Liner Notes, Visit Our Web Site
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Here I Played with Various Rhythm Sections in Festivals, Concerts, Clubs, Film Scores, on Record Dates and So on - the List Is Too Long
MICHAEL MANTLER RECORDINGS COMMUNICATION FONTANA 881 011 THE JAZZ COMPOSER'S ORCHESTRA Steve Lacy (soprano saxophone) Jimmy Lyons (alto saxophone) Robin Kenyatta (alto saxophone) Ken Mcintyre (alto saxophone) Bob Carducci (tenor saxophone) Fred Pirtle (baritone saxophone) Mike Mantler (trumpet) Ray Codrington (trumpet) Roswell Rudd (trombone) Paul Bley (piano) Steve Swallow (bass) Kent Carter (bass) Barry Altschul (drums) recorded live, April 10, 1965, New York TITLES Day (Communications No.4) / Communications No.5 (album also includes Roast by Carla Bley) FROM THE ALBUM LINER NOTES The Jazz Composer's Orchestra was formed in the fall of 1964 in New York City as one of the eight groups of the Jazz Composer's Guild. Mike Mantler and Carla Bley, being the only two non-leader members of the Guild, had decided to organize an orchestra made up of musicians both inside and outside the Guild. This group, then known as the Jazz Composer's Guild Orchestra and consisting of eleven musicians, began rehearsals in the downtown loft of painter Mike Snow for its premiere performance at the Guild's Judson Hall series of concerts in December 1964. The orchestra, set up in a large circle in the center of the hall, played "Communications no.3" by Mike Mantler and "Roast" by Carla Bley. The concert was so successful musically that the leaders decided to continue to write for the group and to give performances at the Guild's new headquarters, a triangular studio on top of the Village Vanguard, called the Contemporary Center. In early March 1965 at the first of these concerts, which were presented in a workshop style, the group had been enlarged to fifteen musicians and the pieces played were "Radio" by Carla Bley and "Communications no.4" (subtitled "Day") by Mike Mantler. -
Microtonal University (Mu)
MICROTONAL UNIVERSITY (MU) a virtual microtonal university SCHEDULE September 5, 2021 – August 28, 2022 A Program of the American Festival of Microtonal Music Inc. (AFMM) Johnny Reinhard - Director [email protected] MU’s Definition of “Microtonal Music”: “All music is microtonal music cross-culturally. Twelve-tone equal temperament is in itself a microtonal scale, only it enjoys exorbitant attention and hegemonic power, so we focus on the other tuning arrangements.” Johnny Reinhard, MU Director Financial Structure: $50. annual subscription; after September 1, 2021 annual membership increases to $200. Checks must be made out fully to: American Festival of Microtonal Music Inc. Or, please go to www.afmm.org and look for the PayPal button at the bottom of the American Festival of Microtonal Music’s website on the front page. MU c/o Johnny Reinhard Director, MU/AFMM 615 Pearlanna Drive San Dimas, CA 91773 347-321-0591 [email protected] 2 MU MU – a virtual microtonal university Beginning September 5, 2021, the American Festival of Microtonal Music (AFMM) presents a new project: MU Faculty members are virtuoso instrumentalists, composers and improvisers Meredith Borden (voice/interstylistic) Svjetlana Bukvich (synthesizer/electronics) Jon Catler (guitar/rock) Philipp Gerschlauer (saxophone/jazz) Johnny Reinhard (bassoon/interstylistic) – Director of MU Manfred Stahnke (viola/music composition) Michael Vick (multi-instrumental/technology) Using various platforms, MU will make available a host of different courses, instruction, entertainment, connections, -
