Gene Autry.Pptx
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Filing for School Board Candidates Going on Now Two Brewer DECA
0 11,50 pers Pa d to vere Deli s & ome H esses usin ek B y We Ever 76th Year No. 47 817-246-2473 7820 Wyatt Drive, White Settlement, Texas 76108 suburban-newspapers.com January 25, 2018 Two Brewer DECA Students Filing for School Board Advance to State Candidates Going On Now The White Settlement ISD School Board approved a Joint Election for the Board of Trustees on May 5 for Places 1, 2 and 3. The application period for a place on the ballot is now through Feb. 16. Applications will be available at the WSISD Administration Building, 401 S. Cherry Lane in White Settlement, Monday through Friday from 8 a.m. to 4 p.m. and 8 a.m to 5 p.m. on Feb. 16. The drawing for places on the ballot will be in the WSISD Human Resource Office at 10 a.m. Monday, Feb. 26. Incumbents are Raymond Patterson, Place 1; Glen Lowry, Place 2; and Amanda Sanchez, Place 3. All incumbents have filed to run again. WSISD Encourages Community Members to Attend One-Hour Suicide Prevention Training Jan. 29 White Settlement ISD invites community members to a free suicide prevention Brewer High School DECA students Steven Mason, Hunter Robinson and training on Monday, Jan. 29 from 6 to 7 p.m. Tate Holloway competed in the DECA District 7 Conference on Jan. 16. Holloway Participants will learn how to recognize the warning signs of suicide; how to and Mason will advance to state. offer hope; and how to get help and save a life through the Question Persuade Refer Holloway was the District 7 Scholarship Finalist, and he'll compete again in (QPR) suicide prevention training. -
Reporter 11 21.Indd
November 21, 2005 SACS Liaison: Western is English Professor’s Passion for Animals Making Good Progress Recognized by State Volunteer Award Westernʼs reaccreditation The discovery of five puppies in a trash But the volunteer work takes up most efforts are on target and bin eight years ago sparked the passion for of Adamsʼ free time and can be draining. the university is making animal rescue that grips Mary Adams. “Thereʼs such a need,” she said. “Some good progress toward The young boxers abandoned on a tall placements fall through, and you have to reaffirmation in 2007. pile of debris went home with the associate take them back. Thatʼs always hard.” Thatʼs the word from professor of English and stayed until Whatʼs fulfilling, though, is seeing an Ann Chard, a vice permanent homes could be found. animal go to a good home. president of the Commission “They went very quick,” said Adams. Adams watched a dog make fast friends on Colleges for the Southern Association The puppies with a visiting of Colleges and Schools, after her Monday, were the first of Airedale and Nov. 14, visit to Cullowhee. about 500 cats and convinced the On campus to review the status of dogs that Adams has visitorʼs owner that Westernʼs reaccreditation efforts, Chard fostered and placed the pair should not met with Chancellor John W. Bardo, through the Humane be parted. Provost Kyle R. Carter, the universityʼs Society of Jackson “They just fell in executive council and the combined SACS County, or ARF. love,” said Adams of committees. She also heard from members For her service, the two dogs. -
Vernon Dalhart: His Rural Roots and the Beginnings of Commercial Country Music*
VERNON DALHART: HIS RURAL ROOTS AND THE BEGINNINGS OF COMMERCIAL COUNTRY MUSIC* by Walter Darrell Haden English Department University of Tennessee Martin, Tennessee Most country music history fans know of the North American folk songs which launched Vernon Dalhart as the first country music artist of national importance. The Wreck of the Old 97 and The Prisoner's Song were also the beginnings of the commercial country music industry in this country. Before Dalhart recorded these songs, there had been, it is true, an effort to market some country music: Henry Whitter, Riley Puckett, Kelly Harrell, and other country vocalists had begun or were beginning their record ing careers. But there had been no country hit songs and no country singing star to record them. Fiddlers like John Carson and other country