Between Edges and Hedges
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Architectural Review 2008 – January Articles LIVERPOOL: WORK IN
Architectural Review Tạp chí Kiến trúc 2008 – January 2008 – Tháng Một Articles Các bài viết LIVERPOOL: WORK IN PROGRESS LIVERPOOL: VIỆC ĐANG THỰC HIỆN VIEW ĐÁNH GIÁ 17 Asplund library extension 17 Đầu vào cạnh tranh giành quyền mở rộng competition-winning entry; Tile of Spain thư viện Asplund; Ngói của các giải thưởng Awards Tây Ban Nha COMMENT BÌNH LUẬN 22 Brian Hatton asks, why Liverpool, 22 Brian Hatton hỏi, tại sao Liverpool, và tại and why now? sao vào lúc này? LIVERPOOL: WORK IN PROGRESS LIVERPOOL: VIỆC ĐANG THỰC HIỆN 24 Sean Griffiths reflects on how 24 Sean Griffiths phản ánh cách Liverpool Liverpool marks its inhabitants đánh dấu những công dân của mình 26 Mapping Liverpool: how the city’s 26 Vẽ bản đồ Liverpool: Sự tiến triển rối rắm turbulent evolution can be read in its của thành phố này có thể hiểu như thế nào cartography trong thuật vẽ bản đồ của nó 35 Những nhãn quan tương lai: chúng ta nhìn 35 Future Visions: we take a look at the vào hình dáng của các thứ sắp được xây dựng shape of things to come 39 Shifted Tideways: Brian Hatton 39 Các luồng thủy triều được thay đổi: Brian considers the history of Liverpool’s Hatton xem xét lịch sử của những vận đang changing fortunes thay đổi của Liverpool 52 The Bluecoat: Joseph Sharples looks 52 Áo choàng xanht: Joseph Sharples nhìn vào at the evolution of the building sự tiến triển của tòa nhà 54 Bluecoat arts centre BIQ 54 Trung tâm Nghệ thuật Áo choàng xanh ARCHITECTEN BIQ ARCHITECTEN 58 Arena and convention centre, King’s 58 Lĩnh vực và Trung tâm Hội nghị, bến cảng Waterfront -
Texts and Images of English Modern Architecture (1933- 36)*
Between history, criticism, and wit: texts and images of English modern architecture (1933- 36)* Michela Rosso Introduction In the years between the two wars, Britain occupied a peculiar position in the history of architectural modernism, often remaining on its margins.1 In parallel, until the first three decades of the twentieth century, architectural history in Britain had been a discourse almost exclusively populated by amateurs and historically-minded architects, while its emergence as a discipline of trained and professional scholars only started to occur in the 1930s.2 This essay will examine and compare a small group of articles, books and pamphlets on English modern architecture produced by English architects, journalists, historians and critics, published in the mid-1930s. Their authors (John Betjeman, Peter Fleetwood-Hesketh, John N. Summerson, Clough Williams-Ellis, J. M Richards, P. Morton Shand, Serge Chermayeff, and Osbert Lancaster), were (with the exceptions of Williams-Ellis and Morton Shand) born in the first decade of the twentieth century and are all well- known figures of the interwar London architectural scene whose intellectual and professional itineraries often converged or crossed paths. Whereas not all of them were trained as architects (for instance Betjeman, Morton Shand and Lancaster), most of them shared links of friendship and collaboration, and their backgrounds and careers gravitated around a small number of architecture schools (the Bartlett and the Architectural Association), associations and pressure groups (the MARS and the Georgian Group), and * I would like to express my gratitude to Professor Adrian Forty for generously advising on my work and patiently reading and reviewing it. -
Research from an Old Decommissioned to a New Building
Research Explore Lab 15 Msc3|Msc4 Kelly Verberne From an old decommissioned building to a New architecture museum A research on converting by analysing existing architecture museums and converted museums index 5 7 Preface 9 1.introduction Aim of Thesis Significance of the Study 11 2.definitions & research goals Definition of Terms Theoretical Framework Methodology 13 3.research Analysis Principles 15 4.Precedents Analysis/ comparison 17 DAM Deustche ArchitekturMuseum Frankfurt Germany 4.1 23 Nai - Netherlands Architecturesinstitute Rotterdam, The Netherlands 4.2 29 Tate Modern London United Kingdom 4.3 35 ZKM Centre for Art & Media Technology Karlsruhe Germany 4.4 41 5.conclusion What can be concluded from the analysis? 45 6.concluding Statement What does the conclusion of the analysis mean for my design project? 49 7.references 6 Preface 7 ExploreLab is an exceptional thesis laboratory for students within the Architecture department of the University in Delft. It gives an opportunity for students to re- search their own fascination and interests, which cannot be explored in ‘regular’ labs and design a project substantiated by research. Therefore the research is an important component for the Explore Lab graduation studio. In this studio I will be tutored by my architecture mentor, Robert Nottrot, and research mentor, Marie-Therese van Thoor, whom will help me through the process. This research will be focused on the fascina- tion for converted buildings and the function of an architecture museum within a con- verted building. Architecture is changing, the focus and attention to sustainability has become an important aspect. One of the aspects of sustainability is the re-use of old decommissioned buildings. -
Cities in Film: Architecture, Urban Space and the Moving Image
