French Sculpture Census / Répertoire De Sculpture Française

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FRENCH SCULPTURE CENSUS / RÉPERTOIRE DE SCULPTURE FRANÇAISE CLODION, Claude MICHEL, called Nancy, Meurthe-et-Moselle 1738 - Paris 1814 Vase avec décor de cinq femmes faisant un sacrifice Vase 1766 marble type: other 5 13 14 ?16 x 7 ?16 in. signed and dated on the rim: CLODION-MICH invenit et fe. in Roma 1766 Acc. No.: 1987.55 Credit Line: Through prior acquisition of the George F. Harding Collection; Harold L. Stuart Endowment Photo credit: ph. Art Institute of Chicago © Artist : Chicago, Illinois, The Art Institute of Chicago www.artic.edu/aic Provenance 1930, George (1858-1941) and Florence Blumenthal Collection [see 1930 Rubinstein-Bloch] by 1987, London, Daniel Katz, Limited 1987, Purchased by Art Institute, through prior acquisition of the George F. Harding Collection; Harold L. Stuart Endowment Bibliography Museum's website, 20 October 2011 1930 Rubinstein-Bloch Stella Rubinstein-Bloch, Catalogue of the Collection of George and Florence Blumenthal, Vol. V: Paintings, Drawings, Sculptures, XVIIIth Century (Paris, 1930), pl. LVIII 1989 Poulet Anne L. Poulet, “A Neoclassical Vase by Clodion,” Art Institute of Chicago Museum Studies 15, 2 (1989), pp. 139-53 1992 Levey Michael Levey, “Clodion,” exhibition review, Burlington Magazine (June 1992), pp. 395-97 1992 Scott Barbara Scott, “Clodion as a Monumental Sculptor,” Apollo (June 1992), pp. 395-96 2001 Wardropper Wardropper, Ian, “Collecting European Scupture at The Art Institute of Chicago,” Apollo (September 2001), pp. 3-12 Exhibitions 1935-1936 New York French Painting and Sculpture of the XVIII Century, New York, Metropolitan Museum of Art, 6 November 1935 – 5 January 1936, no. 99 1992 Paris Clodion 1738-1814, Paris, musée du Louvre, 17 mars-29 juin 1992, commissaire : Guilhem Scherf, catalogue : Guilhem Scherf et Anne L. Poulet, cat. n° 7 2000 Philadelphia/Houston Art in Rome in the Eighteenth Century, Philadelphia Museum of Art, 16 March – 28 May 2000; and Houston, Museum of Fine Arts, 25 June – 17 September 2000, no. 126.

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The Studio Homes of Daniel Chester French by Karen Zukowski
SPRING 2018 Volume 25, No. 1 NEWSLETTER City/Country: The Studio Homes of Daniel Chester French by karen zukowski hat can the studios of Daniel Chester French (1850–1931) tell us about the man who built them? He is often described as a Wsturdy American country boy, practically self-taught, who, due to his innate talent and sterling character, rose to create the most heroic of America’s heroic sculptures. French sculpted the seated figure in Washington, D.C.’s Lincoln Memorial, which is, according to a recent report, the most popular statue in the United States.1 Of course, the real story is more complex, and examination of French’s studios both compli- cates and expands our understanding of him. For most of his life, French kept a studio home in New York City and another in Massachusetts. This city/country dynamic was essential to his creative process. BECOMING AN ARTIST French came of age as America recovered from the trauma of the Civil War and slowly prepared to become a world power. He was born in 1850 to an established New England family of gentleman farmers who also worked as lawyers and judges and held other leadership positions in civic life. French’s father was a lawyer who eventually became assistant secretary of the U.S. Treasury under President Grant. Dan (as his family called him) came to his profession while they were living in Concord, Massachusetts. This was the town renowned for plain living and high thinking, the home of literary giants Amos Bronson Alcott, Ralph Waldo Emerson, Nathaniel Hawthorne, and Henry David Thoreau at Walden Pond nearby.
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A Fine Pair of Gilt and Patinated Bronze Seven-Light Candelabra
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