instrumentalists had recorded, it is true, and some of these musicians had thrown in a vocal chorus or perhaps even a stanza or so of song lyrics. But before Dalhart there had been no country recording of national importance and certainly no hit. Today knowledge able record collectors and musicologists are making the truth increasingly well known that Dalhart's pairing of The Prisoner's Song with The wreck of the Old 97 on more than 30 different labels sold over 25,000,000 copies. Victor 19427 alone sold close to 6,000,000 copies of this famous pairing of hits. (1) In 1924, Dalhart, dropping his current "pop" music career to take up country music, even more native to his upbringing, stepped before an accoustical recording horn at Thomas A. -
Purches Collection a to Z List of Principal Artists and Performers
Purches Collection A to Z List of Principal Artists and Performers Organization of this list: The principal performer is listed surname first in bold type with role/s in (parentheses); after the forward slash / any associated performers, or groups are listed; for groups using a pseudonym the 'real name’ / identity of group is shown in [square brackets] ; the original Cutter number (assigned to most performers who were primarily featured on the recordings) is listed on the far right hand side. A Aaronson, Irving (Bandleader) - A111 Abrams, Irwin (Bandleader) - A161 Adler, Larry (Harmonica) - A236 Adrian, Lou (Orchestra) / Eddy Howard (Vocal) Adrian's Ramblers (Danceband) / Adrian Rollini (Bandleader) Alamo, Tony (Vocal) / Sammy Kaye (Bandleader) Alberts, Al (Vocal) / The Four Aces (Vocal) Alexander, Archie (Bandleader) / George Barclay (Vocal) Les Allen (Vocal) Alexander, Jeff (Chorus, Choir)/ Bing Crosby (Vocal), Frank Sinatra (Vocal) Alfredo (Bandleader) - A391 Allen, Bob (Vocal) / Hai Kemp (Bandleader) Allen, Fred (Vocal)/ Bing Crosby (Vocal) Allen, Gracie (Comedienne)/ George Bums (Comedian) Allen, Henry 'Red' (Bandleader) - A425 Allen, Les (Vocal) - A427 Allen, Rosalie (Vocal) / Elton Brett (Vocal) Allen, Terry (Vocal) / Red Norvo (Bandleader) Alley, Ben (Vocal) All Star Band - A4412 All Star Orchestra - A4415 All Star Stompers - A4418 Alper, Rose (Vocal) / Joe Loss (Bandleader) Alston, Ovie (Vocal) / Claude Hopkins (Bandleader) Ambassador Trio, The (Vocal) / Gus Arnheim (Bandleader) Ambassadors, The (Danceband) - A491 Ambrose (Bandleader) -
Starr-Waterman American Popular Music Chapter 4: “I Got Rhythm”: the Golden Age of Tin Pan Alley Song, 1920S and 1930S Student Study Outline
Starr-Waterman American Popular Music Chapter 4: “I Got Rhythm”: The Golden Age of Tin Pan Alley Song, 1920s and 1930s Student Study Outline I. Influential and Commercially Successful Songs a. Irving Berlin (1888‒1989) b. Richard Rodgers (1902‒1979) c. Cole Porter (1891‒1964) d. George Gershwin (1898‒1938) i. Al Jolson (1886‒1950) II. Tin Pan Alley Song Form a. AABA structure and verse-and-chorus forms b. Verse-refrain form i. Verse ii. Refrain III. Box 4.1: Irving Berlin a. Irving Berlin (1888‒1989) IV. Listening Guide: “’Deed I Do” a. Music by Fred Rose, lyrics by Walter Hirsch; performed by Ruth Etting (1926) i. Tin Pan Alley form: Intro (hook) + Verse + AABA Refrain V. What Were Tin Pan Alley Songs About? a. Popular songs and the musical plays and films in which they appear were designed to help people escape the pressures of daily life 1. Middle-class culture 2. Romantic love a. First-person lyrics b. Crooning VI. Listening Guide: “My Blue Heaven” a. Music by Walter Donaldson, lyrics by George Whiting; published 1924; performed by Gene Austin; recorded 1927 i. Crooners VII. Listening Guide: “April Showers” a. Music by Louis Silvers, lyrics by Buddy DeSylva; published 1921; performed by Al Jolson; recorded 1921 b. Music by Louis Silvers, lyrics by Buddy DeSylva; published 1921; performed by Al Jolson; recorded 1932 VIII. Listening Guide: “How Deep Is the Ocean?” a. Lyrics and music by Irving Berlin; performed by Bing Crosby; recorded 1932 b. Bing Crosby (1904‒1977) c. Minor key to major key IX. -
Gene Autry Personal Papers and Business Archives T.MSA.28