Cities in Film: Architecture, Urban Space and the Moving Image An International Interdisciplinary Conference University of Liverpool, 26-28th March 2008 Conference Proceedings. This conference is organised by the School of Architecture and School of Politics and Communication Studies. The AHRC-funded research project, entitled City in Film: Liverpool's Urban Landscape and the Moving Image, is conducted by Dr Julia Hallam (principle investigator), Professor Robert Kronenburg (co-investigator), Dr Richard Koeck and Dr Les Roberts. This conference is supported by the Arts and Humanities Research Council (AHRC) and the University of Liverpool. Cover design: Richard Koeck and Les Roberts. Copyright cover image: Angus Tilston. Edited by Julia Hallam, Robert Kronenburg, Richard Koeck and Les Roberts. Please note that authors are responsible for copyright clearance of images reproduced in the proceedings. Cities in Film: Architecture, Urban Space and the Moving Image An International Interdisciplinary Conference University of Liverpool, 26-28th March 2008 Cities in Film explores the relationship between film, architecture and the urban landscape drawing on interests in film, architecture, urban studies and civic design, cultural geography, cultural studies and related fields. The conference is part of University of Liverpool's contribution to the European Capital of Culture 2008, and aims to foster interdisciplinary dialogues around architectural and film history and theory, film and urban space, and to point towards new intellectual frameworks for discussion. It seeks to draw on the work of theorists and practitioners engaged in ideas in these areas, examining film in the context of urban design and development and exploring in particular the contested social, cultural and political terrain that underpins these practices. -
1904 623088 Email: [email protected]
JANETTE RAY BOOKSELLERS, 8 BOOTHAM, YORK YO30 7BL Telephone: +44 [0]1904 623088 email: [email protected] CATALOGUE 16: GAVIN STAMP Preamble By the time I went to look at the books that remained in Gavin’s flat in Forest Hill, London, after his far too early death, many well-known titles had already been removed by friends and relatives who rightly, at Gavin’s request, had the first choice from his library. I met his wife, Rosemary Hill, at the flat. She had the thankless task of sorting out the slide collection which was to be given to Historic England’s National Monuments Record and, on the day I arrived for a first look, was busy doing that with huge dedication. Whilst she sorted and packed, I scanned the shelves. As many well-known titles had already been removed it soon was possible to see that between the gaps that what remained was arguably the essence of the collection; I mean those smaller books and pamphlets that provide the detail on architects, designers and places that reflecting Gavin Stamp’s interest in every conceivable aspect of architecture and design. In these books were many with notes, photocopies and jottings from friends and academics which illuminate detailed queries he had about this and that and which often exploited in his own writings. Books spilled off the shelves on every imaginable building type including telephone boxes, about which he had run a campaign to encourage saving Giles Gilbert Scott’s design. There were booklets on war memorials, reflecting his enduring interest in memorialisation, on European modernism, on neo-classicism and the gothic. -
British Architectura
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films tire text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poorquality illustrations and photographs, print bleedthrough, substandard margins, and improperalig n m e nt can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. / Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. University Microfilms International A Bell & Howell Information Company 300 North Zeeb Road. Ann Arbor. Ml 48106-1346 USA 313/761-4700 800/521-0600 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. -
ARCHIGRAM MIT Sadler Fm* 12/20/05 10:03 AM Page Ii
MIT Sadler_fm* 12/20/05 10:03 AM Page i ARCHIGRAM MIT Sadler_fm* 12/20/05 10:03 AM Page ii Archigram Architects (Peter Cook, Dennis Crompton, Ron Herron, partners), postcard, c. 1971, advertising Archigram Architects’ relocated office and Adhocs (Addhox) gallery in Covent Garden, London. Archigram Architects first opened in 1970 near the Architectural Association, confirming the ambition of some contributors to Archigram magazine to proceed from provocation to practice. Archigram Architects closed circa 1975. MIT Sadler_fm* 12/20/05 10:03 AM Page iii ARCHIGRAM ARCHITECTURE WITHOUT ARCHITECTURE SIMON SADLER THE MIT PRESS CAMBRIDGE, MASSACHUSETTS LONDON, ENGLAND MIT Sadler_fm* 12/20/05 10:03 AM Page iv ©2005 MASSACHUSETTS INSTITUTE OF TECHNOLOGY All rights reserved. No part of this book may be reproduced in any form by any electronic or mechanical means (including photocopying, recording, or information storage and retrieval) without permission in writing from the publisher. mit Press books may be purchased at special quantity discounts for business or sales promotional use. For information, please email [email protected] or write to Special Sales Department, The mit Press, 55 Hayward Street, Cambridge, ma 02142. This book was set in Chapparal and Magda Clean by Graphic Composition, Inc., and was printed and bound in the United States of America. Library of Congress Cataloging-in-Publication Data Sadler, Simon. Archigram : architecture without architecture / Simon Sadler. p. cm. Includes bibliographical references and index. Contents: A new generation: Archigram’s formation and its context—The living city: Pop urbanism circa 1963— Beyond architecture: Indeterminacy, systems, and the dissolution of buildings—The zoom wave: Archigram’s teaching and reception—Conclusions.