Gary Scott Songlist Solo Performances
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[email protected] Singer
Bruchteil der Songlist von Singer / Songwriter / Entertainer / Pianist Haras Fyre http://www.harasfyre.com [email protected] Postfach 28 · D-87528 Oberstaufen · Germany · Telefon: (gebührenfrei) 0800 39 73 66 5 Postfach 68 · CH-4610 Egerkingen · Switzerland · Telefon: +41 (79) 22 13 61 9 Oberstaufen (Allgäu): Tel (gebührenfrei): 0800 39 73 66 5 Switzerland (Gäu): Tel: +41 (0)44 586 4516 Oberstaufen: Fax: (gebührenfrei) 0800 58 94 31 52 19 Switzerland Fax: +41 (0)32 560 5812 English-Speaking Voiceovers Live Entertainment for Corporate or Private Events [email protected] Custom Compositions for Artists, Special Events, Radio/TV Spots International Songwriting & Music Publishing since 1973 (BMI / GEMA / SUISA) Bruchteil der Songlist von Haras Fyre (Pianist / Sänger / Entertainer) Elvis: Donna Summer: - Suspicious Minds - Heaven Knows - Blue Suede Shoes - Mac Arthur’s Park - Hound Dog - Can't help falling in love Barbra Streisand: - Don't Be Cruel - Songbird - Are You Lonesome Tonight - The Way We Were - Help Me Make It Through The Night - Evergreen - My Heart Belongs to Me Tanz der Vampire: - Gott ist Tot Stevie Wonder: - Einladung zum Ball - You Are The Sunshine Of My Life - Wohl der Nacht - My Cherie Amour - I Just Called To Say I Love You Eagles: - For Once In My Life - Hotel California - I Just Called To Say I Love You - Lying Eyes - Signed Sealed Delivered I'm Yours - New Kid in Town - Heartache Tonight Mamas & The Papas: - California Dreamin' Wolfgang Petry: - Monday Monday - Verlieben, verloren - Bronze, Silber und Gold James -
Rolling Stone Magazine's Top 500 Songs
Rolling Stone Magazine's Top 500 Songs No. Interpret Title Year of release 1. Bob Dylan Like a Rolling Stone 1961 2. The Rolling Stones Satisfaction 1965 3. John Lennon Imagine 1971 4. Marvin Gaye What’s Going on 1971 5. Aretha Franklin Respect 1967 6. The Beach Boys Good Vibrations 1966 7. Chuck Berry Johnny B. Goode 1958 8. The Beatles Hey Jude 1968 9. Nirvana Smells Like Teen Spirit 1991 10. Ray Charles What'd I Say (part 1&2) 1959 11. The Who My Generation 1965 12. Sam Cooke A Change is Gonna Come 1964 13. The Beatles Yesterday 1965 14. Bob Dylan Blowin' in the Wind 1963 15. The Clash London Calling 1980 16. The Beatles I Want zo Hold Your Hand 1963 17. Jimmy Hendrix Purple Haze 1967 18. Chuck Berry Maybellene 1955 19. Elvis Presley Hound Dog 1956 20. The Beatles Let It Be 1970 21. Bruce Springsteen Born to Run 1975 22. The Ronettes Be My Baby 1963 23. The Beatles In my Life 1965 24. The Impressions People Get Ready 1965 25. The Beach Boys God Only Knows 1966 26. The Beatles A day in a life 1967 27. Derek and the Dominos Layla 1970 28. Otis Redding Sitting on the Dock of the Bay 1968 29. The Beatles Help 1965 30. Johnny Cash I Walk the Line 1956 31. Led Zeppelin Stairway to Heaven 1971 32. The Rolling Stones Sympathy for the Devil 1968 33. Tina Turner River Deep - Mountain High 1966 34. The Righteous Brothers You've Lost that Lovin' Feelin' 1964 35. -
Blues in the 21St Century
Blues in the 21 st Century Myth, Self-Expression and Trans-Culturalism Edited by Douglas Mark Ponton University of Catania, Italy and Uwe Zagratzki University of Szczecin, Poland Series in Music Copyright © 2020 by the Authors. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of Vernon Art and Science Inc. www.vernonpress.com In the Americas: In the rest of the world: Vernon Press Vernon Press 1000 N West Street, C/Sancti Espiritu 17, Suite 1200, Wilmington, Malaga, 29006 Delaware 19801 Spain United States Series in Music Library of Congress Control Number: 2019951782 ISBN: 978-1-62273-634-8 Product and company names mentioned in this work are the trademarks of their respective owners. While every care has been taken in preparing this work, neither the authors nor Vernon Art and Science Inc. may be held responsible for any loss or damage caused or alleged to be caused directly or indirectly by the information contained in it. Every effort has been made to trace all copyright holders, but if any have been inadvertently overlooked the publisher will be pleased to include any necessary credits in any subsequent reprint or edition. Cover design by Vernon Press. Cover image by Jean-Charles Khalifa. Cover font (main title): Free font by Tup Wanders. Table of contents List of Figures vii List of Tables ix Preface xi Acknowledgements xix Part One: Blues impressions: responding to the music 1 1. -