http://oac.cdlib.org/findaid/ark:/13030/c8zp46v9 No online items Finding Aid to the Gene Autry Personal Papers and Business Archives T.MSA.28 Finding aid prepared by Holly Rose Larson Autry National Center, Autry Library 4700 Western Heritage Way Los Angeles, CA, 90027 (323) 667-2000 ext. 349 [email protected] 2012 January 27 Finding Aid to the Gene Autry T.MSA.28 1 Personal Papers and Business Archives T.MSA.28 Title: Gene Autry Personal Papers and Business Archives Identifier/Call Number: T.MSA.28 Contributing Institution: Autry National Center, Autry Library Language of Material: English Physical Description: 446.0 Linear feet(approximately 300 boxes) Date (inclusive): 1900-2002 Abstract: Orvon Gene Autry (born September 29, 1907 - died October 2, 1998) was a legendary recording and movie star whose career spanned over 60 years in the entertainment industry. Sometimes called “The Singing Cowboy,” Autry was also a broadcast executive for KTLA and owned the Major League baseball team, the Los Angeles Angels, among other business pursuits. Autry also co-founded the Gene Autry Western Heritage Museum, now known as The Autry National Center of the American West, with wife Jackie Autry and Monte and Joanne Hale in 1988. The Gene Autry Personal Papers and Business Archives span from 1900 to 2002 and document Autry’s personal and family life, including wives Ina Mae Spivey and Jackie Ellam; Autry’s military career during World War II; entertainment career; other business holdings; and honors received. Materials include administrative records; advertising material; awards; ephemera; correspondence; photographic material; posters; scrapbooks; and sheet music. -
Cowboys and Indians: the International Stage the International Stage the International Cowboyscowboys and Indians: and Indians: the International Stage Craig D
Hillis: Cowboys and Indians: The International Stage The International Stage Cowboys and Indians: Cowboys and Indians: The International Stage Craig D. Hillis 16 Bob Livingston in his A Photo by Bruce Jordan Bruce Photo by ustin office surrounded by instruments collected fr om around the world. Produced by The Berkeley Electronic Press, 2002 1 Journal of Texas Music History, Vol. 2 [2002], Iss. 1, Art. 3 The International Stage Cowboys and Indians: Cowboys There are countless cultural innovations and popular products recognized around the world as uniquely American. Whether with the blues, the Big Mac, tailfins on Cadillacs, or the legacy of space travel, the United States continually astounds and, from time to time, confounds the world with its prolific cultural productivity. Things American are everywhere, at least anywhere a radio wave can reach a receiver or a satellite signal can touch a television set, and two of the most ubiquitous Yankee exports are the mythical cowboy of the Wild West and country music. Bob Livingston, an accomplished Austin musician, has helped to shape these singular institutions into an effective tool of American diplomacy. Since 1986, Livingston has toured extensively in South Asia and the Middle East as an emissary of the State Department of the United States presenting a musical program he calls “Cowboys and Indians.” He describes his mission (with his tongue only partially in his cheek) as an attempt “to achieve world peace through cowboy songs and yodeling.”1 Livingston’s ambitious crusade has touched the lives of thousands around the world by offering a refreshing and holistic view of American culture. -
RADIO and TELEVISION MIRROR, Published Monthly by MACFADDEN PUBLICATIONS, INC., Washington and South Avenues, Dunellen, New Jersey
k MACUODIN runic ATION MAY M/RRORMID TELEVISION l-CRET ROMANCE -The Radio Star in ALICE FAYE'S Life F ,s LIFE CAN BE BEAUTIFUL ^a,g IkeLe smoke ol Olower-JJurningOlower-iji LameLCamels gives you EXTRA MILDNESS, EXTRA COOLNESS, EXTRA FLAVOR am LESS NICOTINE than the average of the four other largest-selling cigarettes tested — less than any of them — according to in- dependent scientific tests of the smoke itself. THE SMOKE'S THE THING! A LL that you get from a cigarette — you ./jLget in the smoke itself. And here's what you get when you smoke slower-burn- ing Camels. More mildness where you want mildness. ..in the smoke. More flavor