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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Wanderings Newsletter of the OUTDOORS CLUB INC
Wanderings newsletter of the OUTDOORS CLUB INC. http://www.outdoorsclubny.org ISSUE NUMBER 108 PUBLISHED TRI-ANNUALLY Jul-Oct 2014 The Outdoors Club is a non-profit 501(c) (3) volunteer-run organization open to all adults 18 and over which engages in hiking, biking, wilderness trekking, canoeing, mountaineering, snowshoeing and skiing, nature and educational city walking tours of varying difficulty. Individual participants are expected to engage in activities suitable to their ability, experience and physical condition. Leaders may refuse to take anyone who lacks ability or is not properly dressed or equipped. These precautions are for your safety, and the wellbeing of the group. Your participation is voluntary and at your own risk. Remember to bring lunch and water on all full day activities. Telephone the leader or Lenny if unsure what to wear or bring with you on an activity. Nonmembers pay one-day membership dues of $3. It is with sorrow that we say goodbye to Robert Kaye, the brother of Alan Kaye, who died in January. We have been able to keep the dues the same, and publish the Newsletter because of Robert’s benevolence to the Club. Robert wanted to make sure that the Club would continue after Alan’s death. Please join Bob Susser and Helen Yee on Saturday, October 18th, at the New York Botanical Gardens for a memorial walk in honor of Robert Kaye. CHECK THE MAILING LABEL ON YOUR SCHEDULE FOR EXPIRATION DATE! RENEWAL NOTICES WILL NO LONGER BE SENT. It takes 4-6 weeks to process your renewal. Some leaders will be asking members for proof of membership, so please carry your membership card or schedule on activities (the expiration date is on the top line of your mailing label). -
You Know My Steez
1. INTRODUCTION: YOU KNOW MY STEEZ My style be wilder than a kamikaze pilot Don’t try it, I’m about to start more than a friggin’ riot Style’s unsurpassable . For I be speakin from my parables and carry you beyond The mic’s either a magic wand Or it gets tragic like the havoc of a nuclear bomb . Phat beats, they play on Want dope rhymes, put me on Word is bond . You know my steez —Guru, “You Know My Steez,” 1998 My style’s incognito I’m sharper than a razor blade dressed up in a black tuxedo Word to Reggie Noble, and to Shaq Forget Schwarzenegger, I’ll be back You know my steelo . You know my style, you know my steelo. You know my style, you know my steelo —E. Sermon, “My Style, My Steelo,” 1994 It’s necessary, we styles in Burburry And our walk is mean in them Frankie B. jeans bwoy Its necessary, we stays in Burburry And a Mark Jacob bag and a H-Tod shoe (Whooooo!) —Foxy Brown, “Stylin,” 2002 I mean, for like, to be cool, to be labeled Hip Hop and like in that category, you have to, for boys, it’s like the whole sag thing. You can’t have your pants all the way up here like Alonzo! [laughter] . He has his pants way up here with the belt and he’s like . like how Bilal and Careem have their pants right now, like here, saggin a little is cool, but you’re labeled like a square if you have 1 DownloadedPADS89.01.Chap1.indd from http://read.dukeupress.edu/pads/article-pdf/89/1/1/452189/PADS89.01.Chap1.pdf1 1/21/2005, 4:32 PM by guest on 28 September 2021 2 pads 89: you know my steez your pants like here [high on your waist] and they’re tight . -
Borough Hall Skyscraper Historic District Designation Report
Cover Photograph: Court Street looking south along Skyscraper Row towards Brooklyn City Hall, now Brooklyn Borough Hall (1845-48, Gamaliel King) and the Brooklyn Municipal Building (1923-26, McKenzie, Voorhees & Gmelin). Christopher D. Brazee, 2011 Borough Hall Skyscraper Historic District Designation Report Prepared by Christopher D. Brazee Edited by Mary Beth Betts, Director of Research Photographs by Christopher D. Brazee Map by Jennifer L. Most Technical Assistance by Lauren Miller Commissioners Robert B. Tierney, Chair Pablo E. Vengoechea, Vice-Chair Frederick Bland Christopher Moore Diana Chapin Margery Perlmutter Michael Devonshire Elizabeth Ryan Joan Gerner Roberta Washington Michael Goldblum Kate Daly, Executive Director Mark Silberman, Counsel Sarah Carroll, Director of Preservation TABLE OF CONTENTS BOROUGH HALL SKYSCRAPER HISTORIC DISTRICT MAP ................... FACING PAGE 1 TESTIMONY AT THE PUBLIC HEARING ................................................................................ 1 BOROUGH HALL SKYSCRAPER HISTORIC DISTRICT BOUNDARIES ............................. 1 SUMMARY .................................................................................................................................... 3 THE HISTORICAL AND ARCHITECTURAL DEVELOPMENT OF THE BOROUGH HALL SKYSCRAPER HISTORIC DISTRICT ........................................................................................ 5 Early History and Development of Brooklyn‟s Civic Center ................................................... 5 Mid 19th Century Development -
