College Voice Vol. 26 No. 21
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BEVERLY HILLS COPS Screenplay by Eric Dickson
EDDIE MURPHY JUDGE REINHOLD JOHN ASHTON BEVERLY HILLS COPS screenplay by Eric Dickson based on characters created by Daniel Petrie, Jr. and Danilo Bach 1 FADE IN: EXT. SHIPPING DOCK/PIER 13 – DUSK SUPER: LONG BEACH, CALIFORNIA A HEAVY CARGO FREIGHTER is moments from docking - and it's the most beautiful scene ever as the sun's BRIGHT ORANGE RAYS beam through the center of the ship, across the smooth water. POV – BINOCULARS Someone is watching the ship closely as these private eyes cover one end of the vessel to the other. The BUSY CREW prepare their eminent dock. BACK TO SCENE EXT. HIGHWAY – DUSK The binoculars lower to reveal HARRY PHAN (50s), Chinese, three thousand dollar suit and million dollar smile. Harry stands by his custom Mercedes limousine. Out of the limo's backseat steps EDDIE STONE (50s), gray, bald, hard as a rock. He speed dials a number on his cell. EDDIE (into cell) Move it in. EXT. FRONT GATE/PIER 13 – DUSK A small security cubicle sits next to a sliding chain-link gate aligned with barb wire. A heavy set GUARD pokes his head out a window as a PRIMO'S PIZZA DELIVERY VAN approaches. GUARD Can I get your name, please? DRIVER I got an order for twelve large pepperonis. The guard checks his clipboard. The driver plays it cool. 2 GUARD I don't see you on the list. DRIVER Look, man. I don't know anything about who ordered what or none of that. I just deliver the pies. I was told to be here at exactly five forty five, on the dot. -
A Level Music
A level Music Areas of Study – Other Perspectives NB: updates to this document were made in April 2021 and these are highlighted in yellow. © artwork: Mark Bolitho | Origami photography Pearson Education Ltd/Justin Hoffman Introduction This qualification features a Component entitled Appraising. The purpose of this component is for students to develop their listening and appraising skills through the study of music across a variety of styles and genres. The content is grouped into six areas of study, containing either two or three set works. This component gives students the opportunity to reflect on, analyse and evaluate music in aural and/or written form. To achieve this objective, students need to use their knowledge and understanding of musical elements, context and language to make critical judgements about the repertoire and context of music within the areas of study. Students should also study a range of pieces beyond these set works. The suggested other musical pieces for each area of study (see Appendix 4 of the specification) provide students with breadth, enabling them to place their knowledge of musical elements, context and language in a wider context, and apply their knowledge and understanding to more pieces of music. The suggested other music can help students to relate their learning to music in the set works, but their study is not compulsory. Teachers can identify and teach other pieces of music to support their students’ learning. The following music and musicians are examples of how each of the areas of study can be approached from a diverse range of other perspectives. The pieces have been chosen to encourage students to think beyond the mainstream and over-represented composers and styles of music, and instead to consider alternative and less well-known types and origins of music. -
BEVERLY HILLS COP 2009 by Michael Brandt & Derek Haas
BEVERLY HILLS COP 2009 by Michael Brandt & Derek Haas 11/12/08 FADE IN: EXT. ALLEY - DAY BAM! THWUP! A bullet buries deep into the back of an old shitty sofa, sending a puff of industrial stuffing out the other side. That puff is right near the face of RICO, a bleeding Puerto Rican guy hiding behind the sofa. RICO (calls out) I got nothin’ to say to you fuckers! Pissed, Rico sticks his gun over the couch and returns fire... The CAMERA TRAVELS DOWN THE ALLEY passing three dead BODIES near Rico’s couch, blood still pooling on to the concrete. Down the alley, Rico’s bullets PING off a dumpster. Behind the dumpster, AXEL FOLEY crouches with his partner BILL NESBITT. AXEL (calls back) You’re holed up behind a sofa, Rico. How long you want to do this? The dingy alley is crowded with old pallets and dumpsters. No way a car could get through it. The alley runs near the DETROIT RIVER, which separates Detroit and Windsor, and the U.S. from Canada. It’s cold as shit, and ice floes make their way down the water. Even after all these years, Foley still looks great. The edge to him that’s always been just below the surface is now more pronounced. Nesbitt is a few years younger, but looks like he knows his way around a shit-hole neighborhood. They are loading bullets into the sleeves of their Glocks while they talk. 2. AXEL (CONT’D) (conversationally) Hey Nesbitt, your parents spank you? NESBITT Sure. -
IPG Spring 2020 Rock Pop and Jazz Titles