{FREE} Over the Top and Back: the Autobiography Ebook Free Download
OVER THE TOP AND BACK: THE AUTOBIOGRAPHY PDF, EPUB, EBOOK Tom Jones | 528 pages | 08 Oct 2015 | Penguin Books Ltd | 9780718180690 | English | London, United Kingdom Over the Top and Back: The Autobiography PDF Book Growing up he always appeared as a cartoon of himself in films and shows. And then maybe on to a nightclub for more of the same. Raw, honest, funny and powerful, this is a memoir like no other from one of the world's greatest ever singing talents. From Tom Jones 's childhood and early adulthood in Pontypridd, the Welsh mining village; to fame in Swinging Sixties Britain; and thence to global stardom. So therefore, it stands to reason that I loved the book! Uh-oh, it looks like your Internet Explorer is out of date. I knew this man had lead the most fascinating life but I didn't know the half of it. And much of it is his complaining: about how people categorize him as a Vegas singer which he was , about him being the guy ladies threw panties at which they did , and about him not getting a couple of the biggest hits of all time which may be because he almost passed on virtually every major song he At pages this book is a couple hundred pages too long. Good name. Shelves: read , bio. He talks about the love he has for his son Mark and also the stigma he felt as a young man who had fathered a baby at such a young age. He never forgot his roots though and One measure of esteem that I have for a book is to ask Would I read this again? Original Title. -
NINE RABBITS EXCERPTS from PART TWO by Virginia Zaharieva Translated from the Bulgarian by Angela Rodel
NINE RABBITS EXCERPTS FROM PART TWO by Virginia Zaharieva translated from the Bulgarian by Angela Rodel Corset Tomorrow my husband turns forty. What can I give him when he already has everything? I'll give him myself. I go and buy a black corset with garters, stockings and the most whorish pair of red high heels in order to erotically jumpstart our snoozing seven-year-old married life. That evening we go to another birthday party at the luxurious home of a famous poetess and critic whom the literary moguls hover around. I've put on the corset, I'm not wearing panties under my luxuriant skirts and while we discuss the problems of hermeneutics and the third phenomenological reduction to maintain erotic tension I discreetly masturbate on the armrest of a chair that the director of the Institute for Contemporary Art has nestled into. I'm terribly tempted to strip down to my corset. Nobody realizes how close I am to acting on my fixation. These guys are obsessed with expressing themselves. I imagine how their dicks are hanging despondently in the darkness of their pants, having drained all their eroticism in the direction of tongues hopelessly entangled in perfidious analysis. Thus we get sloshed without realizing it. Especially my husband (what's gotten into him?). I can't stand it any longer and pull My Girlfriend into the bathroom to show her. I hike up my skirts and she just about runs down the drain. We giggle, whisper and drop our glasses. People try to force the door from the outside, give up and run to puke and piss in the courtyard. -
Crossing Over: from Black Rhythm Blues to White Rock 'N' Roll