FRIDAY the 13TH: the MICROS PLAY MONK (Cuneiform Rune 310)
Bio information: THE MICROSCOPIC SEPTET Title: FRIDAY THE 13TH: THE MICROS PLAY MONK (Cuneiform Rune 310) Cuneiform promotion dept: (301) 589-8894 / fax (301) 589-1819 email: joyce [-at-] cuneiformrecords.com (Press & world radio); radio [-at-] cuneiformrecords.com (North American radio) http://www.cuneiformrecords.com FILE UNDER: JAZZ / THELONIOUS MONK / THE MICROSCOPIC SEPTET “If the Micros have a spiritual beacon, it’s Thelonious Monk. Like the maverick bebop pianist, they persevere... Their expanding core audience thrives on the group’s impeccable arrangements, terse, angular solos, and devil-may-care attitude. But Monk and the Micros have something else in common as well. Johnston tells a story: “Someone once walked up to Monk and said, “You know, Monk, people are laughing at your music.’ Monk replied, ‘Let ‘em laugh. People need to laugh a little more.” – Richard Gehr, Newsday, New York 1989 “There is immense power and careful logic in the music of Thelonious Sphere Monk. But you might have such a good time listening to it that you might not even notice. …His tunes… warmed the heart with their odd angles and bright colors. …he knew exactly how to make you feel good… The groove was paramount: When you’re swinging, swing some more,” he’d say...” – Vijay Iyer, “Ode to a Sphere,” JazzTimes, 2010 “When I replace Letterman… The band I'm considering…is the Microscopic Septet, a New York saxophone-quartet-plus-rhythm whose riffs do what riffs are supposed to do: set your pulse racing and lodge in your skull for days on end. … their humor is difficult to resist. -
The 2016 NEA Jazz Masters Tribute Concert Honoring the 2016 National Endowment for the Arts Jazz Masters
04-04 NEA Jazz Master Tribute_WPAS 3/25/16 11:58 AM Page 1 The John F. Kennedy Center for the Performing Arts DAVID M. RUBENSTEIN , Chairman DEBORAH F. RUTTER , President CONCERT HALL Monday Evening, April 4, 2016, at 8:00 The Kennedy Center and the National Endowment for the Arts present The 2016 NEA Jazz Masters Tribute Concert Honoring the 2016 National Endowment for the Arts Jazz Masters GARY BURTON WENDY OXENHORN PHAROAH SANDERS ARCHIE SHEPP Jason Moran is the Kennedy Center’s Artistic Director for Jazz. WPFW 89.3 FM is a media partner of Kennedy Center Jazz. Patrons are requested to turn off cell phones and other electronic devices during performances. The taking of photographs and the use of recording equipment are not allowed in this auditorium. 04-04 NEA Jazz Master Tribute_WPAS 3/25/16 11:58 AM Page 2 2016 NEA JAZZ MASTERS TRIBUTE CONCERT Hosted by JASON MORAN, pianist and Kennedy Center artistic director for jazz With remarks from JANE CHU, chairman of the NEA DEBORAH F. RUTTER, president of the Kennedy Center THE 2016 NEA JAZZ MASTERS Performances by NEA JAZZ MASTERS: CHICK COREA, piano JIMMY HEATH, saxophone RANDY WESTON, piano SPECIAL GUESTS AMBROSE AKINMUSIRE, trumpeter LAKECIA BENJAMIN, saxophonist BILLY HARPER, saxophonist STEFON HARRIS, vibraphonist JUSTIN KAUFLIN, pianist RUDRESH MAHANTHAPPA, saxophonist PEDRITO MARTINEZ, percussionist JASON MORAN, pianist DAVID MURRAY, saxophonist LINDA OH, bassist KARRIEM RIGGINS, drummer and DJ ROSWELL RUDD, trombonist CATHERINE RUSSELL, vocalist 04-04 NEA Jazz Master Tribute_WPAS -
Robert Ashley the Old Man Lives in Concrete