Rock, Pop, and Jazz Titles Spring 2020 {IPG} That Thin, Wild Mercury Sound Dylan, Nashville, and the Making of Blonde on Blonde Daryl Sanders Summary That Thin, Wild Mercury Sound is the definitive treatment of Bob Dylan’s magnum opus, Blonde on Blonde , not only providing the most extensive account of the sessions that produced the trailblazing album, but also setting the record straight on much of the misinformation that has surrounded the story of how the masterpiece came to be made. Including many new details and eyewitness accounts never before published, as well as keen insight into the Nashville cats who helped Dylan reach rare artistic heights, it explores the lasting impact of rock’s first double album. Based on exhaustive research and in-depth interviews with the producer, the session musicians, studio personnel, management personnel, and others, Daryl Sanders Chicago Review Press chronicles the road that took Dylan from New York to Nashville in search of “that thin, wild mercury sound.” 9781641602730 As Dylan told Playboy in 1978, the closest he ever came to capturing that sound was during the Blonde on Pub Date: 5/5/20 On Sale Date: 5/5/20 Blonde sessions, where the voice of a generation was backed by musicians of the highest order. $18.99 USD Discount Code: LON Contributor Bio Trade Paperback Daryl Sanders is a music journalist who has worked for music publications covering Nashville since 1976, 256 Pages including Hank , the Metro, Bone and the Nashville Musician . He has written about music for the Tennessean , 15 B&W Photos Insert Nashville Scene , City Paper (Nashville), and the East Nashvillian . -
NASA Process for Limiting Orbital Debris
NASA-HANDBOOK NASA HANDBOOK 8719.14 National Aeronautics and Space Administration Approved: 2008-07-30 Washington, DC 20546 Expiration Date: 2013-07-30 HANDBOOK FOR LIMITING ORBITAL DEBRIS Measurement System Identification: Metric APPROVED FOR PUBLIC RELEASE – DISTRIBUTION IS UNLIMITED NASA-Handbook 8719.14 This page intentionally left blank. Page 2 of 174 NASA-Handbook 8719.14 DOCUMENT HISTORY LOG Status Document Approval Date Description Revision Baseline 2008-07-30 Initial Release Page 3 of 174 NASA-Handbook 8719.14 This page intentionally left blank. Page 4 of 174 NASA-Handbook 8719.14 This page intentionally left blank. Page 6 of 174 NASA-Handbook 8719.14 TABLE OF CONTENTS 1 SCOPE...........................................................................................................................13 1.1 Purpose................................................................................................................................ 13 1.2 Applicability ....................................................................................................................... 13 2 APPLICABLE AND REFERENCE DOCUMENTS................................................14 3 ACRONYMS AND DEFINITIONS ...........................................................................15 3.1 Acronyms............................................................................................................................ 15 3.2 Definitions ......................................................................................................................... -
Proquest Dissertations
REPROGRAMMING THE LYRIC: A GENRE APPROACH FOR CONTEMPORARY DIGITAL POETRY HOLLY DUPEJ A THESIS SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS GRADUATE PROGRAM IN COMMUNICATIONS AND CULTURE YORK UNIVERSITY, TORONTO, ONTARIO APRIL 2008 Library and Bibliotheque et 1*1 Archives Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington Ottawa ON K1A0N4 Ottawa ON K1A0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-38769-6 Our file Notre reference ISBN: 978-0-494-38769-6 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library permettant a la Bibliotheque et Archives and Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par Plntemet, prefer, telecommunication or on the Internet, distribuer et vendre des theses partout dans loan, distribute and sell theses le monde, a des fins commerciales ou autres, worldwide, for commercial or non sur support microforme, papier, electronique commercial purposes, in microform, et/ou autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in et des droits moraux qui protege cette these. this thesis. Neither the thesis Ni la these ni des extraits substantiels de nor substantial extracts from it celle-ci ne doivent etre imprimes ou autrement may be printed or otherwise reproduits sans son autorisation. -
EN-Google Hacks.Pdf
