Visual Consequences of the Foveal Pit
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Entoptic Phenomena in Upper Paleolithic Art
The signs of all times: entoptic phenomena in upper paleolithic art http://www.aluka.org/action/showMetadata?doi=10.5555/AL.CH.DOCUMENT.sip200035 Use of the Aluka digital library is subject to Aluka’s Terms and Conditions, available at http://www.aluka.org/page/about/termsConditions.jsp. By using Aluka, you agree that you have read and will abide by the Terms and Conditions. Among other things, the Terms and Conditions provide that the content in the Aluka digital library is only for personal, non-commercial use by authorized users of Aluka in connection with research, scholarship, and education. The content in the Aluka digital library is subject to copyright, with the exception of certain governmental works and very old materials that may be in the public domain under applicable law. Permission must be sought from Aluka and/or the applicable copyright holder in connection with any duplication or distribution of these materials where required by applicable law. Aluka is a not-for-profit initiative dedicated to creating and preserving a digital archive of materials about and from the developing world. For more information about Aluka, please see http://www.aluka.org The signs of all times: entoptic phenomena in upper paleolithic art Author/Creator Dowson, Thomas A.; Lewis-Williams, J. David Date 1988-04 Resource type Articles Language English Subject Source Smithsonian Institution Libraries, GN1 .C97 Relation Current Anthropology, Vol. 29, No. 2 (April 1988): 201-245 Rights J. D. Lewis-Williams; T. A. Dowson; Paul G. Bahn; H.-G. Bandi; Robert G. Bednarik; John Clegg; Mario Consens; Whitney Davis; Brigitte Delluc; Gilles Delluc; Paul Faulstich; John Halverson; Robert Layton; Colin Martindale; Vil Mirimanov; Christy G. -
Eye Floaters (Muscae Volitantes) According to the Four Steps of Meditation in the Yoga Sutras by the Indian Philosopher Patanjali
September, 2009 Volume 9, No. 3 Open Eye Meditation: The visual way to the development of the inner sense By Floco Tausin Abstract What is the inner sense and how do we develop it? This article deals with an open eye meditation method which involves the concentration on both material and subtle objects. As an example of a subtle object, I present the meditation practice on eye floaters (muscae volitantes) according to the four steps of meditation in the Yoga sutras by the Indian philosopher Patanjali. Key words: Eye, Meditation, Inner sense, third eye, eye floaters, entoptic phenomena Introduction Delicately chiseled features and grey concrete blocks, monotonous traffic noise and resounding laughter, scratchy cigarette smoke and irritant perfume, sweet baklava and hot samosas, soft pillows and hard benches – what we know as our weekday is a tide of miscellaneous information which we receive with our five senses and put together to an integral picture in the brain. The sense organs are the gates of our body – they connect the outside world with the inner world and determine, dependent on our state of consciousness, how we experience this world. No wonder, the spiritually awake individuals in the East and the West always paid great attention to their senses. Indian philosophers, for example, studied the interplay of sense organs, sense objects, thinking and consciousness very extensively. They concluded that an unbridled sense activity is an obstacle on the way to the realization of the self or God. It is said in the Bhagavadgita: “O son -
From Prehistoric Shamanism to Early Civilizations: Eye Floater Structures in Ancient Egypt*