Joan La Barbara – composer / performer / sound artist – explores the human voice as a multi-faceted instrument, expanding traditional boundaries in composition, using a unique vocabulary of experimental and extended vocal techniques – multiphonics, circular singing, ululation and glottal clicks – that have become her “signature sounds.” Awards include a 2008 American Music Center Letter of Distinction, a Guggenheim Fellowship in Music Composition, DAAD Artist-in- Residency in Berlin, seven NEA grants and numerous commissions for concert, theater and radio works. La Barbara has created sound scores for film, video and dance and produced twelve recordings of her own works, including Voice Is the Original Instrument, a double CD of her historical compositions for Lovely Music. 73 Poems, her collaboration with text-artist Kenneth Goldsmith, was included in “The American ROBERT ASHLEY Century Part II: SoundWorks” at the Whitney Museum of American Art. Messa di Voce, an interactive media performance work created in THE OLD MAN LIVES IN CONCRETE collaboration with Jaap Blonk, Golan Levin and Zachary Lieberman, premiered to acclaim at Ars Electronica 2003. La Barbara teaches Music and libretto composition at NYU and is working on a new opera. ROBERT ASHLEY Singers David Moodey has designed for and toured with Molissa Fenley and Dancers since 1986. His design for Fenley’s State of Darkness earned SAM ASHLEY, THOMAS BUCKNER, JACQUELINE HUMBERT, him a Bessie award for lighting design. He has also designed and JOAN LA BARBARA AND ROBERT ASHLEY toured numerous shows for Paul Lazar and Annie-B Parsons and their Electronic orchestra composed by company, Big Dance Theater, and for David Neumann’s feedforward at DTW. -
KUNM 89.9 FM L February 2010
P KUNM 89.9 FM l February 2010 89.9 ALBUQUERQUE l 88.7 SOCORRO l 89.9 SANTA FE l 90.9 TAOS l 90.5 CIMARRON/EAGLE NEST 91.9 ESPANOLA l 91.9 LAS VEGAS l 91.9 NAGEEZI l 90.5 CUBA KUNM celebrates Black History Month! Alfre Woodard hosts Can Do: Stories of Black Visionaries, Seekers, and Entrepreneurs, and Iyah Music Host Anthony “Ijah” Umi speaks with Activist/Comedian/Philosopher Dick Gregory on The Spoken Word Hour. Details on Page 11. KUNM Operations Staff Elaine Baumgartel...............................................................................Reporter KUNM Radio Board Carol Boss.....................................................................Membership Relations Tristan Clum...............................................................Interim Program Director UNM Faculty Representatives: Briana Cristo..........................................................Vista Youth Radio Assistant Dorothy Baca Matthew Finch ...........................................................................Music Director John Scariano Roman Garcia .......................................................Interim Production Director UNM Staff Representative: Sarah Gustavus..................................................................................Reporter Mary Jacintha Rachel Kaub ....................................................................Operations Manager Elected Community Reps: Jonathan Longcore..............................................................IT Support Analyst Graham Sharman Linda Morris .........................................................Senior -
PROGRAM NOTES the Expanded Sonic Potential of the Voice
