drawn from the sources indicated at the end of the entry. A further paragraph discusses religious affiliation and activities. Unattributed quotations with dates are from Dod’s Parliamentary Companion, as presented in Who’s Who of British Members of Parliament. -
The Intricacies of Using Pagan Myths for Christian Purposes in the Divine Comedy And
Waltmann 1 Don’t Take Orpheus without the Lyre: The Intricacies of Using Pagan Myths for Christian Purposes in The Divine Comedy and Paradise Lost A Thesis Submitted to The Faculty of the School of Communications In Candidacy for the Degree of Master of Arts in English By Rebekah Waltmann May 1, 2012 Waltmann 2 Liberty University School of Communication Master of Arts in English _______________________________________________________________________ Thesis Chair Date _______________________________________________________________________ First Reader Date _______________________________________________________________________ Second Reader Date Waltmann 3 Table of Contents Introduction……………………………………………………………………………………4 Chapter One: God and gods: The Tension between the Christian and Pagan………………………11 Chapter Two: Allegory and Myth: The Imposition of Christian Allegorical Interpretations onto Pagan Myths…………………………………………………………………………............32 Chapter Three: Christian Journey, Pagan Guide: Dante’s Use of Classical Mythology in The Divine Comedy………………………………………………………………………………52 Chapter Four: Christian Narration, Pagan Illustrations: Milton’s use of Classical Mythology in Paradise Lost …………………………………………………………………...........................69 Concluding Remarks…………………………………………………………………………87 Works Cited………………………………………………………………………………….91 Waltmann 4 Introduction The classical myths—stories of great heroes, immortal gods, and horrific monsters—have been the sources of many books, movies, plays, and art. Today myriads of books, both academic and -
Caelum Ascendit Ratio: the Divinizing Role of Knowledge in Didactic Poetry from Hesiod to Manilius
CAELUM ASCENDIT RATIO: THE DIVINIZING ROLE OF KNOWLEDGE IN DIDACTIC POETRY FROM HESIOD TO MANILIUS Zackary P. Rider A dissertation submitted to the faculty at the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Classics. Chapel Hill 2016 Approved by: James J. O’Hara Sharon L. James William H. Race James B. Rives Zoe Stamatopoulou ©2016 Zackary P. Rider ALL RIGHTS RESERVED ii ABSTRACT Zackary P. Rider: Caelum Ascendit Ratio: The Divinizing Role of Knowledge in Didactic Poetry from Hesiod to Manilius (Under the direction of James J. O’Hara) In this dissertation, I seek to refine our understanding of the genre of didactic poetry in antiquity through examination of the relationship between knowledge and divinity as it is presented by Greek and Latin didactic poets. Focusing on the poetic portrayal of the didactic student, I argue for a continuity in the didactic poetic discourse based on a conception of the divinizing power of knowledge, and show the (quasi-)deification of the student to be a recurrent generic feature. This “deification” can take different forms, ranging from a qualified return to the mythological Golden Age where humans “lived like the gods,” as seen in Hesiod’s Just City, to the philosophical conception of ὁμοίωσις θεῷ, in which the promotion of the rational part of the soul brings humanity closer to divinity. Despite this diversity of forms, each poet can be seen self-consciously working within a shared tradition, portraying new articulations on this divinizing role in ways meant to recall poetic predecessors and offer students the potential for “a life like the gods.” Chapter 1 provides an overview of this divinization or return to a state like that of the Golden Age as it is portrayed by the Greek didactic poets Hesiod, Empedocles, and Aratus. -
Monthly Record April, 1944
SOUTH PLACE ETHICAL SOCIETY CONWAYHALL, REWLION SQUARE, LONDON, W.C.I. (Chancery 8032) THE MONTHLY RECORD APRIL, 1944 SUNDAY MORNINGS AT ELEVEN April 2.—PROFESSOR G. W. KEETON, M.A., LL.D.—New Worlds for Old. Piano Solo: Songs without words, Nos. 2 and I Mendeksohn MISS ELLA I VIMEY Hymns: Nos. 63 and 66 April 9.—No meeting. April 16.--C. E. M. JOAD, M.A., D.Lit.—What is a Civilization? (2). Bass Solos: " April's Charms " (7. C. Dowmutt " The Pilgrim's Song " Tschaikowsky MR. 0. C. DOWMAN Hymns: Nos. 4 and 136 April 23.—S. K. RATCLIFFE.—England and St. George. Piano Solo: Pastorale, Tempo di Ballo Scarlatti MISS ELIA IVIMEY Hymns: Nos. 92 and 10 (tune 202) April 30.—ARCHIBALD ROBERTSON, M.A.—The History of Morals— (2) The Medieval World. Bass Solos: " The Trout " . Schubert "Devotion " .. Schumann MR. G. C. DOWMAN Hymns: Nos. 103 and 123 May 7.—PROFESSOR G. W. KEETON, M.A., LL.D.—Moral Purpose in Shakespeare's Tragedies. Pianist: MISS ELLA IVIMEY ADMISSION FREE A collection is made at each Meeting to enable those present to contribute to the Society's expenses. " SOUTH PLACE." A VERY PERSONAL TRIBUTE. By Helen Henschel The following article was written for broadcasting with a number of illustrative musical records. The 13.B.C. expressed appreciation, hut declined the offer on the ground that as the concerts were mainly for London lovers of Chamber Music the appeal was too limited. There is good reason, however, for thinking that the concerts were much more widely known than the B.B.C.