Music Credits

Total Page:16

File Type:pdf, Size:1020Kb

Music Credits Music Credits Website Page Title of Song Artist(s) MB Home Only Time Enya 3.32 Who We Are The Dock Of The Bay Otis Redding 3.19 Core Principles Light My Fire Doors 6.50 Officers and Directors Wild Thing Troggs 2.39 Meetings Sugar Sugar The Archies 2.51 Chapter Awards One Three Dog Night 2.79 Statistics The Sounds Of Silence Simon & Garfunkel 4.25 Vietnam Legacy Gimme Little Sign Brenton Wood 3.20 Vietnam War Links Bad Moon Rising Creedence Clearwater Revival 2.62 Memorabilia Summer In The City Lovin’ Spoonful 2.50 Reflections Paint It Black Rolling Stones 4.35 Photo Gallery The Lion Sleeps Tonight The Tokens 2.47 Activities If You’re Going To San Francisco Scott McKenzie 2.77 Golf Tournament Silence Is Golden Tremeloes 4.30 Administration The Theme From Shaft Issac Hayes 2.99 Websites/Links A Whiter Shade Of Pale Procol Harum 3.65 Members If I Were A Carpenter Bobby Darin 2.19 Memberships White Rabbit Jefferson Airplane 2.92 VVA Forms This Magic Moment Jay & The Americans 4.18 Newsletter Turn Around, Look At Me Vogues 3.19 Donations A Beautiful Morning Young Rascals 2.90 Legal Status Fire And Rain James Taylor 3.88 Contacts/Comments In The Year 2525 Zager & Evan 2.98 VVA Awards Little Darlin’ The Diamonds 1.95 Other Awards Incense And Peppermint Strawberry Alarm Clock 3.25 Vietnam Memorial He Ain’t Heavy, He’s My Brother Hollies 3.96 Vietnam Statistics Black Is Black Los Bravos 3.43 Veteran Statistics These Eyes Guess Who 3.48 Agent Orange Agent Orange Song Joe McDonald 3.55 PTSD/TBI This Guy’s In Love With You Herb Alpert & The Tijuana Brass 3.66 Homeless Touch Me Doors 3.68 POW/MIA Love Is Blue Paul Mauriat 3.01 Gold Star Families Here Comes The Sun Richie Havens 3.42 Veteran Benefits The Good, The Bad And The Ugly Hugo Montenegro 3.21 Vietnam Videos None VVA Videos None Vietnam Music None Vietnam Photos You Can’t Sit Down Len Barry 2.51 Vietnam Pocket Guide Tom Dooley The Kingston Trio 2.26 Historical Items Brown Eyed Girl Van Morrison 2.83 Vietnam Memorial Homeward Bound Simon & Garfunkel 2.26 Black & White Photos Green-Eyed Lady Sugarloaf 3.39 Color Photos In The Summertime Mungo Jerry 3.26 The Country Of Vietnam Tequila The Champs 2.05 The People Of Vietnam Bridge Over Troubled Water Simon & Garfunkel 4.50 Combat Operations Oh What A Night Dells 4.68 Fund-Raising Events Born To Be Wild Steppenwolf 3.94 Outreach Programs The Night They Drove Old Dixie Down Joan Baez 4.79 Community Service Charlie Brown The Coasters 2.31 Veterans Outreach Monday Monday The Mamas & The Papas 3.02 Social Events Good Vibrations The Beach Boys 3.37 2015 Tournament At The Hop Danny & The Juniors 2.43 2014 Golf Pictures Come Go With Me The Del Vikings 2.35 Delegates & Representatives Sixteen Candles The Crests 2.70 Committees & Appointments Red River Rock Johnny & The Hurricanes 2.31 Music Credits Wake Up Little Susie The Everly Brothers 2.04 Florida Websites Sweet Caroline Neil Diamond 3.25 VA Websites War Edwin Starr 3.11 Other Websites Stand By Me Ben E. King 2.96 Addresses Joy To The World Three Dog Night 4.13 Back In The Day The Ballad Of The Green Berets Barry Sadler 2.88 Member Photos Good Golly Miss Molly Little Richard & The Tempo Top 1.98 In Memory Of Amazing Grace Judy Collins 5.64 Summary: Home Page 1 Pages Populated 1 Parent Pages 20 Pages Populated 20 Child Pages 42 Pages Populated 39 Total Pages 63 Pages Populated 60 Total Music File 193 MB .