ABOUT THE ARTISTS Joan La Barbara La Barbara is a composer, performer, sound artist and actor renowned for developing a unique vocabulary of experimental and extended vocal techniques (multiphonics, circular singing, ululation and glottal clicks; her “signature sounds”), influencing generations of other composers and singers. Awards, prizes and fellowships include The Foundation for Contemporary Arts John Cage Award (2016); Premio Internazionale Demetrio Stratos; DAAD-Berlin and Civitella Ranieri Artist-in-Residencies; Guggenheim Fellowship in Music Composition; seven National Endowment for the Arts awards (Music Composition, Opera/Music Theater, Inter-Arts, Recording, Solo Recital, Visual Arts), and numerous commissions for multiple voices, chamber ensembles, theatre, orchestra, interactive technology, and soundscores for dance, video and film. Her multi-layered textural compositions were presented at Brisbane Biennial, Festival d’Automne à Paris, Warsaw Autumn, MaerzMusik Berlin and Lincoln Center, among other international venues. She has collaborated with visual artists Matthew Barney, Judy Chicago, Ed Emshwiller, Kenneth Goldsmith, Bruce Nauman, Steina, Woody Vasulka and Lawrence Weiner, and has premiered landmark compositions composed for her, including Morton Feldman’s Three Voices; Morton Subotnick’s chamber opera Jacob’s Room and his Hungers and Intimate Immensity; the title role in Robert Ashley’s opera Now Eleanor’s Idea and his Dust; Philip Glass and Robert Wilson’s Einstein on the Beach; Steve Reich’s Drumming; and John Cage’s Eight Whiskus and Solo for Voice 45 from Song Books. Recordings of her works include ShamanSong (New World), Sound Ellen Rietbrock Paintings and her seminal works from Voice is the Original Instrument (1970, Lovely Music). In addition to her internationally acclaimed discs of Feldman and Cage, she has recorded for A&M Horizon, Centaur, Deutsche Grammophon, Nonesuch, Mode, Music & Arts, MusicMasters, Musical Heritage, Newport Classic, Sony, Virgin, Voyager and Wergo. -
201406Sepromo-Compressed.Pdf
SOMETHING ELSE! Festival of Creative Music June 16-21, 2014 HAMILTON ARTISTS INC. 155 James St. N., Hamilton, Ontario, Canada Some of the finest modern jazz musicians, improvisers and sound artists of varying genres from across the globe (Chicago, New York, Oslo, Amsterdam, Austin, San Diego, Toronto & Hamilton) will be performing in Hamilton from June 16th to 21st, when Zula presents Something Else! Festival of Creative Music at Hamilton Artists Inc.! Monday, June 16th Fire & Ice Double-Bill BONESHAKER (Chicago/Oslo) ESCHATON(Hamilton) Wednesday, June 18th Night Of The Living Improvisers Double-Bill THE TINY ORCHESTRA TRIO (Toronto) SAME OLD THING (Hamilton) Thursday, June 19th New York vs Chicago Double-Bill GOLDEN STATE (Brooklyn/Amsterdam/San Diego) SUN ROOMS (Chicago/Austin/Oslo) Friday, June 20th Space is the Place Double-Bill SUN ROOMS (Chicago/Austin/Oslo) INTERSTELLAR ORCHESTRA (Toronto) Saturday, June 21st Summer Solstice Double-Bill MARY MARGARET O'HARA & AIDAN CLOSS' SPAR & AUTOMATIC (Toronto) RONLEY TEPER & HER LIPLINERS (Toronto) Doors 8 pm Show 8:30 pm Tickets $12-23, Passes $60 at Dr. Disc, Hammer City Records, Picks & Sticks & online brownpapertickets www.zulapresents.org www.facebook.com/events/318218881659216/ For more information, media and interview requests on the Something Else! Festival, contact Cem Zafir at 289 993 1993 [email protected] Please note, that there are many hyperlinks all over this document! 'Aspirador' painting by David Blatherwick A BRIEF HISTORY OF SOMETHING ELSE! Just over two years ago, postal worker and music presenter Cem [gem] Zafir moved from Montreal (after a 3 year stop over there) and bought a house in downtown Hamilton, with mate, artist Donna Akrey. -