PART2 RHYTHM& BUSINESS:THE POLITICAL ECONOMY OF BLACKMUSIC Crossing Over: From Black Rhythm Blues . Publishers (ASCAP), a “performance rights” organization that recovers royalty pay- to WhiteRock ‘n’ Roll ments for the performance of copyrighted music. Until 1939,ASCAP was a closed BY REEBEEGAROFALO society with a virtual monopoly on all copyrighted music. As proprietor of the com- positions of its members, ASCAP could regulate the use of any selection in its cata- logue. The organization exercised considerable power in the shaping of public taste. Membership in the society was generally skewed toward writers of show tunes and The history of popular music in this country-at least, in the twentieth century-can semi-serious works such as Richard Rodgers and Lorenz Hart, Cole Porter, George be described in terms of a pattern of black innovation and white popularization, Gershwin, Irving Berlin, and George M. Cohan. Of the society’s 170 charter mem- which 1 have referred to elsewhere as “black roots, white fruits.’” The pattern is built bers, six were black: Harry Burleigh, Will Marion Cook, J. Rosamond and James not only on the wellspring of creativity that black artists bring to popular music but Weldon Johnson, Cecil Mack, and Will Tyers.’ While other “literate” black writers also on the systematic exclusion of black personnel from positions of power within and composers (W. C. Handy, Duke Ellington) would be able to gain entrance to the industry and on the artificial separation of black and white audiences. Because of ASCAP, the vast majority of “untutored” black artists were routinely excluded from industry and audience racism, black music has been relegated to a separate and the society and thereby systematically denied the full benefits of copyright protection. -
Giving America Back the Blues
GIVING AMERICA BACK THE BLUES OVERVIEW ESSENTIAL QUESTION How did the early Rolling Stones help popularize the Blues? OVERVIEW The Rolling Stones ultimately made their mark as the nonconformist outlaws of Rock and Roll. But before they were bad boys, the Stones were missionaries of the Blues. The young Rolling Stones — Mick Jagger, Keith Richards, Brian Jones, Charlie Watts, and Bill Wyman — were white kids who hailed from working- and middle-class Britain and set out to play American music, primarily that of African Americans with roots in the South. In so doing, they helped bring this music to a new, largely white audience, both in Britain and the United States. The young men who formed the Rolling Stones emerged from the club scene fostered by British Blues pioneers Cyril Davies and Alexis Korner. These two men and their band, Blues Incorporated, helped popularize the American Blues, whose raw intensity resonated with a generation of Britons who had grown up in the shadow of war, death, the Blitz, postwar rationing, and the hardening of the Cold War standoff. Much of the Stones’ early work consisted of faithful covers of American Blues artists that Davies, Korner, and the Stones venerated: Muddy Waters, Howlin’ Wolf, Slim Harpo, Jimmy Reed. The early Stones in particular helped make the Blues wildly popular among young Britons. As the Stones’ fame grew and they became part of the mid-1960s British “invasion” of America, they also reintroduced the Blues to American listeners, most notably young, white audiences with limited exposure to the music. But almost from day one, the Stones were more than a Blues cover band. -
Chart - History Singles All Chart-Entries in the Top 100 Peak:1 Peak:1 Peak: 2 Germany / United Kindom / U S a Tom Jones
Chart - History Singles All chart-entries in the Top 100 Peak:1 Peak:1 Peak: 2 Germany / United Kindom / U S A Tom Jones No. of Titles Positions Sir Thomas John Woodward OBE (born 7 June Peak Tot. T10 #1 Tot. T10 #1 1940), known professionally as Tom Jones, is a 1 22 6 2 228 61 20 Welsh singer. His career has spanned six 1 44 20 3 431 92 9 decades, from his emergence as a vocalist in 2 28 5 -- 272 22 -- the mid-1960s with a string of top hits, regular touring, appearances in Las Vegas 1 49 23 5 931 175 29 (1967–2011), and career comebacks. ber_covers_singles Germany U K U S A Singles compiled by Volker Doerken Date Peak WoC T10 Date Peak WoC T10 Date Peak WoC T10 1 