May, 2012 Volume 12, No. 2 From Prehistoric Shamanism to Early Civilizations: Eye Floater Structures in Ancient Egypt* By Floco Tausin Abstract This article is based on the assumption that prehistoric shamanic rituals include the perception, interpretation and depiction of what we today know as eye floaters (muscae volitantes). It is suggested that, together with other shamanic symbols, floaters continue to be experienced and depicted not only in later shamanic societies up to the present day, but also entered the visual arts of early civilizations. The present article supports this thesis from the example of ancient Egypt. A closer look at Egyptian visual arts reveals geometric structures and characteristics that are typical of eye floaters. It is speculated that two central mythological concepts, the sun and the world, are directly or indirectly inspired by the perception of floaters. Key words: eye floaters, entoptic phenomena, phosphenes, visual arts, ancient Egypt, shamanism What are eye floaters? Many people experience mobile and scattered semi- transparent dots and strands in the visual field, best perceived in bright light conditions (See Figure 1). They float according to eye movements, which makes them hard to focus on. People often consult their eye doctors because they are worried by these dots and strands. Usually, the doctors check the patients’ eyes, find nothing to worry about and reassure the patients that these dots and strands are called eye floaters or vitreous floaters, also known as muscae volitantes (Latin: “flying Figure 1: Example of semi- flies”). They are explained as opacities in the gel transparent, mobile dots and strings between the lens and the retina (vitreous humor) due to in the visual field. -
Palinopsia, Perservation, Sparkle and Scintillations
Neuro‐ophthalmology: 2016 Update 4/2/2016 Palinopsia, Perservation, Sparkle and Scintillations Making Sense of Visual Hallucinations 1 Neuro‐ophthalmology: 2016 Update 4/2/2016 Visual disturbance • Altered visual perception is a frequent presenting complaint in the clinical setting. • Often the examination is not always helpful and reliance on the history becomes critical is assessing the underlying source of the complaint. • There is utility in characterizing the specifics of the hallucination. • The most value in determining etiology comes from a knowledge of co‐existent medical history 2 Neuro‐ophthalmology: 2016 Update 4/2/2016 Visual Hallucinations • Used in a general sense, a sensory perception in the absence of an external stimulus • Illusions are a misperception or distortion of true external stimulus • Similar to evaluating any other subjective complaint, history, context, co‐morbidity and time course are key in establishing likely underlying etiologies. 3 Neuro‐ophthalmology: 2016 Update 4/2/2016 4 Neuro‐ophthalmology: 2016 Update 4/2/2016 Key historical features • Monocular versus binocular (helps to localize where in visual pathway) Also if binocular is the image identical in each eye. • Formed versus unformed • Time of onset, duration and evolution • Provoking factors • Other medical history, medications • Other associated symptoms 5 Neuro‐ophthalmology: 2016 Update 4/2/2016 Temporal course • Tempo of onset •Evolution or expansion • Maximal at onset • Duration of symptoms •Seconds (retinal detachment and/or vitreous traction, -
(41VV0951) Pecos River Style Rock Art Kasia Cross Direct
ABSTRACT Stylistic and Compositional Analysis of the Red Beene Shelter (41VV0951) Pecos River Style Rock Art Kasia Cross Director: Carol Macaulay-Jameson, M.A. While Pecos River style (PRS) rock art remains one of the most-studied rock art styles of the Lower Pecos, extant scholarship seldom considers the insights granted from an analytical art history perspective. With radiocarbon data suggesting a genesis of production in the Middle-to-Late Archaic, PRS spans an immense temporal range of three millennia with marked stylistic coherence. A stylistic analysis of the PRS pictographs of the Red Beene Shelter (41VV0951) reveals the morphology of formal artistic elements and the compositional complexity of the site’s panel. The study of line, color, location, spacing, depth, rhythm, and incorporation suggests the aesthetic and functional usage of artistic elements to both depict and animate complex cosmological narratives via intricate stylistic schemas that codify iconographic motifs of supramundane figures. APPROVED BY DIRECTOR OF HONORS THESIS: __________________________________________________ Senior Lecturer Carol Macaulay-Jameson, Department of Anthropology APPROVED BY THE HONORS PROGRAM: __________________________________________________ Dr. Elizabeth Corey, Director DATE: _____________________ STYLISTIC AND COMPOSITIONAL ANALYSIS OF THE RED BEENE SHELTER (41VV0951) PECOS RIVER STYLE ROCK ART A Thesis Submitted to the Faculty of Baylor University In Partial Fulfillment of the Requirements for the Honors Program By Kasia Cross Waco, Texas May, 2020 TABLE OF CONTENTS List of Figures . iii List of Tables . v Acknowledgements . vi Chapter One: The Phenomenon of Art and Style . 1 Chapter Two: Pecos River Style, Shamanism, & Mesoamerican Cosmology 20 Chapter Three: Research Methodology . 40 Chapter Four: Stylistic Analysis & Digital Transcription . -