Table of Contents Credits Foreword Preface Chapter 1. Searching Google 1. Setting Preferences 2. Language Tools 3. Anatomy of a Search Result 4. Specialized Vocabularies: Slang and Terminology 5. Getting Around the 10 Word Limit 6. Word Order Matters 7. Repetition Matters 8. Mixing Syntaxes 9. Hacking Google URLs 10. Hacking Google Search Forms 11. Date-Range Searching 12. Understanding and Using Julian Dates 13. Using Full-Word Wildcards 14. inurl: Versus site: 15. Checking Spelling 16. Consulting the Dictionary 17. Consulting the Phonebook 18. Tracking Stocks 19. Google Interface for Translators 20. Searching Article Archives 21. Finding Directories of Information 22. Finding Technical Definitions 23. Finding Weblog Commentary 24. The Google Toolbar 25. The Mozilla Google Toolbar 26. The Quick Search Toolbar 27. GAPIS 28. Googling with Bookmarklets Chapter 2. Google Special Services and Collections 29. Google Directory 30. Google Groups 31. Google Images 32. Google News 33. Google Catalogs 34. Froogle 35. Google Labs Chapter 3. Third-Party Google Services 36. XooMLe: The Google API in Plain Old XML 37. Google by Email 38. Simplifying Google Groups URLs 39. What Does Google Think Of... 40. GooglePeople Chapter 4. Non-API Google Applications 41. Don't Try This at Home 42. Building a Custom Date-Range Search Form 43. Building Google Directory URLs 44. Scraping Google Results 45. Scraping Google AdWords 46. Scraping Google Groups 47. Scraping Google News 48. Scraping Google Catalogs 49. Scraping the Google Phonebook Chapter 5. Introducing the Google Web API 50. Programming the Google Web API with Perl 51. Looping Around the 10-Result Limit 52. -
Comparative Visualization of Protein Sequences
Masaryk University Faculty of Informatics Comparative Visualization of Protein Sequences Master’s Thesis Pavol Ulbrich Brno, Spring 2018 Masaryk University Faculty of Informatics Comparative Visualization of Protein Sequences Master’s Thesis Pavol Ulbrich Brno, Spring 2018 This is where a copy of the official signed thesis assignment and a copy ofthe Statement of an Author is located in the printed version of the document. Declaration Hereby I declare that this paper is my original authorial work, which I have worked out on my own. All sources, references, and literature used or excerpted during elaboration of this work are properly cited and listed in complete reference to the due source. Pavol Ulbrich Advisor: doc. RNDr. Barbora Kozlíková, Ph.D. i Acknowledgements I would like to thank my supervisor, Bára Kozlíková, for an excellent mentoring and guidance through the last stages of my master studies. Then my thanks go to two of my colleagues, Víťa Matela and Vojta Frodl, for countless nights in sixth floor of the faculty building. Writing our theses. iii Abstract To better understand the constitution and spatial arrangement of protein sequences, L. Kocincová et al. [1] proposed a novel method of comparative visualization, which combines traditionally used 1D and 3D representations. Its main contribution is the ability to observe the spatial differences between the proteins without any occlusion problems, commonly present in 3D view. However, the practical im- plementation of the innovative method has remained unfinished. This thesis aims to create a web application for comparative visualization of protein secondary structures, which will benefit from the qualities of the method proposed by Kocincová et al. -
Lexical Innovation on the Internet - Neologisms in Blogs
Zurich Open Repository and Archive University of Zurich Main Library Strickhofstrasse 39 CH-8057 Zurich www.zora.uzh.ch Year: 2009 Lexical innovation on the internet - neologisms in blogs Smyk-Bhattacharjee, Dorota Abstract: Studien im Bereich des Sprachwandels beschreiben traditionellerweise diachronische Verän- derungen in den Kernsubsystemen der Sprache und versuchen, diese zu erklären. Obwohl ein Grossteil der Sprachwissenschaftler sich darüber einig ist, dass die aktuellen Entwicklungen in einer Sprache am klarsten im Wortschatz reflektiert werden, lassen die lexikographischen und morphologischen Zugänge zur Beobachtung des lexikalischen Wandels wichtige Fragen offen. So beschäftigen sich letztere typischer- weise mit Veränderungen, die schon stattgefunden haben, statt sich dem sich zum aktuellen Zeitpunkt vollziehenden Wandel zu widmen. Die vorliegende Dissertation bietet eine innovative Lösung zur Un- tersuchung des sich vollziehenden lexikalischen Wandels sowohl in Bezug auf die Datenquelle als auch bzgl. der verwendeten Methodologie. In den vergangenen 20 Jahren hat das Internet unsere Art zu leben, zu arbeiten und zu kommunizieren drastisch beeinflusst. Das Internet bietet aber auch eine Masse an frei zugänglichen Sprachdaten und damit neue Möglichkeiten für die Sprachforschung. Die in dieser Arbeit verwendeten Daten stammen aus einem Korpus englischsprachiger Blogs, eine Art Computer gestützte Kommunikation (computer-mediated communication, CMC). Blogs bieten eine neue, beispiel- lose Möglichkeit, Wörtern nachzuspüren zum Zeitpunkt, in der sie Eingang in die Sprache finden. Um die Untersuchung des Korpus zu vereinfachen, wurde eine Software mit dem Namen Indiana entwickelt. Dieses Instrument verbindet den Korpus basierten Zugang mit einer lexikographischen Analyse. Indiana verwendet eine Kombination von HTML-to-text converter, eine kumulative Datenbank und verschiede Filter, um potentielle Neologismen im Korpus identifizieren zu können. -