Hip-Hop's Diversity and Misperceptions
The University of Maine DigitalCommons@UMaine Honors College Summer 8-2020 Hip-Hop's Diversity and Misperceptions Andrew Cashman Follow this and additional works at: https://digitalcommons.library.umaine.edu/honors Part of the Music Commons, and the Social and Cultural Anthropology Commons This Honors Thesis is brought to you for free and open access by DigitalCommons@UMaine. It has been accepted for inclusion in Honors College by an authorized administrator of DigitalCommons@UMaine. For more information, please contact [email protected]. HIP-HOP’S DIVERSITY AND MISPERCEPTIONS by Andrew Cashman A Thesis Submitted in Partial Fulfillment of the Requirements for a Degree with Honors (Anthropology) The Honors College University of Maine August 2020 Advisory Committee: Joline Blais, Associate Professor of New Media, Advisor Kreg Ettenger, Associate Professor of Anthropology Christine Beitl, Associate Professor of Anthropology Sharon Tisher, Lecturer, School of Economics and Honors Stuart Marrs, Professor of Music 2020 Andrew Cashman All Rights Reserved ABSTRACT The misperception that hip-hop is a single entity that glorifies wealth and the selling of drugs, and promotes misogynistic attitudes towards women, as well as advocating gang violence is one that supports a mainstream perspective towards the marginalized.1 The prevalence of drug dealing and drug use is not a picture of inherent actions of members in the hip-hop community, but a reflection of economic opportunities that those in poverty see as a means towards living well. Some artists may glorify that, but other artists either decry it or offer it as a tragic reality. In hip-hop trends build off of music and music builds off of trends in a cyclical manner. -
Students Formul Ate Resumed by Bixler
I . R . C. To Discuss Happy Birthday The Big Three Dean Marriner VTTTTl,TT>T7»-D O Students Formul ate 52'Women/6 Men New Const itution Attain Dean 's List Men 's Student Council Men s Division Class of 1947 Powder And Wig Abandon War Documeat Initial - Discussion An open meeting of Powder Former Rhodes Scholar William Kershaw, Waterville, Maine and Wig is planned for Tuesday Bradley C. Maxim, Orono, Maine evening, October 16, at 7:15 in Studies Symbolist Poet By R. Rosen Of 1R. C Features Class of 1948 the Alumnae Building. All The Men's Student Council pro members of the club are invited Carl E. Chellquist, Boston, Mass. g Author Of. Literar y Criticism tempore met in the quiet seclusion of Panel On Bi Three to attend. Donald F. Klein, New York City Lounge last Wednesday night Smith Burton A. Krumholss, Brooklyn, N. Y. Teaches English And Histor y -jwrite the outmoded war constitu- • . Edward C. Schliek, Arlington, N. J. " 'The Big Three' : Concord or Dis- tion. cord" will be the topic of a panel dis- y Orchestra To Hold Colb Dr F. 0. Matthiessen opens the The highlights of the " constitution cussion at the opening meeting of the International Relations Club. This Pro gram on Januar y 27 1045-1946 season of Averill Lectures consists of liberal prerequisites for Women's Division with a talk on Edgar Allan Poe next tlie utilizing of initiative, referen- first meeting will be held on Tuesday Spring Term, 1944-45 evening, October 23 Friday evening. The lecture will be dum, and recall ; representation is to , at 7:45 in the Women's Union. -
UNDERSTANDING PORTRAYALS of LAW ENFORCEMENT OFFICERS in HIP-HOP LYRICS SINCE 2009 By
ON THE BEAT: UNDERSTANDING PORTRAYALS OF LAW ENFORCEMENT OFFICERS IN HIP-HOP LYRICS SINCE 2009 by Francesca A. Keesee A Thesis Submitted to the Graduate Faculty of George Mason University in Partial Fulfillment of The Requirements for the Degrees of Master of Science Conflict Analysis and Resolution Master of Arts Conflict Resolution and Mediterranean Security Committee: ___________________________________________ Chair of Committee ___________________________________________ ___________________________________________ ___________________________________________ Graduate Program Director ___________________________________________ Dean, School for Conflict Analysis and Resolution Date: _____________________________________ Fall Semester 2017 George Mason University Fairfax, VA