Recommended publications
  • VVMF Education Guide
    FOUNDERS OF THE WALL ECHOES FROM THE WALL War will always have impacts on society and culture. Within the realm of popular culture, music of the Vietnam era reflected a range of public opinion about military conflict. IN THE CLASSROOM Songs from Vietnam and Today DISCUSSION GUIDE This lesson plan will involve a review of popular music of the Vietnam era, as well as Begin by asking students to create list of songs that deal with the subject matter of war and peace, or are more broadly either highly patriotic, or highly more recent popular music that depict deal critical of problems in the nation. Which of the list are their favorites, and why? How Does Music with the subject matter of war and peace. Students will examine the perspectives of In the early days of the war, songs like Sgt. Barry Sadler’s “Ballad of the Green Berets” received extensive radio play—“Ballad of the Green Berets” reached #1 on Reflect Perspectives these songs and how the range of the Billboard Hot 100 in 1966. Listen to the song as it plays through slides 1-3, and ask perspectives was reflected in broader students to answer the song analysis questions included in the pre-visit activity above. Sgt. on War? society during and following the war. Barry Sadler served in Vietnam and wrote the song to celebrate the Green Beret Special Forces. This song has a clear perspective that celebrates the contributions of soldiers, yet it does not explicitly discuss political concerns or more broadly interpret the war. (click here for lyrics) Three years before the Ballad of the Green Berets topped the charts in 1966, Peter, Paul and Mary’s cover of “Blowin’ in the Wind” topped the Billboard charts, reaching #2 in 1963.
    [Show full text]
  • The Rita Williams Popular Song Collection a Handlist
    The Rita Williams Popular Song Collection A Handlist A wide-ranging collection of c. 4000 individual popular songs, dating from the 1920s to the 1970s and including songs from films and musicals. Originally the personal collection of the singer Rita Williams, with later additions, it includes songs in various European languages and some in Afrikaans. Rita Williams sang with the Billy Cotton Club, among other groups, and made numerous recordings in the 1940s and 1950s. The songs are arranged alphabetically by title. The Rita Williams Popular Song Collection is a closed access collection. Please ask at the enquiry desk if you would like to use it. Please note that all items are reference only and in most cases it is necessary to obtain permission from the relevant copyright holder before they can be photocopied. Box Title Artist/ Singer/ Popularized by... Lyricist Composer/ Artist Language Publisher Date No. of copies Afrikaans, Czech, French, Italian, Swedish Songs Dans met my Various Afrikaans Carstens- De Waal 1954-57 1 Afrikaans, Czech, French, Italian, Swedish Songs Careless Love Hart Van Steen Afrikaans Dee Jay 1963 1 Afrikaans, Czech, French, Italian, Swedish Songs Ruiter In Die Nag Anton De Waal Afrikaans Impala 1963 1 Afrikaans, Czech, French, Italian, Swedish Songs Van Geluk Tot Verdriet Gideon Alberts/ Anton De Waal Afrikaans Impala 1970 1 Afrikaans, Czech, French, Italian, Swedish Songs Wye, Wye Vlaktes Martin Vorster/ Anton De Waal Afrikaans Impala 1970 1 Afrikaans, Czech, French, Italian, Swedish Songs My Skemer Rapsodie Duffy
    [Show full text]
  • Environmental Methods Review: Retooling Impact Assessment for the New Century
    Environmental Methods Review: Retooling Impact Assessment for the New Century Alan L. Porter and John J. Fittipaldi, Editors For information about this publication, contact Army Environmental Policy Institute, International Association for Impact Georgia Institute of Technology, Assessment, PO Box 5256, 430 Tenth Street NW, Suite S-206, Fargo, ND, 58105-5256 USA Atlanta, Georgia 30318-5768 Published: Fargo, North Dakota, USA: The Press Club, March 1998 This report reflects the views of its authors, who are solely responsible for its content. The findings of this report are not to be construed necessarily as the opinions or views of any organization cited, quoted, or mentioned in this document. The findings are not to be construed as an official position of the Department of the Army or the International Association for Impact Assessment, unless designated by other authorized documents. Reproduction and dissemination of the contents of this document for educational purposes are encouraged by AEPI and IAIA, with proper attribution of the material to the contributing authors, AEPI and IAIA. Environmental Methods Review: Retooling Impact Assessment for the New Century Table of Contents INTRODUCTION Alan L. Porter and John J. Fittipaldi PERSPECTIVES ON THE FIELD 1 Implementing Policy Through Procedure: Impact Assessment and the National Environmental Policy Act [Lynton K. Caldwell] 2 The Army’s Interest in Impact Assessment Methods Review: Relevance and Efficiency [Ron D. Webster and John J. Fittipaldi] OVERVIEWS 3 Ex-post Evaluation of the Effectiveness of Environmental Assessment [Barry Sadler] 4 Improving the Quality of EISs [Ralf C. Buckley] 5 Progress of Environmental Impact Assessment and Its Methods in China [Wei Li, Huadong Wang, and Liu Dongxia] 6 Methods for Effective EIA Practice [Lawrence W.