It's Not Unusual 02/1965 1 1 22 7204/1965 10 12 2 Once Upon A Time 05/1965 32 4 3 Little Lonely One 05/1965 42 9 4 What's New Pussycat 08/1965 11 10 06/1965 3 12 5 5 With These Hands 07/1965 13 11 08/1965 27 8 6 Thunderball 01/1966 35 4 12/1965 25 9 7 Promise Her Anything 02/1966 74 4 8 Once There Was A Time / Not Responsible 05/1966 18 9 9 Not Responsible 06/1966 58 6 10 This And That 08/1966 44 3 11 Green Green Grass Of Home 01/1967 6 22 1111/1966 1 7 22 13 12/1966 11 12 12 Detroit City 04/1967 35 4 02/1967 8 10 1 03/1967 27 8 13 Funny Familiar Forgotten Feelings 06/1967 38 2 04/1967 7 15 3 05/1967 49 6 14 I'll Never Fall In Love Again 10/1967 31 4 07/1967 2 25 9409/1967 6 23 15 Sixteen Tons 08/1967 68 4 16 I'm Coming Home 02/1968 39 4 11/1967 2 16 7 12/1967 57 5 17 Delilah 04/1968 1 13 31 2002/1968 2 19 8 03/1968 15 15 18 Help Yourself 08/1968 1 7 24 1507/1968 5 26 6 08/1968 -
Event Details
This document will assist you with the right choices of music for your event; it contains examples of popular songs used during successful parties. Song Artist Bom Bom Sam and The Womp Blurred Lines Robin Thicke Treasure Bruno Mars Feel This Moment Pitbull & Christina Aguliera Get Lucky Pharrell & Daft Punk Shook Me All Night Long ACDC Jessie Girl Rick Springfield Nutbush Ike & Tina Loveshack B52’s Eagle Rock Daddy Cool Tequila Champs I’m On My way Proclaimers Swing The Mood Jivebunny I wanna Dance With Somebody Whitney Houston Moves Like Jagger Maroon five Timber Ke$ha Jump Girls Aloud Superstitious Stevie Wonder Call Me Maybe Carly Rae Jepsen Call Me Blondie Hot Stuff Donna Summers My Sharona The Knack It’s Tricky Run DMC Summer of 69 Bryan Adams Mr Jones County Crows Are You Going To Be My Girl Jet Sex On Fire Kings Of Leon Blame On Boogie Jackson Five 0402 277 208 | [email protected] | www.djdiggler.com.au | 21 Higgs Ct, Wynnum West, Queensland, Australia 4178 Grease Mega Mix Grease Soundtrack Jailhouse Rock Elvis Shoop Shoop Song Cher 500 Miles Proclaimers Single Ladies Beyonce Crazy In Love Beyonce Sexy and I Know It LMFAO What Makes You Beautiful One direction All Summer Long Kid Rock Bad Romance Lady Ga Ga Party Rock Anthem LMFAO Joker and Thief Wolfmother Lonely Boy Black Keys Raise Your Glass Pink Take On Me Ah Ha We Found Love Rihanna Wish You Well Bernard Fanning April Sun Dragon Nips Are Getting Bigger Mental As Anything Groove Is In The Heart Dee Lite Groove Jet Spiller Low Flo Rider Dynamite Taio Cruz Jump Around House -
Songs by Title
Karaoke Song Book Songs by Title Title Artist Title Artist #1 Nelly 18 And Life Skid Row #1 Crush Garbage 18 'til I Die Adams, Bryan #Dream Lennon, John 18 Yellow Roses Darin, Bobby (doo Wop) That Thing Parody 19 2000 Gorillaz (I Hate) Everything About You Three Days Grace 19 2000 Gorrilaz (I Would Do) Anything For Love Meatloaf 19 Somethin' Mark Wills (If You're Not In It For Love) I'm Outta Here Twain, Shania 19 Somethin' Wills, Mark (I'm Not Your) Steppin' Stone Monkees, The 19 SOMETHING WILLS,MARK (Now & Then) There's A Fool Such As I Presley, Elvis 192000 Gorillaz (Our Love) Don't Throw It All Away Andy Gibb 1969 Stegall, Keith (Sitting On The) Dock Of The Bay Redding, Otis 1979 Smashing Pumpkins (Theme From) The Monkees Monkees, The 1982 Randy Travis (you Drive Me) Crazy Britney Spears 1982 Travis, Randy (Your Love Has Lifted Me) Higher And Higher Coolidge, Rita 1985 BOWLING FOR SOUP 03 Bonnie & Clyde Jay Z & Beyonce 1985 Bowling For Soup 03 Bonnie & Clyde Jay Z & Beyonce Knowles 1985 BOWLING FOR SOUP '03 Bonnie & Clyde Jay Z & Beyonce Knowles 1985 Bowling For Soup 03 Bonnie And Clyde Jay Z & Beyonce 1999 Prince 1 2 3 Estefan, Gloria 1999 Prince & Revolution 1 Thing Amerie 1999 Wilkinsons, The 1, 2, 3, 4, Sumpin' New Coolio 19Th Nervous Breakdown Rolling Stones, The 1,2 STEP CIARA & M. ELLIOTT 2 Become 1 Jewel 10 Days Late Third Eye Blind 2 Become 1 Spice Girls 10 Min Sorry We've Stopped Taking Requests 2 Become 1 Spice Girls, The 10 Min The Karaoke Show Is Over 2 Become One SPICE GIRLS 10 Min Welcome To Karaoke Show 2 Faced Louise 10 Out Of 10 Louchie Lou 2 Find U Jewel 10 Rounds With Jose Cuervo Byrd, Tracy 2 For The Show Trooper 10 Seconds Down Sugar Ray 2 Legit 2 Quit Hammer, M.C. -