Novel Photoreceptor Cells, Pupillometry and Electrodiagnosis in Orbital, Vitreo-Retinal and Refractive Disorders
Imperial College London Novel Photoreceptor Cells, Pupillometry and Electrodiagnosis in Orbital, Vitreo-retinal and Refractive Disorders Farhan Husain Zaidi A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy of the University of London and the Diploma of Imperial College Faculty of Medicine Imperial College London, the University of London Course: Clinical Medicine Research Registered Subject Fields: Vision Science, Ophthalmology and Surgery; Specific Areas:- Vision Science: primarily ganglion cells in the eye and orbit (physiology, disease, psychophysics, anatomy); visual pathways; comea/lens Ophthalmology: primarily clinical subspecialties of oculoplastic/orbital surgery and medical/surgical retina; cataract/refractive, glaucoma, general Surgery: primarily orbital, vitreoretinal and facial plastic particularly ocular adnexal surgery; refractive surgery including cataract and cornea Full-time postgraduate student Departments of Ophthalmology, 2002, and Visual Neuroscience, 2002-5, after which full-time research concluded, formal thesis writing commenced, with submission in 2007; examined January 2008 Campuses: St Mary's and the Western Eye Hospitals, Hammersmith Hospitals and South Kensington Supervisors and Examiners Course Supervisors Dr MJ Moseley. Hon. Senior Lecturer in Ophthalmology, Imperial College London; Senior Lecturer in Ophthalmology, City University; formerly Senior Lecturer in Ophthalmology, Imperial College London. Prof AR Fielder. Professor and Head of Dept. of Ophthalmology, City University; Hon. Consultant Ophthalmologist St Mary's and the Western Eye Hospitals; formerly Professor and Head of Dept. of Ophthalmology, Imperial College London. Prof MW Hankins. Professor of Visual Neuroscience, Wellcome Trust Centre for Human Genetics, University of Oxford; Visiting Professor of Visual Neuroscience, Imperial College London; formerly Professor of Visual Neuroscience, Imperial College London. -
Emmert's Law and the Moon Illusion
Spatial Vision, Vol. 21, No. 3–5, pp. 407–420 (2008) Koninklijke Brill NV, Leiden, 2008. Also available online - www.brill.nl/sv Emmert’s Law and the moon illusion RICHARD L. GREGORY ∗ Department of Experimental Psychology, University of Bristol, Bristol BS8 1TN, UK Received 29 October 2006; accepted 10 March 2007 Abstract—A cognitive account is offered of puzzling, though well known phenomena, including increased size of afterimages with greater distance (Emmert’s Law) and increased size of the moon near the horizon (the Moon Illusion). Various classical distortion illusions are explained by Size Scaling when inappropriate to distance, ‘flipping’ depth ambiguity being used to separate botton-up and top-down visual scaling. Helmholtz’s general Principle is discussed with simpler wording — that retinal images are attributed to objects — for object recognition and spatial vision. Keywords: Size scaling; constancies; hypotheses; hardware/software; Helmholtz’s principle; cogni- tive; isoluminous; top-down/botton-up scaling; Muller–Lyer illusion; Ponzo distortion illusion. INTRODUCTION Theories are suggested and tested throughout science with surprising phenomena; yet phenomena cannot speak for themselves, but must be interpreted to have a meaning. As interpretations depend on theories, there is circularity at the heart of science. Classifying phenomena can help. We will try to classify phenomena of perception — especially various kinds illusions — in terms of kinds and causes. This should at least make some confusions explicit, so they can be seen and discussed, perhaps resolved with experiments. It may seem odd that the physical sciences demand genuine phenomena and yet studies of perception gain insights from illusions — departures from the world of objects. -