    [Show full text]
  • The Musical Characteristics of the Beatles
    The Musical Characteristics of the Beatles The Government of the Hong Kong Special Administrative Region Education Bureau 2009 The Musical Characteristics of the Beatles Michael Saffle Government of the Hong Kong Special Administrative Region. All rights reserved. No part of this publication can be reproduced in any form or by any means, or otherwise, without the prior written consent of the Government of the Hong Kong Special Administrative Region. Content 1 The Beatles: An Introduction 1 2 The Beatles as Composers/Performers: A Summary 7 3 Five Representative Songs and Song Pairs by the Beatles 8 3.1 “Love Me Do” and “Please Please Me” (1962) 8 3.2 “Michelle” and “Yesterday” (1965) 12 3.3 “Taxman” and “Eleanor Rigby” (1966) 14 3.4 “When I’m Sixty-Four” (1967) 16 3.5 “Lucy in the Sky With Diamonds” (1967) 18 4 The Beatles: Concluding Observations 21 5 Listening Materials 23 6 Musical Scores 23 7 Reading List 24 8 References for Further Study 25 9 Appendix 27 (Blank Page) 1 The Beatles: An Introduction The Beatles—sometimes referred to as the ‘Fab Four’—have been more influential than any other popular-music ensemble in history. Between 1962, when they made their first recordings, and 1970, when they disbanded, the Beatles drew upon several styles, including rock ‘n’ roll, to produce rock: today a term that almost defines today’s popular music. In 1963 their successes in England as live performers and recording artists inspired Beatlemania, which calls to mind the Lisztomania associated with the spectacular success of Franz Liszt’s 1842 German concert tour.
    [Show full text]
  • Songs by Title
    Songs by Title Title Artist Versions Title Artist Versions #1 Crush Garbage SC 1999 Prince PI SC #Selfie Chainsmokers SS 2 Become 1 Spice Girls DK MM SC (Can't Stop) Giving You Up Kylie Minogue SF 2 Hearts Kylie Minogue MR (Don't Take Her) She's All I Tracy Byrd MM 2 Minutes To Midnight Iron Maiden SF Got 2 Stars Camp Rock DI (I Don't Know Why) But I Clarence Frogman Henry MM 2 Step DJ Unk PH Do 2000 Miles Pretenders, The ZO (I'll Never Be) Maria Sandra SF 21 Guns Green Day QH SF Magdalena 21 Questions (Feat. Nate 50 Cent SC (Take Me Home) Country Toots & The Maytals SC Dogg) Roads 21st Century Breakdown Green Day MR SF (This Ain't) No Thinkin' Trace Adkins MM Thing 21st Century Christmas Cliff Richard MR + 1 Martin Solveig SF 21st Century Girl Willow Smith SF '03 Bonnie & Clyde (Feat. Jay-Z SC 22 Lily Allen SF Beyonce) Taylor Swift MR SF ZP 1, 2 Step Ciara BH SC SF SI 23 (Feat. Miley Cyrus, Wiz Mike Will Made-It PH SP Khalifa And Juicy J) 10 Days Late Third Eye Blind SC 24 Hours At A Time Marshall Tucker Band SG 10 Million People Example SF 24 Hours From Tulsa Gene Pitney MM 10 Minutes Until The Utilities UT 24-7 Kevon Edmonds SC Karaoke Starts (5 Min 24K Magic Bruno Mars MR SF Track) 24's Richgirl & Bun B PH 10 Seconds Jazmine Sullivan PH 25 Miles Edwin Starr SC 10,000 Promises Backstreet Boys BS 25 Minutes To Go Johnny Cash SF 100 Percent Cowboy Jason Meadows PH 25 Or 6 To 4 Chicago BS PI SC 100 Years Five For Fighting SC 26 Cents Wilkinsons, The MM SC SF 100% Chance Of Rain Gary Morris SC 26 Miles Four Preps, The SA 100% Pure Love Crystal Waters PI SC 29 Nights Danni Leigh SC 10000 Nights Alphabeat MR SF 29 Palms Robert Plant SC SF 10th Avenue Freeze Out Bruce Springsteen SG 3 Britney Spears CB MR PH 1-2-3 Gloria Estefan BS SC QH SF Len Barry DK 3 AM Matchbox 20 MM SC 1-2-3 Redlight 1910 Fruitgum Co.