Daryl Lowery Sample Songlist Bridal Songs
DARYL LOWERY SAMPLE SONGLIST BRIDAL SONGS Song Title Artist/Group Always And Forever Heatwave All My Life K-Ci & Jo JO Amazed Lonestar At Last Etta James Because You Loved Me Celine Dion Breathe Faith Hill Can't Help Falling In Love Elvis Presley Come Away With Me Nora Jones Could I Have This Dance Anne Murray Endless Love Lionel Ritchie & Diana Ross (Everything I Do) I Do It For You Bryan Adams From This Moment On Shania Twain & Brian White Have I Told You Lately Rod Stewart Here And Now Luther Van Dross Here, There And Everywhere Beatles I Could Not Ask For More Edwin McCain I Cross My Heart George Strait I Do (Cherish You) 98 Degrees I Don't Want To Miss A Thing Aerosmith I Knew I Loved You Savage Garden I'll Always Love You Taylor Dane In Your Eyes Peter Gabriel Just The Way You Are Billy Joel Keeper Of The Stars Tracy Byrd Making Memories Of Us Keith Urban More Than Words Extreme One Wish Ray J Open Arms Journey Ribbon In The Sky Stevie Wonder Someone Like You Van Morrison Thank You Dido That's Amore Dean Martin The Way You Look Tonight Frank Sinatra The Wind Beneath My Wings Bette Midler Unchained Melody Righteous Brothers What A Wonderful World Louis Armstrong When A Man Loves A Woman Percy Sledge Wonderful Tonight Eric Clapton You And Me Lifehouse You're The Inspiration Chicago Your Song Elton John MOTHER/SON DANCE Song Title Artist/Group A Song For Mama Boyz II Men A Song For My Son Mikki Viereck You Raise Me Up Josh Groban Wind Beneath My Wings Bette Midler FATHER/DAUGHTER DANCE Song Title Artist/Group Because You Loved Me Celine Dion Butterfly Kisses Bob Carlisle Daddy's Little Girl Mills Brothers Unforgettable Nat & Natalie King Cole What A Wonderful World Louis Armstrong Popular Selections: "Big Band” To "Hip Hop" Song Title Artist/Group (Oh What A Night) December 1963 Four Seasons 100% Pure Love Crystal Waters 1985 Bowling For Soup 1999 Prince 21 Questions 50 Cent 867-5309 Tommy Tutone A New Day Has Come Celine Dion A Song For My Son Mikki Viereck A Thousand Years Christine Perri A Wink And A Smile Harry Connick, Jr. -
Jan. 24, 1970 – Mike Bloomfield & Nick Gravenites
Jan. 24, 1970 – Mike Bloomfield & Nick Gravenites – 750 Vallejo In North Beach, SF “The Jam” Mike Bloomfield and friends at Fillmore West - January 30-31-Feb. 1-2, 1970? Feb. 11, 1970 -- Fillmore West -- Benefit for Magic Sam featuring: Butterfield Blues Band / Mike Bloomfield & Friends / Elvin Bishop Group / Charlie Musselwhite / Nick Gravenites Feb. 28, 1970 – Mike Bloomfield, Keystone Korner, SF March 19, 1970 – Elvin Bishop Group plays Keystone Korner , SF Bloomfield was supposed to show for a jam. Did he? March 27,28, 1970 – Mike Bloomfield and Nick Gravenites, Keystone Korner ***** MICHAEL BLOOMFIELD AND FRIENDS 1970. Feb. 27. Eagles Auditorium, Seattle 1. “Wine” (8.00) This is the encore from Seattle added on the bootleg as a “filler”! The rest is from Long Beach Auditorium Apr. 8, 1971. 1970 1 – CDR “JAMES COTTON W/MIKE BLOOMFIELD AND FRIENDS” Bootleg 578 ***** JANIS JOPLIN AND THE BUTTERFIELD BLUES BAND 1970. Mar. 28. Columbia Studio D, Hollywood, CA Janis Joplin, vocals - Paul Butterfield, hca - Mike Bloomfield, guitar - Mark Naftalin, organ - Rod Hicks, bass - George Davidson, drums - Gene Dinwiddle, soprano sax, tenor sax - Trevor Lawrence, baritone sax - Steve Madaio, trumpet 1. “One Night Stand” (Version 1) (3.01) 2. “One Night Stand” (Version 2) wrong speed 1982 1 – LP “FAREWELL SONG” CBS 32793 (NL) 1992 1 – CD “FAREWELL SONG” COLUMBIA 484458 2 (US) ?? 2 – CD-3 BOX SET CBS ***** SAM LAY 1970 Producer Nick Gravenites (and Michael Bloomfield) Sam Lay, dr, vocals - Michael Bloomfield, guitar - Bob Jones, dr – bass ? – hca ? – piano ? – organ ? Probably all of The Butterfield Blues Band is playing. Mark Naftalin, Barry Goldberg, Paul Butterfield 1.