Chapter 18 of "Process in Biological Vision"
Visual Abnormalities & Clinical Electrophysiology in Man James T Fulton Neural Concepts Abstract: The major abnormalities of vision are explored in this Chapter; the organic failures, such as visual snow– “believed to be a hardware failure,” as well as many psychotic failures, such as aura– “believed to be a software failure.” The delineation between organic and psychotic failures in vision was a difficult one. The delineation for some conditions appeared to be almost a continuum. Macular dystrophy is a broadly applied label for a variety of forms of macular degeneration and related disorders, only some of which involve the macula. A variety of examples and causes of macular degeneration are reviewed as to source and prognosis. Nystigmus is reviewed from an organic failure perspective prior to its relevance to reading that is addressed in Chapter 19. Allesthesia, the mixing of sensory inputs within the brain, is addressed. Its unusual advantage is in working mathematical problems where the numbers appear in different colors. Also addressed are a variety of clinical and electrophysiological tests that may be called upon to interpret and diagnose these conditions. The results of several surveys related to Achromatopsia and Visual Snow are summarized. Keywords: aura, Visual Snow, organic, psychotic, hallucinations, after images Achromatopsia, macular degeneration Visual Abnormalities 18- 1 PROCESSES IN BIOLOGICAL VISION: including, ELECTROCHEMISTRY OF THE NEURON This material is excerpted from the full β-version of the text. The final printed version will be more concise due to further editing and economical constraints. A Table of Contents, List of Figures and Index are at the end of this Chapter. -
RETINAL FLUOROTACHOMETRY a Clinically Applicable Method of Retinal Flow Measurement
RETINAL FLUOROTACHOMETRY a clinically applicable method of retinal flow measurement RETINALE FLUOROTACHOMETRIE een klinisch toepasbare methode voor meting van retinale bloedstroom PROEFSCHRIFT ter verkrijging van de graad van doctor in de GENEESKUNDE aan de Erasmus Universiteit Rotterdam op gezag van de rector magnificus prof. dr M.W.van Hof en volgens besluit van het college van dekanen De openbare verdediging zal plaatsvinden op woensdag 11 juni 1986 om 15.45 uur door Augustinus Victor Maria Constant Lambertus SCHULTE geboren te Maastricht PROMOTIECOMMISSIE Promotor: prof. dr H. E. Henkes Promotor: prof. dr L.H. van der Tweel Overige leden: prof. dr H. Schmid-Sch6nbein prof. dr P.T.V.M. de Jong Retinal Fluorotachometry was developed at the Rotterdam Eye Hospital and Eye Institute of the Erasmus Univers~y Rotterdam, The Netherlands. This project was supported by grants from the "Stichting Research Fonds Diabetes Mellitus Nederland" and the "Fiieringa Stichting Rotterdam". Financial support by the Netherlands Heart Foundation for the publication of this thesis is gratefully acknowledged. Dedicated to Tilbert and Haye Victor CONTENTS 1 I. INTRODUCTION 3 ll METHODS OF RETINAL FLOW MEASUREMENT 3 A. INTRODUCTORY REMARKS 3 B. LABORATORY METHODS 3 1. High-speed cine angiography with arterial dye injection 5 2. Radioactively labelled microspheres 6 3. Vitreous oxygen tension measurement with 0 2 electrode 8 C. CLINICAL METHODS 8 1. Measurement of the retinal circulation time (RCT) 12 2. Laser Doppler velocimetry (LDV) 14 3. Laser speckle photography 16 4. Blue field entoptic phenomenon 18 5. Slit-lamp lluorophotometry 20 Ui. RETINALFLUOROTACHOMETRY 20 A. CONSIDERATIONS ABOUT FLOW 20 1. -
Persistent and Repetitive Visual Disturbances in Migraine: a Review