Prices May Be Changed at Any Time Without Further Notice. 1
2021 Prices may be changed at any time without further notice. 1 2 Prices may be changed at any time without further notice. Prices may be changed at any time without further notice. 3 TABLE OF CONTENTS PORTABLES ................................. .8-15 TUNE 660 NC ..................................... 31 GO 3 ................................................. 8 TUNE 510 BT ...................................... .32 CLIP 4 ................................................ 9 ENDURANCE PEAK II ........................... .33 CHARGE 5 ......................................... 10 REFLECT MINI NC ............................... .34 XTREME 3 ........................................... 11 PARTYBOX ON-THE-GO ........................ 12 AFTERMARKET AUDIO ............... 38-55 PARTYBOX 310 ................................... 13 ARENA X .......................................... 38 PBM 100 ............................................ 14 ARENA ............................................ .39 WIRELESS MICROPHONE ...................... 15 STADIUM SPEAKERS ............................ .40 STADIUM SUBWOOFERS ....................... 41 HOME AUDIO ............................. .18-21 STAGE SUBWOOFERS .......................... .42 BAR 5.0 MULTIBEAM ............................. 18 STAGE 1200D. .43 CITATION AMP 250 .............................. 19 BASSPRO 8 ....................................... .44 ONYX STUDIO 7 ................................. 20 JBL BASSHUB ..................................... .45 BASSPROGO ..................................... 46 HEADPHONES -
Google Search Techniques
Google Search Techniques Google Search Techniques Disclaimer: Using Google to search the Internet will locate resources that are available to the public. While these resources are good for some purposes, serious research and academic work often requires access to databases, articles and books that, if they are available online, are only accessible by subscription. Fortunately, the UMass Library subscribes to most of these services. To access these resources online, go to the UMass Library Web site (library.umass.edu). For the best possible help finding information on any topic, talk to a reference librarian in person. They can help you find the resources you need and can teach you some fantastic techniques for doing your own searches. For a complete guide to Google’s features go to http://www.google.com/help/ Simple Search Strategies Google keeps the specifics of its page-ranking techniques secret, but here are a few things we know about what makes pages appear at the top of your search: - your search terms appears in the title of the web page - your search terms appear in links that lead to that page - your search terms appear in the content of the page (especially in headers) When you choose the search terms you enter into Google, think about the titles you would expect to see on these pages or that you would see in links to these pages. The more well-known your search target, the more easy it will be to find. Obscure topics or topics that share terms with more common topics will take more work to find. -
PI7 Wireless Headphones Welcome to Bowers & Wilkins and PI77 ENGLISH Thank You for Choosing Bowers & Wilkins
PI7 Wireless Headphones Welcome to Bowers & Wilkins and PI77 ENGLISH Thank you for choosing Bowers & Wilkins. When John Bowers first established Contents our company, he did so in the belief that imaginative design, innovative ENGLISH engineering and advanced technology were keys that could unlock the enjoyment of audio in the home. ENGLISH 2 1. PX7 Carton Contents 3 The Bowers & Wilkins PI7 are high performance in-ear headphones designed to 2. Getting to know your PX7 3 deliver the highest quality mobile personal audio experience combined with the 2.1 Switching Headphones On and Off 3 convenience of wireless operation and the serenity of noise-cancellation. This 2.2 Headphone Controls 3 manual will tell you everything you need to know to get the most from your PI7 headphones. 2.3 Status Indicator 3 Your PI7 can play music streamed wirelessly from your mobile phone, tablet or 3. Intelligent Features 4 computer via Bluetooth. PI7 can also be used for wireless telephony. 3.1 Adaptive Noise Cancellation 4 3.2 Ambient Pass-Through 4 PI7 Real World Listening features include our latest innovations in Adaptive Noise Cancellation, Ambient Pass-Through and enhanced Wear Sensing technologies. 3.3 Wear Sensors 4 Our latest generation noise cancellation feature was designed from the ground up with intelligent environment sensing capabilities, automatically selecting the 4. Battery Charging and Power Saving 5 appropriate type of noise cancellation best suited to your surrounding 4.1 Standby Power Saving 5 environment, its only goal is to deliver an uncompromised listening experience. Ambient Pass-Through enables external sounds, such as conversation or safety 5.