    [Show full text]
  • Smash Hits Volume 13
    \% Words to the TOP SINGLES Boogie WcmdMand NolSong In Heaven Shine A little Love Ain't No Stopping Us Hi By Sparks on Virgin Records Chorus ^B Gabriel plays it It's number one all over heaven Let's hear him play it It's number one all over heaven It's number one all over heaven Repeat chorus The number one song all over heaven The song filters down down through the If you should die before you awake clouds If you should die while crossing the It reaches the earth and winds all around street And then it breaks up in millions of ways The song that you'll hear I guarantee It goes la la la la la la la la la la la la etc Repeat chorus Ooh in cars it becomes a hit The one that's the rage up here in the And in your home it becomes clouds advertisements Loud as a crowd or soft as a doubt And in the streets it becomes children Lyrically weak but the music's the thing singing Ooh la la la la la ia la Gabriel plays it Repeat to fade God how he plays it Gabriel plays it God how he plays it Words and music by Ron Mael/Giorgio <f> Gabriel plays it Moroder/Russell Mael. Reproduced by God how he plays it permission Heath Levy Music. 2 SMASH HITS ' d n oat an l!; ace s de e° ?„gula' '^.sh^"? in , S»° McF^ h v ' g$> sp0 cke b£ mm&*#'punIk * ( 6 issue yo^ainJ"" s Vde» see v we ii.
    [Show full text]
  • Chapter 2: Pop-Rock of the 50S and 60S
    The Development of Rock & Roll by Dr. Daniel Jacobson © 2016 All Rights Reserved CHAPTER 2 POP-ROCK OF THE 50S AND 60S INTRODUCTION Softer “pop” music styles have played important roles in the development of rock, especially from c1953 to 1966 and in the early 70s. Various pop-related styles in the 50s and early 60s include: • Doo-Wop (1950s and early ‘60s; combined Pop, Gospel and soft R & B elements) • Teen Idol “Crooners” (late ‘50s/early ‘60s; Dick Clark early rock era; soft R & B) • Surf Music (late ‘50s/early ‘60s) • Brill Building/Aldon Music (‘60s pop; extension of “Tin Pan Alley” tradition) • Early Motown (early 1960s; “Soul-pop” music) I. THE CHANGING OF THE GUARD IN 50s ROCK During the years 1957 to 1961, Rock & Roll lost the impact of at least ten of its most prominent trendsetters. • March 1956: While on his way to perform for The Perry Como Show in New York City, Carl Perkins was involved in a car crash in which he suffered a fractured shoulder and skull. Perkins lost his chance for major fame, and was soon overshadowed by the rise of Elvis Presley. • October 1957: Little Richard renounced Rock and Roll for the ministry of the Seventh Day Adventist Church. • November 1957: Jerry Lee Lewis married his 13-year-old third cousin (while “forgetting” to divorce his first wife.) The scandal that followed destroyed his career. • March 1958: Elvis Presley was drafted into the army, serving in Germany until 1960. • February 1959: a small-plane crash near Fargo, North Dakota killed Buddy Holly, J.P.