ISSN 0017-8748 Headache doi: 10.1111/head.12946 VC 2016 American Headache Society Published by Wiley Periodicals, Inc. Review Article Persistent and Repetitive Visual Disturbances in Migraine: A Review Christoph J. Schankin, MD, PhD; Michele Viana, MD; Peter J. Goadsby, MD, PhD Visual disturbances in migraineurs, such as visual aura, are typically episodic, that is, associated with the headache attack, and overlaid by head pain and other symptoms that impact the patient. In some patients, however, visual symptoms are dominant due to frequency (migraine aura status), duration (persistent migraine aura and other persistent positive visual phenomena), or complexity (visual snow syndrome). These syndromes are more rare and challenging to classify in clinical practice resulting in a lack of systematic studies on pathophysiology and treatment. We aim at describing clinical features and pathophysiological concepts of typical migraine aura with a focus on cortical spreading depression and differentiation from non-typical migraine aura. Additionally, we discuss nomenclature and the specifics of migraine aura status, persistent migraine aura, persistent positive visual phenomena, visual snow, and other migrainous visual disturbances. The term migraine with prolonged aura might be a useful bridge between typical aura and persistent aura. Further studies would be necessary to assess whether a return of the classification category eventually helps diagnosing or treating patients more effectively. A practical approach is presented to help the treating -
Exploring the Anatomy of Your Own Eye AP Teachers
HOw-to-do-it Exploring the Anatomy of Your Own Eye RECOMMENDED READING RECOMMENDED READING FOR AP Teachers FOR AP Teachers MICHAEL W. MAUSER Image: © Olga Sapegina | Dreamstime.com ABSTRACT 2. Demonstrating the shape, flexible nature, and underlying structure of the Features of the cornea, iris, lens, and retina can be explored by students on their own cornea. eyes with the 11 activities described in this article. A point source of diffuse light held near the eye after rubbing or pressing on a closed eyelid will cast a shadow of a rumpled cornea surface onto Key Words: Blind spot; cornea; entoptic; eye; fovea; iris; optic nerve; Purkinje; retina; the retina (see Figure 3). transillumination; vision. Make a 0.2- to 0.3-mm hole in a small square (~40 mm) of aluminum foil by laying it against a hard surface and twirling the point of a needle on Your eye is a very accessible organ for self study. Any number or com- it until a hole is just barely visible, then place a piece of matte-finish cel- bination of the following activities can create interest in and enhance lophane tape over the hole. (Alternatively, you can cut small pieces from a study of the anatomy of the eye, and some can serve as an introduc- an aluminum beverage can. Wearing safety glasses, gently tap on a needle tion to a study of vision and the brain. All can be done either alone or with a small hammer until it barely pokes through, then tape the piece in pairs. Table 1 will give you an idea of the supplies needed. -
Paranormal Misinterpretations of Vision Phenomena We Can Actually See Things That Aren’T Really There in Front of Our Eyes
SI Nov. Dec 11_SI new design masters 9/27/11 12:44 PM Page 44 Paranormal Misinterpretations of Vision Phenomena We can actually see things that aren’t really there in front of our eyes. Simple activities can help us to understand the real causes of such phenomena and to reject paranormal interpretations. MICHAEL MAUSER re they auras or afterimages? Vitality globules or white corpuscles? Angels or phosphenes? What we believe often determines what we see and A experience. Some simple activities can help us understand vision phenomena that may be misinterpreted as evidence for the paranormal. Auras In a brief review on the aura, a “glowing the illusion as a series of silhouettes and skin against a dark background pro- field surrounding a human being,” Perez shows how an aura might be perceived. vides high contrast and good condi- In either case, the bands can be revealed tions for after-images. As the eyes and Hines (2011) mention perceptual move slightly but rapidly about (as illusions as among many possible rea- as truly uniform if you cover the borders they always do), an after-image builds sons the belief in auras persists. Dale et with your fingers. The illusion results up around the edge of the hand and al. (1978) suggest two vision phenom- from a process known as lateral inhibi- produces a light blur. ena that may be involved in a perception tion, wherein neurons associated with adjacent photoreceptors on the retina Most people are well acquainted with of an aura: border contrast effects and afterimages, so the only surprise here afterimages.