where you want flavor . .in the smoke. More coolness, too! In the same slow smoke of a Camel cig- arette, you get less nicotine. Yes, 28% less nicotine than the average of the four other largest-selling brands tested... less nicotine than from any of them. Dealers feature Camels by the carton. For convenience — for economy — get your Camels by the carton. K. J. Reynolds Tobacco Company, Winston-Salem, North Carolina 'Camels taste like the cigarette they are ... a finer BY BURNING 25% cigarette of real mildness, wonderful flavor!" SLOWER than the average of the 4 other MRS. EDWARD M. McILVAIN, Jr., of New York largest-selling brands • A lover of home life, Mrs. Mcllvain furniture and silver. She also likes tested . slower than enjoys running a household. ..enter- candid photography. movies . .con- any of them . Camels also give you a smoking taining small groups of friends. -
Jemf Quarterly
JEMF QUARTERLY JOHN EDWARDS MEMORIAL FOUNDATION VOL. XII SPRING 1976 No. 41 THE JEMF The John Edwards Memorial Foundation is an archive and research center located in the Folklore and Mythology Center of the University of California at Los Angeles. It is chartered as an educational non-profit corporation, supported by gifts and contributions. The purpose of the JEMF is to further the serious study and public recognition of those forms of American folk music disseminated by commercial media such as print, sound recordings, films, radio, and television. These forms include the music referred to as cowboy, western, country & western, old time, hillbilly, bluegrass, mountain, country ,cajun, sacred, gospel, race, blues, rhythm' and blues, soul, and folk rock. The Foundation works toward this goal by: gathering and cataloguing phonograph records, sheet music, song books, photographs, biographical and discographical information, and scholarly works, as well as related artifacts; compiling, publishing, and distributing bibliographical, biographical, discographical, and historical data; reprinting, with permission, pertinent articles originally appearing in books and journals; and reissuing historically significant out-of-print sound recordings. The Friends of the JEMF was organized as a voluntary non-profit association to enable persons to support the Foundation's work. Membership in the Friends is $8.50 (or more) per calendar year; this fee qualifies as a tax deduction. Gifts and contributions to the Foundation qualify as tax deductions. DIRECTORS ADVISORS Eugene W. Earle, President Archie Green, 1st Vice President Ry Cooder Fred Hoeptner, 2nd Vice President David Crisp Ken Griffis, Secretary Harlan Dani'el D. K. Wilgus, Treasurer David Evans John Hammond Wayland D. -
Valentine's Day Is for Crooners
A Letter from SNAP Etobicoke Inc. Publisher Peter Foy tel: 416-420-9582 office: 416-604-2666 SNAP Etobicoke [email protected] Editor Justin Harrington tel: 647-883-7226 office: 416-604-2666 [email protected] Ahhh, February: a month of snow, cold and more snow. A this fantastic skiing and snowboarding facility. Keep flipping to VP Operations month where nothing happens and everybody stays inside. see pictures of skaters, cross-country skiers, toboganners, snow- Kelly Kenny Although tempting, our family has decided to embrace the man builders, winter walkers and a whole lot more, all SNAP’d tel: 416-604-2666 [email protected] winter and all that it has to offer. There is nothing better than right here in the ‘hood. Account Manager bundling up and going for a skate at an outdoor rink like the Michael Orlando new one at Colonel Samuel Smith Park. What a joy to see the Make sure you have a peek at the key events section on page tel: 416-901-4201 office: 416-604-2666 rosy cheeks on the children as they race around the figure- 17 and the events calendar on pages 18 and 19 for even more [email protected] Creative Designer eight. Seeing couples holding hands as they skate reminds me ways to enjoy the month. Don’t forget that Family Day is com- Joel Maxwell that Valentine’s Day will soon be upon us. I’ve already started ing up – perhaps our calendar will give you some inspiration [email protected] to make plans for my wife and me. -
Whither Cowboy Poetry?