    [Show full text]
  • FROM “WE SHALL OVERCOME” to “FORTUNATE SON”: the EVOLVING SOUND of PROTEST an Analysis on the Changing Nature of American Protest Music During the Sixties
    FROM “WE SHALL OVERCOME” TO “FORTUNATE SON”: THE EVOLVING SOUND OF PROTEST An analysis on the changing nature of American protest music during the Sixties FLORIS VAN DER LAAN S1029781 MA North American Studies Supervisor: Frank Mehring 20 Augustus 2020 Thesis k Floris van der Laan - 2 Abstract Drawing on Denisoff’s theoretical framework - based on his analysis of the magnetic and rhetorical songs of persuasion - this thesis will examine how American protest music evolved during the Sixties (1960-1969). Songs of protest in relation to the Civil Rights Movement and the Vietnam War gave a sound to the sociopolitical zeitgeist, critically addressing matters that were present throughout this decade. From the gentle sounds of folk to the dazzling melodies of rock, protest music became an essential cultural medium that inspired forms of collective thought. Ideas of critique and feelings of dissent were uniquely captured in protest songs, creating this intrinsic correlation between politics, music, and protest. Still, a clear changing nature can be identified whilst scrutinizing the musical phases and genres – specifically folk and rock - the Sixties went through. By taking a closer look on the cultural artifacts of protest songs, this work will try to demonstrate how American songs of protest developed during this decade, often affected by sociopolitical factors. From Bob Dylan’s “Blowin’ in the Wind” to The Doors’ “The Unknown Soldier”, and from “Eve of Destruction” by Barry McGuire to “Superbird” by Country Joe and The Fish, a thorough analysis of protest music will be provided. On the basis of lyrics, melodies, and live performances, this thesis will discuss how protest songs reflected the mood of the times, and provided an ever-evolving destabilizing force that continuously adjusted to its social and political surroundings.
    [Show full text]
  • Table of Contents
    TABLE OF CONTENTS Music Express��������������������������������������������������������������������������2 MusicHistory&Theory�������������������������������������������������78 Getting To Know��������������������������������������������������������������������3 TeacherTimeSavers������������������������������������������������������84 Broadway Junior������������������������������������������������������������������� 4 WorldMusicDrumming�����������������������������������������������85 EssentialElements®Recorder,Guitar&Ukulele���86 Song Collections������������������������������������������������������������������� 6 Guitar������������������������������������������������������������������������������������88 GradesK-3��������������������������������������������������������������������������� 6 ChordBuddy����������������������������������������������������������������������89 Grades1-6��������������������������������������������������������������������������� 12 WaltonsIrishSongbooksandInstruments����������89 Grades4-8�������������������������������������������������������������������������23 TeachingResources������������������������������������������������������ 90 RecorderCollections������������������������������������������������������13 BoomwhackerCollections������������������������������������������26 Resources by John Jacobson�����������������������������������������91 Collections for Young Choirs�����������������������������������������27 Choral Resources����������������������������������������������������������������93 Grades4-8�������������������������������������������������������������������������
    [Show full text]
  • Goodnight Saigon: Billy Joel’S Musical Epitaph to the Vietnam War
    Touro Law Review Volume 32 Number 1 Symposium: Billy Joel & the Law Article 5 April 2016 Goodnight Saigon: Billy Joel’s Musical Epitaph to the Vietnam War Morgan Jones Follow this and additional works at: https://digitalcommons.tourolaw.edu/lawreview Part of the Law Commons, and the Other Music Commons Recommended Citation Jones, Morgan (2016) "Goodnight Saigon: Billy Joel’s Musical Epitaph to the Vietnam War," Touro Law Review: Vol. 32 : No. 1 , Article 5. Available at: https://digitalcommons.tourolaw.edu/lawreview/vol32/iss1/5 This Article is brought to you for free and open access by Digital Commons @ Touro Law Center. It has been accepted for inclusion in Touro Law Review by an authorized editor of Digital Commons @ Touro Law Center. For more information, please contact [email protected]. Jones: Goodnight Saigon GOODNIGHT SAIGON: BILLY JOEL’S MUSICAL EPITAPH TO THE VIETNAM WAR Morgan Jones* Billy Joel adopted new personae and took on new roles in several songs on both 1982’s The Nylon Curtain1 and his penultimate studio album to date, 1989’s Storm Front.2 In what some have seen as an attempt to reach a more adult audience, to “move pop/rock into the middle age and, in the process, earn critical respect,”3 Joel put on new hats (literally, at times: his fedora-wearing balladeer appears prominently in the video for “Allentown”) for “Allentown” and “The Downeaster ‘Alexa’,” “Pressure” and “We Didn’t Start the Fire,” and “Goodnight Saigon” and “Leningrad.”4 Each of these pairs of songs saw Joel endeavoring to make statements about issues that were bigger than he and his own life, which was in stark contrast to his sources of inspiration for his earlier, more self-centered albums.