University of Malta Valletta, Malta On the Beat: Understanding Portrayals of Law Enforcement Officers in Hip-hop Lyrics Since 2009 A Thesis submitted in partial fulfillment of the requirements for the degrees of Master of Science at George Mason University and Master of Arts at the University of Malta by Francesca A. Keesee Bachelor of Arts University of Virginia, 2015 Director: Juliette Shedd, Professor School for Conflict Analysis and Resolution Fall Semester 2017 George Mason University Fairfax, Virginia University of Malta Valletta, Malta Copyright 2016 Francesca A. Keesee All Rights Reserved ii DEDICATION This is dedicated to all victims of police brutality. iii ACKNOWLEDGEMENTS I am forever grateful to my best friend, partner in crime, and husband, Patrick. -
Eminem 1 Eminem
Eminem 1 Eminem Eminem Eminem performing live at the DJ Hero Party in Los Angeles, June 1, 2009 Background information Birth name Marshall Bruce Mathers III Born October 17, 1972 Saint Joseph, Missouri, U.S. Origin Warren, Michigan, U.S. Genres Hip hop Occupations Rapper Record producer Actor Songwriter Years active 1995–present Labels Interscope, Aftermath Associated acts Dr. Dre, D12, Royce da 5'9", 50 Cent, Obie Trice Website [www.eminem.com www.eminem.com] Marshall Bruce Mathers III (born October 17, 1972),[1] better known by his stage name Eminem, is an American rapper, record producer, and actor. Eminem quickly gained popularity in 1999 with his major-label debut album, The Slim Shady LP, which won a Grammy Award for Best Rap Album. The following album, The Marshall Mathers LP, became the fastest-selling solo album in United States history.[2] It brought Eminem increased popularity, including his own record label, Shady Records, and brought his group project, D12, to mainstream recognition. The Marshall Mathers LP and his third album, The Eminem Show, also won Grammy Awards, making Eminem the first artist to win Best Rap Album for three consecutive LPs. He then won the award again in 2010 for his album Relapse and in 2011 for his album Recovery, giving him a total of 13 Grammys in his career. In 2003, he won the Academy Award for Best Original Song for "Lose Yourself" from the film, 8 Mile, in which he also played the lead. "Lose Yourself" would go on to become the longest running No. 1 hip hop single.[3] Eminem then went on hiatus after touring in 2005. -
OLD BROOKLYN FIRE HEADQUARTERS, 365-367 Jay Street, Borough of Brooklyn
Landmarks Preservation Commission April 19, 1966, Number 10 LP-0148 OLD BROOKLYN FIRE HEADQUARTERS, 365-367 Jay Street, Borough of Brooklyn. 1892; architect Frank Freeman. \ Landmark Site: Borough of Brooklyn Tax Map Block 147, lot 2. On February 8, 1966, the Landmarks Preservation Commission held a public hearing on the proposed designation as a Landmark of the Old Brooklyn Fire Head quarters and the proposed designation of the related Landmark Site (Item No. 49). The hearing had been duly advertised in accordance with the provisions of law. One speaker spoke in favor of designation. There were no speakers in opposition to designation. In a letter to the Commission, Fire Commissioner Robert O. Lowery recommended designation. DESCRIPTION AND ANALYSIS As an example of the Romanesque Revival, this fire-house on Jay Street is one of New York's best and most striking architectural compositions. It was designed to display much splendid Romanesque ornament and was constructed of granite with handsome red sandstone trim. The walls are of fine, dark brown Roman brick with terra cotta detail to relieve the smooth surfaces. The red tile roof is trimmed with copper and the combination of colors is both subtle and ingenious. These rich materials make this an extremely beautiful and architecturally noteworthy building. The exterior of the building expresses its ftmction to perfection with the great, richly decorated arch for the exit of the fire-engines, flanked by a watch-tower used for spotting fires in the area. This building served as the Brooklyn Fire Headquarters until 1898, when Brooklyn was consolidated with Manhattan, at which time the headquarters were moved to Manhattan. -
2017 LIRR Ridership Summary East of Jamaica