(718) 636-4123 for IMMEDIATE RELEASE October 24, 1984
NEWS CONTACT: fllen Ldmpert FOR IMMEDIATE RELEASE Susan Spier October 24, 1984 (718) 636-4123 RICHARD LANDRY PERFORMS IN BAM'S NEXT WAVE FESTIVAL ON NOVE~1BER 10, 1984 Saxophonist and composer RICHARD LANDRY will make his first New York solo appearance in over two years in the Brooklyn Academy of Music's NEXT WAVE FESTIVAL on November 10, 1984. Joining Richard Landry in the second half of his concert is guest percussionist David Van Tieghem. Born and raised in Cecilia, Louisiana, where he still resides, Richard Landry's roots are in Cajun music, rural southern rhythm and blues, and jazz. His concerts are distinguished by virtuosic improvisations on the uncharted range of the tenor saxophone, processed through a quadrophonic delay system which allows him to form his own quintet. He has also performed and recorded with Steve Reich and Musicians, the Philip Glass Ensemble, Talking Heads, and Laurie Anderson, while presenting more than two hundred solo concerts throughout the United States, Canada, and Europe. Richard Landry's concert for tenor saxophone will be held in BAM's Carey Playhouse on Saturday, November 10, at 8:00pm. Tickets are $15.00 . The NEXT WAVE Production and Touring Fund is supported by the National Endowment for the Arts, the National Endowment for the Humanities, the Rockefeller Foundation, the Howard Gilman Foundation, the Ford Foundation, the Pew Memorial Trust, AT&T, WilliWear Ltd., Warner Communications Inc. , the Educational Foundation of America, the CIGNA Corporation, the Best Products Foundation, Abraham & Straus/Federated Department Stores Foundation, Inc. and the BAM NEXT WAVE Producers Council. -
NEA-Annual-Report-1992.Pdf
N A N A L E ENT S NATIONAL ENDOWMENT FOR~THE ARTS 1992, ANNUAL REPORT NATIONAL ENDOWMENT FOR!y’THE ARTS The Federal agency that supports the Dear Mr. President: visual, literary and pe~orming arts to I have the honor to submit to you the Annual Report benefit all A mericans of the National Endowment for the Arts for the fiscal year ended September 30, 1992. Respectfully, Arts in Education Challenge &Advancement Dance Aria M. Steele Design Arts Acting Senior Deputy Chairman Expansion Arts Folk Arts International Literature The President Local Arts Agencies The White House Media Arts Washington, D.C. Museum Music April 1993 Opera-Musical Theater Presenting & Commissioning State & Regional Theater Visual Arts The Nancy Hanks Center 1100 Pennsylvania Ave. NW Washington. DC 20506 202/682-5400 6 The Arts Endowment in Brief The National Council on the Arts PROGRAMS 14 Dance 32 Design Arts 44 Expansion Arts 68 Folk Arts 82 Literature 96 Media Arts II2. Museum I46 Music I94 Opera-Musical Theater ZlO Presenting & Commissioning Theater zSZ Visual Arts ~en~ PUBLIC PARTNERSHIP z96 Arts in Education 308 Local Arts Agencies State & Regional 3z4 Underserved Communities Set-Aside POLICY, PLANNING, RESEARCH & BUDGET 338 International 346 Arts Administration Fallows 348 Research 35o Special Constituencies OVERVIEW PANELS AND FINANCIAL SUMMARIES 354 1992 Overview Panels 360 Financial Summary 36I Histos~f Authorizations and 366~redi~ At the "Parabolic Bench" outside a South Bronx school, a child discovers aspects of sound -- for instance, that it can be stopped with the wave of a hand. Sonic architects Bill & Mary Buchen designed this "Sound Playground" with help from the Design Arts Program in the form of one of the 4,141 grants that the Arts Endowment awarded in FY 1992. -
It's All Good