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Great Plains Quarterly Great Plains Studies, Center for 1999 WHITHER COWBOY POETRY? Jim Hoy Emporia State University Follow this and additional works at: https://digitalcommons.unl.edu/greatplainsquarterly Part of the Other International and Area Studies Commons Hoy, Jim, "WHITHER COWBOY POETRY?" (1999). Great Plains Quarterly. 902. https://digitalcommons.unl.edu/greatplainsquarterly/902 This Article is brought to you for free and open access by the Great Plains Studies, Center for at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Great Plains Quarterly by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. WHITHER COWBOY POETRY? JIM HOY As a cultural phenomenon the explosion in high-heeled boots, silk neckerchief, leather popularity of cowboy poetry in the past dozen chaps-has long since become an icon that years has been nothing short of spectacular. represents the very nation: wear a cowboy hat Until the first full-scale cowboy poetry gath and you will be taken for an American any ering at Elko, Nevada, in late January 1985, where in the world. The two essential working poetry was arguably the one aspect of cowboy skills of the cowboy-roping cattle and riding culture that had not been expropriated into bucking horses-long ago have been trans American popular culture. Certainly the men formed from actual ranch work into one of the tal picture of the cowboy himself-big hat, nation's largest spectator and participant sports: rodeo. And the idealized, romanticized image of the cowboy (certainly far removed from the low-paid, hard-working hired man on horseback who actually works with cows, horses, and four-wheel-drive pickups) has be come, through pulp fiction, television, and James F. -
Artist with Title Writer Label Cat Year Genre
Artist With Title Writer Label Cat Year Genre Notes Album Synopsis_c Anonymous Uncle Tom’s Cabin No Label 0 Comedy Anonymous - Uncle Tom’s Cabin, No Label , 78, ???? Anonymous The Secretary No Label 0 Comedy Anonymous - The Secretary, No Label , 78, ???? Anonymous Mr. Speaker No Label 0 Comedy Anonymous - Mr. Speaker, No Label , 78, ???? Anonymous The Deacon No Label 0 Comedy Anonymous - The Deacon, No Label , 78, ???? Anonymous First Swimming Lesson Good-Humor 10 0 Comedy Anonymous - First Swimming Lesson, Good-Humor 10, 78, ???? Anonymous Auto Ride Good-Humor 4 0 Comedy Anonymous - Auto Ride, Good-Humor 4, 78, ???? Anonymous Pioneer XXX, Part 1 No Label 0 Comedy Anonymous - Pioneer XXX, Part 1, No Label , 78, ???? Anonymous Pioneer XXX, Part 2 No Label 0 Comedy Anonymous - Pioneer XXX, Part 2, No Label , 78, ???? Anonymous Instrumental w/ lots of reverb No Label 0 R&B Anonymous - Instrumental w/ lots of reverb, No Label , 78, ???? Coy and Helen Tolbert There’s A Light Guiding Me Chapel Tone 775 0 Gospel with Guitar Coy and Helen Tolbert - There’s A Light Guiding Me, Chapel Tone 775, 78, ???? Coy and Helen Tolbert Old Camp Meeting Days R. E. Winsett Chapel Tone 775 0 Gospel with Guitar Coy and Helen Tolbert - Old Camp Meeting Days (R. E. Winsett), Chapel Tone 775, 78, ???? Donna Lane and Jack Milton Henry Brandon And His Orchestra Love On A Greyhound Bus Blane - Thompson - Stoll Imperial 1001 0 Vocal Donna Lane and Jack Milton - Love On A Greyhound Bus (Blane - Thompson - Stoll), Imperial 1001, 78, ???? G. M. Farley The Works Of The Lord Rural Rhythm 45-EP-551 0 Country G.