2017 RIDERSHIP BOOK Published by Service Planning CONTENTS METHODOLOGY 2 RIDERSHIP SUMMARY/COMPARISON 3 LIRR PEAK/OFF PEAK DAILY CUSTOMERS 4 WEEKEND 2007 - 2016 DAILY COMPARISON 5 DAILY BRANCH TRAVEL: - TOTAL BRANCH 6 - WESTBOUND 7 - EASTBOUND 8 RUSH HOURS: - MORNING - EAST OF JAMAICA 9 - AVERAGE CUSTOMERS PER TRAIN - AM 10 - EVENING - EAST OF JAMAICA 11 - AVERAGE CUSTOMERS PER TRAIN - PM 12 - REVERSE PEAK TRAVEL 13 RIDERSHIP ABOVE SERVICE STANDARDS: - STANDEES/ABOVE SERVICE STANDARDS - EAST/WEST OF JAMAICA 14 - 15 WEEKEND RIDERSHIP: - ARRIVALS/DEPARTURES - SATURDAY/SUNDAY 16 - SATURDAY BRANCH RIDERSHIP 17 - SATURDAY AVERAGE CUSTOMERS PER TRAIN 18 - SUNDAY BRANCH RIDERSHIP 19 - SUNDAY AVERAGE CUSTOMERS PER TRAIN 20 CUSTOMER ARRIVALS: - WESTERN TERMINALS - 15 MINUTE INTERVALS 21 - 22 CUSTOMER DEPARTURES: - WESTERN TERMINALS - 15 MINUTE INTERVALS 23 - 24 RIDERSHIP STUDIES: 25 PREVIOUS RIDERSHIP STUDIES 26 - 27 TRAINS EXCEEDING 90% SEATING CAPACITY 28 S.O.G.R. SUMMER SERVICE REVIEW AND DATA 29 - 32 FOREST HILLS STADIUM CONCERTS - 2017 33 BELMONT STAKES ARRIVALS 2009 - 2017 34 NORTHERN TRUST GOLF TOURNAMENT - 2017 35 ISLANDER HOCKEY BARCLAYS CENTER: 2017 - 2018 36 MLK JR. HOLIDAY RIDERSHIP - 2012 - 2018 37 CUSTOMER COUNTS: - TRAIN NUMBER ASSIGNMENTS 38 WEEKDAY BRANCH SPECIFIC TRAINS: BABYLON 39 - 42 MONTAUK 43 - 44 RONKONKOMA 45 - 47 HUNTINGTON/HICKSVILLE 48 - 49 PORT JEFFERSON 50 - 51 PORT WASHINGTON 52 - 55 LONG BEACH 56 - 57 HEMPSTEAD 58 - 59 FAR ROCKAWAY 60 - 61 OYSTER BAY 62 WEST HEMPSTEAD 63 WEST OF JAMAICA SHUTTLES 64 WEEKEND : 65 - 80 Page 1 METHODOLOGY During the spring and fall of 2017, Service Planning supervised and positioned personnel on all weekday/weekend revenue trains to record the number of customers traveling to and from our Western/Eastern terminals. -
Mapping Long Island's Rentals
Mapping Long Island’s Rentals Background The Long Island Index has mapped 1,456 rental buildings and 882 coops and condos across both counties as part of the Index’s research project to understand multifamily, rental housing on Long Island. The Index has also identified 113 projects (rentals and coops/condos) that are in the pipeline – ranging from those that have been proposed to those that are currently under construction. This is the first time that data on multifamily housing locations has been collected comprehensively islandwide for the purpose of publicly mapping and analyzing Long Island’s rental apartment housing stock. (Spatial analysis for this report was prepared by the Center for Urban Research at the CUNY Graduate Center. See methodology and data sources in Appendix A.) All told, Long Island’s existing 2,338 multifamily buildings represent approximately 162,000 apartment units. The 113 pipeline projects – if they are all built as currently planned – would bring another 26,000 units of housing to the region. The following table presents these statistics. Built Pipeline Apartment Apartment Buildings Buildings Units Units Rentals 1,456 83,344 77 20,544 Coops and Condos 882 78,956 36 5,551 TOTAL 2,338 162,300 113 26,095 With the importance of transit-oriented housing to Long Island’s future, we analyzed the mapped data to learn more about the history and current practice of building near or far from LIRR train stations. The analysis below focuses on rental housing because Long Island’s affordable housing problems1 can best be addressed by expanding access to reasonably priced rental apartments. -
The Evolution of Commercial Rap Music Maurice L
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2011 A Historical Analysis: The Evolution of Commercial Rap Music Maurice L. Johnson II Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF COMMUNICATION A HISTORICAL ANALYSIS: THE EVOLUTION OF COMMERCIAL RAP MUSIC By MAURICE L. JOHNSON II A Thesis submitted to the Department of Communication in partial fulfillment of the requirements for the degree of Master of Science Degree Awarded: Summer Semester 2011 The members of the committee approve the thesis of Maurice L. Johnson II, defended on April 7, 2011. _____________________________ Jonathan Adams Thesis Committee Chair _____________________________ Gary Heald Committee Member _____________________________ Stephen McDowell Committee Member The Graduate School has verified and approved the above-named committee members. ii I dedicated this to the collective loving memory of Marlena Curry-Gatewood, Dr. Milton Howard Johnson and Rashad Kendrick Williams. iii ACKNOWLEDGEMENTS I would like to express my sincere gratitude to the individuals, both in the physical and the spiritual realms, whom have assisted and encouraged me in the completion of my thesis. During the process, I faced numerous challenges from the narrowing of content and focus on the subject at hand, to seemingly unjust legal and administrative circumstances. Dr. Jonathan Adams, whose gracious support, interest, and tutelage, and knowledge in the fields of both music and communications studies, are greatly appreciated. Dr. Gary Heald encouraged me to complete my thesis as the foundation for future doctoral studies, and dissertation research.