SEPTEMBER 2014—ISSUE 149 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM JASON MORAN IT’S ALL GOOD... CHARLIE IN MEMORIAMHADEN 1937-2014 JOE • SYLVIE • BOBBY • MATT • EVENT TEMPERLEY COURVOISIER NAUGHTON DENNIS CALENDAR SEPTEMBER 2014 BILLY COBHAM SPECTRUM 40 ODEAN POPE, PHAROAH SANDERS, YOUN SUN NAH TALIB KWELI LIVE W/ BAND SEPT 2 - 7 JAMES CARTER, GERI ALLEN, REGGIE & ULF WAKENIUS DUO SEPT 18 - 19 WORKMAN, JEFF “TAIN” WATTS - LIVE ALBUM RECORDING SEPT 15 - 16 SEPT 9 - 14 ROY HARGROVE QUINTET THE COOKERS: DONALD HARRISON, KENNY WERNER: COALITION w/ CHICK COREA & THE VIGIL SEPT 20 - 21 BILLY HARPER, EDDIE HENDERSON, DAVID SÁNCHEZ, MIGUEL ZENÓN & SEPT 30 - OCT 5 DAVID WEISS, GEORGE CABLES, MORE - ALBUM RELEASE CECIL MCBEE, BILLY HART ALBUM RELEASE SEPT 23 - 24 SEPT 26 - 28 TY STEPHENS (8PM) / REBEL TUMBAO (10:30PM) SEPT 1 • MARK GUILIANA’S BEAT MUSIC - LABEL LAUNCH/RECORD RELEASE SHOW SEPT 8 GATO BARBIERI SEPT 17 • JANE BUNNETT & MAQUEQUE SEPT 22 • LOU DONALDSON QUARTET SEPT 25 LIL JOHN ROBERTS CD RELEASE SHOW (8PM) / THE REVELATIONS SALUTE BOBBY WOMACK (10:30PM) SEPT 29 SUNDAY BRUNCH MORDY FERBER TRIO SEPT 7 • THE DIZZY GILLESPIE™ ALL STARS SEPT 14 LATE NIGHT GROOVE SERIES THE FLOWDOWN SEPT 5 • EAST GIPSY BAND w/ TIM RIES SEPT 6 • LEE HOGANS SEPT 12 • JOSH DAVID & JUDAH TRIBE SEPT 13 RABBI DARKSIDE SEPT 19 • LEX SADLER SEPT 20 • SUGABUSH SEPT 26 • BROWN RICE FAMILY SEPT 27 Facebook “f” Logo CMYK / .eps Facebook “f” Logo CMYK / .eps with Hutch or different things like that. like things different or Hutch with sometimes. -
PRESS RELEASE CONTACT: TERRY JENOURE, DIRECTOR Augusta Savage Gallery Fine Arts Center University of Massachusetts Amherst 413-545-5177
PRESS RELEASE CONTACT: TERRY JENOURE, DIRECTOR Augusta Savage Gallery Fine Arts Center University of Massachusetts Amherst 413-545-5177 Augusta Savage Gallery at the University of Massachusetts Amherst will present The Makanda Project, a tribute to the late multi-instrumentalist and educator Makanda Ken McIntyre, arranged by John Kordalewski on April 3, 7pm. This event is free and open to the general public. This remarkable tribute is comprised of unrecorded works by the Boston-born saxophonist, Makanda Ken McIntyre. This world-renowned multi-instrumentalist, composer, orchestrator and educator was a tireless musical innovator for nearly half a century, with 12 albums and more than 600 compositions and arrangements to his credit. His works include compositions for woodwind quartets, chamber ensembles, jazz bands, and full orchestra, as well as hundreds of lead sheets. He composed ballads, calypsos, bebop, avant-garde and the blues. The tribute is unique in an important way, as John Kordalewski, the arranger and coordinator of the project comments, “As an approach to extending Makanda's legacy, I like playing the unrecorded music much better than having a "ghost band" that would try to re-do the things Makanda already did. This way, his work keeps moving forward.” John Kordalewski has arranged unrecorded compositions for 6 horns. He and Kurtis Rivers (alto saxophone, clarinet) constituted the nucleus of the ensemble. Together, they spent considerable time exploring Makanda's works. They then found others who were enthused about playing the music, thereby completing the ensemble. They include John Lockwood (bass), Yoron Israel (drums), Josiah Woodson (trumpet, flute), Bill Lowe or Robert Stringer (trombone), Sean Berry (tenor saxophone, flute, clarinet), Charlie Kohlhase (baritone saxophone), and Salim Washington (tenor saxophone, flute, oboe).