    [Show full text]
  • American Popular Music
    American Popular Music Larry Starr & Christopher Waterman Copyright © 2003, 2007 by Oxford University Press, Inc. This condensation of AMERICAN POPULAR MUSIC: FROM MINSTRELSY TO MP3 is a condensation of the book originally published in English in 2006 and is offered in this condensation by arrangement with Oxford University Press, Inc. Larry Starr is Professor of Music at the University of Washington. His previous publications include Clockwise from top: The Dickinson Songs of Aaron Bob Dylan and Joan Copland (2002), A Union of Baez on the road; Diana Ross sings to Diversities: Style in the Music of thousands; Louis Charles Ives (1992), and articles Armstrong and his in American Music, Perspectives trumpet; DJ Jazzy Jeff of New Music, Musical Quarterly, spins records; ‘NSync and Journal of Popular Music in concert; Elvis Studies. Christopher Waterman Presley sings and acts. is Dean of the School of Arts and Architecture at the University of California, Los Angeles. His previous publications include Jùjú: A Social History and Ethnography of an African Popular Music (1990) and articles in Ethnomusicology and Music Educator’s Journal. American Popular Music Larry Starr & Christopher Waterman CONTENTS � Introduction .............................................................................................. 3 CHAPTER 1: Streams of Tradition: The Sources of Popular Music ......................... 6 CHAPTER 2: Popular Music: Nineteenth and Early Twentieth Centuries .......... ... 1 2 An Early Pop Songwriter: Stephen Foster ........................................... 1 9 CHAPTER 3: Popular Jazz and Swing: America’s Original Art Form ...................... 2 0 CHAPTER 4: Tin Pan Alley: Creating “Musical Standards” ..................................... 2 6 CHAPTER 5: Early Music of the American South: “Race Records” and “Hillbilly Music” ....................................................................................... 3 0 CHAPTER 6: Rhythm & Blues: From Jump Blues to Doo-Wop ................................
    [Show full text]
  • Blair's IPOD List
    Blair’s IPOD list USAFA Class of 68 Music 1. Stranger on the Shore Ackerbilt 2. Boy From New York City Ad Libs 3. Magnificent Seven Theme Al Caiola 4. Alley Cat Al Hirt 5. Mary in the Morning Al Martino 6. Theme from Love Story Andy Williams 7. Moon River Andy Williams 8. Charade Andy Williams 9. We Gotta Get Out Of This Place Animals 10. House of the Rising Sun Animals 11. It's My Life Animals 12. Don’t Let Me be Misunderstood Animals 13. Teach Me Tiger April Stevens 14. Deep Purple April Stevens/N. Tempo 15. Respect Aretha Franklin 16. Think Aretha Franklin 17. Chain of Fools Aretha Franklin 18. Tighten Up Archie Bell & the Drells 19. You Better Move On Arthur Alexander 20. Sweet Soul Music Arthur Conley 21. Along Comes Mary Association 22. Never My Love Association 23. Cherish Association 24. Baja The Astronauts 25. Soul Finger Bar-Kays 26. I Know Barbara George 27. Baby I’m Yours Barbara Lewis 28. Eve of Destruction Barry McGuire 29. The Ballad of the Green Berets Barry Sadler 30. Little Deuce Coupe Beach Boys 31. God Only Knows Beach Boys 32. Wouldn't It Be Nice Beach Boys 33. That's Not Me Beach Boys 34. Be True to Your School Beach Boys 35. California Girls Beach Boys 36. Dance,Dance,Dance Beach Boys 37. Don't Worry Baby Beach Boys file:///E|/Webmaster/usafa/USAFAsonglist2.htm (1 of 15) [2/10/2007 2:12:55 PM] Blair’s IPOD list 38. Fun Fun Fun Beach Boys 39.
    [Show full text]